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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 187 241 it is the complementary color RGB 22 68 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 187 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 187 241 shade: RGB 238 187 236, RGB 255 205 255, RGB 255 223 255 and RGB 255 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 187 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 216 169 222, RGB 199 151 203, RGB 182 133 184 and RGB 165 115 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 241 187 234, RGB 241 187 220, RGB 241 187 205 and RGB 241 187 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 218 187 241, RGB 204 187 241, RGB 189 187 241 and RGB 187 187 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 187 241 shade matches the following richer shades: RGB 233 187 241, RGB 237 180 247 and RGB 242 174 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 228 193 234, RGB 223 200 227, RGB 219 207 221 and RGB 214 213 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 187 241 shade: RGB 204 187 241, RGB 218 187 241, RGB 233 187 241, RGB 241 187 234 and RGB 241 187 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 187 241 shade: RGB 211 118 227, RGB 222 153 234, RGB 233 187 241 and RGB 244 221 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 241 189 187 and RGB 187 241 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 241 233 187 and RGB 187 241 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 241 189 187, RGB 195 241 187 and RGB 187 238 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 187 241 shade: RGB 233 187 241, RGB 241 206 187, RGB 195 241 187 and RGB 187 222 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

Complementary color

CMYK 68 / 0 / 79 / 73

HEX #16440E

RGB 22 68 14

HSL 111.11, 0.66%, 0.16%

LAB 24.75, -27.42, 26.74

 

CMYK 0 / 21 / 1 / 7

HEX #EEBBEC

RGB 238 187 236

HSL 302.35, 0.6%, 0.83%

LAB 81.72, 26.38, -17.33

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 3 / 24 / 0 / 13

HEX #D8A9DE

RGB 216 169 222

HSL 293.21, 0.45%, 0.77%

LAB 74.98, 26.23, -20.14

 

CMYK 2 / 26 / 0 / 20

HEX #C797CB

RGB 199 151 203

HSL 295.38, 0.33%, 0.69%

LAB 68.45, 26.83, -19.77

 

CMYK 1 / 28 / 0 / 28

HEX #B685B8

RGB 182 133 184

HSL 297.65, 0.26%, 0.62%

LAB 61.81, 27.48, -19.38

 

CMYK 0 / 30 / 0 / 35

HEX #A573A5

RGB 165 115 165

HSL 300, 0.22%, 0.55%

LAB 55.05, 28.18, -18.97

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 0 / 22 / 3 / 5

HEX #F1BBEA

RGB 241 187 234

HSL 307.78, 0.66%, 0.84%

LAB 81.94, 27.01, -15.89

 

CMYK 0 / 22 / 9 / 5

HEX #F1BBDC

RGB 241 187 220

HSL 323.33, 0.66%, 0.84%

LAB 81.52, 24.58, -9.01

 

CMYK 0 / 22 / 15 / 5

HEX #F1BBCD

RGB 241 187 205

HSL 340, 0.66%, 0.84%

LAB 81.1, 22.14, -1.55

 

CMYK 0 / 22 / 21 / 5

HEX #F1BBBF

RGB 241 187 191

HSL 355.56, 0.66%, 0.84%

LAB 80.74, 20, 5.47

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 10 / 22 / 0 / 5

HEX #DABBF1

RGB 218 187 241

HSL 274.44, 0.66%, 0.84%

LAB 80.07, 20.86, -22.68

 

CMYK 15 / 22 / 0 / 5

HEX #CCBBF1

RGB 204 187 241

HSL 258.89, 0.66%, 0.84%

LAB 78.88, 16.45, -24.59

 

CMYK 22 / 22 / 0 / 5

HEX #BDBBF1

RGB 189 187 241

HSL 242.22, 0.66%, 0.84%

LAB 77.7, 11.83, -26.5

 

CMYK 22 / 22 / 0 / 5

HEX #BBBBF1

RGB 187 187 241

HSL 240, 0.66%, 0.84%

LAB 77.55, 11.23, -26.74

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 4 / 27 / 0 / 3

HEX #EDB4F7

RGB 237 180 247

HSL 291.04, 0.81%, 0.84%

LAB 80.38, 31.82, -25.26

 

CMYK 5 / 31 / 0 / 0

HEX #F2AEFE

RGB 242 174 254

HSL 291, 0.98%, 0.84%

LAB 79.79, 37.89, -29.88

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 3 / 18 / 0 / 8

HEX #E4C1EA

RGB 228 193 234

HSL 291.22, 0.49%, 0.84%

LAB 82.15, 19.52, -15.69

 

