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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 249 236 it is the complementary color RGB 24 6 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 249 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 249 236 shade: RGB 236 249 231 and RGB 253 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 249 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 249 236 shade: RGB 231 249 236, RGB 214 231 217, RGB 197 213 198, RGB 180 195 179 and RGB 163 177 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 249 236 shade: RGB 230 248 235, RGB 230 248 230, RGB 235 248 230, RGB 240 248 230 and RGB 245 248 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 249 236 shade: RGB 230 248 235, RGB 230 248 240, RGB 230 248 245, RGB 230 247 248 and RGB 230 242 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 249 236 shade matches the following richer shades: RGB 230 248 235, RGB 228 251 234 and RGB 225 253 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 249 236 shade: RGB 230 248 235, RGB 232 246 236, RGB 235 243 237, RGB 237 241 238 and RGB 240 238 240

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 249 236 shade: RGB 235 248 230, RGB 230 248 230, RGB 230 248 235, RGB 230 248 240 and RGB 230 248 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 249 236 shade: RGB 164 232 183, RGB 197 240 209 and RGB 230 248 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 249 236 shade: RGB 231 249 236, RGB 230 240 248 and RGB 248 230 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 249 236 shade: RGB 231 249 236, RGB 235 230 248 and RGB 248 235 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 249 236 shade: RGB 231 249 236, RGB 230 240 248, RGB 248 230 243 and RGB 248 239 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 249 236 shade: RGB 231 249 236, RGB 230 234 248, RGB 248 230 243 and RGB 248 244 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 5 / 2

HEX #E7F9EC

RGB 231 249 236

HSL 136.67, 0.6%, 0.94%

LAB 96.33, -8.23, 4.2

 

Complementary color

CMYK 0 / 75 / 21 / 91

HEX #180613

RGB 24 6 19

HSL 316.67, 0.6%, 0.06%

LAB 3.36, 8.45, -3.63

 

CMYK 5 / 0 / 7 / 2

HEX #ECF9E7

RGB 236 249 231

HSL 103.33, 0.6%, 0.94%

LAB 96.56, -7.45, 7.16

 

CMYK 1 / 0 / 2 / 0

HEX #FDFFFA

RGB 253 255 250

HSL 84, 1%, 0.99%

LAB 99.73, -1.52, 2.14

 

CMYK 7 / 0 / 5 / 2

HEX #E7F9EC

RGB 231 249 236

HSL 136.67, 0.6%, 0.94%

LAB 96.33, -8.23, 4.2

 

CMYK 7 / 0 / 6 / 9

HEX #D6E7D9

RGB 214 231 217

HSL 130.59, 0.26%, 0.87%

LAB 90.07, -8.2, 4.87

 

CMYK 8 / 0 / 7 / 16

HEX #C5D5C6

RGB 197 213 198

HSL 123.75, 0.16%, 0.8%

LAB 83.72, -8.16, 5.56

 

CMYK 8 / 0 / 8 / 24

HEX #B4C3B3

RGB 180 195 179

HSL 116.25, 0.12%, 0.73%

LAB 77.27, -8.13, 6.28

 

CMYK 8 / 0 / 10 / 31

HEX #A3B1A0

RGB 163 177 160

HSL 109.41, 0.1%, 0.66%

LAB 70.71, -8.11, 7.03

 

CMYK 7 / 0 / 5 / 3

HEX #E6F8EB

RGB 230 248 235

HSL 136.67, 0.56%, 0.94%

LAB 95.98, -8.24, 4.21

 

CMYK 7 / 0 / 7 / 3

HEX #E6F8E6

RGB 230 248 230

HSL 120, 0.56%, 0.94%

LAB 95.86, -9.12, 6.62

 

CMYK 5 / 0 / 7 / 3

HEX #EBF8E6

RGB 235 248 230

HSL 103.33, 0.56%, 0.94%

LAB 96.21, -7.45, 7.16

 

CMYK 3 / 0 / 7 / 3

HEX #F0F8E6

RGB 240 248 230

HSL 86.67, 0.56%, 0.94%

LAB 96.56, -5.77, 7.72

 

CMYK 1 / 0 / 7 / 3

HEX #F5F8E6

RGB 245 248 230

HSL 70, 0.56%, 0.94%

LAB 96.93, -4.08, 8.29

 

CMYK 7 / 0 / 5 / 3

HEX #E6F8EB

RGB 230 248 235

HSL 136.67, 0.56%, 0.94%

LAB 95.98, -8.24, 4.21

 

CMYK 7 / 0 / 3 / 3

HEX #E6F8F0

RGB 230 248 240

HSL 153.33, 0.56%, 0.94%

LAB 96.1, -7.34, 1.8

 

CMYK 7 / 0 / 1 / 3

HEX #E6F8F5

RGB 230 248 245

HSL 170, 0.56%, 0.94%

LAB 96.22, -6.42, -0.6

 

CMYK 7 / 0 / 0 / 3

HEX #E6F7F8

RGB 230 247 248

HSL 183.33, 0.56%, 0.94%

LAB 96.05, -5.36, -2.4

 

CMYK 7 / 2 / 0 / 3

HEX #E6F2F8

RGB 230 242 248

HSL 200, 0.56%, 0.94%

LAB 94.78, -2.83, -4.26

 

CMYK 7 / 0 / 5 / 3

HEX #E6F8EB

RGB 230 248 235

HSL 136.67, 0.56%, 0.94%

LAB 95.98, -8.24, 4.21

 

CMYK 9 / 0 / 7 / 2

HEX #E4FBEA

RGB 228 251 234

HSL 135.65, 0.74%, 0.94%

LAB 96.59, -10.57, 5.59

 

