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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 199 170 it is the complementary color RGB 24 56 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 199 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 199 170 shade: RGB 236 199 165, RGB 253 217 184, RGB 255 235 203, RGB 255 253 222 and RGB 255 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 199 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 199 170 shade: RGB 231 199 170, RGB 214 181 151, RGB 197 163 132, RGB 180 145 113 and RGB 163 127 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 199 170 shade: RGB 231 199 171, RGB 231 183 171 and RGB 231 171 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 199 170 shade: RGB 231 199 171, RGB 231 216 171, RGB 230 231 171, RGB 214 231 171 and RGB 198 231 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 199 170 shade matches the following richer shades: RGB 231 199 171, RGB 240 199 162 and RGB 248 199 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 199 170 shade: RGB 231 199 171, RGB 222 200 180, RGB 214 200 188, RGB 205 201 197 and RGB 196 201 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 199 170 shade: RGB 231 171 175, RGB 231 183 171, RGB 231 199 171, RGB 231 215 171 and RGB 231 231 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 199 170 shade: RGB 213 157 107, RGB 222 178 139, RGB 231 199 171, RGB 240 221 203 and RGB 249 242 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 199 170 shade: RGB 231 199 170, RGB 191 231 171 and RGB 175 171 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 199 170 shade: RGB 231 199 170, RGB 171 231 199 and RGB 199 171 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 199 170 shade: RGB 231 199 170, RGB 191 231 171, RGB 171 203 231 and RGB 211 171 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 199 170 shade: RGB 231 199 170, RGB 173 231 171, RGB 171 203 231 and RGB 229 171 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 26 / 9

HEX #E7C7AA

RGB 231 199 170

HSL 28.52, 0.56%, 0.79%

LAB 82.24, 6.99, 18.7

 

Complementary color

CMYK 72 / 34 / 0 / 67

HEX #183855

RGB 24 56 85

HSL 208.52, 0.56%, 0.21%

LAB 22.58, -1.05, -21

 

CMYK 0 / 16 / 30 / 7

HEX #ECC7A5

RGB 236 199 165

HSL 28.73, 0.65%, 0.79%

LAB 82.59, 8.22, 21.91

 

CMYK 0 / 14 / 27 / 1

HEX #FDD9B8

RGB 253 217 184

HSL 28.7, 0.95%, 0.86%

LAB 88.91, 7.73, 20.9

 

CMYK 0 / 8 / 20 / 0

HEX #FFEBCB

RGB 255 235 203

HSL 36.92, 1%, 0.9%

LAB 93.88, 1.85, 17.99

 

CMYK 0 / 1 / 13 / 0

HEX #FFFDDE

RGB 255 253 222

HSL 56.36, 1%, 0.94%

LAB 98.74, -4.41, 15.08

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AA

RGB 231 199 170

HSL 28.52, 0.56%, 0.79%

LAB 82.24, 6.99, 18.7

 

CMYK 0 / 15 / 29 / 16

HEX #D6B597

RGB 214 181 151

HSL 28.57, 0.43%, 0.72%

LAB 75.81, 7.47, 19.71

 

CMYK 0 / 17 / 33 / 23

HEX #C5A384

RGB 197 163 132

HSL 28.62, 0.36%, 0.65%

LAB 69.28, 8.02, 20.8

 

CMYK 0 / 19 / 37 / 29

HEX #B49171

RGB 180 145 113

HSL 28.66, 0.31%, 0.57%

LAB 62.63, 8.65, 21.97

 

CMYK 0 / 22 / 42 / 36

HEX #A37F5E

RGB 163 127 94

HSL 28.7, 0.27%, 0.5%

LAB 55.86, 9.39, 23.25

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AB

RGB 231 199 171

HSL 28, 0.56%, 0.79%

LAB 82.26, 7.12, 18.2

 

CMYK 0 / 21 / 26 / 9

HEX #E7B7AB

RGB 231 183 171

HSL 12, 0.56%, 0.79%

LAB 78.34, 15.59, 12.7

 

CMYK 0 / 26 / 26 / 9

HEX #E7ABAB

RGB 231 171 171

HSL 0, 0.56%, 0.79%

LAB 75.49, 21.99, 8.64

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AB

RGB 231 199 171

HSL 28, 0.56%, 0.79%

LAB 82.26, 7.12, 18.2

 

CMYK 0 / 6 / 26 / 9

HEX #E7D8AB

RGB 231 216 171

HSL 45, 0.56%, 0.79%

LAB 86.52, -1.71, 24.09

 

CMYK 0 / 0 / 26 / 9

HEX #E6E7AB

RGB 230 231 171

HSL 61, 0.56%, 0.79%

LAB 90.28, -9.7, 29.19

 

CMYK 7 / 0 / 26 / 9

HEX #D6E7AB

RGB 214 231 171

HSL 77, 0.56%, 0.79%

LAB 89.11, -15.58, 27.4

 

CMYK 14 / 0 / 26 / 9

HEX #C6E7AB

RGB 198 231 171

HSL 93, 0.56%, 0.79%

LAB 88.02, -21.3, 25.74

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AB

RGB 231 199 171

HSL 28, 0.56%, 0.79%

LAB 82.26, 7.12, 18.2

 

CMYK 0 / 17 / 33 / 6

HEX #F0C7A2

RGB 240 199 162

HSL 28.46, 0.72%, 0.79%

LAB 82.9, 9.37, 23.98

 

