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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 85 44 it is the complementary color RGB 24 170 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 85 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 85 44 shade: RGB 236 85 39, RGB 253 103 58, RGB 255 121 77, RGB 255 139 96 and RGB 255 157 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 85 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 85 44 shade: RGB 231 85 44, RGB 214 67 25, RGB 197 49 6, RGB 180 31 0 and RGB 163 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 85 44 shade: RGB 231 85 43 and RGB 231 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 85 44 shade: RGB 231 85 43, RGB 231 135 43, RGB 231 186 43, RGB 226 231 43 and RGB 175 231 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 85 44 shade matches the following richer shades: RGB 231 85 43 and RGB 250 74 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 85 44 shade: RGB 231 85 43, RGB 212 95 62, RGB 193 106 81, RGB 174 116 100 and RGB 155 127 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 85 44 shade: RGB 231 43 103, RGB 231 43 53, RGB 231 84 43, RGB 231 134 43 and RGB 231 184 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 85 44 shade: RGB 173 53 19, RGB 210 64 23, RGB 231 85 43, RGB 235 114 80 and RGB 239 144 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 85 44 shade: RGB 231 85 44, RGB 153 231 43 and RGB 43 78 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 85 44 shade: RGB 231 85 44, RGB 43 231 84 and RGB 84 43 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 85 44 shade: RGB 231 85 44, RGB 153 231 43, RGB 43 190 231 and RGB 122 43 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 85 44 shade: RGB 231 85 44, RGB 97 231 43, RGB 43 190 231 and RGB 178 43 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

Complementary color

CMYK 89 / 19 / 0 / 17

HEX #18AAD3

RGB 24 170 211

HSL 193.16, 0.8%, 0.46%

LAB 64.68, -21.08, -30.77

 

CMYK 0 / 64 / 83 / 7

HEX #EC5527

RGB 236 85 39

HSL 14.01, 0.84%, 0.54%

LAB 56.56, 56.24, 55.3

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 53 / 70 / 0

HEX #FF794D

RGB 255 121 77

HSL 14.83, 1%, 0.65%

LAB 66.11, 48.12, 47.69

 

CMYK 0 / 45 / 62 / 0

HEX #FF8B60

RGB 255 139 96

HSL 16.23, 1%, 0.69%

LAB 69.87, 40.32, 42.24

 

CMYK 0 / 38 / 55 / 0

HEX #FF9D73

RGB 255 157 115

HSL 18, 1%, 0.73%

LAB 73.94, 32.47, 37.28

 

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

CMYK 0 / 69 / 88 / 16

HEX #D64319

RGB 214 67 25

HSL 13.33, 0.79%, 0.47%

LAB 49.95, 55.82, 54.05

 

CMYK 0 / 75 / 97 / 23

HEX #C53106

RGB 197 49 6

HSL 13.51, 0.94%, 0.4%

LAB 44.35, 56.6, 54.89

 

CMYK 0 / 83 / 100 / 29

HEX #B41F00

RGB 180 31 0

HSL 10.33, 1%, 0.35%

LAB 39.04, 56.7, 52.41

 

CMYK 0 / 92 / 100 / 36

HEX #A30D00

RGB 163 13 0

HSL 4.79, 1%, 0.32%

LAB 34.14, 55.57, 48.06

 

CMYK 0 / 63 / 81 / 9

HEX #E7552B

RGB 231 85 43

HSL 13.4, 0.8%, 0.54%

LAB 55.75, 54.64, 52.46

 

CMYK 0 / 81 / 81 / 9

HEX #E72B2B

RGB 231 43 43

HSL 0, 0.8%, 0.54%

LAB 50.56, 68.93, 47.58

 

CMYK 0 / 63 / 81 / 9

HEX #E7552B

RGB 231 85 43

HSL 13.4, 0.8%, 0.54%

LAB 55.75, 54.64, 52.46

 

CMYK 0 / 42 / 81 / 9

HEX #E7872B

RGB 231 135 43

HSL 29.36, 0.8%, 0.54%

LAB 65.35, 30.35, 61.2

 

CMYK 0 / 19 / 81 / 9

HEX #E7BA2B

RGB 231 186 43

HSL 45.64, 0.8%, 0.54%

LAB 77.45, 3.37, 71.82

 

CMYK 2 / 0 / 81 / 9

HEX #E2E72B

RGB 226 231 43

HSL 61.6, 0.8%, 0.54%

LAB 88.68, -21.41, 81.28

 

CMYK 24 / 0 / 81 / 9

HEX #AFE72B

RGB 175 231 43

HSL 77.87, 0.8%, 0.54%

LAB 85.22, -41.78, 76.93

 

CMYK 0 / 63 / 81 / 9

HEX #E7552B

RGB 231 85 43

HSL 13.4, 0.8%, 0.54%

LAB 55.75, 54.64, 52.46

 

CMYK 0 / 70 / 90 / 2

HEX #FA4A18

RGB 250 74 24

HSL 13.27, 0.96%, 0.54%

LAB 57.35, 64.77, 62.7

 