CMYK 2 / 12 / 0 / 11

HEX #DFC8E3

RGB 223 200 227

HSL 291.11, 0.33%, 0.84%

LAB 83.2, 12.81, -10.42

 

CMYK 1 / 6 / 0 / 13

HEX #DBCFDD

RGB 219 207 221

HSL 291.43, 0.17%, 0.84%

LAB 84.44, 6.65, -5.43

 

CMYK 0 / 0 / 0 / 16

HEX #D6D5D6

RGB 214 213 214

HSL 300, 0.01%, 0.84%

LAB 85.37, 0.53, -0.38

 

CMYK 15 / 22 / 0 / 5

HEX #CCBBF1

RGB 204 187 241

HSL 258.89, 0.66%, 0.84%

LAB 78.88, 16.45, -24.59

 

CMYK 10 / 22 / 0 / 5

HEX #DABBF1

RGB 218 187 241

HSL 274.44, 0.66%, 0.84%

LAB 80.07, 20.86, -22.68

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 0 / 22 / 3 / 5

HEX #F1BBEA

RGB 241 187 234

HSL 307.78, 0.66%, 0.84%

LAB 81.94, 27.01, -15.89

 

CMYK 0 / 22 / 9 / 5

HEX #F1BBDC

RGB 241 187 220

HSL 323.33, 0.66%, 0.84%

LAB 81.52, 24.58, -9.01

 

CMYK 7 / 48 / 0 / 11

HEX #D376E3

RGB 211 118 227

HSL 291.19, 0.66%, 0.68%

LAB 63.63, 52.72, -40.45

 

CMYK 5 / 35 / 0 / 8

HEX #DE99EA

RGB 222 153 234

HSL 291.11, 0.66%, 0.76%

LAB 72.4, 39.06, -30.59

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 2 / 11 / 0 / 3

HEX #F4DDF8

RGB 244 221 248

HSL 291.11, 0.66%, 0.92%

LAB 90.65, 12.58, -10.25

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 0 / 22 / 22 / 5

HEX #F1BDBB

RGB 241 189 187

HSL 2.22, 0.66%, 0.84%

LAB 81.12, 18.36, 8.17

 

CMYK 22 / 0 / 12 / 5

HEX #BBF1D3

RGB 187 241 211

HSL 146.67, 0.66%, 0.84%

LAB 90.86, -23.03, 8.91

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 0 / 3 / 22 / 5

HEX #F1E9BB

RGB 241 233 187

HSL 51.11, 0.66%, 0.84%

LAB 91.94, -4.48, 23.38

 

CMYK 22 / 0 / 3 / 5

HEX #BBF1E9

RGB 187 241 233

HSL 171.11, 0.66%, 0.84%

LAB 91.4, -18.69, -1.76

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 0 / 22 / 22 / 5

HEX #F1BDBB

RGB 241 189 187

HSL 2.22, 0.66%, 0.84%

LAB 81.12, 18.36, 8.17

 

CMYK 19 / 0 / 22 / 5

HEX #C3F1BB

RGB 195 241 187

HSL 111.11, 0.66%, 0.84%

LAB 90.83, -24.67, 21.34

 

CMYK 22 / 1 / 0 / 5

HEX #BBEEF1

RGB 187 238 241

HSL 183.33, 0.66%, 0.84%

LAB 90.81, -15.52, -6.79

 

CMYK 3 / 22 / 0 / 5

HEX #E9BBF1

RGB 233 187 241

HSL 291.11, 0.66%, 0.84%

LAB 81.41, 25.68, -20.51

 

CMYK 0 / 15 / 22 / 5

HEX #F1CEBB

RGB 241 206 187

HSL 21.11, 0.66%, 0.84%

LAB 85.22, 9.41, 14

 

CMYK 19 / 0 / 22 / 5

HEX #C3F1BB

RGB 195 241 187

HSL 111.11, 0.66%, 0.84%

LAB 90.83, -24.67, 21.34

 

CMYK 22 / 8 / 0 / 5

HEX #BBDEF1

RGB 187 222 241

HSL 201.11, 0.66%, 0.84%

LAB 86.58, -7.39, -13.08

 

Description

Color code: RGB 233 187 241 | qconv.com Color code: RGB 233 187 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 187 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 187 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 22 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 22% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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