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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 168 23 it is the complementary color RGB 24 87 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 168 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 168 23 shade: RGB 236 168 18, RGB 253 186 37, RGB 255 204 56, RGB 255 222 75 and RGB 255 240 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 168 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 168 23 shade: RGB 231 168 23, RGB 214 150 4, RGB 197 132 0, RGB 180 114 0 and RGB 163 96 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 168 23 shade: RGB 232 168 22, RGB 232 112 22, RGB 232 55 22 and RGB 232 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 168 23 shade: RGB 232 168 22, RGB 232 225 22, RGB 182 232 22, RGB 126 232 22 and RGB 69 232 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 168 23 shade matches the following richer shades: RGB 232 168 22 and RGB 252 176 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 168 23 shade: RGB 232 168 22, RGB 211 160 43, RGB 190 152 64, RGB 170 144 84 and RGB 149 136 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 168 23 shade: RGB 232 54 22, RGB 232 110 22, RGB 232 165 22, RGB 232 221 22 and RGB 186 232 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 168 23 shade: RGB 156 114 15, RGB 194 141 19, RGB 232 168 22, RGB 235 182 60 and RGB 239 196 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 168 23 shade: RGB 231 168 23, RGB 47 232 22 and RGB 82 22 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 168 23 shade: RGB 231 168 23, RGB 22 232 165 and RGB 165 22 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 168 23 shade: RGB 231 168 23, RGB 47 232 22, RGB 22 89 232 and RGB 207 22 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 168 23 shade: RGB 231 168 23, RGB 22 232 61, RGB 22 89 232 and RGB 232 22 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 90 / 9

HEX #E7A817

RGB 231 168 23

HSL 41.83, 0.82%, 0.5%

LAB 72.93, 12.39, 73.11

 

Complementary color

CMYK 90 / 63 / 0 / 9

HEX #1857E8

RGB 24 87 232

HSL 221.83, 0.82%, 0.5%

LAB 42.52, 36.76, -77.95

 

CMYK 0 / 29 / 92 / 7

HEX #ECA812

RGB 236 168 18

HSL 41.28, 0.86%, 0.5%

LAB 73.47, 14.47, 74.67

 

CMYK 0 / 26 / 85 / 1

HEX #FDBA25

RGB 253 186 37

HSL 41.39, 0.98%, 0.57%

LAB 79.69, 12.62, 76.25

 

CMYK 0 / 20 / 78 / 0

HEX #FFCC38

RGB 255 204 56

HSL 44.62, 1%, 0.61%

LAB 84.35, 4.69, 74.81

 

CMYK 0 / 13 / 71 / 0

HEX #FFDE4B

RGB 255 222 75

HSL 49, 1%, 0.65%

LAB 88.93, -3.7, 72.53

 

CMYK 0 / 6 / 63 / 0

HEX #FFF05E

RGB 255 240 94

HSL 54.41, 1%, 0.68%

LAB 93.62, -11.65, 69.96

 

CMYK 0 / 27 / 90 / 9

HEX #E7A817

RGB 231 168 23

HSL 41.83, 0.82%, 0.5%

LAB 72.93, 12.39, 73.11

 

CMYK 0 / 30 / 98 / 16

HEX #D69604

RGB 214 150 4

HSL 41.71, 0.96%, 0.43%

LAB 66.61, 14.39, 70.58

 

CMYK 0 / 33 / 100 / 23

HEX #C58400

RGB 197 132 0

HSL 40.2, 1%, 0.39%

LAB 60.22, 16.64, 65.9

 

CMYK 0 / 37 / 100 / 29

HEX #B47200

RGB 180 114 0

HSL 38, 1%, 0.35%

LAB 53.75, 19.04, 60.62

 

CMYK 0 / 41 / 100 / 36

HEX #A36000

RGB 163 96 0

HSL 35.34, 1%, 0.32%

LAB 47.17, 21.52, 55.28

 

