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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 52 140 it is the complementary color RGB 23 203 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 52 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 52 140 shade: RGB 237 52 135, RGB 254 70 154, RGB 255 88 173, RGB 255 106 192 and RGB 255 124 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 52 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 52 140 shade: RGB 232 52 140, RGB 215 34 121, RGB 198 16 102, RGB 181 0 83 and RGB 164 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 52 140 shade: RGB 232 53 140, RGB 232 53 92 and RGB 232 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 52 140 shade: RGB 232 53 140, RGB 232 53 189, RGB 227 53 232, RGB 179 53 232 and RGB 130 53 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 52 140 shade matches the following richer shades: RGB 232 53 140 and RGB 250 34 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 52 140 shade: RGB 232 53 140, RGB 214 71 141, RGB 196 89 141, RGB 178 107 142 and RGB 159 125 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 52 140 shade: RGB 226 53 232, RGB 232 53 190, RGB 232 53 142, RGB 232 53 94 and RGB 232 59 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 52 140 shade: RGB 182 20 99, RGB 219 24 119, RGB 232 53 140, RGB 236 90 161 and RGB 240 127 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 52 140 shade: RGB 232 52 140, RGB 232 178 53 and RGB 53 214 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 52 140 shade: RGB 232 52 140, RGB 142 232 53 and RGB 53 142 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 52 140 shade: RGB 232 52 140, RGB 232 178 53, RGB 53 232 142 and RGB 53 106 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 52 140 shade: RGB 232 52 140, RGB 232 232 53, RGB 53 232 142 and RGB 53 53 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 40 / 9

HEX #E8348C

RGB 232 52 140

HSL 330.67, 0.8%, 0.56%

LAB 53.5, 72.75, -5.66

 

Complementary color

CMYK 89 / 0 / 43 / 20

HEX #17CB73

RGB 23 203 115

HSL 150.67, 0.8%, 0.44%

LAB 72.32, -61.16, 32.42

 

CMYK 0 / 78 / 43 / 7

HEX #ED3487

RGB 237 52 135

HSL 333.08, 0.84%, 0.57%

LAB 54.25, 73.53, -1.47

 

CMYK 0 / 72 / 39 / 0

HEX #FE469A

RGB 254 70 154

HSL 332.61, 0.99%, 0.64%

LAB 59.69, 74.37, -4.32

 

CMYK 0 / 65 / 32 / 0

HEX #FF58AD

RGB 255 88 173

HSL 329.46, 1%, 0.67%

LAB 62.72, 70.33, -10.79

 

CMYK 0 / 58 / 25 / 0

HEX #FF6AC0

RGB 255 106 192

HSL 325.37, 1%, 0.71%

LAB 66.04, 65.32, -16.62

 

CMYK 0 / 51 / 17 / 0

HEX #FF7CD3

RGB 255 124 211

HSL 320.15, 1%, 0.74%

LAB 69.74, 59.85, -21.65

 

CMYK 0 / 78 / 40 / 9

HEX #E8348C

RGB 232 52 140

HSL 330.67, 0.8%, 0.56%

LAB 53.5, 72.75, -5.66

 

CMYK 0 / 84 / 44 / 16

HEX #D72279

RGB 215 34 121

HSL 331.16, 0.73%, 0.49%

LAB 48.22, 71.18, -2.34

 

CMYK 0 / 92 / 48 / 22

HEX #C61066

RGB 198 16 102

HSL 331.65, 0.85%, 0.42%

LAB 43.26, 68.59, 1.76

 

CMYK 0 / 100 / 54 / 29

HEX #B50053

RGB 181 0 83

HSL 332.49, 1%, 0.35%

LAB 38.64, 64.93, 6.71

 

CMYK 0 / 100 / 61 / 36

HEX #A40040

RGB 164 0 64

HSL 336.59, 1%, 0.32%

LAB 34.52, 59.65, 12.78

 

