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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 42 150 it is the complementary color RGB 23 213 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 42 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 42 150 shade: RGB 237 42 145, RGB 254 60 164, RGB 255 78 183, RGB 255 96 202 and RGB 255 114 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 42 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 215 24 131, RGB 198 6 112, RGB 181 0 93 and RGB 164 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 232 42 99, RGB 232 42 48 and RGB 232 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 232 42 201, RGB 212 42 232, RGB 160 42 232 and RGB 109 42 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 42 150 shade matches the following richer shades: RGB 232 42 150 and RGB 251 23 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 213 61 148, RGB 194 80 145, RGB 175 99 142 and RGB 156 118 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 42 150 shade: RGB 210 42 232, RGB 232 42 204, RGB 232 42 153, RGB 232 42 102 and RGB 232 42 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 42 150 shade: RGB 174 18 107, RGB 211 22 130, RGB 232 42 150, RGB 236 80 169 and RGB 240 117 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 232 159 42 and RGB 42 229 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 153 232 42 and RGB 42 153 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 232 159 42, RGB 42 232 121 and RGB 42 115 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 42 150 shade: RGB 232 42 150, RGB 232 216 42, RGB 42 232 121 and RGB 42 58 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

Complementary color

CMYK 89 / 0 / 51 / 16

HEX #17D569

RGB 23 213 105

HSL 145.89, 0.81%, 0.46%

LAB 75.32, -66.17, 41.21

 

CMYK 0 / 82 / 39 / 7

HEX #ED2A91

RGB 237 42 145

HSL 328.31, 0.84%, 0.55%

LAB 53.71, 76.89, -8.22

 

CMYK 0 / 76 / 35 / 0

HEX #FE3CA4

RGB 254 60 164

HSL 327.84, 0.99%, 0.62%

LAB 58.96, 78.34, -11.25

 

CMYK 0 / 69 / 28 / 0

HEX #FF4EB7

RGB 255 78 183

HSL 324.41, 1%, 0.65%

LAB 61.76, 75.08, -17.98

 

CMYK 0 / 62 / 21 / 0

HEX #FF60CA

RGB 255 96 202

HSL 320, 1%, 0.69%

LAB 64.88, 70.77, -24.04

 

CMYK 0 / 55 / 13 / 0

HEX #FF72DD

RGB 255 114 221

HSL 314.47, 1%, 0.72%

LAB 68.4, 65.86, -29.26

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 89 / 39 / 16

HEX #D71883

RGB 215 24 131

HSL 326.39, 0.8%, 0.47%

LAB 47.93, 73.89, -8.88

 

CMYK 0 / 97 / 43 / 22

HEX #C60670

RGB 198 6 112

HSL 326.88, 0.94%, 0.4%

LAB 43.22, 70.47, -4.55

 

CMYK 0 / 100 / 49 / 29

HEX #B5005D

RGB 181 0 93

HSL 329.17, 1%, 0.35%

LAB 38.92, 65.69, 0.72

 

CMYK 0 / 100 / 55 / 36

HEX #A4004A

RGB 164 0 74

HSL 332.93, 1%, 0.32%

LAB 34.78, 60.32, 6.57

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 82 / 57 / 9

HEX #E82A63

RGB 232 42 99

HSL 342, 0.81%, 0.54%

LAB 51.51, 71.97, 16.2

 

CMYK 0 / 82 / 79 / 9

HEX #E82A30

RGB 232 42 48

HSL 358.11, 0.81%, 0.54%

LAB 50.72, 69.58, 45.16

 

CMYK 0 / 82 / 82 / 9

HEX #E82A2A

RGB 232 42 42

HSL 0, 0.81%, 0.54%

LAB 50.66, 69.41, 48.26

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 82 / 13 / 9

HEX #E82AC9

RGB 232 42 201

HSL 309.79, 0.81%, 0.54%

LAB 55.1, 82.21, -38.93

 

CMYK 9 / 82 / 0 / 9

HEX #D42AE8

RGB 212 42 232

HSL 293.68, 0.81%, 0.54%

LAB 53.47, 83.04, -59.37

 

CMYK 31 / 82 / 0 / 9

HEX #A02AE8

RGB 160 42 232

HSL 277.26, 0.81%, 0.54%

LAB 45.57, 74.62, -72.53

 

CMYK 53 / 82 / 0 / 9

HEX #6D2AE8

RGB 109 42 232

HSL 261.16, 0.81%, 0.54%

LAB 39.13, 67.97, -83.35

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 91 / 39 / 2

HEX #FB1799

RGB 251 23 153

HSL 325.79, 0.97%, 0.54%

LAB 55.5, 83.9, -10.02

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 71 / 31 / 16

HEX #D53D94

RGB 213 61 148

HSL 325.66, 0.64%, 0.54%

LAB 51.41, 65.96, -13.91

 

