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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 79 168 it is the complementary color RGB 24 176 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 79 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 79 168 shade: RGB 236 79 163, RGB 253 97 182, RGB 255 115 201, RGB 255 133 220 and RGB 255 151 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 79 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 214 61 149, RGB 197 43 130, RGB 180 25 111 and RGB 163 7 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 231 79 127, RGB 231 79 86 and RGB 231 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 231 79 209, RGB 212 79 231, RGB 171 79 231 and RGB 130 79 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 79 168 shade matches the following richer shades: RGB 231 79 168 and RGB 247 63 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 215 96 165, RGB 198 112 162, RGB 182 128 160 and RGB 166 144 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 79 168 shade: RGB 210 79 231, RGB 231 79 210, RGB 231 79 170, RGB 231 79 130 and RGB 231 79 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 79 168 shade: RGB 201 27 129, RGB 226 43 150, RGB 231 79 168, RGB 236 116 186 and RGB 241 152 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 231 170 79 and RGB 79 231 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 170 231 79 and RGB 79 170 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 231 170 79, RGB 79 231 140 and RGB 79 140 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 79 168 shade: RGB 231 79 168, RGB 231 216 79, RGB 79 231 140 and RGB 79 95 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

Complementary color

CMYK 86 / 0 / 51 / 31

HEX #18B057

RGB 24 176 87

HSL 144.87, 0.76%, 0.39%

LAB 63.29, -56.65, 35.16

 

CMYK 0 / 67 / 31 / 7

HEX #EC4FA3

RGB 236 79 163

HSL 327.9, 0.81%, 0.62%

LAB 58.1, 67.38, -12.26

 

CMYK 0 / 62 / 28 / 1

HEX #FD61B6

RGB 253 97 182

HSL 327.31, 0.98%, 0.69%

LAB 64.01, 67.27, -14.04

 

CMYK 0 / 55 / 21 / 0

HEX #FF73C9

RGB 255 115 201

HSL 323.14, 1%, 0.73%

LAB 67.83, 62.56, -18.97

 

CMYK 0 / 48 / 14 / 0

HEX #FF85DC

RGB 255 133 220

HSL 317.21, 1%, 0.76%

LAB 71.69, 56.92, -23.65

 

CMYK 0 / 41 / 6 / 0

HEX #FF97EF

RGB 255 151 239

HSL 309.23, 1%, 0.8%

LAB 75.84, 51.09, -27.71

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 71 / 30 / 16

HEX #D63D95

RGB 214 61 149

HSL 325.49, 0.65%, 0.54%

LAB 51.61, 66.34, -14.17

 

CMYK 0 / 78 / 34 / 23

HEX #C52B82

RGB 197 43 130

HSL 326.1, 0.64%, 0.47%

LAB 45.92, 65.47, -11.63

 

CMYK 0 / 86 / 38 / 29

HEX #B4196F

RGB 180 25 111

HSL 326.71, 0.76%, 0.4%

LAB 40.49, 63.7, -8.38

 

CMYK 0 / 96 / 44 / 36

HEX #A3075C

RGB 163 7 92

HSL 327.31, 0.92%, 0.33%

LAB 35.42, 60.68, -4.22

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 66 / 45 / 9

HEX #E74F7F

RGB 231 79 127

HSL 341.05, 0.76%, 0.61%

LAB 56.2, 62.17, 5.99

 

CMYK 0 / 66 / 63 / 9

HEX #E74F56

RGB 231 79 86

HSL 357.24, 0.76%, 0.61%

LAB 55.33, 59.03, 28.94

 

CMYK 0 / 66 / 66 / 9

HEX #E74F4F

RGB 231 79 79

HSL 0, 0.76%, 0.61%

LAB 55.22, 58.63, 32.84

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 66 / 10 / 9

HEX #E74FD1

RGB 231 79 209

HSL 308.68, 0.76%, 0.61%

LAB 59.14, 72.22, -37.17

 

CMYK 8 / 66 / 0 / 9

HEX #D44FE7

RGB 212 79 231

HSL 292.5, 0.76%, 0.61%

LAB 57.42, 71.4, -52.48

 

CMYK 26 / 66 / 0 / 9

HEX #AB4FE7

RGB 171 79 231

HSL 276.32, 0.76%, 0.61%

LAB 51.86, 62.49, -61.7

 

CMYK 44 / 66 / 0 / 9

HEX #824FE7

RGB 130 79 231

HSL 260.13, 0.76%, 0.61%

LAB 47.11, 54.29, -69.61

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 74 / 31 / 3

HEX #F73FAB

RGB 247 63 171

HSL 324.78, 0.92%, 0.61%

LAB 58.29, 76.52, -16.45

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 55 / 23 / 16

HEX #D760A5

RGB 215 96 165

HSL 325.21, 0.6%, 0.61%

LAB 57.59, 54.35, -14.51

 

