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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 99 153 it is the complementary color RGB 24 156 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 99 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 99 153 shade: RGB 236 99 148, RGB 253 117 167, RGB 255 135 186, RGB 255 153 205 and RGB 255 171 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 99 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 99 153 shade: RGB 231 99 153, RGB 214 81 134, RGB 197 63 115, RGB 180 45 96 and RGB 163 27 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 99 153 shade: RGB 230 100 153, RGB 230 100 118 and RGB 230 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 99 153 shade: RGB 230 100 153, RGB 230 100 189, RGB 230 100 224, RGB 202 100 230 and RGB 167 100 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 99 153 shade matches the following richer shades: RGB 230 100 153 and RGB 245 86 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 99 153 shade: RGB 230 100 153, RGB 216 115 156, RGB 202 129 159, RGB 187 143 161 and RGB 173 158 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 99 153 shade: RGB 230 100 224, RGB 230 100 189, RGB 230 100 154, RGB 230 100 120 and RGB 230 115 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 99 153 shade: RGB 215 33 107, RGB 225 64 130, RGB 230 100 153, RGB 236 136 177 and RGB 242 171 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 99 153 shade: RGB 231 99 153, RGB 230 202 100 and RGB 100 207 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 99 153 shade: RGB 231 99 153, RGB 154 230 100 and RGB 100 154 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 99 153 shade: RGB 231 99 153, RGB 230 202 100, RGB 100 230 176 and RGB 100 128 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 99 153 shade: RGB 231 99 153, RGB 220 230 100, RGB 100 230 176 and RGB 111 100 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 34 / 9

HEX #E76399

RGB 231 99 153

HSL 335.45, 0.73%, 0.65%

LAB 60.08, 56.4, -3.59

 

Complementary color

CMYK 85 / 0 / 35 / 39

HEX #189C66

RGB 24 156 102

HSL 155.45, 0.73%, 0.35%

LAB 57.01, -46.52, 19.01

 

CMYK 0 / 58 / 37 / 7

HEX #EC6394

RGB 236 99 148

HSL 338.54, 0.78%, 0.66%

LAB 60.69, 57.4, 0.29

 

CMYK 0 / 54 / 34 / 1

HEX #FD75A7

RGB 253 117 167

HSL 337.94, 0.97%, 0.73%

LAB 66.82, 56.73, -1.33

 

CMYK 0 / 47 / 27 / 0

HEX #FF87BA

RGB 255 135 186

HSL 334.5, 1%, 0.76%

LAB 70.96, 51.12, -5.88

 

CMYK 0 / 40 / 20 / 0

HEX #FF99CD

RGB 255 153 205

HSL 329.41, 1%, 0.8%

LAB 75.11, 44.74, -10.24

 

CMYK 0 / 33 / 12 / 0

HEX #FFABE0

RGB 255 171 224

HSL 322.14, 1%, 0.84%

LAB 79.48, 38.37, -14.05

 

CMYK 0 / 57 / 34 / 9

HEX #E76399

RGB 231 99 153

HSL 335.45, 0.73%, 0.65%

LAB 60.08, 56.4, -3.59

 

CMYK 0 / 62 / 37 / 16

HEX #D65186

RGB 214 81 134

HSL 336.09, 0.62%, 0.58%

LAB 53.92, 56.91, -1.81

 

CMYK 0 / 68 / 42 / 23

HEX #C53F73

RGB 197 63 115

HSL 336.72, 0.54%, 0.51%

LAB 47.83, 57.15, 0.36

 

CMYK 0 / 75 / 47 / 29

HEX #B42D60

RGB 180 45 96

HSL 337.33, 0.6%, 0.44%

LAB 41.88, 56.9, 3.09

 

CMYK 0 / 83 / 53 / 36

HEX #A31B4D

RGB 163 27 77

HSL 337.94, 0.72%, 0.37%

LAB 36.19, 55.85, 6.59

 

CMYK 0 / 57 / 33 / 10

HEX #E66499

RGB 230 100 153

HSL 335.54, 0.72%, 0.65%

LAB 60.1, 55.63, -3.57

 

CMYK 0 / 57 / 49 / 10

HEX #E66476

RGB 230 100 118

HSL 351.69, 0.72%, 0.65%

LAB 59.2, 51.99, 15.47

 

CMYK 0 / 57 / 57 / 10

HEX #E66464

RGB 230 100 100

HSL 0, 0.72%, 0.65%

LAB 58.84, 50.5, 25.38

 

CMYK 0 / 57 / 33 / 10

HEX #E66499

RGB 230 100 153

HSL 335.54, 0.72%, 0.65%

LAB 60.1, 55.63, -3.57

 

CMYK 0 / 57 / 18 / 10

HEX #E664BD

RGB 230 100 189

HSL 318.92, 0.72%, 0.65%

LAB 61.32, 60.36, -22.44

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 12 / 57 / 0 / 10

HEX #CA64E6

RGB 202 100 230

HSL 287.08, 0.72%, 0.65%

LAB 59.33, 59.73, -48.98

 

CMYK 27 / 57 / 0 / 10

HEX #A764E6

RGB 167 100 230

HSL 270.92, 0.72%, 0.65%

LAB 55.12, 51.08, -55.94

 

CMYK 0 / 57 / 33 / 10

HEX #E66499

RGB 230 100 153

HSL 335.54, 0.72%, 0.65%

LAB 60.1, 55.63, -3.57

 

CMYK 0 / 65 / 38 / 4

HEX #F55697

RGB 245 86 151

HSL 335.47, 0.89%, 0.65%

LAB 60.16, 65.9, -2.06

 