CMYK 0 / 28 / 91 / 9

HEX #E8A816

RGB 232 168 22

HSL 41.71, 0.83%, 0.5%

LAB 73.04, 12.8, 73.44

 

CMYK 0 / 52 / 91 / 9

HEX #E87016

RGB 232 112 22

HSL 25.71, 0.83%, 0.5%

LAB 60.61, 42.03, 64.23

 

CMYK 0 / 76 / 91 / 9

HEX #E83716

RGB 232 55 22

HSL 9.43, 0.83%, 0.5%

LAB 51.78, 65.52, 58

 

CMYK 0 / 91 / 91 / 9

HEX #E81616

RGB 232 22 22

HSL 0, 0.83%, 0.5%

LAB 49.24, 72.73, 56.28

 

CMYK 0 / 28 / 91 / 9

HEX #E8A816

RGB 232 168 22

HSL 41.71, 0.83%, 0.5%

LAB 73.04, 12.8, 73.44

 

CMYK 0 / 3 / 91 / 9

HEX #E8E116

RGB 232 225 22

HSL 58, 0.83%, 0.5%

LAB 87.52, -16.44, 84.5

 

CMYK 22 / 0 / 91 / 9

HEX #B6E816

RGB 182 232 22

HSL 74.29, 0.83%, 0.5%

LAB 85.86, -40.09, 81.68

 

CMYK 46 / 0 / 91 / 9

HEX #7EE816

RGB 126 232 22

HSL 90.29, 0.83%, 0.5%

LAB 83.02, -59.76, 78.19

 

CMYK 70 / 0 / 91 / 9

HEX #45E816

RGB 69 232 22

HSL 106.57, 0.83%, 0.5%

LAB 81.31, -73.59, 76.07

 

CMYK 0 / 28 / 91 / 9

HEX #E8A816

RGB 232 168 22

HSL 41.71, 0.83%, 0.5%

LAB 73.04, 12.8, 73.44

 

CMYK 0 / 30 / 99 / 1

HEX #FCB002

RGB 252 176 2

HSL 41.76, 0.98%, 0.5%

LAB 77.13, 16.94, 80.03

 

CMYK 0 / 28 / 91 / 9

HEX #E8A816

RGB 232 168 22

HSL 41.71, 0.83%, 0.5%

LAB 73.04, 12.8, 73.44

 

CMYK 0 / 24 / 80 / 17

HEX #D3A02B

RGB 211 160 43

HSL 41.79, 0.66%, 0.5%

LAB 68.87, 8.47, 63.47

 

CMYK 0 / 20 / 66 / 25

HEX #BE9840

RGB 190 152 64

HSL 41.9, 0.5%, 0.5%

LAB 64.78, 4.6, 50.23

 

CMYK 0 / 15 / 51 / 33

HEX #AA9054

RGB 170 144 84

HSL 41.86, 0.34%, 0.5%

LAB 60.9, 1.83, 35.31

 

CMYK 0 / 9 / 30 / 42

HEX #958869

RGB 149 136 105

HSL 42.27, 0.17%, 0.5%

LAB 57.09, -0.13, 18.45

 

CMYK 0 / 77 / 91 / 9

HEX #E83616

RGB 232 54 22

HSL 9.14, 0.83%, 0.5%

LAB 51.67, 65.82, 57.92

 

CMYK 0 / 53 / 91 / 9

HEX #E86E16

RGB 232 110 22

HSL 25.14, 0.83%, 0.5%

LAB 60.22, 43.02, 63.95

 

CMYK 0 / 29 / 91 / 9

HEX #E8A516

RGB 232 165 22

HSL 40.86, 0.83%, 0.5%

LAB 72.31, 14.39, 72.89

 

CMYK 0 / 5 / 91 / 9

HEX #E8DD16

RGB 232 221 22

HSL 56.86, 0.83%, 0.5%

LAB 86.47, -14.48, 83.69

 

CMYK 20 / 0 / 91 / 9

HEX #BAE816

RGB 186 232 22

HSL 73.14, 0.83%, 0.5%

LAB 86.11, -38.53, 81.99

 

