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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 53 166 it is the complementary color RGB 24 202 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 53 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 53 166 shade: RGB 236 53 161, RGB 253 71 180, RGB 255 89 199, RGB 255 107 218 and RGB 255 125 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 53 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 53 166 shade: RGB 231 53 166, RGB 214 35 147, RGB 197 17 128, RGB 180 0 109 and RGB 163 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 53 166 shade: RGB 231 54 166, RGB 231 54 118, RGB 231 54 71 and RGB 231 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 53 166 shade: RGB 231 54 166, RGB 231 54 214, RGB 200 54 231, RGB 152 54 231 and RGB 104 54 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 53 166 shade matches the following richer shades: RGB 231 54 166 and RGB 249 36 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 53 166 shade: RGB 231 54 166, RGB 213 72 161, RGB 195 90 156, RGB 176 108 152 and RGB 158 126 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 53 166 shade: RGB 198 54 231, RGB 231 54 216, RGB 231 54 169, RGB 231 54 122 and RGB 231 54 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 53 166 shade: RGB 181 21 123, RGB 218 25 148, RGB 231 54 166, RGB 235 91 182 and RGB 240 128 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 53 166 shade: RGB 231 53 166, RGB 231 151 54 and RGB 54 231 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 53 166 shade: RGB 231 53 166, RGB 169 231 54 and RGB 54 169 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 53 166 shade: RGB 231 53 166, RGB 231 151 54, RGB 54 231 116 and RGB 54 133 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 53 166 shade: RGB 231 53 166, RGB 231 204 54, RGB 54 231 116 and RGB 54 80 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 28 / 9

HEX #E735A6

RGB 231 53 166

HSL 321.91, 0.79%, 0.56%

LAB 54.33, 74.98, -19.81

 

Complementary color

CMYK 88 / 0 / 56 / 21

HEX #18CA59

RGB 24 202 89

HSL 141.91, 0.79%, 0.44%

LAB 71.66, -64.92, 44.4

 

CMYK 0 / 78 / 32 / 7

HEX #EC35A1

RGB 236 53 161

HSL 324.59, 0.83%, 0.57%

LAB 55.02, 75.6, -15.74

 

CMYK 0 / 72 / 29 / 1

HEX #FD47B4

RGB 253 71 180

HSL 324.07, 0.98%, 0.64%

LAB 60.5, 76.55, -18.2

 

CMYK 0 / 65 / 22 / 0

HEX #FF59C7

RGB 255 89 199

HSL 320.24, 1%, 0.67%

LAB 63.78, 73.1, -24.02

 

CMYK 0 / 58 / 15 / 0

HEX #FF6BDA

RGB 255 107 218

HSL 315, 1%, 0.71%

LAB 67.15, 68.46, -29.51

 

CMYK 0 / 51 / 7 / 0

HEX #FF7DED

RGB 255 125 237

HSL 308.31, 1%, 0.75%

LAB 70.9, 63.36, -34.23

 

CMYK 0 / 77 / 28 / 9

HEX #E735A6

RGB 231 53 166

HSL 321.91, 0.79%, 0.56%

LAB 54.33, 74.98, -19.81

 

CMYK 0 / 84 / 31 / 16

HEX #D62393

RGB 214 35 147

HSL 322.46, 0.72%, 0.49%

LAB 49.01, 73.31, -16.93

 

CMYK 0 / 91 / 35 / 23

HEX #C51180

RGB 197 17 128

HSL 323, 0.84%, 0.42%

LAB 43.99, 70.61, -13.33

 

CMYK 0 / 100 / 39 / 29

HEX #B4006D

RGB 180 0 109

HSL 323.67, 1%, 0.35%

LAB 39.25, 66.88, -8.98

 

CMYK 0 / 100 / 45 / 36

HEX #A3005A

RGB 163 0 90

HSL 326.87, 1%, 0.32%

LAB 35.05, 61.38, -3.47

 

