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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 99 226 it is the complementary color RGB 24 156 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 99 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 99 226 shade: RGB 236 99 221, RGB 253 117 240, RGB 255 135 255, RGB 255 153 255 and RGB 255 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 99 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 99 226 shade: RGB 231 99 226, RGB 214 81 207, RGB 197 63 188, RGB 180 45 169 and RGB 163 27 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 99 226 shade: RGB 230 100 225, RGB 230 100 190, RGB 230 100 155, RGB 230 100 120 and RGB 230 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 99 226 shade: RGB 230 100 225, RGB 200 100 230, RGB 165 100 230, RGB 130 100 230 and RGB 100 100 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 99 226 shade matches the following richer shades: RGB 230 100 225 and RGB 245 86 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 99 226 shade: RGB 230 100 225, RGB 216 115 212, RGB 202 129 199, RGB 187 143 185 and RGB 173 158 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 99 226 shade: RGB 165 100 230, RGB 200 100 230, RGB 230 100 226, RGB 230 100 191 and RGB 230 100 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 99 226 shade: RGB 215 33 208, RGB 225 64 219, RGB 230 100 225, RGB 236 136 232 and RGB 242 171 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 99 226 shade: RGB 231 99 226, RGB 230 131 100 and RGB 100 230 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 99 226 shade: RGB 231 99 226, RGB 226 230 100 and RGB 100 226 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 99 226 shade: RGB 231 99 226, RGB 230 131 100, RGB 100 230 104 and RGB 100 200 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 99 226 shade: RGB 231 99 226, RGB 230 170 100, RGB 100 230 104 and RGB 100 161 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

Complementary color

CMYK 85 / 0 / 81 / 39

HEX #189C1D

RGB 24 156 29

HSL 122.27, 0.73%, 0.35%

LAB 56.15, -56.8, 52.07

 

CMYK 0 / 58 / 6 / 7

HEX #EC63DD

RGB 236 99 221

HSL 306.57, 0.78%, 0.66%

LAB 63.32, 67.3, -37.34

 

CMYK 0 / 54 / 5 / 1

HEX #FD75F0

RGB 253 117 240

HSL 305.74, 0.97%, 0.73%

LAB 69.4, 66.94, -38.24

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 62 / 3 / 16

HEX #D651CF

RGB 214 81 207

HSL 303.16, 0.62%, 0.58%

LAB 56.77, 66.99, -39.94

 

CMYK 0 / 68 / 5 / 23

HEX #C53FBC

RGB 197 63 188

HSL 304.03, 0.54%, 0.51%

LAB 50.75, 66.79, -38.66

 

CMYK 0 / 75 / 6 / 29

HEX #B42DA9

RGB 180 45 169

HSL 304.89, 0.6%, 0.44%

LAB 44.86, 66.02, -36.98

 

CMYK 0 / 83 / 8 / 36

HEX #A31B96

RGB 163 27 150

HSL 305.74, 0.72%, 0.37%

LAB 39.19, 64.37, -34.73

 

CMYK 0 / 57 / 2 / 10

HEX #E664E1

RGB 230 100 225

HSL 302.31, 0.72%, 0.65%

LAB 62.82, 65.97, -40.43

 

CMYK 0 / 57 / 17 / 10

HEX #E664BE

RGB 230 100 190

HSL 318.46, 0.72%, 0.65%

LAB 61.36, 60.51, -22.95

 

CMYK 0 / 57 / 33 / 10

HEX #E6649B

RGB 230 100 155

HSL 334.62, 0.72%, 0.65%

LAB 60.16, 55.87, -4.64

 

CMYK 0 / 57 / 48 / 10

HEX #E66478

RGB 230 100 120

HSL 350.77, 0.72%, 0.65%

LAB 59.24, 52.17, 14.37

 

CMYK 0 / 57 / 57 / 10

HEX #E66464

RGB 230 100 100

HSL 0, 0.72%, 0.65%

LAB 58.84, 50.5, 25.38

 

CMYK 0 / 57 / 2 / 10

HEX #E664E1

RGB 230 100 225

HSL 302.31, 0.72%, 0.65%

LAB 62.82, 65.97, -40.43

 

CMYK 13 / 57 / 0 / 10

HEX #C864E6

RGB 200 100 230

HSL 286.15, 0.72%, 0.65%

LAB 59.07, 59.23, -49.4

 

CMYK 28 / 57 / 0 / 10

HEX #A564E6

RGB 165 100 230

HSL 270, 0.72%, 0.65%

LAB 54.89, 50.6, -56.31

 

CMYK 43 / 57 / 0 / 10

HEX #8264E6

RGB 130 100 230

HSL 253.85, 0.72%, 0.65%

LAB 51.35, 42.57, -62.19

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 0 / 57 / 2 / 10

HEX #E664E1

RGB 230 100 225

HSL 302.31, 0.72%, 0.65%

LAB 62.82, 65.97, -40.43

 

CMYK 0 / 65 / 2 / 4

HEX #F556EF

RGB 245 86 239

HSL 302.26, 0.89%, 0.65%

LAB 63.59, 77.51, -46.87

 