CMYK 0 / 77 / 40 / 9

HEX #E8358C

RGB 232 53 140

HSL 330.84, 0.8%, 0.56%

LAB 53.6, 72.47, -5.52

 

CMYK 0 / 77 / 60 / 9

HEX #E8355C

RGB 232 53 92

HSL 346.93, 0.8%, 0.56%

LAB 52.37, 68.68, 21.58

 

CMYK 0 / 77 / 77 / 9

HEX #E83535

RGB 232 53 53

HSL 0, 0.8%, 0.56%

LAB 51.79, 66.84, 43.56

 

CMYK 0 / 77 / 40 / 9

HEX #E8358C

RGB 232 53 140

HSL 330.84, 0.8%, 0.56%

LAB 53.6, 72.47, -5.52

 

CMYK 0 / 77 / 19 / 9

HEX #E835BD

RGB 232 53 189

HSL 314.41, 0.8%, 0.56%

LAB 55.46, 78.01, -31.46

 

CMYK 2 / 77 / 0 / 9

HEX #E335E8

RGB 227 53 232

HSL 298.32, 0.8%, 0.56%

LAB 56.79, 83.1, -53.93

 

CMYK 23 / 77 / 0 / 9

HEX #B335E8

RGB 179 53 232

HSL 282.23, 0.8%, 0.56%

LAB 49.44, 74.34, -66.12

 

CMYK 44 / 77 / 0 / 9

HEX #8235E8

RGB 130 53 232

HSL 265.81, 0.8%, 0.56%

LAB 42.94, 66.49, -76.99

 

CMYK 0 / 77 / 40 / 9

HEX #E8358C

RGB 232 53 140

HSL 330.84, 0.8%, 0.56%

LAB 53.6, 72.47, -5.52

 

CMYK 0 / 86 / 44 / 2

HEX #FA228C

RGB 250 34 140

HSL 330.56, 0.96%, 0.56%

LAB 55.44, 80.97, -2.42

 

CMYK 0 / 77 / 40 / 9

HEX #E8358C

RGB 232 53 140

HSL 330.84, 0.8%, 0.56%

LAB 53.6, 72.47, -5.52

 

CMYK 0 / 67 / 34 / 16

HEX #D6478D

RGB 214 71 141

HSL 330.63, 0.64%, 0.56%

LAB 52.65, 61.78, -7.86

 

CMYK 0 / 55 / 28 / 23

HEX #C4598D

RGB 196 89 141

HSL 330.84, 0.48%, 0.56%

LAB 52.73, 48.44, -8.03

 

CMYK 0 / 40 / 20 / 30

HEX #B26B8E

RGB 178 107 142

HSL 330.42, 0.32%, 0.56%

LAB 53.96, 33.13, -7.06

 

CMYK 0 / 21 / 11 / 38

HEX #9F7D8E

RGB 159 125 142

HSL 330, 0.15%, 0.56%

LAB 56.08, 16.02, -4.15

 

CMYK 3 / 77 / 0 / 9

HEX #E235E8

RGB 226 53 232

HSL 297.99, 0.8%, 0.56%

LAB 56.63, 82.91, -54.19

 

CMYK 0 / 77 / 18 / 9

HEX #E835BE

RGB 232 53 190

HSL 314.08, 0.8%, 0.56%

LAB 55.5, 78.14, -31.97

 

CMYK 0 / 77 / 39 / 9

HEX #E8358E

RGB 232 53 142

HSL 330.17, 0.8%, 0.56%

LAB 53.66, 72.67, -6.61

 

CMYK 0 / 77 / 59 / 9

HEX #E8355E

RGB 232 53 94

HSL 346.26, 0.8%, 0.56%

LAB 52.41, 68.8, 20.43

 

CMYK 0 / 75 / 77 / 9

HEX #E83B35

RGB 232 59 53

HSL 2.01, 0.8%, 0.56%

LAB 52.44, 65.02, 44.24

 

