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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 39 219 it is the complementary color RGB 24 216 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 39 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 39 219 shade: RGB 236 39 214, RGB 253 57 233, RGB 255 75 252, RGB 255 93 255 and RGB 255 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 39 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 214 21 200, RGB 197 3 181, RGB 180 0 162 and RGB 163 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 231 39 167, RGB 231 39 115, RGB 231 39 63 and RGB 231 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 191 39 231, RGB 139 39 231, RGB 87 39 231 and RGB 39 39 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 39 219 shade matches the following richer shades: RGB 231 39 219 and RGB 250 19 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 211 58 202, RGB 192 78 185, RGB 172 97 168 and RGB 153 116 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 39 219 shade: RGB 138 39 231, RGB 189 39 231, RGB 231 39 221, RGB 231 39 170 and RGB 231 39 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 39 219 shade: RGB 169 18 159, RGB 206 22 194, RGB 231 39 219, RGB 235 76 225 and RGB 239 113 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 231 87 39 and RGB 39 231 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 221 231 39 and RGB 39 221 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 231 87 39, RGB 39 231 48 and RGB 39 183 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 39 219 shade: RGB 231 39 219, RGB 231 144 39, RGB 39 231 48 and RGB 39 125 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

Complementary color

CMYK 89 / 0 / 83 / 15

HEX #18D824

RGB 24 216 36

HSL 123.75, 0.8%, 0.47%

LAB 75.72, -73.92, 68.27

 

CMYK 0 / 83 / 9 / 7

HEX #EC27D6

RGB 236 39 214

HSL 306.7, 0.84%, 0.54%

LAB 56.23, 85.34, -44.54

 

CMYK 0 / 77 / 8 / 1

HEX #FD39E9

RGB 253 57 233

HSL 306.12, 0.98%, 0.61%

LAB 61.39, 87.29, -46.92

 

CMYK 0 / 71 / 1 / 0

HEX #FF4BFC

RGB 255 75 252

HSL 301, 1%, 0.65%

LAB 64.42, 85.42, -52.65

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 90 / 7 / 16

HEX #D615C8

RGB 214 21 200

HSL 304.35, 0.82%, 0.46%

LAB 50.69, 82.25, -45.53

 

CMYK 0 / 98 / 8 / 23

HEX #C503B5

RGB 197 3 181

HSL 304.95, 0.97%, 0.39%

LAB 46, 78.39, -42.08

 

CMYK 0 / 100 / 10 / 29

HEX #B400A2

RGB 180 0 162

HSL 306, 1%, 0.35%

LAB 41.71, 73.08, -37.8

 

CMYK 0 / 100 / 12 / 36

HEX #A3008F

RGB 163 0 143

HSL 307.36, 1%, 0.32%

LAB 37.43, 67.42, -33.25

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 83 / 28 / 9

HEX #E727A7

RGB 231 39 167

HSL 320, 0.8%, 0.53%

LAB 53.2, 78.45, -22.13

 

CMYK 0 / 83 / 50 / 9

HEX #E72773

RGB 231 39 115

HSL 336.25, 0.8%, 0.53%

LAB 51.47, 73.52, 6.4

 

CMYK 0 / 83 / 73 / 9

HEX #E7273F

RGB 231 39 63

HSL 352.5, 0.8%, 0.53%

LAB 50.45, 70.51, 36.37

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 17 / 83 / 0 / 9

HEX #BF27E7

RGB 191 39 231

HSL 287.5, 0.8%, 0.53%

LAB 49.85, 80.02, -64.8

 

CMYK 40 / 83 / 0 / 9

HEX #8B27E7

RGB 139 39 231

HSL 271.25, 0.8%, 0.53%

LAB 42.32, 72.34, -77.39

 

CMYK 62 / 83 / 0 / 9

HEX #5727E7

RGB 87 39 231

HSL 255, 0.8%, 0.53%

LAB 36.46, 66.66, -87.27

 

CMYK 83 / 83 / 0 / 9

HEX #2727E7

RGB 39 39 231

HSL 240, 0.8%, 0.53%

LAB 33.25, 63.72, -92.69

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 92 / 6 / 2

HEX #FA13EC

RGB 250 19 236

HSL 303.64, 0.96%, 0.53%

LAB 58.83, 93.6, -52.68

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 73 / 4 / 17

HEX #D33ACA

RGB 211 58 202

HSL 303.53, 0.63%, 0.53%

LAB 53.1, 73.81, -42.89

 

