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Color name
RGB 231 194 121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 194 121 it is the complementary color RGB 24 61 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 194 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 194 121 shade: RGB 236 194 116, RGB 253 212 135, RGB 255 230 154, RGB 255 248 173 and RGB 255 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 194 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 194 121 shade: RGB 231 194 121, RGB 214 176 102, RGB 197 158 83, RGB 180 140 64 and RGB 163 122 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 194 121 shade: RGB 231 194 120, RGB 231 164 120, RGB 231 134 120 and RGB 231 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 194 121 shade: RGB 231 194 120, RGB 231 223 120, RGB 208 231 120, RGB 178 231 120 and RGB 149 231 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 194 121 shade matches the following richer shades: RGB 231 194 120 and RGB 244 198 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 194 121 shade: RGB 231 194 120, RGB 218 189 133, RGB 205 185 146, RGB 192 181 158 and RGB 180 177 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 194 121 shade: RGB 231 133 120, RGB 231 163 120, RGB 231 192 120, RGB 231 222 120 and RGB 210 231 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 194 121 shade: RGB 218 162 50, RGB 225 178 85, RGB 231 194 120, RGB 237 209 155 and RGB 243 225 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 194 121 shade: RGB 231 194 121, RGB 137 231 120 and RGB 148 120 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 194 121 shade: RGB 231 194 121, RGB 120 231 192 and RGB 192 120 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 194 121 shade: RGB 231 194 121, RGB 137 231 120, RGB 120 159 231 and RGB 214 120 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 194 121 shade: RGB 231 194 121, RGB 120 231 137, RGB 120 159 231 and RGB 231 120 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 48 / 9

HEX #E7C279

RGB 231 194 121

HSL 39.82, 0.7%, 0.69%

LAB 80.15, 3.96, 41.47

 

Complementary color

CMYK 82 / 54 / 0 / 47

HEX #183D86

RGB 24 61 134

HSL 219.82, 0.7%, 0.31%

LAB 27.44, 15.61, -44.61

 

CMYK 0 / 18 / 51 / 7

HEX #ECC274

RGB 236 194 116

HSL 39, 0.76%, 0.69%

LAB 80.56, 5.53, 44.59

 

CMYK 0 / 16 / 47 / 1

HEX #FDD487

RGB 253 212 135

HSL 39.15, 0.97%, 0.76%

LAB 86.86, 4.76, 43.31

 

CMYK 0 / 10 / 40 / 0

HEX #FFE69A

RGB 255 230 154

HSL 45.15, 1%, 0.8%

LAB 91.77, -1.72, 40.13

 

CMYK 0 / 3 / 32 / 0

HEX #FFF8AD

RGB 255 248 173

HSL 54.88, 1%, 0.84%

LAB 96.58, -8.59, 36.94

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 16 / 48 / 9

HEX #E7C279

RGB 231 194 121

HSL 39.82, 0.7%, 0.69%

LAB 80.15, 3.96, 41.47

 

CMYK 0 / 18 / 52 / 16

HEX #D6B066

RGB 214 176 102

HSL 39.64, 0.58%, 0.62%

LAB 73.74, 4.75, 42.77

 

CMYK 0 / 20 / 58 / 23

HEX #C59E53

RGB 197 158 83

HSL 39.47, 0.5%, 0.55%

LAB 67.24, 5.68, 44.09

 

CMYK 0 / 22 / 64 / 29

HEX #B48C40

RGB 180 140 64

HSL 39.31, 0.48%, 0.48%

LAB 60.63, 6.79, 45.39

 

CMYK 0 / 25 / 72 / 36

HEX #A37A2D

RGB 163 122 45

HSL 39.15, 0.57%, 0.41%

LAB 53.92, 8.12, 46.52

 

CMYK 0 / 16 / 48 / 9

HEX #E7C278

RGB 231 194 120

HSL 40, 0.7%, 0.69%

LAB 80.14, 3.86, 41.96

 

