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Color name
RGB 231 22 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 22 127 it is the complementary color RGB 24 233 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 22 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 22 127 shade: RGB 236 22 122, RGB 253 40 141, RGB 255 58 160, RGB 255 76 179 and RGB 255 94 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 22 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 22 127 shade: RGB 231 22 127, RGB 214 4 108, RGB 197 0 89, RGB 180 0 70 and RGB 163 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 22 127 shade: RGB 233 21 127, RGB 233 21 70 and RGB 233 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 22 127 shade: RGB 233 21 127, RGB 233 21 185, RGB 224 21 233, RGB 167 21 233 and RGB 110 21 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 22 127 shade matches the following richer shades: RGB 233 21 127 and RGB 253 1 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 22 127 shade: RGB 233 21 127, RGB 212 42 127, RGB 192 62 127, RGB 171 83 127 and RGB 150 104 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 22 127 shade: RGB 222 21 233, RGB 233 21 187, RGB 233 21 131, RGB 233 21 74 and RGB 233 25 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 22 127 shade: RGB 157 14 86, RGB 195 18 107, RGB 233 21 127, RGB 236 59 148 and RGB 240 97 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 22 127 shade: RGB 231 22 127, RGB 233 166 21 and RGB 21 215 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 22 127 shade: RGB 231 22 127, RGB 131 233 21 and RGB 21 131 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 22 127 shade: RGB 231 22 127, RGB 233 166 21, RGB 21 233 123 and RGB 21 88 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 22 127 shade: RGB 231 22 127, RGB 233 229 21, RGB 21 233 123 and RGB 21 25 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 45 / 9

HEX #E7167F

RGB 231 22 127

HSL 329.86, 0.83%, 0.5%

LAB 50.8, 77.4, -1.85

 

Complementary color

CMYK 90 / 0 / 45 / 9

HEX #18E980

RGB 24 233 128

HSL 149.86, 0.83%, 0.5%

LAB 81.85, -68.91, 38.22

 

CMYK 0 / 91 / 48 / 7

HEX #EC167A

RGB 236 22 122

HSL 331.96, 0.85%, 0.51%

LAB 51.62, 78.12, 2.5

 

CMYK 0 / 84 / 44 / 1

HEX #FD288D

RGB 253 40 141

HSL 331.55, 0.98%, 0.57%

LAB 56.41, 80.66, -1.52

 

CMYK 0 / 77 / 37 / 0

HEX #FF3AA0

RGB 255 58 160

HSL 328.93, 1%, 0.61%

LAB 58.81, 78.72, -9.12

 

CMYK 0 / 70 / 30 / 0

HEX #FF4CB3

RGB 255 76 179

HSL 325.47, 1%, 0.65%

LAB 61.38, 75.3, -16.26

 

CMYK 0 / 63 / 22 / 0

HEX #FF5EC6

RGB 255 94 198

HSL 321.24, 1%, 0.68%

LAB 64.44, 71.04, -22.45

 

CMYK 0 / 90 / 45 / 9

HEX #E7167F

RGB 231 22 127

HSL 329.86, 0.83%, 0.5%

LAB 50.8, 77.4, -1.85

 

CMYK 0 / 98 / 50 / 16

HEX #D6046C

RGB 214 4 108

HSL 330.29, 0.96%, 0.43%

LAB 46.27, 73.86, 2.78

 

CMYK 0 / 100 / 55 / 23

HEX #C50059

RGB 197 0 89

HSL 332.89, 1%, 0.39%

LAB 42.14, 69.02, 8.32

 

CMYK 0 / 100 / 61 / 29

HEX #B40046

RGB 180 0 70

HSL 336.67, 1%, 0.35%

LAB 38.1, 63.84, 14.31

 

CMYK 0 / 100 / 69 / 36

HEX #A30033

RGB 163 0 51

HSL 341.23, 1%, 0.32%

LAB 34.04, 58.68, 20.6

 

CMYK 0 / 91 / 45 / 9

HEX #E9157F

RGB 233 21 127

HSL 330, 0.83%, 0.5%

LAB 51.14, 77.97, -1.3

 

CMYK 0 / 91 / 70 / 9

HEX #E91546

RGB 233 21 70

HSL 346.13, 0.83%, 0.5%

LAB 49.86, 74.43, 31.63

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 91 / 45 / 9

HEX #E9157F

RGB 233 21 127

HSL 330, 0.83%, 0.5%

LAB 51.14, 77.97, -1.3

 

CMYK 0 / 91 / 21 / 9

HEX #E915B9

RGB 233 21 185

HSL 313.58, 0.83%, 0.5%

LAB 53.34, 83.83, -32.42

 

CMYK 4 / 91 / 0 / 9

HEX #E015E9

RGB 224 21 233

HSL 297.45, 0.83%, 0.5%

LAB 54.31, 88.7, -58.48

 

CMYK 28 / 91 / 0 / 9

HEX #A715E9

RGB 167 21 233

HSL 281.32, 0.83%, 0.5%

LAB 45.13, 80.36, -73.78

 

CMYK 53 / 91 / 0 / 9

HEX #6E15E9

RGB 110 21 233

HSL 265.19, 0.83%, 0.5%

LAB 37.36, 74.2, -86.83

 

CMYK 0 / 91 / 45 / 9

HEX #E9157F

RGB 233 21 127

HSL 330, 0.83%, 0.5%

LAB 51.14, 77.97, -1.3

 

CMYK 0 / 100 / 49 / 1

HEX #FD0180

RGB 253 1 128

HSL 329.76, 0.99%, 0.5%

LAB 54.51, 84.06, 3.48

 

