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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 232 117 it is the complementary color RGB 24 23 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 232 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 232 117 shade: RGB 236 232 112, RGB 253 250 131, RGB 255 255 150, RGB 255 255 169 and RGB 255 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 232 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 232 117 shade: RGB 231 232 117, RGB 214 214 98, RGB 197 196 79, RGB 180 178 60 and RGB 163 160 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 232 117 shade: RGB 230 231 115, RGB 231 201 115, RGB 231 169 115, RGB 231 138 115 and RGB 231 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 232 117 shade: RGB 230 231 115, RGB 199 231 115, RGB 167 231 115, RGB 136 231 115 and RGB 115 231 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 232 117 shade matches the following richer shades: RGB 230 231 115 and RGB 243 244 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 232 117 shade: RGB 230 231 115, RGB 217 218 128, RGB 204 204 141, RGB 191 191 155 and RGB 178 178 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 232 117 shade: RGB 231 169 115, RGB 231 200 115, RGB 231 231 115, RGB 200 231 115 and RGB 169 231 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 232 117 shade: RGB 217 219 44, RGB 224 225 80, RGB 230 231 115, RGB 236 237 150 and RGB 242 243 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 232 117 shade: RGB 231 232 117, RGB 115 231 138 and RGB 184 115 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 232 117 shade: RGB 231 232 117, RGB 115 231 231 and RGB 231 115 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 232 117 shade: RGB 231 232 117, RGB 115 231 138, RGB 115 115 231 and RGB 231 115 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 232 117 shade: RGB 231 232 117, RGB 115 231 173, RGB 115 115 231 and RGB 231 115 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 50 / 9

HEX #E7E875

RGB 231 232 117

HSL 60.52, 0.71%, 0.68%

LAB 89.85, -15.7, 55.22

 

Complementary color

CMYK 83 / 83 / 0 / 46

HEX #18178A

RGB 24 23 138

HSL 240.52, 0.71%, 0.32%

LAB 18.55, 41.75, -61.71

 

CMYK 0 / 2 / 53 / 7

HEX #ECE870

RGB 236 232 112

HSL 58.06, 0.77%, 0.68%

LAB 90.19, -14.12, 58

 

CMYK 0 / 1 / 48 / 1

HEX #FDFA83

RGB 253 250 131

HSL 58.52, 0.97%, 0.75%

LAB 96.37, -14.64, 56.91

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 50 / 9

HEX #E7E875

RGB 231 232 117

HSL 60.52, 0.71%, 0.68%

LAB 89.85, -15.7, 55.22

 

CMYK 0 / 0 / 54 / 16

HEX #D6D662

RGB 214 214 98

HSL 60, 0.59%, 0.61%

LAB 83.58, -15.17, 56.29

 

CMYK 0 / 1 / 60 / 23

HEX #C5C44F

RGB 197 196 79

HSL 59.49, 0.5%, 0.54%

LAB 77.23, -14.54, 57.24

 

CMYK 0 / 1 / 67 / 29

HEX #B4B23C

RGB 180 178 60

HSL 59, 0.5%, 0.47%

LAB 70.78, -13.78, 57.96

 

CMYK 0 / 2 / 75 / 36

HEX #A3A029

RGB 163 160 41

HSL 58.52, 0.6%, 0.4%

LAB 64.23, -12.84, 58.19

 

CMYK 0 / 0 / 50 / 9

HEX #E6E773

RGB 230 231 115

HSL 60.52, 0.71%, 0.68%

LAB 89.49, -15.77, 55.7

 

CMYK 0 / 13 / 50 / 9

HEX #E7C973

RGB 231 201 115

HSL 44.48, 0.71%, 0.68%

LAB 81.84, -0.23, 46.55

 

CMYK 0 / 27 / 50 / 9

HEX #E7A973

RGB 231 169 115

HSL 27.93, 0.71%, 0.68%

LAB 73.93, 16.61, 36.7

 

CMYK 0 / 40 / 50 / 9

HEX #E78A73

RGB 231 138 115

HSL 11.9, 0.71%, 0.68%

LAB 66.83, 33.08, 27.5

 

CMYK 0 / 50 / 50 / 9

HEX #E77373

RGB 231 115 115

HSL 0, 0.71%, 0.68%

LAB 62.07, 44.86, 21.14

 

CMYK 0 / 0 / 50 / 9

HEX #E6E773

RGB 230 231 115

HSL 60.52, 0.71%, 0.68%

LAB 89.49, -15.77, 55.7

 

CMYK 14 / 0 / 50 / 9

HEX #C7E773

RGB 199 231 115

HSL 76.55, 0.71%, 0.68%

LAB 87.26, -27.85, 52.5

 

CMYK 28 / 0 / 50 / 9

HEX #A7E773

RGB 167 231 115

HSL 93.1, 0.71%, 0.68%

LAB 85.3, -39.57, 49.69

 

CMYK 41 / 0 / 50 / 9

HEX #88E773

RGB 136 231 115

HSL 109.14, 0.71%, 0.68%

LAB 83.77, -49.74, 47.47

 

CMYK 50 / 0 / 46 / 9

HEX #73E77D

RGB 115 231 125

HSL 125.17, 0.71%, 0.68%

LAB 83.06, -54.34, 41.6

 

CMYK 0 / 0 / 50 / 9

HEX #E6E773

RGB 230 231 115

HSL 60.52, 0.71%, 0.68%

LAB 89.49, -15.77, 55.7

 

CMYK 0 / 0 / 58 / 4

HEX #F3F466

RGB 243 244 102

HSL 60.42, 0.87%, 0.68%

LAB 93.76, -17.92, 66.54

 