CMYK 0 / 43 / 18 / 22

HEX #C670A2

RGB 198 112 162

HSL 325.12, 0.43%, 0.61%

LAB 58.23, 40.48, -12.04

 

CMYK 0 / 30 / 12 / 29

HEX #B680A0

RGB 182 128 160

HSL 324.44, 0.27%, 0.61%

LAB 59.82, 25.88, -8.71

 

CMYK 0 / 13 / 5 / 35

HEX #A6909D

RGB 166 144 157

HSL 324.55, 0.11%, 0.61%

LAB 62.07, 10.53, -3.83

 

CMYK 9 / 66 / 0 / 9

HEX #D24FE7

RGB 210 79 231

HSL 291.71, 0.76%, 0.61%

LAB 57.14, 70.95, -52.96

 

CMYK 0 / 66 / 9 / 9

HEX #E74FD2

RGB 231 79 210

HSL 308.29, 0.76%, 0.61%

LAB 59.19, 72.36, -37.66

 

CMYK 0 / 66 / 26 / 9

HEX #E74FAA

RGB 231 79 170

HSL 324.08, 0.76%, 0.61%

LAB 57.54, 66.86, -17.25

 

CMYK 0 / 66 / 44 / 9

HEX #E74F82

RGB 231 79 130

HSL 339.87, 0.76%, 0.61%

LAB 56.28, 62.45, 4.33

 

CMYK 0 / 66 / 61 / 9

HEX #E74F5A

RGB 231 79 90

HSL 355.66, 0.76%, 0.61%

LAB 55.4, 59.28, 26.7

 

CMYK 0 / 87 / 36 / 21

HEX #C91B81

RGB 201 27 129

HSL 324.83, 0.76%, 0.45%

LAB 45.34, 70.04, -11.82

 

CMYK 0 / 81 / 34 / 11

HEX #E22B96

RGB 226 43 150

HSL 324.92, 0.76%, 0.53%

LAB 51.95, 74.6, -14.06

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 51 / 21 / 7

HEX #EC74BA

RGB 236 116 186

HSL 325, 0.76%, 0.69%

LAB 64.86, 54.29, -15.27

 

CMYK 0 / 37 / 15 / 5

HEX #F198CC

RGB 241 152 204

HSL 324.94, 0.76%, 0.77%

LAB 73.23, 40.46, -12.66

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 26 / 66 / 9

HEX #E7AA4F

RGB 231 170 79

HSL 35.92, 0.76%, 0.61%

LAB 73.74, 13.39, 54.35

 

CMYK 66 / 0 / 0 / 9

HEX #4FE7E7

RGB 79 231 231

HSL 180, 0.76%, 0.61%

LAB 84.27, -38.99, -11.73

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 26 / 0 / 66 / 9

HEX #AAE74F

RGB 170 231 79

HSL 84.08, 0.76%, 0.61%

LAB 85.13, -41.74, 65.14

 

CMYK 66 / 26 / 0 / 9

HEX #4FAAE7

RGB 79 170 231

HSL 204.08, 0.76%, 0.61%

LAB 66.66, -8.37, -38.63

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 26 / 66 / 9

HEX #E7AA4F

RGB 231 170 79

HSL 35.92, 0.76%, 0.61%

LAB 73.74, 13.39, 54.35

 

CMYK 66 / 0 / 39 / 9

HEX #4FE78C

RGB 79 231 140

HSL 144.08, 0.76%, 0.61%

LAB 82.22, -59.82, 32.86

 

CMYK 66 / 39 / 0 / 9

HEX #4F8CE7

RGB 79 140 231

HSL 215.92, 0.76%, 0.61%

LAB 58.22, 8.9, -51.93

 

CMYK 0 / 66 / 27 / 9

HEX #E74FA8

RGB 231 79 168

HSL 324.87, 0.76%, 0.61%

LAB 57.47, 66.61, -16.2

 

CMYK 0 / 6 / 66 / 9

HEX #E7D84F

RGB 231 216 79

HSL 54.08, 0.76%, 0.61%

LAB 85.33, -10.45, 66.69

 

CMYK 66 / 0 / 39 / 9

HEX #4FE78C

RGB 79 231 140

HSL 144.08, 0.76%, 0.61%

LAB 82.22, -59.82, 32.86

 

CMYK 66 / 59 / 0 / 9

HEX #4F5FE7

RGB 79 95 231

HSL 233.68, 0.76%, 0.61%

LAB 46.47, 36.53, -70.85

 

Description

Color code: RGB 231 79 168 | qconv.com Color code: RGB 231 79 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 79 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 79 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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