CMYK 0 / 91 / 45 / 9

HEX #E9157F

RGB 233 21 127

HSL 330, 0.83%, 0.5%

LAB 51.14, 77.97, -1.3

 

CMYK 0 / 80 / 40 / 17

HEX #D42A7F

RGB 212 42 127

HSL 330, 0.67%, 0.5%

LAB 48.49, 69.16, -5.66

 

CMYK 0 / 68 / 34 / 25

HEX #C03E7F

RGB 192 62 127

HSL 330, 0.51%, 0.5%

LAB 47.22, 57.38, -7.95

 

CMYK 0 / 51 / 26 / 33

HEX #AB537F

RGB 171 83 127

HSL 330, 0.35%, 0.5%

LAB 47.46, 41.23, -7.92

 

CMYK 0 / 31 / 15 / 41

HEX #96687F

RGB 150 104 127

HSL 330, 0.18%, 0.5%

LAB 49.4, 22.11, -5.34

 

CMYK 5 / 91 / 0 / 9

HEX #DE15E9

RGB 222 21 233

HSL 296.89, 0.83%, 0.5%

LAB 53.97, 88.38, -59.03

 

CMYK 0 / 91 / 20 / 9

HEX #E915BB

RGB 233 21 187

HSL 313.02, 0.83%, 0.5%

LAB 53.44, 84.07, -33.44

 

CMYK 0 / 91 / 44 / 9

HEX #E91583

RGB 233 21 131

HSL 328.87, 0.83%, 0.5%

LAB 51.27, 78.3, -3.54

 

CMYK 0 / 91 / 68 / 9

HEX #E9154A

RGB 233 21 74

HSL 345, 0.83%, 0.5%

LAB 49.92, 74.6, 29.3

 

CMYK 0 / 89 / 91 / 9

HEX #E91915

RGB 233 25 21

HSL 1.13, 0.83%, 0.5%

LAB 49.58, 72.55, 56.99

 

CMYK 0 / 91 / 45 / 38

HEX #9D0E56

RGB 157 14 86

HSL 329.79, 0.84%, 0.34%

LAB 34.3, 57.76, -2.13

 

CMYK 0 / 91 / 45 / 24

HEX #C3126B

RGB 195 18 107

HSL 329.83, 0.83%, 0.42%

LAB 42.91, 68.04, -1.96

 

CMYK 0 / 91 / 45 / 9

HEX #E9157F

RGB 233 21 127

HSL 330, 0.83%, 0.5%

LAB 51.14, 77.97, -1.3

 

CMYK 0 / 75 / 37 / 7

HEX #EC3B94

RGB 236 59 148

HSL 329.83, 0.82%, 0.58%

LAB 55.17, 72.54, -7.84

 

CMYK 0 / 60 / 30 / 6

HEX #F061A9

RGB 240 97 169

HSL 329.79, 0.83%, 0.66%

LAB 61.6, 61.94, -10.41

 

CMYK 0 / 90 / 45 / 9

HEX #E7167F

RGB 231 22 127

HSL 329.86, 0.83%, 0.5%

LAB 50.8, 77.4, -1.85

 

CMYK 0 / 29 / 91 / 9

HEX #E9A615

RGB 233 166 21

HSL 41.04, 0.83%, 0.5%

LAB 72.66, 14.28, 73.39

 

CMYK 91 / 8 / 0 / 9

HEX #15D7E9

RGB 21 215 233

HSL 185.09, 0.83%, 0.5%

LAB 78.84, -36.22, -21.05

 

CMYK 0 / 90 / 45 / 9

HEX #E7167F

RGB 231 22 127

HSL 329.86, 0.83%, 0.5%

LAB 50.8, 77.4, -1.85

 

CMYK 44 / 0 / 91 / 9

HEX #83E915

RGB 131 233 21

HSL 88.87, 0.83%, 0.5%

LAB 83.53, -58.61, 78.83

 

CMYK 91 / 44 / 0 / 9

HEX #1583E9

RGB 21 131 233

HSL 208.87, 0.83%, 0.5%

LAB 54.32, 9.09, -59.36

 

CMYK 0 / 90 / 45 / 9

HEX #E7167F

RGB 231 22 127

HSL 329.86, 0.83%, 0.5%

LAB 50.8, 77.4, -1.85

 

CMYK 0 / 29 / 91 / 9

HEX #E9A615

RGB 233 166 21

HSL 41.04, 0.83%, 0.5%

LAB 72.66, 14.28, 73.39

 

CMYK 91 / 0 / 47 / 9

HEX #15E97B

RGB 21 233 123

HSL 148.87, 0.83%, 0.5%

LAB 81.77, -69.9, 40.55

 

CMYK 91 / 62 / 0 / 9

HEX #1558E9

RGB 21 88 233

HSL 221.04, 0.83%, 0.5%

LAB 42.8, 36.37, -78.06

 

CMYK 0 / 90 / 45 / 9

HEX #E7167F

RGB 231 22 127

HSL 329.86, 0.83%, 0.5%

LAB 50.8, 77.4, -1.85

 

CMYK 0 / 2 / 91 / 9

HEX #E9E515

RGB 233 229 21

HSL 58.87, 0.83%, 0.5%

LAB 88.65, -17.99, 85.54

 

CMYK 91 / 0 / 47 / 9

HEX #15E97B

RGB 21 233 123

HSL 148.87, 0.83%, 0.5%

LAB 81.77, -69.9, 40.55

 

CMYK 91 / 89 / 0 / 9

HEX #1519E9

RGB 21 25 233

HSL 238.87, 0.83%, 0.5%

LAB 31.2, 68.92, -97.25

 

Description

Color code: RGB 231 22 127 | qconv.com Color code: RGB 231 22 127 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 22 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 22 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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