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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 156 204 it is the complementary color RGB 24 99 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 156 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 156 204 shade: RGB 236 156 199, RGB 253 174 218, RGB 255 192 237, RGB 255 210 255 and RGB 255 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 156 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 214 138 185, RGB 197 120 166, RGB 180 102 147 and RGB 163 84 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 231 156 184, RGB 231 156 163 and RGB 231 156 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 231 156 224, RGB 217 156 231, RGB 197 156 231 and RGB 177 156 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 156 204 shade matches the following richer shades: RGB 231 156 204, RGB 241 146 207 and RGB 250 136 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 221 166 201, RGB 211 176 198, RGB 201 186 195 and RGB 191 196 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 156 204 shade: RGB 217 156 231, RGB 231 156 224, RGB 231 156 204, RGB 231 156 185 and RGB 231 156 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 156 204 shade: RGB 215 90 170, RGB 223 123 187, RGB 231 156 204, RGB 239 189 221 and RGB 247 222 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 231 197 156 and RGB 156 231 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 204 231 156 and RGB 156 204 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 231 197 156, RGB 156 231 182 and RGB 156 190 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 156 204 shade: RGB 231 156 204, RGB 231 219 156, RGB 156 231 182 and RGB 156 167 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

Complementary color

CMYK 76 / 0 / 48 / 61

HEX #186333

RGB 24 99 51

HSL 141.6, 0.61%, 0.24%

LAB 36.66, -34.35, 20.88

 

CMYK 0 / 34 / 16 / 7

HEX #EC9CC7

RGB 236 156 199

HSL 327.75, 0.68%, 0.77%

LAB 73.37, 35.9, -9.76

 

CMYK 0 / 31 / 14 / 1

HEX #FDAEDA

RGB 253 174 218

HSL 326.58, 0.95%, 0.84%

LAB 79.74, 35.19, -10.44

 

CMYK 0 / 25 / 7 / 0

HEX #FFC0ED

RGB 255 192 237

HSL 317.14, 1%, 0.88%

LAB 84.52, 29.52, -13.48

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 36 / 14 / 16

HEX #D68AB9

RGB 214 138 185

HSL 322.89, 0.48%, 0.69%

LAB 66.5, 35.75, -12.51

 

CMYK 0 / 39 / 16 / 23

HEX #C578A6

RGB 197 120 166

HSL 324.16, 0.4%, 0.62%

LAB 59.94, 36.52, -11.78

 

CMYK 0 / 43 / 18 / 29

HEX #B46693

RGB 180 102 147

HSL 325.38, 0.34%, 0.55%

LAB 53.29, 37.32, -10.96

 

CMYK 0 / 48 / 21 / 36

HEX #A35480

RGB 163 84 128

HSL 326.58, 0.32%, 0.48%

LAB 46.56, 38.14, -10

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 32 / 20 / 9

HEX #E79CB8

RGB 231 156 184

HSL 337.6, 0.61%, 0.76%

LAB 72.38, 31.87, -3.01

 

CMYK 0 / 32 / 29 / 9

HEX #E79CA3

RGB 231 156 163

HSL 354.4, 0.61%, 0.76%

LAB 71.83, 28.91, 7.82

 

CMYK 0 / 32 / 32 / 9

HEX #E79C9C

RGB 231 156 156

HSL 0, 0.61%, 0.76%

LAB 71.67, 28.01, 11.45

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 32 / 3 / 9

HEX #E79CE0

RGB 231 156 224

HSL 305.6, 0.61%, 0.76%

LAB 73.64, 38.44, -23.13

 

CMYK 6 / 32 / 0 / 9

HEX #D99CE7

RGB 217 156 231

HSL 288.8, 0.61%, 0.76%

LAB 72.43, 35.32, -28.95

 

CMYK 15 / 32 / 0 / 9

HEX #C59CE7

RGB 197 156 231

HSL 272.8, 0.61%, 0.76%

LAB 70.47, 29.14, -32.13

 

CMYK 23 / 32 / 0 / 9

HEX #B19CE7

RGB 177 156 231

HSL 256.8, 0.61%, 0.76%

LAB 68.67, 23.11, -35.06

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 39 / 14 / 5

HEX #F192CF

RGB 241 146 207

HSL 321.47, 0.77%, 0.76%

LAB 72.07, 44.04, -16.06

 

CMYK 0 / 46 / 16 / 2

HEX #FA88D1

RGB 250 136 209

HSL 321.58, 0.92%, 0.76%

LAB 71.24, 52.26, -18.32

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 25 / 9 / 13

HEX #DDA6C9

RGB 221 166 201

HSL 321.82, 0.45%, 0.76%

LAB 74.1, 25.74, -9.94

 