CMYK 0 / 29 / 48 / 9

HEX #E7A478

RGB 231 164 120

HSL 23.78, 0.7%, 0.69%

LAB 72.82, 19.74, 32.63

 

CMYK 0 / 42 / 48 / 9

HEX #E78678

RGB 231 134 120

HSL 7.57, 0.7%, 0.69%

LAB 66.06, 35.64, 23.7

 

CMYK 0 / 48 / 48 / 9

HEX #E77878

RGB 231 120 120

HSL 0, 0.7%, 0.69%

LAB 63.16, 42.82, 19.78

 

CMYK 0 / 16 / 48 / 9

HEX #E7C278

RGB 231 194 120

HSL 40, 0.7%, 0.69%

LAB 80.14, 3.86, 41.96

 

CMYK 0 / 3 / 48 / 9

HEX #E7DF78

RGB 231 223 120

HSL 55.68, 0.7%, 0.69%

LAB 87.54, -10.97, 51.05

 

CMYK 10 / 0 / 48 / 9

HEX #D0E778

RGB 208 231 120

HSL 72.43, 0.7%, 0.69%

LAB 87.93, -23.92, 51.11

 

CMYK 23 / 0 / 48 / 9

HEX #B2E778

RGB 178 231 120

HSL 88.65, 0.7%, 0.69%

LAB 85.99, -35.12, 48.31

 

CMYK 35 / 0 / 48 / 9

HEX #95E778

RGB 149 231 120

HSL 104.32, 0.7%, 0.69%

LAB 84.43, -45.05, 46.04

 

CMYK 0 / 16 / 48 / 9

HEX #E7C278

RGB 231 194 120

HSL 40, 0.7%, 0.69%

LAB 80.14, 3.86, 41.96

 

CMYK 0 / 19 / 56 / 4

HEX #F4C66B

RGB 244 198 107

HSL 39.85, 0.86%, 0.69%

LAB 82.21, 5.98, 51.17

 

CMYK 0 / 16 / 48 / 9

HEX #E7C278

RGB 231 194 120

HSL 40, 0.7%, 0.69%

LAB 80.14, 3.86, 41.96

 

CMYK 0 / 13 / 39 / 15

HEX #DABD85

RGB 218 189 133

HSL 39.53, 0.53%, 0.69%

LAB 77.87, 2.6, 32.12

 

CMYK 0 / 10 / 29 / 20

HEX #CDB992

RGB 205 185 146

HSL 39.66, 0.37%, 0.69%

LAB 75.92, 1.19, 22.42

 

CMYK 0 / 6 / 18 / 25

HEX #C0B59E

RGB 192 181 158

HSL 40.59, 0.21%, 0.69%

LAB 74.01, 0.07, 13.13

 

CMYK 0 / 2 / 5 / 29

HEX #B4B1AB

RGB 180 177 171

HSL 40, 0.06%, 0.69%

LAB 72.29, -0.03, 3.43

 

CMYK 0 / 42 / 48 / 9

HEX #E78578

RGB 231 133 120

HSL 7.03, 0.7%, 0.69%

LAB 65.84, 36.16, 23.41

 

CMYK 0 / 29 / 48 / 9

HEX #E7A378

RGB 231 163 120

HSL 23.24, 0.7%, 0.69%

LAB 72.59, 20.28, 32.33

 

CMYK 0 / 17 / 48 / 9

HEX #E7C078

RGB 231 192 120

HSL 38.92, 0.7%, 0.69%

LAB 79.64, 4.91, 41.33

 

CMYK 0 / 4 / 48 / 9

HEX #E7DE78

RGB 231 222 120

HSL 55.14, 0.7%, 0.69%

LAB 87.28, -10.47, 50.74

 

CMYK 9 / 0 / 48 / 9

HEX #D2E778

RGB 210 231 120

HSL 71.35, 0.7%, 0.69%

LAB 88.07, -23.15, 51.31

 