CMYK 0 / 77 / 28 / 9

HEX #E736A6

RGB 231 54 166

HSL 322.03, 0.79%, 0.56%

LAB 54.43, 74.7, -19.66

 

CMYK 0 / 77 / 49 / 9

HEX #E73676

RGB 231 54 118

HSL 338.31, 0.79%, 0.56%

LAB 52.88, 69.97, 6.6

 

CMYK 0 / 77 / 69 / 9

HEX #E73647

RGB 231 54 71

HSL 354.24, 0.79%, 0.56%

LAB 51.93, 66.98, 33.45

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 0 / 77 / 28 / 9

HEX #E736A6

RGB 231 54 166

HSL 322.03, 0.79%, 0.56%

LAB 54.43, 74.7, -19.66

 

CMYK 0 / 77 / 7 / 9

HEX #E736D6

RGB 231 54 214

HSL 305.76, 0.79%, 0.56%

LAB 56.57, 80.94, -44.06

 

CMYK 13 / 77 / 0 / 9

HEX #C836E7

RGB 200 54 231

HSL 289.49, 0.79%, 0.56%

LAB 52.61, 77.61, -60.29

 

CMYK 34 / 77 / 0 / 9

HEX #9836E7

RGB 152 54 231

HSL 273.22, 0.79%, 0.56%

LAB 45.75, 69.26, -71.72

 

CMYK 55 / 77 / 0 / 9

HEX #6836E7

RGB 104 54 231

HSL 256.95, 0.79%, 0.56%

LAB 40.17, 62.33, -81.09

 

CMYK 0 / 77 / 28 / 9

HEX #E736A6

RGB 231 54 166

HSL 322.03, 0.79%, 0.56%

LAB 54.43, 74.7, -19.66

 

CMYK 0 / 86 / 31 / 2

HEX #F924AB

RGB 249 36 171

HSL 321.97, 0.95%, 0.56%

LAB 56.43, 83.33, -19.25

 

CMYK 0 / 77 / 28 / 9

HEX #E736A6

RGB 231 54 166

HSL 322.03, 0.79%, 0.56%

LAB 54.43, 74.7, -19.66

 

CMYK 0 / 66 / 24 / 16

HEX #D548A1

RGB 213 72 161

HSL 322.13, 0.63%, 0.56%

LAB 53.33, 63.54, -18.67

 

CMYK 0 / 54 / 20 / 24

HEX #C35A9C

RGB 195 90 156

HSL 322.29, 0.47%, 0.56%

LAB 53.29, 49.75, -16.05

 

CMYK 0 / 39 / 14 / 31

HEX #B06C98

RGB 176 108 152

HSL 321.18, 0.3%, 0.56%

LAB 54.26, 33.5, -12.48

 

CMYK 0 / 20 / 7 / 38

HEX #9E7E93

RGB 158 126 147

HSL 320.63, 0.14%, 0.56%

LAB 56.38, 15.98, -6.6

 

CMYK 14 / 77 / 0 / 9

HEX #C636E7

RGB 198 54 231

HSL 288.81, 0.79%, 0.56%

LAB 52.3, 77.24, -60.8

 

CMYK 0 / 77 / 6 / 9

HEX #E736D8

RGB 231 54 216

HSL 305.08, 0.79%, 0.56%

LAB 56.67, 81.23, -45.03

 

CMYK 0 / 77 / 27 / 9

HEX #E736A9

RGB 231 54 169

HSL 321.02, 0.79%, 0.56%

LAB 54.55, 75.05, -21.24

 

CMYK 0 / 77 / 47 / 9

HEX #E7367A

RGB 231 54 122

HSL 336.95, 0.79%, 0.56%

LAB 52.98, 70.3, 4.35

 

CMYK 0 / 77 / 68 / 9

HEX #E7364A

RGB 231 54 74

HSL 353.22, 0.79%, 0.56%

LAB 51.97, 67.12, 31.75

 

