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Color name
RGB 231 199 187

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 199 187 it is the complementary color RGB 24 56 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 199 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 199 187 shade: RGB 236 199 182, RGB 253 217 201, RGB 255 235 220 and RGB 255 253 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 199 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 214 181 168, RGB 197 163 149, RGB 180 145 130 and RGB 163 127 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 231 187 187 and RGB 231 187 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 231 210 187, RGB 231 222 187, RGB 227 231 187 and RGB 215 231 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 199 187 shade matches the following richer shades: RGB 231 199 187, RGB 238 195 179, RGB 245 192 172 and RGB 253 188 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 223 202 194, RGB 216 205 201, RGB 208 209 209 and RGB 201 212 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 199 187 shade: RGB 231 187 198, RGB 231 187 187, RGB 231 198 187, RGB 231 210 187 and RGB 231 222 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 199 187 shade: RGB 209 148 126, RGB 220 173 156, RGB 231 199 187, RGB 241 224 217 and RGB 252 249 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 210 231 187 and RGB 187 192 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 187 231 198 and RGB 198 187 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 210 231 187, RGB 187 219 231 and RGB 207 187 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 199 187 shade: RGB 231 199 187, RGB 197 231 187, RGB 187 219 231 and RGB 220 187 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

Complementary color

CMYK 65 / 18 / 0 / 73

HEX #183844

RGB 24 56 68

HSL 196.36, 0.48%, 0.18%

LAB 21.73, -7.56, -10.99

 

CMYK 0 / 16 / 23 / 7

HEX #ECC7B6

RGB 236 199 182

HSL 18.89, 0.59%, 0.82%

LAB 82.94, 10.53, 13.38

 

CMYK 0 / 14 / 21 / 1

HEX #FDD9C9

RGB 253 217 201

HSL 18.46, 0.93%, 0.89%

LAB 89.26, 10.08, 12.5

 

CMYK 0 / 8 / 14 / 0

HEX #FFEBDC

RGB 255 235 220

HSL 25.71, 1%, 0.93%

LAB 94.25, 4.38, 9.71

 

CMYK 0 / 1 / 6 / 0

HEX #FFFDEF

RGB 255 253 239

HSL 52.5, 1%, 0.97%

LAB 99.12, -1.71, 6.92

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 15 / 21 / 16

HEX #D6B5A8

RGB 214 181 168

HSL 16.96, 0.36%, 0.75%

LAB 76.17, 9.85, 11.03

 

CMYK 0 / 17 / 24 / 23

HEX #C5A395

RGB 197 163 149

HSL 17.5, 0.29%, 0.68%

LAB 69.64, 10.34, 11.95

 

CMYK 0 / 19 / 28 / 29

HEX #B49182

RGB 180 145 130

HSL 18, 0.25%, 0.61%

LAB 62.98, 10.9, 12.94

 

CMYK 0 / 22 / 32 / 36

HEX #A37F6F

RGB 163 127 111

HSL 18.46, 0.22%, 0.54%

LAB 56.2, 11.54, 14.02

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 19 / 19 / 9

HEX #E7BBBB

RGB 231 187 187

HSL 0, 0.48%, 0.82%

LAB 79.68, 15.77, 5.98

 

CMYK 0 / 19 / 19 / 9

HEX #E7BBBB

RGB 231 187 187

HSL 0, 0.48%, 0.82%

LAB 79.68, 15.77, 5.98

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 9 / 19 / 9

HEX #E7D2BB

RGB 231 210 187

HSL 31.36, 0.48%, 0.82%

LAB 85.34, 3.65, 14.04

 

CMYK 0 / 4 / 19 / 9

HEX #E7DEBB

RGB 231 222 187

HSL 47.73, 0.48%, 0.82%

LAB 88.36, -2.54, 18.29

 

CMYK 2 / 0 / 19 / 9

HEX #E3E7BB

RGB 227 231 187

HSL 65.45, 0.48%, 0.82%

LAB 90.35, -8.56, 21.02

 

CMYK 7 / 0 / 19 / 9

HEX #D7E7BB

RGB 215 231 187

HSL 81.82, 0.48%, 0.82%

LAB 89.48, -12.86, 19.67

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 18 / 25 / 7

HEX #EEC3B3

RGB 238 195 179

HSL 16.27, 0.63%, 0.82%

LAB 82.09, 12.95, 13.79

 

CMYK 0 / 22 / 30 / 4

HEX #F5C0AC

RGB 245 192 172

HSL 16.44, 0.78%, 0.82%

LAB 81.89, 16.21, 17.35

 