CMYK 0 / 26 / 77 / 15

HEX #DAA232

RGB 218 162 50

HSL 40, 0.69%, 0.53%

LAB 70.16, 10.7, 62.44

 

CMYK 0 / 21 / 62 / 12

HEX #E1B255

RGB 225 178 85

HSL 39.86, 0.7%, 0.61%

LAB 75.14, 7, 52.95

 

CMYK 0 / 16 / 48 / 9

HEX #E7C278

RGB 231 194 120

HSL 40, 0.7%, 0.69%

LAB 80.14, 3.86, 41.96

 

CMYK 0 / 12 / 35 / 7

HEX #EDD19B

RGB 237 209 155

HSL 39.51, 0.69%, 0.77%

LAB 84.98, 2.16, 30.4

 

CMYK 0 / 7 / 22 / 5

HEX #F3E1BE

RGB 243 225 190

HSL 39.62, 0.69%, 0.85%

LAB 90.15, 0.74, 19.37

 

CMYK 0 / 16 / 48 / 9

HEX #E7C279

RGB 231 194 121

HSL 39.82, 0.7%, 0.69%

LAB 80.15, 3.96, 41.47

 

CMYK 41 / 0 / 48 / 9

HEX #89E778

RGB 137 231 120

HSL 110.81, 0.7%, 0.69%

LAB 83.88, -48.81, 45.23

 

CMYK 36 / 48 / 0 / 9

HEX #9478E7

RGB 148 120 231

HSL 255.14, 0.7%, 0.69%

LAB 57.56, 35.61, -52.71

 

CMYK 0 / 16 / 48 / 9

HEX #E7C279

RGB 231 194 121

HSL 39.82, 0.7%, 0.69%

LAB 80.15, 3.96, 41.47

 

CMYK 48 / 0 / 17 / 9

HEX #78E7C0

RGB 120 231 192

HSL 158.92, 0.7%, 0.69%

LAB 84.46, -40.91, 9.24

 

CMYK 17 / 48 / 0 / 9

HEX #C078E7

RGB 192 120 231

HSL 278.92, 0.7%, 0.69%

LAB 62.01, 47.24, -45.38

 

CMYK 0 / 16 / 48 / 9

HEX #E7C279

RGB 231 194 121

HSL 39.82, 0.7%, 0.69%

LAB 80.15, 3.96, 41.47

 

CMYK 41 / 0 / 48 / 9

HEX #89E778

RGB 137 231 120

HSL 110.81, 0.7%, 0.69%

LAB 83.88, -48.81, 45.23

 

CMYK 48 / 31 / 0 / 9

HEX #789FE7

RGB 120 159 231

HSL 218.92, 0.7%, 0.69%

LAB 65.4, 6.02, -40.46

 

CMYK 7 / 48 / 0 / 9

HEX #D678E7

RGB 214 120 231

HSL 290.81, 0.7%, 0.69%

LAB 64.56, 53.32, -41.19

 

CMYK 0 / 16 / 48 / 9

HEX #E7C279

RGB 231 194 121

HSL 39.82, 0.7%, 0.69%

LAB 80.15, 3.96, 41.47

 

CMYK 48 / 0 / 41 / 9

HEX #78E789

RGB 120 231 137

HSL 129.19, 0.7%, 0.69%

LAB 83.42, -51.23, 36.17

 

CMYK 48 / 31 / 0 / 9

HEX #789FE7

RGB 120 159 231

HSL 218.92, 0.7%, 0.69%

LAB 65.4, 6.02, -40.46

 

CMYK 0 / 48 / 7 / 9

HEX #E778D6

RGB 231 120 214

HSL 309.19, 0.7%, 0.69%

LAB 65.96, 55.15, -29.38

 

Description

Color code: RGB 231 194 121 | qconv.com Color code: RGB 231 194 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 194 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 194 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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