CMYK 0 / 89 / 46 / 29

HEX #B61463

RGB 182 20 99

HSL 330.74, 0.8%, 0.4%

LAB 40.16, 63.97, -1.27

 

CMYK 0 / 89 / 46 / 14

HEX #DB1877

RGB 219 24 119

HSL 330.77, 0.8%, 0.48%

LAB 48.32, 73.73, -0.89

 

CMYK 0 / 77 / 40 / 9

HEX #E8358C

RGB 232 53 140

HSL 330.84, 0.8%, 0.56%

LAB 53.6, 72.47, -5.52

 

CMYK 0 / 62 / 32 / 7

HEX #EC5AA1

RGB 236 90 161

HSL 330.82, 0.79%, 0.64%

LAB 59.63, 62.77, -8.8

 

CMYK 0 / 47 / 24 / 6

HEX #F07FB6

RGB 240 127 182

HSL 330.8, 0.79%, 0.72%

LAB 67.34, 49.64, -9.24

 

CMYK 0 / 78 / 40 / 9

HEX #E8348C

RGB 232 52 140

HSL 330.67, 0.8%, 0.56%

LAB 53.5, 72.75, -5.66

 

CMYK 0 / 23 / 77 / 9

HEX #E8B235

RGB 232 178 53

HSL 41.9, 0.8%, 0.56%

LAB 75.61, 8.34, 66.97

 

CMYK 77 / 8 / 0 / 9

HEX #35D6E8

RGB 53 214 232

HSL 186.03, 0.8%, 0.56%

LAB 78.85, -33.91, -20.46

 

CMYK 0 / 78 / 40 / 9

HEX #E8348C

RGB 232 52 140

HSL 330.67, 0.8%, 0.56%

LAB 53.5, 72.75, -5.66

 

CMYK 39 / 0 / 77 / 9

HEX #8EE835

RGB 142 232 53

HSL 90.17, 0.8%, 0.56%

LAB 83.82, -53.53, 72.31

 

CMYK 77 / 39 / 0 / 9

HEX #358EE8

RGB 53 142 232

HSL 210.17, 0.8%, 0.56%

LAB 57.97, 4.51, -52.93

 

CMYK 0 / 78 / 40 / 9

HEX #E8348C

RGB 232 52 140

HSL 330.67, 0.8%, 0.56%

LAB 53.5, 72.75, -5.66

 

CMYK 0 / 23 / 77 / 9

HEX #E8B235

RGB 232 178 53

HSL 41.9, 0.8%, 0.56%

LAB 75.61, 8.34, 66.97

 

CMYK 77 / 0 / 39 / 9

HEX #35E88E

RGB 53 232 142

HSL 149.83, 0.8%, 0.56%

LAB 82.07, -63.62, 31.56

 

CMYK 77 / 54 / 0 / 9

HEX #356AE8

RGB 53 106 232

HSL 222.23, 0.8%, 0.56%

LAB 48.12, 26.78, -68.77

 

CMYK 0 / 78 / 40 / 9

HEX #E8348C

RGB 232 52 140

HSL 330.67, 0.8%, 0.56%

LAB 53.5, 72.75, -5.66

 

CMYK 0 / 0 / 77 / 9

HEX #E8E835

RGB 232 232 53

HSL 60, 0.8%, 0.56%

LAB 89.45, -19.1, 79.54

 

CMYK 77 / 0 / 39 / 9

HEX #35E88E

RGB 53 232 142

HSL 149.83, 0.8%, 0.56%

LAB 82.07, -63.62, 31.56

 

CMYK 77 / 77 / 0 / 9

HEX #3535E8

RGB 53 53 232

HSL 240, 0.8%, 0.56%

LAB 36.23, 58.26, -88.28

 

Description

Color code: RGB 232 52 140 | qconv.com Color code: RGB 232 52 140 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 52 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 52 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 40 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 40% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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