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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 177 94 it is the complementary color RGB 23 78 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 177 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 177 94 shade: RGB 237 177 89, RGB 254 195 108, RGB 255 213 127, RGB 255 231 146 and RGB 255 249 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 177 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 215 159 75, RGB 198 141 56, RGB 181 123 37 and RGB 164 105 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 232 140 94, RGB 232 102 94 and RGB 232 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 232 214 94, RGB 212 232 94, RGB 175 232 94 and RGB 138 232 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 177 94 shade matches the following richer shades: RGB 232 177 94 and RGB 246 180 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 217 174 109, RGB 202 171 124, RGB 187 168 138 and RGB 172 165 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 177 94 shade: RGB 232 103 94, RGB 232 140 94, RGB 232 176 94, RGB 232 213 94 and RGB 213 232 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 177 94 shade: RGB 213 140 30, RGB 226 159 58, RGB 232 177 94, RGB 237 194 130 and RGB 242 212 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 121 232 94 and RGB 121 94 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 94 232 176 and RGB 176 94 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 121 232 94, RGB 94 149 232 and RGB 204 94 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 177 94 shade: RGB 232 177 94, RGB 94 232 108, RGB 94 149 232 and RGB 232 94 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

Complementary color

CMYK 86 / 52 / 0 / 37

HEX #174EA1

RGB 23 78 161

HSL 216.09, 0.75%, 0.36%

LAB 34.4, 14.87, -49.84

 

CMYK 0 / 25 / 62 / 7

HEX #EDB159

RGB 237 177 89

HSL 35.68, 0.8%, 0.64%

LAB 76.17, 12.82, 52.57

 

CMYK 0 / 23 / 57 / 0

HEX #FEC36C

RGB 254 195 108

HSL 35.75, 0.99%, 0.71%

LAB 82.48, 11.7, 51.25

 

CMYK 0 / 16 / 50 / 0

HEX #FFD57F

RGB 255 213 127

HSL 40.31, 1%, 0.75%

LAB 87.18, 4.32, 47.71

 

CMYK 0 / 9 / 43 / 0

HEX #FFE792

RGB 255 231 146

HSL 46.79, 1%, 0.79%

LAB 91.9, -3.05, 44.28

 

CMYK 0 / 2 / 35 / 0

HEX #FFF9A5

RGB 255 249 165

HSL 56, 1%, 0.82%

LAB 96.71, -10.01, 41.08

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 26 / 65 / 16

HEX #D79F4B

RGB 215 159 75

HSL 36, 0.64%, 0.57%

LAB 69.29, 12.27, 50.82

 

CMYK 0 / 29 / 72 / 22

HEX #C68D38

RGB 198 141 56

HSL 35.92, 0.56%, 0.5%

LAB 62.79, 13.65, 52

 

CMYK 0 / 32 / 80 / 29

HEX #B57B25

RGB 181 123 37

HSL 35.83, 0.66%, 0.43%

LAB 56.21, 15.28, 52.83

 

CMYK 0 / 36 / 89 / 36

HEX #A46912

RGB 164 105 18

HSL 35.75, 0.8%, 0.36%

LAB 49.54, 17.19, 52.77

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 40 / 59 / 9

HEX #E88C5E

RGB 232 140 94

HSL 20, 0.75%, 0.64%

LAB 67.07, 30.72, 39.19

 

CMYK 0 / 56 / 59 / 9

HEX #E8665E

RGB 232 102 94

HSL 3.48, 0.75%, 0.64%

LAB 59.4, 49.84, 29.59

 

CMYK 0 / 59 / 59 / 9

HEX #E85E5E

RGB 232 94 94

HSL 0, 0.75%, 0.64%

LAB 58.01, 53.5, 27.8

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 8 / 59 / 9

HEX #E8D65E

RGB 232 214 94

HSL 52.17, 0.75%, 0.64%

LAB 85.03, -8.1, 60.09

 

CMYK 9 / 0 / 59 / 9

HEX #D4E85E

RGB 212 232 94

HSL 68.7, 0.75%, 0.64%

LAB 88.22, -25.05, 63.17

 

CMYK 25 / 0 / 59 / 9

HEX #AFE85E

RGB 175 232 94

HSL 84.78, 0.75%, 0.64%

LAB 85.82, -39.19, 59.85

 

CMYK 41 / 0 / 59 / 9

HEX #8AE85E

RGB 138 232 94

HSL 100.87, 0.75%, 0.64%

LAB 83.93, -51.83, 57.2

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 27 / 68 / 4

HEX #F6B44F

RGB 246 180 79

HSL 36.29, 0.9%, 0.64%

LAB 77.76, 14.39, 59.16

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 20 / 50 / 15

HEX #D9AE6D

RGB 217 174 109

HSL 36.11, 0.59%, 0.64%

LAB 73.63, 7.68, 39.13

 