CMYK 0 / 26 / 35 / 1

HEX #FDBCA4

RGB 253 188 164

HSL 16.18, 0.96%, 0.82%

LAB 81.58, 20.34, 21.31

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 9 / 13 / 13

HEX #DFCAC2

RGB 223 202 194

HSL 16.55, 0.31%, 0.82%

LAB 82.82, 6.02, 6.65

 

CMYK 0 / 5 / 7 / 15

HEX #D8CDC9

RGB 216 205 201

HSL 16, 0.16%, 0.82%

LAB 83.17, 3.12, 3.34

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D1

RGB 208 209 209

HSL 180, 0.01%, 0.82%

LAB 83.76, -0.34, -0.13

 

CMYK 7 / 2 / 0 / 15

HEX #C9D4D8

RGB 201 212 216

HSL 196, 0.16%, 0.82%

LAB 84.21, -2.94, -3.27

 

CMYK 0 / 19 / 14 / 9

HEX #E7BBC6

RGB 231 187 198

HSL 345, 0.48%, 0.82%

LAB 79.96, 17.48, 0.44

 

CMYK 0 / 19 / 19 / 9

HEX #E7BBBB

RGB 231 187 187

HSL 0, 0.48%, 0.82%

LAB 79.68, 15.77, 5.98

 

CMYK 0 / 14 / 19 / 9

HEX #E7C6BB

RGB 231 198 187

HSL 15, 0.48%, 0.82%

LAB 82.36, 9.94, 9.82

 

CMYK 0 / 9 / 19 / 9

HEX #E7D2BB

RGB 231 210 187

HSL 31.36, 0.48%, 0.82%

LAB 85.34, 3.65, 14.04

 

CMYK 0 / 4 / 19 / 9

HEX #E7DEBB

RGB 231 222 187

HSL 47.73, 0.48%, 0.82%

LAB 88.36, -2.54, 18.29

 

CMYK 0 / 29 / 40 / 18

HEX #D1947E

RGB 209 148 126

HSL 15.9, 0.47%, 0.66%

LAB 66.7, 20.23, 20.8

 

CMYK 0 / 21 / 29 / 14

HEX #DCAD9C

RGB 220 173 156

HSL 15.94, 0.48%, 0.74%

LAB 74.51, 14.73, 15.29

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 7 / 10 / 5

HEX #F1E0D9

RGB 241 224 217

HSL 17.5, 0.46%, 0.9%

LAB 90.33, 4.65, 5.5

 

CMYK 0 / 1 / 2 / 1

HEX #FCF9F8

RGB 252 249 248

HSL 15, 0.4%, 0.98%

LAB 98.12, 0.83, 0.82

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 9 / 0 / 19 / 9

HEX #D2E7BB

RGB 210 231 187

HSL 88.64, 0.48%, 0.82%

LAB 89.13, -14.62, 19.13

 

CMYK 19 / 17 / 0 / 9

HEX #BBC0E7

RGB 187 192 231

HSL 233.18, 0.48%, 0.82%

LAB 78.48, 6.27, -19.94

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 19 / 0 / 14 / 9

HEX #BBE7C6

RGB 187 231 198

HSL 135, 0.48%, 0.82%

LAB 87.87, -20.56, 11.41

 

CMYK 14 / 19 / 0 / 9

HEX #C6BBE7

RGB 198 187 231

HSL 255, 0.48%, 0.82%

LAB 78.06, 12.44, -20.5

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 9 / 0 / 19 / 9

HEX #D2E7BB

RGB 210 231 187

HSL 88.64, 0.48%, 0.82%

LAB 89.13, -14.62, 19.13

 

CMYK 19 / 5 / 0 / 9

HEX #BBDBE7

RGB 187 219 231

HSL 196.36, 0.48%, 0.82%

LAB 85.5, -8, -9.41

 

CMYK 10 / 19 / 0 / 9

HEX #CFBBE7

RGB 207 187 231

HSL 267.27, 0.48%, 0.82%

LAB 78.8, 15.31, -19.32

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 15 / 0 / 19 / 9

HEX #C5E7BB

RGB 197 231 187

HSL 106.36, 0.48%, 0.82%

LAB 88.26, -19.13, 17.79

 

CMYK 19 / 5 / 0 / 9

HEX #BBDBE7

RGB 187 219 231

HSL 196.36, 0.48%, 0.82%

LAB 85.5, -8, -9.41

 

CMYK 5 / 19 / 0 / 9

HEX #DCBBE7

RGB 220 187 231

HSL 285, 0.48%, 0.82%

LAB 79.91, 19.54, -17.52

 

Description

Color code: RGB 231 199 187 | qconv.com Color code: RGB 231 199 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 199 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 199 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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