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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 95 158 it is the complementary color RGB 24 160 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 95 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 95 158 shade: RGB 236 95 153, RGB 253 113 172, RGB 255 131 191, RGB 255 149 210 and RGB 255 167 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 95 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 214 77 139, RGB 197 59 120, RGB 180 41 101 and RGB 163 23 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 231 95 121 and RGB 231 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 231 95 194, RGB 230 95 231, RGB 194 95 231 and RGB 157 95 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 95 158 shade matches the following richer shades: RGB 231 95 158 and RGB 245 80 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 216 110 159, RGB 201 124 160, RGB 186 139 161 and RGB 171 154 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 95 158 shade: RGB 231 95 231, RGB 231 95 194, RGB 231 95 158, RGB 231 95 122 and RGB 231 104 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 95 158 shade: RGB 212 31 115, RGB 225 59 136, RGB 231 95 158, RGB 236 131 179 and RGB 241 167 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 231 194 95 and RGB 95 213 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 158 231 95 and RGB 95 158 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 231 194 95, RGB 95 231 167 and RGB 95 131 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 95 158 shade: RGB 231 95 158, RGB 226 231 95, RGB 95 231 167 and RGB 99 95 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

Complementary color

CMYK 85 / 0 / 39 / 37

HEX #18A061

RGB 24 160 97

HSL 152.21, 0.74%, 0.36%

LAB 58.23, -49.11, 23.39

 

CMYK 0 / 60 / 35 / 7

HEX #EC5F99

RGB 236 95 153

HSL 335.32, 0.79%, 0.65%

LAB 60.17, 59.72, -3.36

 

CMYK 0 / 55 / 32 / 1

HEX #FD71AC

RGB 253 113 172

HSL 334.71, 0.97%, 0.72%

LAB 66.27, 59.15, -4.98

 

CMYK 0 / 49 / 25 / 0

HEX #FF83BF

RGB 255 131 191

HSL 330.97, 1%, 0.76%

LAB 70.35, 53.73, -9.58

 

CMYK 0 / 42 / 18 / 0

HEX #FF95D2

RGB 255 149 210

HSL 325.47, 1%, 0.79%

LAB 74.45, 47.51, -13.97

 

CMYK 0 / 35 / 10 / 0

HEX #FFA7E5

RGB 255 167 229

HSL 317.73, 1%, 0.83%

LAB 78.78, 41.26, -17.81

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 64 / 35 / 16

HEX #D64D8B

RGB 214 77 139

HSL 332.85, 0.63%, 0.57%

LAB 53.46, 59.15, -5.46

 

CMYK 0 / 70 / 39 / 23

HEX #C53B78

RGB 197 59 120

HSL 333.48, 0.54%, 0.5%

LAB 47.44, 59.18, -3.27

 

CMYK 0 / 77 / 44 / 29

HEX #B42965

RGB 180 41 101

HSL 334.1, 0.63%, 0.43%

LAB 41.58, 58.65, -0.49

 

CMYK 0 / 86 / 50 / 36

HEX #A31752

RGB 163 23 82

HSL 334.71, 0.75%, 0.36%

LAB 36, 57.21, 3.09

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 59 / 48 / 9

HEX #E75F79

RGB 231 95 121

HSL 348.53, 0.74%, 0.64%

LAB 58.56, 54.87, 12.85

 

CMYK 0 / 59 / 59 / 9

HEX #E75F5F

RGB 231 95 95

HSL 0, 0.74%, 0.64%

LAB 58.04, 52.78, 27.23

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 59 / 16 / 9

HEX #E75FC2

RGB 231 95 194

HSL 316.32, 0.74%, 0.64%

LAB 60.84, 63.57, -26

 

CMYK 0 / 59 / 0 / 9

HEX #E65FE7

RGB 230 95 231

HSL 299.56, 0.74%, 0.64%

LAB 62.32, 69.11, -44.57

 

CMYK 16 / 59 / 0 / 9

HEX #C25FE7

RGB 194 95 231

HSL 283.68, 0.74%, 0.64%

LAB 57.49, 60.32, -52.53

 

CMYK 32 / 59 / 0 / 9

HEX #9D5FE7

RGB 157 95 231

HSL 267.35, 0.74%, 0.64%

LAB 53.08, 51.58, -59.82

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 67 / 36 / 4

HEX #F5509D

RGB 245 80 157

HSL 332, 0.89%, 0.64%

LAB 59.51, 68.81, -6.51

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 49 / 26 / 15

HEX #D86E9F

RGB 216 110 159

HSL 332.26, 0.58%, 0.64%

LAB 60.12, 47.08, -7.24

 