CMYK 0 / 27 / 90 / 39

HEX #9C720F

RGB 156 114 15

HSL 42.13, 0.82%, 0.34%

LAB 50.85, 8.34, 54.17

 

CMYK 0 / 27 / 90 / 24

HEX #C28D13

RGB 194 141 19

HSL 41.83, 0.82%, 0.42%

LAB 62.14, 10.63, 63.9

 

CMYK 0 / 28 / 91 / 9

HEX #E8A816

RGB 232 168 22

HSL 41.71, 0.83%, 0.5%

LAB 73.04, 12.8, 73.44

 

CMYK 0 / 23 / 74 / 8

HEX #EBB63C

RGB 235 182 60

HSL 41.83, 0.81%, 0.58%

LAB 76.95, 7.79, 65.79

 

CMYK 0 / 18 / 59 / 6

HEX #EFC462

RGB 239 196 98

HSL 41.7, 0.82%, 0.66%

LAB 81.13, 4.3, 54.06

 

CMYK 0 / 27 / 90 / 9

HEX #E7A817

RGB 231 168 23

HSL 41.83, 0.82%, 0.5%

LAB 72.93, 12.39, 73.11

 

CMYK 80 / 0 / 91 / 9

HEX #2FE816

RGB 47 232 22

HSL 112.86, 0.83%, 0.5%

LAB 80.95, -76.79, 75.62

 

CMYK 65 / 91 / 0 / 9

HEX #5216E8

RGB 82 22 232

HSL 257.14, 0.83%, 0.5%

LAB 34.38, 71.72, -91.29

 

CMYK 0 / 27 / 90 / 9

HEX #E7A817

RGB 231 168 23

HSL 41.83, 0.82%, 0.5%

LAB 72.93, 12.39, 73.11

 

CMYK 91 / 0 / 29 / 9

HEX #16E8A5

RGB 22 232 165

HSL 160.86, 0.83%, 0.5%

LAB 82.16, -61.43, 19.83

 

CMYK 29 / 91 / 0 / 9

HEX #A516E8

RGB 165 22 232

HSL 280.86, 0.83%, 0.5%

LAB 44.8, 79.75, -73.76

 

CMYK 0 / 27 / 90 / 9

HEX #E7A817

RGB 231 168 23

HSL 41.83, 0.82%, 0.5%

LAB 72.93, 12.39, 73.11

 

CMYK 80 / 0 / 91 / 9

HEX #2FE816

RGB 47 232 22

HSL 112.86, 0.83%, 0.5%

LAB 80.95, -76.79, 75.62

 

CMYK 91 / 62 / 0 / 9

HEX #1659E8

RGB 22 89 232

HSL 220.86, 0.83%, 0.5%

LAB 42.98, 35.4, -77.2

 

CMYK 11 / 91 / 0 / 9

HEX #CF16E8

RGB 207 22 232

HSL 292.86, 0.83%, 0.5%

LAB 51.46, 85.75, -62.65

 

CMYK 0 / 27 / 90 / 9

HEX #E7A817

RGB 231 168 23

HSL 41.83, 0.82%, 0.5%

LAB 72.93, 12.39, 73.11

 

CMYK 91 / 0 / 74 / 9

HEX #16E83D

RGB 22 232 61

HSL 131.14, 0.83%, 0.5%

LAB 80.86, -76.96, 65.89

 

CMYK 91 / 62 / 0 / 9

HEX #1659E8

RGB 22 89 232

HSL 220.86, 0.83%, 0.5%

LAB 42.98, 35.4, -77.2

 

CMYK 0 / 91 / 17 / 9

HEX #E816C1

RGB 232 22 193

HSL 311.14, 0.83%, 0.5%

LAB 53.58, 84.5, -36.71

 

Description

Color code: RGB 231 168 23 | qconv.com Color code: RGB 231 168 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 168 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 168 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 90% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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