CMYK 0 / 88 / 32 / 29

HEX #B5157B

RGB 181 21 123

HSL 321.75, 0.79%, 0.4%

LAB 40.88, 65.95, -15.25

 

CMYK 0 / 89 / 32 / 15

HEX #DA1994

RGB 218 25 148

HSL 321.76, 0.79%, 0.48%

LAB 49.18, 76.1, -17.21

 

CMYK 0 / 77 / 28 / 9

HEX #E736A6

RGB 231 54 166

HSL 322.03, 0.79%, 0.56%

LAB 54.43, 74.7, -19.66

 

CMYK 0 / 61 / 23 / 8

HEX #EB5BB6

RGB 235 91 182

HSL 322.08, 0.78%, 0.64%

LAB 60.36, 64.7, -19.84

 

CMYK 0 / 47 / 17 / 6

HEX #F080C7

RGB 240 128 199

HSL 321.96, 0.79%, 0.72%

LAB 68.08, 51.59, -17.65

 

CMYK 0 / 77 / 28 / 9

HEX #E735A6

RGB 231 53 166

HSL 321.91, 0.79%, 0.56%

LAB 54.33, 74.98, -19.81

 

CMYK 0 / 35 / 77 / 9

HEX #E79736

RGB 231 151 54

HSL 32.88, 0.79%, 0.56%

LAB 69.03, 22.28, 60.34

 

CMYK 77 / 0 / 4 / 9

HEX #36E7DE

RGB 54 231 222

HSL 176.95, 0.79%, 0.56%

LAB 83.55, -44.43, -8.09

 

CMYK 0 / 77 / 28 / 9

HEX #E735A6

RGB 231 53 166

HSL 321.91, 0.79%, 0.56%

LAB 54.33, 74.98, -19.81

 

CMYK 27 / 0 / 77 / 9

HEX #A9E736

RGB 169 231 54

HSL 81.02, 0.79%, 0.56%

LAB 84.92, -43.57, 73.55

 

CMYK 77 / 27 / 0 / 9

HEX #36A9E7

RGB 54 169 231

HSL 201.02, 0.79%, 0.56%

LAB 65.69, -11.19, -40.19

 

CMYK 0 / 77 / 28 / 9

HEX #E735A6

RGB 231 53 166

HSL 321.91, 0.79%, 0.56%

LAB 54.33, 74.98, -19.81

 

CMYK 0 / 35 / 77 / 9

HEX #E79736

RGB 231 151 54

HSL 32.88, 0.79%, 0.56%

LAB 69.03, 22.28, 60.34

 

CMYK 77 / 0 / 50 / 9

HEX #36E774

RGB 54 231 116

HSL 141.02, 0.79%, 0.56%

LAB 81.4, -67.52, 43.54

 

CMYK 77 / 42 / 0 / 9

HEX #3685E7

RGB 54 133 231

HSL 213.22, 0.79%, 0.56%

LAB 55.41, 9.68, -56.46

 

CMYK 0 / 77 / 28 / 9

HEX #E735A6

RGB 231 53 166

HSL 321.91, 0.79%, 0.56%

LAB 54.33, 74.98, -19.81

 

CMYK 0 / 12 / 77 / 9

HEX #E7CC36

RGB 231 204 54

HSL 50.85, 0.79%, 0.56%

LAB 82.08, -5.55, 72.56

 

CMYK 77 / 0 / 50 / 9

HEX #36E774

RGB 54 231 116

HSL 141.02, 0.79%, 0.56%

LAB 81.4, -67.52, 43.54

 

CMYK 77 / 65 / 0 / 9

HEX #3650E7

RGB 54 80 231

HSL 231.19, 0.79%, 0.56%

LAB 41.68, 42.8, -78.73

 

Description

Color code: RGB 231 53 166 | qconv.com Color code: RGB 231 53 166 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 53 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 53 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 28 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 28% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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