CMYK 0 / 17 / 6 / 17

HEX #D3B0C6

RGB 211 176 198

HSL 322.29, 0.28%, 0.76%

LAB 75.44, 16.34, -6.42

 

CMYK 0 / 7 / 3 / 21

HEX #C9BAC3

RGB 201 186 195

HSL 324, 0.12%, 0.76%

LAB 76.97, 6.9, -2.63

 

CMYK 3 / 0 / 2 / 23

HEX #BFC4C1

RGB 191 196 193

HSL 144, 0.04%, 0.76%

LAB 78.7, -2.28, 0.89

 

CMYK 6 / 32 / 0 / 9

HEX #D99CE7

RGB 217 156 231

HSL 288.8, 0.61%, 0.76%

LAB 72.43, 35.32, -28.95

 

CMYK 0 / 32 / 3 / 9

HEX #E79CE0

RGB 231 156 224

HSL 305.6, 0.61%, 0.76%

LAB 73.64, 38.44, -23.13

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 32 / 20 / 9

HEX #E79CB9

RGB 231 156 185

HSL 336.8, 0.61%, 0.76%

LAB 72.41, 32.02, -3.52

 

CMYK 0 / 32 / 29 / 9

HEX #E79CA5

RGB 231 156 165

HSL 352.8, 0.61%, 0.76%

LAB 71.88, 29.18, 6.78

 

CMYK 0 / 58 / 21 / 16

HEX #D75AAA

RGB 215 90 170

HSL 321.6, 0.61%, 0.6%

LAB 56.74, 57.79, -18.69

 

CMYK 0 / 45 / 16 / 13

HEX #DF7BBB

RGB 223 123 187

HSL 321.6, 0.61%, 0.68%

LAB 64.52, 46.88, -16.52

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 21 / 8 / 6

HEX #EFBDDD

RGB 239 189 221

HSL 321.6, 0.61%, 0.84%

LAB 81.82, 23.01, -9.11

 

CMYK 0 / 10 / 4 / 3

HEX #F7DEEE

RGB 247 222 238

HSL 321.6, 0.61%, 0.92%

LAB 90.87, 11.28, -4.67

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 15 / 32 / 9

HEX #E7C59C

RGB 231 197 156

HSL 32.8, 0.61%, 0.76%

LAB 81.47, 6.21, 25.05

 

CMYK 32 / 0 / 2 / 9

HEX #9CE7E3

RGB 156 231 227

HSL 176.8, 0.61%, 0.76%

LAB 86.88, -23.91, -5.45

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 12 / 0 / 32 / 9

HEX #CCE79C

RGB 204 231 156

HSL 81.6, 0.61%, 0.76%

LAB 88.16, -21.28, 33.66

 

CMYK 32 / 12 / 0 / 9

HEX #9CCCE7

RGB 156 204 231

HSL 201.6, 0.61%, 0.76%

LAB 79.63, -9.29, -18.41

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 15 / 32 / 9

HEX #E7C59C

RGB 231 197 156

HSL 32.8, 0.61%, 0.76%

LAB 81.47, 6.21, 25.05

 

CMYK 32 / 0 / 21 / 9

HEX #9CE7B6

RGB 156 231 182

HSL 140.8, 0.61%, 0.76%

LAB 85.8, -33.23, 16.6

 

CMYK 32 / 18 / 0 / 9

HEX #9CBEE7

RGB 156 190 231

HSL 212.8, 0.61%, 0.76%

LAB 75.86, -1.85, -24.12

 

CMYK 0 / 32 / 12 / 9

HEX #E79CCC

RGB 231 156 204

HSL 321.6, 0.61%, 0.76%

LAB 72.97, 35.01, -13.16

 

CMYK 0 / 5 / 32 / 9

HEX #E7DB9C

RGB 231 219 156

HSL 50.4, 0.61%, 0.76%

LAB 87.02, -5.16, 32.52

 

CMYK 32 / 0 / 21 / 9

HEX #9CE7B6

RGB 156 231 182

HSL 140.8, 0.61%, 0.76%

LAB 85.8, -33.23, 16.6

 

CMYK 32 / 28 / 0 / 9

HEX #9CA7E7

RGB 156 167 231

HSL 231.2, 0.61%, 0.76%

LAB 69.81, 10.84, -33.43

 

Description

Color code: RGB 231 156 204 | qconv.com Color code: RGB 231 156 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 156 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 156 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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