CMYK 0 / 15 / 39 / 21

HEX #CAAB7C

RGB 202 171 124

HSL 36.15, 0.42%, 0.64%

LAB 71.65, 4.72, 28.4

 

CMYK 0 / 10 / 26 / 27

HEX #BBA88A

RGB 187 168 138

HSL 36.73, 0.26%, 0.64%

LAB 69.76, 2.17, 18.03

 

CMYK 0 / 4 / 11 / 33

HEX #ACA599

RGB 172 165 153

HSL 37.89, 0.1%, 0.64%

LAB 68.01, 0.4, 7.11

 

CMYK 0 / 56 / 59 / 9

HEX #E8675E

RGB 232 103 94

HSL 3.91, 0.75%, 0.64%

LAB 59.58, 49.37, 29.82

 

CMYK 0 / 40 / 59 / 9

HEX #E88C5E

RGB 232 140 94

HSL 20, 0.75%, 0.64%

LAB 67.07, 30.72, 39.19

 

CMYK 0 / 24 / 59 / 9

HEX #E8B05E

RGB 232 176 94

HSL 35.65, 0.75%, 0.64%

LAB 75.46, 11.61, 49.22

 

CMYK 0 / 8 / 59 / 9

HEX #E8D55E

RGB 232 213 94

HSL 51.74, 0.75%, 0.64%

LAB 84.77, -7.6, 59.81

 

CMYK 8 / 0 / 59 / 9

HEX #D5E85E

RGB 213 232 94

HSL 68.26, 0.75%, 0.64%

LAB 88.29, -24.65, 63.27

 

CMYK 0 / 34 / 86 / 16

HEX #D58C1E

RGB 213 140 30

HSL 36.07, 0.75%, 0.48%

LAB 64.16, 19.75, 63.63

 

CMYK 0 / 30 / 74 / 11

HEX #E29F3A

RGB 226 159 58

HSL 36.07, 0.74%, 0.56%

LAB 70.37, 16.06, 59.82

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 18 / 45 / 7

HEX #EDC282

RGB 237 194 130

HSL 35.89, 0.75%, 0.72%

LAB 80.85, 7.24, 37.89

 

CMYK 0 / 12 / 31 / 5

HEX #F2D4A6

RGB 242 212 166

HSL 36.32, 0.75%, 0.8%

LAB 86.36, 3.86, 26.63

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 48 / 0 / 59 / 9

HEX #79E85E

RGB 121 232 94

HSL 108.26, 0.75%, 0.64%

LAB 83.22, -56.9, 56.21

 

CMYK 48 / 59 / 0 / 9

HEX #795EE8

RGB 121 94 232

HSL 251.74, 0.75%, 0.64%

LAB 49.37, 44.68, -66.55

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 59 / 0 / 24 / 9

HEX #5EE8B0

RGB 94 232 176

HSL 155.65, 0.75%, 0.64%

LAB 83.56, -50.41, 16.23

 

CMYK 24 / 59 / 0 / 9

HEX #B05EE8

RGB 176 94 232

HSL 275.65, 0.75%, 0.64%

LAB 55.14, 56.72, -56.97

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 48 / 0 / 59 / 9

HEX #79E85E

RGB 121 232 94

HSL 108.26, 0.75%, 0.64%

LAB 83.22, -56.9, 56.21

 

CMYK 59 / 36 / 0 / 9

HEX #5E95E8

RGB 94 149 232

HSL 216.09, 0.75%, 0.64%

LAB 61.4, 6.56, -47.41

 

CMYK 12 / 59 / 0 / 9

HEX #CC5EE8

RGB 204 94 232

HSL 287.83, 0.75%, 0.64%

LAB 58.67, 63.39, -51.13

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 59 / 0 / 53 / 9

HEX #5EE86C

RGB 94 232 108

HSL 126.09, 0.75%, 0.64%

LAB 82.47, -62.09, 48.82

 

CMYK 59 / 36 / 0 / 9

HEX #5E95E8

RGB 94 149 232

HSL 216.09, 0.75%, 0.64%

LAB 61.4, 6.56, -47.41

 

CMYK 0 / 59 / 6 / 9

HEX #E85EDA

RGB 232 94 218

HSL 306.09, 0.75%, 0.64%

LAB 61.85, 67.91, -38.01

 

Description

Color code: RGB 232 177 94 | qconv.com Color code: RGB 232 177 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 177 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 177 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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