CMYK 0 / 20 / 38 / 3

HEX #F8C79A

RGB 248 199 154

HSL 28.72, 0.87%, 0.79%

LAB 83.51, 11.5, 29.14

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AB

RGB 231 199 171

HSL 28, 0.56%, 0.79%

LAB 82.26, 7.12, 18.2

 

CMYK 0 / 10 / 19 / 13

HEX #DEC8B4

RGB 222 200 180

HSL 28.57, 0.39%, 0.79%

LAB 81.91, 4.53, 12.81

 

CMYK 0 / 7 / 12 / 16

HEX #D6C8BC

RGB 214 200 188

HSL 27.69, 0.24%, 0.79%

LAB 81.42, 2.87, 7.74

 

CMYK 0 / 2 / 4 / 20

HEX #CDC9C5

RGB 205 201 197

HSL 30, 0.07%, 0.79%

LAB 81.17, 0.67, 2.47

 

CMYK 5 / 2 / 0 / 19

HEX #C4C9CE

RGB 196 201 206

HSL 210, 0.09%, 0.79%

LAB 80.72, -0.76, -3.09

 

CMYK 0 / 26 / 24 / 9

HEX #E7ABAF

RGB 231 171 175

HSL 356, 0.56%, 0.79%

LAB 75.58, 22.55, 6.6

 

CMYK 0 / 21 / 26 / 9

HEX #E7B7AB

RGB 231 183 171

HSL 12, 0.56%, 0.79%

LAB 78.34, 15.59, 12.7

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AB

RGB 231 199 171

HSL 28, 0.56%, 0.79%

LAB 82.26, 7.12, 18.2

 

CMYK 0 / 7 / 26 / 9

HEX #E7D7AB

RGB 231 215 171

HSL 44, 0.56%, 0.79%

LAB 86.27, -1.2, 23.74

 

CMYK 0 / 0 / 26 / 9

HEX #E7E7AB

RGB 231 231 171

HSL 60, 0.56%, 0.79%

LAB 90.36, -9.33, 29.31

 

CMYK 0 / 26 / 50 / 16

HEX #D59D6B

RGB 213 157 107

HSL 28.3, 0.56%, 0.63%

LAB 68.98, 14.99, 34.22

 

CMYK 0 / 20 / 37 / 13

HEX #DEB28B

RGB 222 178 139

HSL 28.19, 0.56%, 0.71%

LAB 75.6, 10.7, 25.99

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AB

RGB 231 199 171

HSL 28, 0.56%, 0.79%

LAB 82.26, 7.12, 18.2

 

CMYK 0 / 8 / 15 / 6

HEX #F0DDCB

RGB 240 221 203

HSL 29.19, 0.55%, 0.87%

LAB 89.18, 3.63, 11.18

 

CMYK 0 / 3 / 6 / 2

HEX #F9F2EB

RGB 249 242 235

HSL 30, 0.54%, 0.95%

LAB 95.85, 1.15, 4.19

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AA

RGB 231 199 170

HSL 28.52, 0.56%, 0.79%

LAB 82.24, 6.99, 18.7

 

CMYK 17 / 0 / 26 / 9

HEX #BFE7AB

RGB 191 231 171

HSL 100, 0.56%, 0.79%

LAB 87.57, -23.75, 25.05

 

CMYK 24 / 26 / 0 / 9

HEX #AFABE7

RGB 175 171 231

HSL 244, 0.56%, 0.79%

LAB 72.23, 14.13, -29.56

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AA

RGB 231 199 170

HSL 28.52, 0.56%, 0.79%

LAB 82.24, 6.99, 18.7

 

CMYK 26 / 0 / 14 / 9

HEX #ABE7C7

RGB 171 231 199

HSL 148, 0.56%, 0.79%

LAB 86.96, -25.45, 9.47

 

CMYK 14 / 26 / 0 / 9

HEX #C7ABE7

RGB 199 171 231

HSL 268, 0.56%, 0.79%

LAB 74.21, 21.5, -26.36

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AA

RGB 231 199 170

HSL 28.52, 0.56%, 0.79%

LAB 82.24, 6.99, 18.7

 

CMYK 17 / 0 / 26 / 9

HEX #BFE7AB

RGB 191 231 171

HSL 100, 0.56%, 0.79%

LAB 87.57, -23.75, 25.05

 

CMYK 26 / 12 / 0 / 9

HEX #ABCBE7

RGB 171 203 231

HSL 208, 0.56%, 0.79%

LAB 80.26, -4.47, -17.37

 

CMYK 9 / 26 / 0 / 9

HEX #D3ABE7

RGB 211 171 231

HSL 280, 0.56%, 0.79%

LAB 75.29, 25.29, -24.61

 

CMYK 0 / 14 / 26 / 9

HEX #E7C7AA

RGB 231 199 170

HSL 28.52, 0.56%, 0.79%

LAB 82.24, 6.99, 18.7

 

CMYK 25 / 0 / 26 / 9

HEX #ADE7AB

RGB 173 231 171

HSL 118, 0.56%, 0.79%

LAB 86.49, -29.82, 23.4

 

CMYK 26 / 12 / 0 / 9

HEX #ABCBE7

RGB 171 203 231

HSL 208, 0.56%, 0.79%

LAB 80.26, -4.47, -17.37

 

CMYK 1 / 26 / 0 / 9

HEX #E5ABE7

RGB 229 171 231

HSL 298, 0.56%, 0.79%

LAB 77.01, 31.08, -21.83

 

Description

Color code: RGB 231 199 170 | qconv.com Color code: RGB 231 199 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 199 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 199 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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