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Color name
RGB 233 131 121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 131 121 it is the complementary color RGB 22 124 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 131 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 131 121 shade: RGB 238 131 116, RGB 255 149 135, RGB 255 167 154, RGB 255 185 173 and RGB 255 203 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 131 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 131 121 shade: RGB 233 131 121, RGB 216 113 102, RGB 199 95 83, RGB 182 77 64 and RGB 165 59 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 131 121 shade: RGB 232 129 119 and RGB 232 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 131 121 shade: RGB 232 129 119, RGB 232 159 119, RGB 232 190 119, RGB 232 221 119 and RGB 213 232 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 131 121 shade matches the following richer shades: RGB 232 129 119 and RGB 245 118 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 131 121 shade: RGB 232 129 119, RGB 220 139 131, RGB 207 150 144, RGB 194 160 157 and RGB 181 171 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 131 121 shade: RGB 232 119 170, RGB 232 119 139, RGB 232 128 119, RGB 232 158 119 and RGB 232 189 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 131 121 shade: RGB 221 63 48, RGB 227 96 83, RGB 232 129 119, RGB 238 162 154 and RGB 244 194 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 131 121 shade: RGB 233 131 121, RGB 200 232 119 and RGB 119 155 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 131 121 shade: RGB 233 131 121, RGB 119 232 128 and RGB 128 119 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 131 121 shade: RGB 233 131 121, RGB 200 232 119, RGB 119 223 232 and RGB 151 119 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 131 121 shade: RGB 233 131 121, RGB 166 232 119, RGB 119 223 232 and RGB 185 119 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 48 / 9

HEX #E98379

RGB 233 131 121

HSL 5.36, 0.72%, 0.69%

LAB 65.7, 38.04, 22.7

 

Complementary color

CMYK 84 / 7 / 0 / 47

HEX #167C86

RGB 22 124 134

HSL 185.36, 0.72%, 0.31%

LAB 47.37, -23.44, -13.33

 

CMYK 0 / 45 / 51 / 7

HEX #EE8374

RGB 238 131 116

HSL 7.38, 0.78%, 0.69%

LAB 66.27, 39.46, 26.37

 

CMYK 0 / 42 / 47 / 0

HEX #FF9587

RGB 255 149 135

HSL 7, 1%, 0.76%

LAB 72.56, 38.32, 24.7

 

CMYK 0 / 35 / 40 / 0

HEX #FFA79A

RGB 255 167 154

HSL 7.72, 1%, 0.8%

LAB 76.82, 30.95, 20.15

 

CMYK 0 / 27 / 32 / 0

HEX #FFB9AD

RGB 255 185 173

HSL 8.78, 1%, 0.84%

LAB 81.28, 23.76, 16.11

 

CMYK 0 / 20 / 25 / 0

HEX #FFCBC0

RGB 255 203 192

HSL 10.48, 1%, 0.88%

LAB 85.9, 16.82, 12.49

 

CMYK 0 / 44 / 48 / 9

HEX #E98379

RGB 233 131 121

HSL 5.36, 0.72%, 0.69%

LAB 65.7, 38.04, 22.7

 

CMYK 0 / 48 / 53 / 15

HEX #D87166

RGB 216 113 102

HSL 5.79, 0.59%, 0.62%

LAB 59.31, 39.21, 24.48

 

CMYK 0 / 52 / 58 / 22

HEX #C75F53

RGB 199 95 83

HSL 6.21, 0.51%, 0.55%

LAB 52.9, 40.44, 26.53

 

CMYK 0 / 58 / 65 / 29

HEX #B64D40

RGB 182 77 64

HSL 6.61, 0.48%, 0.48%

LAB 46.48, 41.7, 28.91

 

CMYK 0 / 64 / 73 / 35

HEX #A53B2D

RGB 165 59 45

HSL 7, 0.57%, 0.41%

LAB 40.11, 42.9, 31.72

 

CMYK 0 / 44 / 49 / 9

HEX #E88177

RGB 232 129 119

HSL 5.31, 0.71%, 0.69%

LAB 65.11, 38.51, 23.01

 

CMYK 0 / 49 / 49 / 9

HEX #E87777

RGB 232 119 119

HSL 0, 0.71%, 0.69%

LAB 63.08, 43.59, 20.26

 

CMYK 0 / 44 / 49 / 9

HEX #E88177

RGB 232 129 119

HSL 5.31, 0.71%, 0.69%

LAB 65.11, 38.51, 23.01

 

CMYK 0 / 31 / 49 / 9

HEX #E89F77

RGB 232 159 119

HSL 21.24, 0.71%, 0.69%

LAB 71.75, 22.72, 31.79

 

CMYK 0 / 18 / 49 / 9

HEX #E8BE77

RGB 232 190 119

HSL 37.7, 0.71%, 0.69%

LAB 79.22, 6.27, 41.33

 

CMYK 0 / 5 / 49 / 9

HEX #E8DD77

RGB 232 221 119

HSL 54.16, 0.71%, 0.69%

LAB 87.1, -9.66, 51.01

 

CMYK 8 / 0 / 49 / 9

HEX #D5E877

RGB 213 232 119

HSL 70.09, 0.71%, 0.69%

LAB 88.54, -22.57, 52.4

 

CMYK 0 / 44 / 49 / 9

HEX #E88177

RGB 232 129 119

HSL 5.31, 0.71%, 0.69%

LAB 65.11, 38.51, 23.01

 

CMYK 0 / 52 / 57 / 4

HEX #F5766A

RGB 245 118 106

HSL 5.18, 0.87%, 0.69%

LAB 64.49, 47.7, 29.79

 