CMYK 0 / 59 / 4 / 25

HEX #C04EB9

RGB 192 78 185

HSL 303.68, 0.48%, 0.53%

LAB 52.02, 59.03, -34.99

 

CMYK 0 / 44 / 2 / 33

HEX #AC61A8

RGB 172 97 168

HSL 303.2, 0.31%, 0.53%

LAB 52, 40.98, -25.32

 

CMYK 0 / 24 / 1 / 40

HEX #997497

RGB 153 116 151

HSL 303.24, 0.15%, 0.53%

LAB 53.49, 20.7, -13.32

 

CMYK 40 / 83 / 0 / 9

HEX #8A27E7

RGB 138 39 231

HSL 270.94, 0.8%, 0.53%

LAB 42.19, 72.21, -77.62

 

CMYK 18 / 83 / 0 / 9

HEX #BD27E7

RGB 189 39 231

HSL 286.88, 0.8%, 0.53%

LAB 49.54, 79.7, -65.32

 

CMYK 0 / 83 / 4 / 9

HEX #E727DD

RGB 231 39 221

HSL 303.13, 0.8%, 0.53%

LAB 55.75, 85.38, -49.33

 

CMYK 0 / 83 / 26 / 9

HEX #E727AA

RGB 231 39 170

HSL 319.06, 0.8%, 0.53%

LAB 53.32, 78.79, -23.71

 

CMYK 0 / 83 / 48 / 9

HEX #E72777

RGB 231 39 119

HSL 335, 0.8%, 0.53%

LAB 51.58, 73.83, 4.13

 

CMYK 0 / 89 / 6 / 34

HEX #A9129F

RGB 169 18 159

HSL 303.97, 0.81%, 0.37%

LAB 40.2, 68.6, -38.52

 

CMYK 0 / 89 / 6 / 19

HEX #CE16C2

RGB 206 22 194

HSL 303.91, 0.81%, 0.45%

LAB 49, 79.85, -44.83

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 68 / 4 / 8

HEX #EB4CE1

RGB 235 76 225

HSL 303.77, 0.8%, 0.61%

LAB 60.13, 76.65, -44.61

 

CMYK 0 / 53 / 3 / 6

HEX #EF71E7

RGB 239 113 231

HSL 303.81, 0.8%, 0.69%

LAB 66.47, 63.52, -37.98

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 62 / 83 / 9

HEX #E75727

RGB 231 87 39

HSL 15, 0.8%, 0.53%

LAB 56.04, 53.68, 54.52

 

CMYK 83 / 0 / 29 / 9

HEX #27E7A3

RGB 39 231 163

HSL 158.75, 0.8%, 0.53%

LAB 81.96, -60.41, 20.62

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 4 / 0 / 83 / 9

HEX #DDE727

RGB 221 231 39

HSL 63.13, 0.8%, 0.53%

LAB 88.29, -23.58, 81.71

 

CMYK 83 / 4 / 0 / 9

HEX #27DDE7

RGB 39 221 231

HSL 183.13, 0.8%, 0.53%

LAB 80.69, -38.62, -17.17

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 62 / 83 / 9

HEX #E75727

RGB 231 87 39

HSL 15, 0.8%, 0.53%

LAB 56.04, 53.68, 54.52

 

CMYK 83 / 0 / 79 / 9

HEX #27E730

RGB 39 231 48

HSL 122.81, 0.8%, 0.53%

LAB 80.63, -76.26, 69.72

 

CMYK 83 / 21 / 0 / 9

HEX #27B7E7

RGB 39 183 231

HSL 195, 0.8%, 0.53%

LAB 69.52, -20.07, -34.25

 

CMYK 0 / 83 / 5 / 9

HEX #E727DB

RGB 231 39 219

HSL 303.75, 0.8%, 0.53%

LAB 55.64, 85.1, -48.37

 

CMYK 0 / 38 / 83 / 9

HEX #E79027

RGB 231 144 39

HSL 32.81, 0.8%, 0.53%

LAB 67.34, 25.49, 64.36

 

CMYK 83 / 0 / 79 / 9

HEX #27E730

RGB 39 231 48

HSL 122.81, 0.8%, 0.53%

LAB 80.63, -76.26, 69.72

 

CMYK 83 / 46 / 0 / 9

HEX #277DE7

RGB 39 125 231

HSL 213.13, 0.8%, 0.53%

LAB 52.8, 13.16, -60.66

 

Description

Color code: RGB 231 39 219 | qconv.com Color code: RGB 231 39 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 39 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 39 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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