CMYK 0 / 59 / 25 / 24

HEX #C25091

RGB 194 80 145

HSL 325.79, 0.48%, 0.54%

LAB 50.98, 52.59, -13.07

 

CMYK 0 / 43 / 19 / 31

HEX #AF638E

RGB 175 99 142

HSL 326.05, 0.32%, 0.54%

LAB 51.83, 36.42, -10.28

 

CMYK 0 / 24 / 10 / 39

HEX #9C768C

RGB 156 118 140

HSL 325.26, 0.16%, 0.54%

LAB 53.94, 18.56, -6.18

 

CMYK 9 / 82 / 0 / 9

HEX #D22AE8

RGB 210 42 232

HSL 293.05, 0.81%, 0.54%

LAB 53.15, 82.69, -59.9

 

CMYK 0 / 82 / 12 / 9

HEX #E82ACC

RGB 232 42 204

HSL 308.84, 0.81%, 0.54%

LAB 55.25, 82.61, -40.42

 

CMYK 0 / 82 / 34 / 9

HEX #E82A99

RGB 232 42 153

HSL 324.95, 0.81%, 0.54%

LAB 53.07, 76.52, -14.04

 

CMYK 0 / 82 / 56 / 9

HEX #E82A66

RGB 232 42 102

HSL 341.05, 0.81%, 0.54%

LAB 51.58, 72.17, 14.47

 

CMYK 0 / 82 / 78 / 9

HEX #E82A34

RGB 232 42 52

HSL 356.84, 0.81%, 0.54%

LAB 50.76, 69.7, 43.02

 

CMYK 0 / 90 / 39 / 32

HEX #AE126B

RGB 174 18 107

HSL 325.77, 0.81%, 0.38%

LAB 38.71, 63.17, -8.65

 

CMYK 0 / 90 / 38 / 17

HEX #D31682

RGB 211 22 130

HSL 325.71, 0.81%, 0.46%

LAB 47.02, 73.2, -9.71

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 66 / 28 / 7

HEX #EC50A9

RGB 236 80 169

HSL 325.77, 0.8%, 0.62%

LAB 58.45, 67.71, -15.22

 

CMYK 0 / 51 / 22 / 6

HEX #F075BB

RGB 240 117 187

HSL 325.85, 0.8%, 0.7%

LAB 65.62, 55.19, -14.63

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 31 / 82 / 9

HEX #E89F2A

RGB 232 159 42

HSL 36.95, 0.81%, 0.54%

LAB 70.95, 18.04, 66.53

 

CMYK 82 / 1 / 0 / 9

HEX #2AE5E8

RGB 42 229 232

HSL 180.95, 0.81%, 0.54%

LAB 83.1, -41.73, -14.07

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 34 / 0 / 82 / 9

HEX #99E82A

RGB 153 232 42

HSL 84.95, 0.81%, 0.54%

LAB 84.3, -50.27, 75.91

 

CMYK 82 / 34 / 0 / 9

HEX #2A99E8

RGB 42 153 232

HSL 204.95, 0.81%, 0.54%

LAB 60.87, -3.01, -48.34

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 31 / 82 / 9

HEX #E89F2A

RGB 232 159 42

HSL 36.95, 0.81%, 0.54%

LAB 70.95, 18.04, 66.53

 

CMYK 82 / 0 / 48 / 9

HEX #2AE879

RGB 42 232 121

HSL 144.95, 0.81%, 0.54%

LAB 81.61, -68.39, 41.36

 

CMYK 82 / 50 / 0 / 9

HEX #2A73E8

RGB 42 115 232

HSL 216.95, 0.81%, 0.54%

LAB 50.19, 20.05, -65.43

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 0 / 7 / 82 / 9

HEX #E8D82A

RGB 232 216 42

HSL 54.95, 0.81%, 0.54%

LAB 85.22, -11.57, 78.77

 

CMYK 82 / 0 / 48 / 9

HEX #2AE879

RGB 42 232 121

HSL 144.95, 0.81%, 0.54%

LAB 81.61, -68.39, 41.36

 

CMYK 82 / 75 / 0 / 9

HEX #2A3AE8

RGB 42 58 232

HSL 234.95, 0.81%, 0.54%

LAB 36.64, 55, -87.62

 

Description

Color code: RGB 232 42 150 | qconv.com Color code: RGB 232 42 150 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 42 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 42 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 35% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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