CMYK 0 / 38 / 20 / 21

HEX #C97CA0

RGB 201 124 160

HSL 331.95, 0.42%, 0.64%

LAB 61.11, 34.82, -6.55

 

CMYK 0 / 25 / 13 / 27

HEX #BA8BA1

RGB 186 139 161

HSL 331.91, 0.25%, 0.64%

LAB 62.91, 21.36, -4.64

 

CMYK 0 / 10 / 5 / 33

HEX #AB9AA2

RGB 171 154 162

HSL 331.76, 0.09%, 0.64%

LAB 65.26, 7.68, -1.91

 

CMYK 0 / 59 / 0 / 9

HEX #E75FE7

RGB 231 95 231

HSL 300, 0.74%, 0.64%

LAB 62.46, 69.36, -44.34

 

CMYK 0 / 59 / 16 / 9

HEX #E75FC2

RGB 231 95 194

HSL 316.32, 0.74%, 0.64%

LAB 60.84, 63.57, -26

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 59 / 47 / 9

HEX #E75F7A

RGB 231 95 122

HSL 348.09, 0.74%, 0.64%

LAB 58.58, 54.96, 12.3

 

CMYK 0 / 55 / 59 / 9

HEX #E7685F

RGB 231 104 95

HSL 3.97, 0.74%, 0.64%

LAB 59.63, 48.61, 29.29

 

CMYK 0 / 85 / 46 / 17

HEX #D41F73

RGB 212 31 115

HSL 332.15, 0.74%, 0.48%

LAB 47.26, 70.54, -0.15

 

CMYK 0 / 74 / 40 / 12

HEX #E13B88

RGB 225 59 136

HSL 332.17, 0.73%, 0.56%

LAB 52.85, 68.49, -4.36

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 44 / 24 / 7

HEX #EC83B3

RGB 236 131 179

HSL 332.57, 0.73%, 0.72%

LAB 67.52, 45.9, -7.34

 

CMYK 0 / 31 / 17 / 5

HEX #F1A7C9

RGB 241 167 201

HSL 332.43, 0.73%, 0.8%

LAB 76.41, 32.12, -6.28

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 16 / 59 / 9

HEX #E7C25F

RGB 231 194 95

HSL 43.68, 0.74%, 0.64%

LAB 79.84, 1.81, 53.77

 

CMYK 59 / 8 / 0 / 9

HEX #5FD5E7

RGB 95 213 231

HSL 187.94, 0.74%, 0.64%

LAB 79.49, -27.96, -18.86

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 32 / 0 / 59 / 9

HEX #9EE75F

RGB 158 231 95

HSL 92.21, 0.74%, 0.64%

LAB 84.61, -44.72, 57.8

 

CMYK 59 / 32 / 0 / 9

HEX #5F9EE7

RGB 95 158 231

HSL 212.21, 0.74%, 0.64%

LAB 63.88, 1.22, -42.93

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 0 / 16 / 59 / 9

HEX #E7C25F

RGB 231 194 95

HSL 43.68, 0.74%, 0.64%

LAB 79.84, 1.81, 53.77

 

CMYK 59 / 0 / 28 / 9

HEX #5FE7A7

RGB 95 231 167

HSL 151.76, 0.74%, 0.64%

LAB 83.11, -51.67, 20.3

 

CMYK 59 / 43 / 0 / 9

HEX #5F83E7

RGB 95 131 231

HSL 224.12, 0.74%, 0.64%

LAB 56.52, 17.14, -54.59

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9E

RGB 231 95 158

HSL 332.21, 0.74%, 0.64%

LAB 59.56, 58.78, -7.25

 

CMYK 2 / 0 / 59 / 9

HEX #E2E75F

RGB 226 231 95

HSL 62.21, 0.74%, 0.64%

LAB 88.99, -18.91, 63.89

 

CMYK 59 / 0 / 28 / 9

HEX #5FE7A7

RGB 95 231 167

HSL 151.76, 0.74%, 0.64%

LAB 83.11, -51.67, 20.3

 

CMYK 57 / 59 / 0 / 9

HEX #635FE7

RGB 99 95 231

HSL 241.76, 0.74%, 0.64%

LAB 47.76, 39.71, -68.68

 

Description

Color code: RGB 231 95 158 | qconv.com Color code: RGB 231 95 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 95 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 95 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 32 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 32% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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