CMYK 0 / 57 / 2 / 10

HEX #E664E1

RGB 230 100 225

HSL 302.31, 0.72%, 0.65%

LAB 62.82, 65.97, -40.43

 

CMYK 0 / 47 / 2 / 15

HEX #D873D4

RGB 216 115 212

HSL 302.38, 0.56%, 0.65%

LAB 63.02, 52.9, -32.97

 

CMYK 0 / 36 / 1 / 21

HEX #CA81C7

RGB 202 129 199

HSL 302.47, 0.41%, 0.65%

LAB 63.66, 39.05, -24.83

 

CMYK 0 / 24 / 1 / 27

HEX #BB8FB9

RGB 187 143 185

HSL 302.73, 0.24%, 0.65%

LAB 64.73, 23.79, -15.46

 

CMYK 0 / 9 / 1 / 32

HEX #AD9EAC

RGB 173 158 172

HSL 304, 0.08%, 0.65%

LAB 66.76, 8.05, -5.28

 

CMYK 28 / 57 / 0 / 10

HEX #A564E6

RGB 165 100 230

HSL 270, 0.72%, 0.65%

LAB 54.89, 50.6, -56.31

 

CMYK 13 / 57 / 0 / 10

HEX #C864E6

RGB 200 100 230

HSL 286.15, 0.72%, 0.65%

LAB 59.07, 59.23, -49.4

 

CMYK 0 / 57 / 2 / 10

HEX #E664E2

RGB 230 100 226

HSL 301.85, 0.72%, 0.65%

LAB 62.87, 66.14, -40.91

 

CMYK 0 / 57 / 17 / 10

HEX #E664BF

RGB 230 100 191

HSL 318, 0.72%, 0.65%

LAB 61.39, 60.65, -23.46

 

CMYK 0 / 57 / 32 / 10

HEX #E6649D

RGB 230 100 157

HSL 333.69, 0.72%, 0.65%

LAB 60.22, 56.11, -5.71

 

CMYK 0 / 85 / 3 / 16

HEX #D721D0

RGB 215 33 208

HSL 302.31, 0.73%, 0.49%

LAB 51.94, 81.71, -48.14

 

CMYK 0 / 72 / 3 / 12

HEX #E140DB

RGB 225 64 219

HSL 302.24, 0.73%, 0.57%

LAB 56.87, 77.53, -46.48

 

CMYK 0 / 57 / 2 / 10

HEX #E664E1

RGB 230 100 225

HSL 302.31, 0.72%, 0.65%

LAB 62.82, 65.97, -40.43

 

CMYK 0 / 42 / 2 / 7

HEX #EC88E8

RGB 236 136 232

HSL 302.4, 0.72%, 0.73%

LAB 70.36, 51.75, -32.51

 

CMYK 0 / 29 / 1 / 5

HEX #F2ABEF

RGB 242 171 239

HSL 302.54, 0.73%, 0.81%

LAB 78.6, 36.71, -23.63

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 43 / 57 / 10

HEX #E68364

RGB 230 131 100

HSL 14.31, 0.72%, 0.65%

LAB 64.94, 35.09, 33.26

 

CMYK 57 / 0 / 20 / 10

HEX #64E6B7

RGB 100 230 183

HSL 158.31, 0.72%, 0.65%

LAB 83.3, -46.86, 12.22

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 2 / 0 / 57 / 10

HEX #E2E664

RGB 226 230 100

HSL 61.85, 0.72%, 0.65%

LAB 88.77, -18.06, 61.51

 

CMYK 57 / 2 / 0 / 10

HEX #64E2E6

RGB 100 226 230

HSL 181.85, 0.72%, 0.65%

LAB 83.35, -33.57, -12.53

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 43 / 57 / 10

HEX #E68364

RGB 230 131 100

HSL 14.31, 0.72%, 0.65%

LAB 64.94, 35.09, 33.26

 

CMYK 57 / 0 / 55 / 10

HEX #64E668

RGB 100 230 104

HSL 121.85, 0.72%, 0.65%

LAB 82, -60.49, 50.14

 

CMYK 57 / 13 / 0 / 10

HEX #64C8E6

RGB 100 200 230

HSL 193.85, 0.72%, 0.65%

LAB 75.9, -20.84, -23.76

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 26 / 57 / 10

HEX #E6AA64

RGB 230 170 100

HSL 32.31, 0.72%, 0.65%

LAB 73.86, 14.41, 44.3

 

CMYK 57 / 0 / 55 / 10

HEX #64E668

RGB 100 230 104

HSL 121.85, 0.72%, 0.65%

LAB 82, -60.49, 50.14

 

CMYK 57 / 30 / 0 / 10

HEX #64A1E6

RGB 100 161 230

HSL 211.85, 0.72%, 0.65%

LAB 64.89, 0.18, -40.78

 

Description

Color code: RGB 231 99 226 | qconv.com Color code: RGB 231 99 226 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 99 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 99 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 2 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 2% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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