CMYK 0 / 63 / 81 / 9

HEX #E7552B

RGB 231 85 43

HSL 13.4, 0.8%, 0.54%

LAB 55.75, 54.64, 52.46

 

CMYK 0 / 55 / 71 / 17

HEX #D45F3E

RGB 212 95 62

HSL 13.2, 0.64%, 0.54%

LAB 54.58, 44, 40.77

 

CMYK 0 / 45 / 58 / 24

HEX #C16A51

RGB 193 106 81

HSL 13.39, 0.47%, 0.54%

LAB 54.28, 32.24, 29.26

 

CMYK 0 / 33 / 43 / 32

HEX #AE7464

RGB 174 116 100

HSL 12.97, 0.31%, 0.54%

LAB 54.46, 20.88, 18.16

 

CMYK 0 / 18 / 23 / 39

HEX #9B7F77

RGB 155 127 119

HSL 13.33, 0.15%, 0.54%

LAB 55.56, 9.48, 8.39

 

CMYK 0 / 81 / 55 / 9

HEX #E72B67

RGB 231 43 103

HSL 340.85, 0.8%, 0.54%

LAB 51.49, 71.74, 13.71

 

CMYK 0 / 81 / 77 / 9

HEX #E72B35

RGB 231 43 53

HSL 356.81, 0.8%, 0.54%

LAB 50.66, 69.22, 42.3

 

CMYK 0 / 64 / 81 / 9

HEX #E7542B

RGB 231 84 43

HSL 13.09, 0.8%, 0.54%

LAB 55.59, 55.07, 52.31

 

CMYK 0 / 42 / 81 / 9

HEX #E7862B

RGB 231 134 43

HSL 29.04, 0.8%, 0.54%

LAB 65.13, 30.88, 61

 

CMYK 0 / 20 / 81 / 9

HEX #E7B82B

RGB 231 184 43

HSL 45, 0.8%, 0.54%

LAB 76.95, 4.42, 71.39

 

CMYK 0 / 69 / 89 / 32

HEX #AD3513

RGB 173 53 19

HSL 13.25, 0.8%, 0.38%

LAB 40.37, 47.43, 45.78

 

CMYK 0 / 70 / 89 / 18

HEX #D24017

RGB 210 64 23

HSL 13.16, 0.8%, 0.46%

LAB 48.8, 55.62, 53.62

 

CMYK 0 / 63 / 81 / 9

HEX #E7552B

RGB 231 85 43

HSL 13.4, 0.8%, 0.54%

LAB 55.75, 54.64, 52.46

 

CMYK 0 / 51 / 66 / 8

HEX #EB7250

RGB 235 114 80

HSL 13.16, 0.79%, 0.62%

LAB 61.89, 44.27, 40.49

 

CMYK 0 / 40 / 51 / 6

HEX #EF9076

RGB 239 144 118

HSL 12.89, 0.79%, 0.7%

LAB 69.19, 33.29, 29.14

 

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

CMYK 34 / 0 / 81 / 9

HEX #99E72B

RGB 153 231 43

HSL 84.89, 0.8%, 0.54%

LAB 84.02, -49.82, 75.41

 

CMYK 81 / 66 / 0 / 9

HEX #2B4EE7

RGB 43 78 231

HSL 228.83, 0.8%, 0.54%

LAB 40.79, 43.13, -80.21

 

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

CMYK 81 / 0 / 64 / 9

HEX #2BE754

RGB 43 231 84

HSL 133.09, 0.8%, 0.54%

LAB 80.91, -72.9, 57.32

 

CMYK 64 / 81 / 0 / 9

HEX #542BE7

RGB 84 43 231

HSL 253.09, 0.8%, 0.54%

LAB 36.71, 64.87, -86.85

 

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

CMYK 34 / 0 / 81 / 9

HEX #99E72B

RGB 153 231 43

HSL 84.89, 0.8%, 0.54%

LAB 84.02, -49.82, 75.41

 

CMYK 81 / 18 / 0 / 9

HEX #2BBEE7

RGB 43 190 231

HSL 193.09, 0.8%, 0.54%

LAB 71.63, -23.36, -30.98

 

CMYK 47 / 81 / 0 / 9

HEX #7A2BE7

RGB 122 43 231

HSL 265.21, 0.8%, 0.54%

LAB 40.63, 68.89, -80.25

 

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

CMYK 58 / 0 / 81 / 9

HEX #61E72B

RGB 97 231 43

HSL 102.77, 0.8%, 0.54%

LAB 81.77, -66.67, 72.53

 

CMYK 81 / 18 / 0 / 9

HEX #2BBEE7

RGB 43 190 231

HSL 193.09, 0.8%, 0.54%

LAB 71.63, -23.36, -30.98

 

CMYK 23 / 81 / 0 / 9

HEX #B22BE7

RGB 178 43 231

HSL 283.09, 0.8%, 0.54%

LAB 48.21, 76.93, -67.55

 

Description

Color code: RGB 231 85 44 | qconv.com Color code: RGB 231 85 44 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 85 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 85 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 81% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - Gezondheidscentrum R...
Link: http://gezondheidscentrumrijswijk.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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