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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 13 208 it is the complementary color RGB 23 242 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 13 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 13 208 shade: RGB 237 13 203, RGB 254 31 222, RGB 255 49 241, RGB 255 67 255 and RGB 255 85 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 13 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 13 208 shade: RGB 232 13 208, RGB 215 0 189, RGB 198 0 170, RGB 181 0 151 and RGB 164 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 13 208 shade: RGB 231 13 207, RGB 231 13 148, RGB 231 13 89, RGB 231 13 31 and RGB 231 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 13 208 shade: RGB 231 13 207, RGB 196 13 231, RGB 137 13 231, RGB 78 13 231 and RGB 20 13 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 13 208 shade matches the following richer shades: RGB 231 13 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 13 208 shade: RGB 231 13 207, RGB 211 33 191, RGB 191 53 176, RGB 171 72 161 and RGB 152 92 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 13 208 shade: RGB 136 13 231, RGB 195 13 231, RGB 231 13 209, RGB 231 13 151 and RGB 231 13 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 13 208 shade: RGB 153 8 137, RGB 192 11 172, RGB 231 13 207, RGB 242 43 220 and RGB 244 82 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 13 208 shade: RGB 232 13 208, RGB 231 78 13 and RGB 13 231 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 13 208 shade: RGB 232 13 208, RGB 209 231 13 and RGB 13 209 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 13 208 shade: RGB 232 13 208, RGB 231 78 13, RGB 13 231 35 and RGB 13 165 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 13 208 shade: RGB 232 13 208, RGB 231 144 13, RGB 13 231 35 and RGB 13 100 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 10 / 9

HEX #E80DD0

RGB 232 13 208

HSL 306.58, 0.89%, 0.48%

LAB 54.02, 87.31, -44.64

 

Complementary color

CMYK 90 / 0 / 81 / 5

HEX #17F22F

RGB 23 242 47

HSL 126.58, 0.89%, 0.52%

LAB 83.91, -80.58, 73.02

 

CMYK 0 / 95 / 14 / 7

HEX #ED0DCB

RGB 237 13 203

HSL 309.11, 0.9%, 0.49%

LAB 54.66, 87.55, -40.71

 

CMYK 0 / 88 / 13 / 0

HEX #FE1FDE

RGB 254 31 222

HSL 308.61, 0.99%, 0.56%

LAB 59.27, 91.06, -44.06

 

CMYK 0 / 81 / 5 / 0

HEX #FF31F1

RGB 255 49 241

HSL 304.08, 1%, 0.6%

LAB 61.49, 90.62, -51.21

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 94 / 10 / 9

HEX #E80DD0

RGB 232 13 208

HSL 306.58, 0.89%, 0.48%

LAB 54.02, 87.31, -44.64

 

CMYK 0 / 100 / 12 / 16

HEX #D700BD

RGB 215 0 189

HSL 307.26, 1%, 0.42%

LAB 49.64, 82.83, -40.79

 

CMYK 0 / 100 / 14 / 22

HEX #C600AA

RGB 198 0 170

HSL 308.48, 1%, 0.39%

LAB 45.51, 77.36, -36.35

 

CMYK 0 / 100 / 17 / 29

HEX #B50097

RGB 181 0 151

HSL 309.94, 1%, 0.35%

LAB 41.31, 71.8, -31.78

 

CMYK 0 / 100 / 20 / 36

HEX #A40084

RGB 164 0 132

HSL 311.71, 1%, 0.32%

LAB 37.04, 66.16, -27.06

 

CMYK 0 / 94 / 10 / 9

HEX #E70DCF

RGB 231 13 207

HSL 306.61, 0.89%, 0.48%

LAB 53.79, 87.01, -44.45

 

CMYK 0 / 94 / 36 / 9

HEX #E70D94

RGB 231 13 148

HSL 322.84, 0.89%, 0.48%

LAB 51.17, 80.25, -13.95

 

CMYK 0 / 94 / 61 / 9

HEX #E70D59

RGB 231 13 89

HSL 339.08, 0.89%, 0.48%

LAB 49.49, 75.75, 19.53

 

CMYK 0 / 94 / 87 / 9

HEX #E70D1F

RGB 231 13 31

HSL 355.05, 0.89%, 0.48%

LAB 48.73, 73.64, 51.93

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 94 / 10 / 9

HEX #E70DCF

RGB 231 13 207

HSL 306.61, 0.89%, 0.48%

LAB 53.79, 87.01, -44.45

 

CMYK 15 / 94 / 0 / 9

HEX #C40DE7

RGB 196 13 231

HSL 290.37, 0.89%, 0.48%

LAB 49.24, 84.95, -65.75

 

CMYK 41 / 94 / 0 / 9

HEX #890DE7

RGB 137 13 231

HSL 274.13, 0.89%, 0.48%

LAB 40.21, 77.6, -80.88

 

CMYK 66 / 94 / 0 / 9

HEX #4E0DE7

RGB 78 13 231

HSL 257.89, 0.89%, 0.48%

LAB 33.3, 73.07, -92.53

 

CMYK 91 / 94 / 0 / 9

HEX #140DE7

RGB 20 13 231

HSL 241.93, 0.89%, 0.48%

LAB 29.93, 71.38, -98.24

 

CMYK 0 / 94 / 10 / 9

HEX #E70DCF

RGB 231 13 207

HSL 306.61, 0.89%, 0.48%

LAB 53.79, 87.01, -44.45

 

CMYK 0 / 94 / 10 / 9

HEX #E70DCF

RGB 231 13 207

HSL 306.61, 0.89%, 0.48%

LAB 53.79, 87.01, -44.45

 