CMYK 11 / 0 / 8 / 1

HEX #E1FDE9

RGB 225 253 233

HSL 137.14, 0.88%, 0.94%

LAB 96.88, -12.72, 6.5

 

CMYK 7 / 0 / 5 / 3

HEX #E6F8EB

RGB 230 248 235

HSL 136.67, 0.56%, 0.94%

LAB 95.98, -8.24, 4.21

 

CMYK 6 / 0 / 4 / 4

HEX #E8F6EC

RGB 232 246 236

HSL 137.14, 0.44%, 0.94%

LAB 95.63, -6.4, 3.21

 

CMYK 3 / 0 / 2 / 5

HEX #EBF3ED

RGB 235 243 237

HSL 135, 0.25%, 0.94%

LAB 95.11, -3.71, 1.96

 

CMYK 2 / 0 / 1 / 5

HEX #EDF1EE

RGB 237 241 238

HSL 135, 0.13%, 0.94%

LAB 94.78, -1.86, 0.97

 

CMYK 0 / 1 / 0 / 6

HEX #F0EEF0

RGB 240 238 240

HSL 300, 0.06%, 0.94%

LAB 94.3, 1.03, -0.74

 

CMYK 5 / 0 / 7 / 3

HEX #EBF8E6

RGB 235 248 230

HSL 103.33, 0.56%, 0.94%

LAB 96.21, -7.45, 7.16

 

CMYK 7 / 0 / 7 / 3

HEX #E6F8E6

RGB 230 248 230

HSL 120, 0.56%, 0.94%

LAB 95.86, -9.12, 6.62

 

CMYK 7 / 0 / 5 / 3

HEX #E6F8EB

RGB 230 248 235

HSL 136.67, 0.56%, 0.94%

LAB 95.98, -8.24, 4.21

 

CMYK 7 / 0 / 3 / 3

HEX #E6F8F0

RGB 230 248 240

HSL 153.33, 0.56%, 0.94%

LAB 96.1, -7.34, 1.8

 

CMYK 7 / 0 / 1 / 3

HEX #E6F8F5

RGB 230 248 245

HSL 170, 0.56%, 0.94%

LAB 96.22, -6.42, -0.6

 

CMYK 29 / 0 / 21 / 9

HEX #A4E8B7

RGB 164 232 183

HSL 136.76, 0.6%, 0.78%

LAB 86.52, -31.08, 17.14

 

CMYK 18 / 0 / 13 / 6

HEX #C5F0D1

RGB 197 240 209

HSL 136.74, 0.59%, 0.86%

LAB 91.14, -19.73, 10.43

 

CMYK 7 / 0 / 5 / 3

HEX #E6F8EB

RGB 230 248 235

HSL 136.67, 0.56%, 0.94%

LAB 95.98, -8.24, 4.21

 

CMYK 7 / 0 / 5 / 2

HEX #E7F9EC

RGB 231 249 236

HSL 136.67, 0.6%, 0.94%

LAB 96.33, -8.23, 4.2

 

CMYK 7 / 3 / 0 / 3

HEX #E6F0F8

RGB 230 240 248

HSL 206.67, 0.56%, 0.94%

LAB 94.28, -1.81, -5

 

CMYK 0 / 7 / 6 / 3

HEX #F8E6E8

RGB 248 230 232

HSL 353.33, 0.56%, 0.94%

LAB 92.74, 6.45, 1.23

 

CMYK 7 / 0 / 5 / 2

HEX #E7F9EC

RGB 231 249 236

HSL 136.67, 0.6%, 0.94%

LAB 96.33, -8.23, 4.2

 

CMYK 5 / 7 / 0 / 3

HEX #EBE6F8

RGB 235 230 248

HSL 256.67, 0.56%, 0.94%

LAB 92.15, 4.95, -8.11

 

CMYK 0 / 5 / 7 / 3

HEX #F8EBE6

RGB 248 235 230

HSL 16.67, 0.56%, 0.94%

LAB 93.92, 3.55, 3.98

 

CMYK 7 / 0 / 5 / 2

HEX #E7F9EC

RGB 231 249 236

HSL 136.67, 0.6%, 0.94%

LAB 96.33, -8.23, 4.2

 

CMYK 7 / 3 / 0 / 3

HEX #E6F0F8

RGB 230 240 248

HSL 206.67, 0.56%, 0.94%

LAB 94.28, -1.81, -5

 

CMYK 0 / 7 / 2 / 3

HEX #F8E6F3

RGB 248 230 243

HSL 316.67, 0.56%, 0.94%

LAB 93.02, 8.34, -4.1

 

CMYK 0 / 4 / 7 / 3

HEX #F8EFE6

RGB 248 239 230

HSL 30, 0.56%, 0.94%

LAB 94.91, 1.51, 5.41

 

CMYK 7 / 0 / 5 / 2

HEX #E7F9EC

RGB 231 249 236

HSL 136.67, 0.6%, 0.94%

LAB 96.33, -8.23, 4.2

 

CMYK 7 / 6 / 0 / 3

HEX #E6EAF8

RGB 230 234 248

HSL 226.67, 0.56%, 0.94%

LAB 92.77, 1.27, -7.23

 

CMYK 0 / 7 / 2 / 3

HEX #F8E6F3

RGB 248 230 243

HSL 316.67, 0.56%, 0.94%

LAB 93.02, 8.34, -4.1

 

CMYK 0 / 2 / 7 / 3

HEX #F8F4E6

RGB 248 244 230

HSL 46.67, 0.56%, 0.94%

LAB 96.15, -1.03, 7.2

 

Description

Color code: RGB 231 249 236 | qconv.com Color code: RGB 231 249 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 249 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 249 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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