CMYK 0 / 0 / 50 / 9

HEX #E6E773

RGB 230 231 115

HSL 60.52, 0.71%, 0.68%

LAB 89.49, -15.77, 55.7

 

CMYK 0 / 0 / 41 / 15

HEX #D9DA80

RGB 217 218 128

HSL 60.67, 0.55%, 0.68%

LAB 85.23, -13.24, 44.08

 

CMYK 0 / 0 / 31 / 20

HEX #CCCC8D

RGB 204 204 141

HSL 60, 0.38%, 0.68%

LAB 80.71, -9.75, 31.48

 

CMYK 0 / 0 / 19 / 25

HEX #BFBF9B

RGB 191 191 155

HSL 60, 0.22%, 0.68%

LAB 76.5, -6.05, 18.21

 

CMYK 0 / 0 / 6 / 30

HEX #B2B2A8

RGB 178 178 168

HSL 60, 0.06%, 0.68%

LAB 72.32, -1.82, 5.1

 

CMYK 0 / 27 / 50 / 9

HEX #E7A973

RGB 231 169 115

HSL 27.93, 0.71%, 0.68%

LAB 73.93, 16.61, 36.7

 

CMYK 0 / 13 / 50 / 9

HEX #E7C873

RGB 231 200 115

HSL 43.97, 0.71%, 0.68%

LAB 81.58, 0.29, 46.24

 

CMYK 0 / 0 / 50 / 9

HEX #E7E773

RGB 231 231 115

HSL 60, 0.71%, 0.68%

LAB 89.57, -15.38, 55.81

 

CMYK 13 / 0 / 50 / 9

HEX #C8E773

RGB 200 231 115

HSL 76.03, 0.71%, 0.68%

LAB 87.32, -27.47, 52.59

 

CMYK 27 / 0 / 50 / 9

HEX #A9E773

RGB 169 231 115

HSL 92.07, 0.71%, 0.68%

LAB 85.42, -38.87, 49.85

 

CMYK 1 / 0 / 80 / 14

HEX #D9DB2C

RGB 217 219 44

HSL 60.69, 0.71%, 0.52%

LAB 84.79, -19.3, 77.42

 

CMYK 0 / 0 / 64 / 12

HEX #E0E150

RGB 224 225 80

HSL 60.41, 0.71%, 0.6%

LAB 87.13, -17.74, 67.97

 

CMYK 0 / 0 / 50 / 9

HEX #E6E773

RGB 230 231 115

HSL 60.52, 0.71%, 0.68%

LAB 89.49, -15.77, 55.7

 

CMYK 0 / 0 / 37 / 7

HEX #ECED96

RGB 236 237 150

HSL 60.69, 0.71%, 0.76%

LAB 91.95, -12.97, 42.06

 

CMYK 0 / 0 / 23 / 5

HEX #F2F3BA

RGB 242 243 186

HSL 61.05, 0.7%, 0.84%

LAB 94.54, -9.27, 27.46

 

CMYK 0 / 0 / 50 / 9

HEX #E7E875

RGB 231 232 117

HSL 60.52, 0.71%, 0.68%

LAB 89.85, -15.7, 55.22

 

CMYK 50 / 0 / 40 / 9

HEX #73E78A

RGB 115 231 138

HSL 131.9, 0.71%, 0.68%

LAB 83.25, -52.37, 35.41

 

CMYK 20 / 50 / 0 / 9

HEX #B873E7

RGB 184 115 231

HSL 275.69, 0.71%, 0.68%

LAB 60.09, 47.73, -48.47

 

CMYK 0 / 0 / 50 / 9

HEX #E7E875

RGB 231 232 117

HSL 60.52, 0.71%, 0.68%

LAB 89.85, -15.7, 55.22

 

CMYK 50 / 0 / 0 / 9

HEX #73E7E7

RGB 115 231 231

HSL 180, 0.71%, 0.68%

LAB 85.28, -32.76, -10.11

 

CMYK 0 / 50 / 0 / 9

HEX #E773E7

RGB 231 115 231

HSL 300, 0.71%, 0.68%

LAB 65.76, 60.43, -39.15

 

CMYK 0 / 0 / 50 / 9

HEX #E7E875

RGB 231 232 117

HSL 60.52, 0.71%, 0.68%

LAB 89.85, -15.7, 55.22

 

CMYK 50 / 0 / 40 / 9

HEX #73E78A

RGB 115 231 138

HSL 131.9, 0.71%, 0.68%

LAB 83.25, -52.37, 35.41

 

CMYK 50 / 50 / 0 / 9

HEX #7373E7

RGB 115 115 231

HSL 240, 0.71%, 0.68%

LAB 53.68, 30.85, -59.07

 

CMYK 0 / 50 / 10 / 9

HEX #E773D0

RGB 231 115 208

HSL 311.9, 0.71%, 0.68%

LAB 64.81, 56.58, -27.81

 

CMYK 0 / 0 / 50 / 9

HEX #E7E875

RGB 231 232 117

HSL 60.52, 0.71%, 0.68%

LAB 89.85, -15.7, 55.22

 

CMYK 50 / 0 / 25 / 9

HEX #73E7AD

RGB 115 231 173

HSL 150, 0.71%, 0.68%

LAB 83.87, -46.07, 18.32

 

CMYK 50 / 50 / 0 / 9

HEX #7373E7

RGB 115 115 231

HSL 240, 0.71%, 0.68%

LAB 53.68, 30.85, -59.07

 

CMYK 0 / 50 / 25 / 9

HEX #E773AD

RGB 231 115 173

HSL 330, 0.71%, 0.68%

LAB 63.56, 51.4, -9.9

 

Description

Color code: RGB 231 232 117 | qconv.com Color code: RGB 231 232 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 232 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 232 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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