CMYK 0 / 84 / 9 / 17

HEX #D321BF

RGB 211 33 191

HSL 306.74, 0.73%, 0.48%

LAB 50.33, 78.55, -40.91

 

CMYK 0 / 72 / 8 / 25

HEX #BF35B0

RGB 191 53 176

HSL 306.52, 0.57%, 0.48%

LAB 47.95, 67.01, -36.13

 

CMYK 0 / 58 / 6 / 33

HEX #AB48A1

RGB 171 72 161

HSL 306.06, 0.41%, 0.48%

LAB 46.8, 51.99, -29.3

 

CMYK 0 / 39 / 5 / 40

HEX #985C91

RGB 152 92 145

HSL 307, 0.25%, 0.48%

LAB 47.46, 32.93, -18.96

 

CMYK 41 / 94 / 0 / 9

HEX #880DE7

RGB 136 13 231

HSL 273.85, 0.89%, 0.48%

LAB 40.07, 77.49, -81.11

 

CMYK 16 / 94 / 0 / 9

HEX #C30DE7

RGB 195 13 231

HSL 290.09, 0.89%, 0.48%

LAB 49.08, 84.8, -66.02

 

CMYK 0 / 94 / 10 / 9

HEX #E70DD1

RGB 231 13 209

HSL 306.06, 0.89%, 0.48%

LAB 53.9, 87.27, -45.43

 

CMYK 0 / 94 / 35 / 9

HEX #E70D97

RGB 231 13 151

HSL 322.02, 0.89%, 0.48%

LAB 51.28, 80.54, -15.58

 

CMYK 0 / 94 / 60 / 9

HEX #E70D5D

RGB 231 13 93

HSL 337.98, 0.89%, 0.48%

LAB 49.58, 75.98, 17.19

 

CMYK 0 / 95 / 10 / 40

HEX #990889

RGB 153 8 137

HSL 306.62, 0.9%, 0.32%

LAB 35.5, 63.74, -32.72

 

CMYK 0 / 94 / 10 / 25

HEX #C00BAC

RGB 192 11 172

HSL 306.63, 0.89%, 0.4%

LAB 44.84, 75.56, -38.67

 

CMYK 0 / 94 / 10 / 9

HEX #E70DCF

RGB 231 13 207

HSL 306.61, 0.89%, 0.48%

LAB 53.79, 87.01, -44.45

 

CMYK 0 / 82 / 9 / 5

HEX #F22BDC

RGB 242 43 220

HSL 306.63, 0.88%, 0.56%

LAB 57.82, 86.51, -45.36

 

CMYK 0 / 66 / 7 / 4

HEX #F452E3

RGB 244 82 227

HSL 306.3, 0.88%, 0.64%

LAB 62.35, 76.89, -42.14

 

CMYK 0 / 94 / 10 / 9

HEX #E80DD0

RGB 232 13 208

HSL 306.58, 0.89%, 0.48%

LAB 54.02, 87.31, -44.64

 

CMYK 0 / 66 / 94 / 9

HEX #E74E0D

RGB 231 78 13

HSL 17.89, 0.89%, 0.48%

LAB 54.52, 56.97, 62.32

 

CMYK 94 / 0 / 29 / 9

HEX #0DE7A5

RGB 13 231 165

HSL 161.83, 0.89%, 0.48%

LAB 81.81, -61.41, 19.34

 

CMYK 0 / 94 / 10 / 9

HEX #E80DD0

RGB 232 13 208

HSL 306.58, 0.89%, 0.48%

LAB 54.02, 87.31, -44.64

 

CMYK 10 / 0 / 94 / 9

HEX #D1E70D

RGB 209 231 13

HSL 66.06, 0.89%, 0.48%

LAB 87.36, -28.99, 84.66

 

CMYK 94 / 10 / 0 / 9

HEX #0DD1E7

RGB 13 209 231

HSL 186.06, 0.89%, 0.48%

LAB 76.95, -34.3, -22.84

 

CMYK 0 / 94 / 10 / 9

HEX #E80DD0

RGB 232 13 208

HSL 306.58, 0.89%, 0.48%

LAB 54.02, 87.31, -44.64

 

CMYK 0 / 66 / 94 / 9

HEX #E74E0D

RGB 231 78 13

HSL 17.89, 0.89%, 0.48%

LAB 54.52, 56.97, 62.32

 

CMYK 94 / 0 / 85 / 9

HEX #0DE723

RGB 13 231 35

HSL 126.06, 0.89%, 0.48%

LAB 80.38, -78.65, 72.66

 

CMYK 94 / 29 / 0 / 9

HEX #0DA5E7

RGB 13 165 231

HSL 198.17, 0.89%, 0.48%

LAB 63.97, -11.83, -42.93

 

CMYK 0 / 94 / 10 / 9

HEX #E80DD0

RGB 232 13 208

HSL 306.58, 0.89%, 0.48%

LAB 54.02, 87.31, -44.64

 

CMYK 0 / 38 / 94 / 9

HEX #E7900D

RGB 231 144 13

HSL 36.06, 0.89%, 0.48%

LAB 67.25, 25, 70.74

 

CMYK 94 / 0 / 85 / 9

HEX #0DE723

RGB 13 231 35

HSL 126.06, 0.89%, 0.48%

LAB 80.38, -78.65, 72.66

 

CMYK 94 / 57 / 0 / 9

HEX #0D64E7

RGB 13 100 231

HSL 216.06, 0.89%, 0.48%

LAB 45.59, 27.62, -72.36

 

Description

Color code: RGB 232 13 208 | qconv.com Color code: RGB 232 13 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 13 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 13 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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