CMYK 0 / 44 / 49 / 9

HEX #E88177

RGB 232 129 119

HSL 5.31, 0.71%, 0.69%

LAB 65.11, 38.51, 23.01

 

CMYK 0 / 37 / 40 / 14

HEX #DC8B83

RGB 220 139 131

HSL 5.39, 0.56%, 0.69%

LAB 66, 29.94, 17.24

 

CMYK 0 / 28 / 30 / 19

HEX #CF9690

RGB 207 150 144

HSL 5.71, 0.4%, 0.69%

LAB 67.35, 20.6, 11.64

 

CMYK 0 / 18 / 19 / 24

HEX #C2A09D

RGB 194 160 157

HSL 4.86, 0.23%, 0.69%

LAB 68.78, 12.05, 6.26

 

CMYK 0 / 6 / 6 / 29

HEX #B5ABAA

RGB 181 171 170

HSL 5.45, 0.07%, 0.69%

LAB 70.77, 3.4, 1.79

 

CMYK 0 / 49 / 27 / 9

HEX #E877AA

RGB 232 119 170

HSL 332.92, 0.71%, 0.69%

LAB 64.36, 49.36, -6.99

 

CMYK 0 / 49 / 40 / 9

HEX #E8778B

RGB 232 119 139

HSL 349.38, 0.71%, 0.69%

LAB 63.52, 45.6, 9.47

 

CMYK 0 / 45 / 49 / 9

HEX #E88077

RGB 232 128 119

HSL 4.78, 0.71%, 0.69%

LAB 64.9, 39.02, 22.73

 

CMYK 0 / 32 / 49 / 9

HEX #E89E77

RGB 232 158 119

HSL 20.71, 0.71%, 0.69%

LAB 71.52, 23.25, 31.49

 

CMYK 0 / 19 / 49 / 9

HEX #E8BD77

RGB 232 189 119

HSL 37.17, 0.71%, 0.69%

LAB 78.97, 6.8, 41.02

 

CMYK 0 / 71 / 78 / 13

HEX #DD3F30

RGB 221 63 48

HSL 5.2, 0.72%, 0.53%

LAB 50.85, 60.15, 44.62

 

CMYK 0 / 58 / 63 / 11

HEX #E36053

RGB 227 96 83

HSL 5.42, 0.72%, 0.61%

LAB 57.39, 50.14, 33.1

 

CMYK 0 / 44 / 49 / 9

HEX #E88177

RGB 232 129 119

HSL 5.31, 0.71%, 0.69%

LAB 65.11, 38.51, 23.01

 

CMYK 0 / 32 / 35 / 7

HEX #EEA29A

RGB 238 162 154

HSL 5.71, 0.71%, 0.77%

LAB 73.77, 27.2, 15.63

 

CMYK 0 / 20 / 23 / 4

HEX #F4C2BD

RGB 244 194 189

HSL 5.45, 0.71%, 0.85%

LAB 82.64, 17.1, 9.31

 

CMYK 0 / 44 / 48 / 9

HEX #E98379

RGB 233 131 121

HSL 5.36, 0.72%, 0.69%

LAB 65.7, 38.04, 22.7

 

CMYK 14 / 0 / 49 / 9

HEX #C8E877

RGB 200 232 119

HSL 76.99, 0.71%, 0.69%

LAB 87.64, -27.55, 51.11

 

CMYK 49 / 33 / 0 / 9

HEX #779BE8

RGB 119 155 232

HSL 220.88, 0.71%, 0.69%

LAB 64.32, 8.38, -42.72

 

CMYK 0 / 44 / 48 / 9

HEX #E98379

RGB 233 131 121

HSL 5.36, 0.72%, 0.69%

LAB 65.7, 38.04, 22.7

 

CMYK 49 / 0 / 45 / 9

HEX #77E880

RGB 119 232 128

HSL 124.78, 0.71%, 0.69%

LAB 83.54, -53.25, 40.78

 

CMYK 45 / 49 / 0 / 9

HEX #8077E8

RGB 128 119 232

HSL 244.78, 0.71%, 0.69%

LAB 55.69, 31.65, -56.34

 

CMYK 0 / 44 / 48 / 9

HEX #E98379

RGB 233 131 121

HSL 5.36, 0.72%, 0.69%

LAB 65.7, 38.04, 22.7

 

CMYK 14 / 0 / 49 / 9

HEX #C8E877

RGB 200 232 119

HSL 76.99, 0.71%, 0.69%

LAB 87.64, -27.55, 51.11

 

CMYK 49 / 4 / 0 / 9

HEX #77DFE8

RGB 119 223 232

HSL 184.78, 0.71%, 0.69%

LAB 83.19, -27.83, -13.75

 

CMYK 35 / 49 / 0 / 9

HEX #9777E8

RGB 151 119 232

HSL 256.99, 0.71%, 0.69%

LAB 57.65, 37.2, -53.1

 

CMYK 0 / 44 / 48 / 9

HEX #E98379

RGB 233 131 121

HSL 5.36, 0.72%, 0.69%

LAB 65.7, 38.04, 22.7

 

CMYK 28 / 0 / 49 / 9

HEX #A6E877

RGB 166 232 119

HSL 95.04, 0.71%, 0.69%

LAB 85.58, -39.92, 48.12

 

CMYK 49 / 4 / 0 / 9

HEX #77DFE8

RGB 119 223 232

HSL 184.78, 0.71%, 0.69%

LAB 83.19, -27.83, -13.75

 

CMYK 20 / 49 / 0 / 9

HEX #B977E8

RGB 185 119 232

HSL 275.04, 0.71%, 0.69%

LAB 61.08, 46.09, -47.46

 

Description

Color code: RGB 233 131 121 | qconv.com Color code: RGB 233 131 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 131 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 131 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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