CMYK 0 / 57 / 33 / 10

HEX #E66499

RGB 230 100 153

HSL 335.54, 0.72%, 0.65%

LAB 60.1, 55.63, -3.57

 

CMYK 0 / 47 / 28 / 15

HEX #D8739C

RGB 216 115 156

HSL 335.64, 0.56%, 0.65%

LAB 61.01, 44.15, -4.18

 

CMYK 0 / 36 / 21 / 21

HEX #CA819F

RGB 202 129 159

HSL 335.34, 0.41%, 0.65%

LAB 62.3, 32.32, -4.19

 

CMYK 0 / 24 / 14 / 27

HEX #BB8FA1

RGB 187 143 161

HSL 335.45, 0.24%, 0.65%

LAB 63.98, 19.49, -3.04

 

CMYK 0 / 9 / 5 / 32

HEX #AD9EA4

RGB 173 158 164

HSL 336, 0.08%, 0.65%

LAB 66.53, 6.55, -1.14

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 0 / 57 / 18 / 10

HEX #E664BD

RGB 230 100 189

HSL 318.92, 0.72%, 0.65%

LAB 61.32, 60.36, -22.44

 

CMYK 0 / 57 / 33 / 10

HEX #E6649A

RGB 230 100 154

HSL 335.08, 0.72%, 0.65%

LAB 60.13, 55.75, -4.11

 

CMYK 0 / 57 / 48 / 10

HEX #E66478

RGB 230 100 120

HSL 350.77, 0.72%, 0.65%

LAB 59.24, 52.17, 14.37

 

CMYK 0 / 50 / 57 / 10

HEX #E67364

RGB 230 115 100

HSL 6.92, 0.72%, 0.65%

LAB 61.66, 43.25, 29.05

 

CMYK 0 / 85 / 50 / 16

HEX #D7216B

RGB 215 33 107

HSL 335.6, 0.73%, 0.49%

LAB 47.75, 70.22, 5.55

 

CMYK 0 / 72 / 42 / 12

HEX #E14082

RGB 225 64 130

HSL 335.4, 0.73%, 0.57%

LAB 53.26, 66.26, -0.18

 

CMYK 0 / 57 / 33 / 10

HEX #E66499

RGB 230 100 153

HSL 335.54, 0.72%, 0.65%

LAB 60.1, 55.63, -3.57

 

CMYK 0 / 42 / 25 / 7

HEX #EC88B1

RGB 236 136 177

HSL 335.4, 0.72%, 0.73%

LAB 68.47, 43.08, -4.8

 

CMYK 0 / 29 / 17 / 5

HEX #F2ABC8

RGB 242 171 200

HSL 335.49, 0.73%, 0.81%

LAB 77.38, 30.19, -4.29

 

CMYK 0 / 57 / 34 / 9

HEX #E76399

RGB 231 99 153

HSL 335.45, 0.73%, 0.65%

LAB 60.08, 56.4, -3.59

 

CMYK 0 / 12 / 57 / 10

HEX #E6CA64

RGB 230 202 100

HSL 47.08, 0.72%, 0.65%

LAB 81.83, -2.38, 53.71

 

CMYK 57 / 10 / 0 / 10

HEX #64CFE6

RGB 100 207 230

HSL 190.62, 0.72%, 0.65%

LAB 77.9, -24.37, -20.72

 

CMYK 0 / 57 / 34 / 9

HEX #E76399

RGB 231 99 153

HSL 335.45, 0.73%, 0.65%

LAB 60.08, 56.4, -3.59

 

CMYK 33 / 0 / 57 / 10

HEX #9AE664

RGB 154 230 100

HSL 95.08, 0.72%, 0.65%

LAB 84.17, -45.18, 55.04

 

CMYK 57 / 33 / 0 / 10

HEX #649AE6

RGB 100 154 230

HSL 215.08, 0.72%, 0.65%

LAB 62.96, 4.2, -43.82

 

CMYK 0 / 57 / 34 / 9

HEX #E76399

RGB 231 99 153

HSL 335.45, 0.73%, 0.65%

LAB 60.08, 56.4, -3.59

 

CMYK 0 / 12 / 57 / 10

HEX #E6CA64

RGB 230 202 100

HSL 47.08, 0.72%, 0.65%

LAB 81.83, -2.38, 53.71

 

CMYK 57 / 0 / 23 / 10

HEX #64E6B0

RGB 100 230 176

HSL 155.08, 0.72%, 0.65%

LAB 83.15, -48.37, 15.67

 

CMYK 57 / 44 / 0 / 10

HEX #6480E6

RGB 100 128 230

HSL 227.08, 0.72%, 0.65%

LAB 55.95, 19.6, -54.93

 

CMYK 0 / 57 / 34 / 9

HEX #E76399

RGB 231 99 153

HSL 335.45, 0.73%, 0.65%

LAB 60.08, 56.4, -3.59

 

CMYK 4 / 0 / 57 / 10

HEX #DCE664

RGB 220 230 100

HSL 64.62, 0.72%, 0.65%

LAB 88.32, -20.46, 60.88

 

CMYK 57 / 0 / 23 / 10

HEX #64E6B0

RGB 100 230 176

HSL 155.08, 0.72%, 0.65%

LAB 83.15, -48.37, 15.67

 

CMYK 52 / 57 / 0 / 10

HEX #6F64E6

RGB 111 100 230

HSL 245.08, 0.72%, 0.65%

LAB 49.75, 38.65, -64.86

 

Description

Color code: RGB 231 99 153 | qconv.com Color code: RGB 231 99 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 99 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 99 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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