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Color name
RGB 231 146 13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 146 13 it is the complementary color RGB 24 109 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 146 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 146 13 shade: RGB 236 146 8, RGB 253 164 27, RGB 255 182 46, RGB 255 200 65 and RGB 255 218 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 146 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 214 128 0, RGB 197 110 0, RGB 180 92 0 and RGB 163 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 231 87 13, RGB 231 28 13 and RGB 231 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 231 205 13, RGB 198 231 13, RGB 140 231 13 and RGB 81 231 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 146 13 shade matches the following richer shades: RGB 231 146 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 211 142 33, RGB 191 137 53, RGB 171 133 72 and RGB 152 128 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 146 13 shade: RGB 231 27 13, RGB 231 86 13, RGB 231 144 13, RGB 231 202 13 and RGB 202 231 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 146 13 shade: RGB 153 97 8, RGB 192 121 11, RGB 231 146 13, RGB 242 164 43 and RGB 244 181 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 57 231 13 and RGB 57 13 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 13 231 144 and RGB 144 13 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 57 231 13, RGB 13 100 231 and RGB 187 13 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 146 13 shade: RGB 231 146 13, RGB 13 231 35, RGB 13 100 231 and RGB 231 13 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

Complementary color

CMYK 90 / 55 / 0 / 5

HEX #186DF2

RGB 24 109 242

HSL 216.61, 0.89%, 0.52%

LAB 48.94, 26.5, -73.09

 

CMYK 0 / 38 / 97 / 7

HEX #EC9208

RGB 236 146 8

HSL 36.32, 0.93%, 0.48%

LAB 68.32, 26, 72.47

 

CMYK 0 / 35 / 89 / 1

HEX #FDA41B

RGB 253 164 27

HSL 36.37, 0.98%, 0.55%

LAB 74.52, 23.91, 74.58

 

CMYK 0 / 29 / 82 / 0

HEX #FFB62E

RGB 255 182 46

HSL 39.04, 1%, 0.59%

LAB 78.99, 15.77, 73.23

 

CMYK 0 / 22 / 75 / 0

HEX #FFC841

RGB 255 200 65

HSL 42.63, 1%, 0.63%

LAB 83.42, 7.08, 70.85

 

CMYK 0 / 15 / 67 / 0

HEX #FFDA54

RGB 255 218 84

HSL 47.02, 1%, 0.66%

LAB 87.99, -1.23, 68.09

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 0 / 40 / 100 / 16

HEX #D68000

RGB 214 128 0

HSL 35.89, 1%, 0.42%

LAB 61.42, 26.19, 67.73

 

CMYK 0 / 44 / 100 / 23

HEX #C56E00

RGB 197 110 0

HSL 33.5, 1%, 0.39%

LAB 55.1, 28.61, 62.6

 

CMYK 0 / 49 / 100 / 29

HEX #B45C00

RGB 180 92 0

HSL 30.67, 1%, 0.35%

LAB 48.71, 31.08, 57.45

 

CMYK 0 / 55 / 100 / 36

HEX #A34A00

RGB 163 74 0

HSL 27.24, 1%, 0.32%

LAB 42.28, 33.51, 52.3

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 0 / 62 / 94 / 9

HEX #E7570D

RGB 231 87 13

HSL 20.37, 0.89%, 0.48%

LAB 55.92, 53.21, 63.19

 

CMYK 0 / 88 / 94 / 9

HEX #E71C0D

RGB 231 28 13

HSL 4.13, 0.89%, 0.48%

LAB 49.31, 71.47, 59.29

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 0 / 11 / 94 / 9

HEX #E7CD0D

RGB 231 205 13

HSL 52.84, 0.89%, 0.48%

LAB 82.21, -7, 81.55

 

CMYK 14 / 0 / 94 / 9

HEX #C6E70D

RGB 198 231 13

HSL 69.08, 0.89%, 0.48%

LAB 86.6, -33.45, 83.75

 

CMYK 39 / 0 / 94 / 9

HEX #8CE70D

RGB 140 231 13

HSL 85.05, 0.89%, 0.48%

LAB 83.31, -55.07, 79.77

 

CMYK 65 / 0 / 94 / 9

HEX #51E70D

RGB 81 231 13

HSL 101.28, 0.89%, 0.48%

LAB 81.25, -71.21, 77.24

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 0 / 33 / 84 / 17

HEX #D38E21

RGB 211 142 33

HSL 36.74, 0.73%, 0.48%

LAB 64.41, 17.88, 62.83

 

CMYK 0 / 28 / 72 / 25

HEX #BF8935

RGB 191 137 53

HSL 36.52, 0.57%, 0.48%

LAB 60.98, 12.64, 51.21

 

CMYK 0 / 22 / 58 / 33

HEX #AB8548

RGB 171 133 72

HSL 36.97, 0.41%, 0.48%

LAB 57.94, 7.31, 38.04

 

CMYK 0 / 16 / 39 / 40

HEX #98805C

RGB 152 128 92

HSL 36, 0.25%, 0.48%

LAB 54.96, 3.92, 22.97

 

CMYK 0 / 88 / 94 / 9

HEX #E71B0D

RGB 231 27 13

HSL 3.85, 0.89%, 0.48%

LAB 49.25, 71.63, 59.26

 

CMYK 0 / 63 / 94 / 9

HEX #E7560D

RGB 231 86 13

HSL 20.09, 0.89%, 0.48%

LAB 55.76, 53.64, 63.09

 

CMYK 0 / 38 / 94 / 9

HEX #E7900D

RGB 231 144 13

HSL 36.06, 0.89%, 0.48%

LAB 67.25, 25, 70.74

 

CMYK 0 / 13 / 94 / 9

HEX #E7CA0D

RGB 231 202 13

HSL 52.02, 0.89%, 0.48%

LAB 81.43, -5.48, 80.98

 

CMYK 13 / 0 / 94 / 9

HEX #CAE70D

RGB 202 231 13

HSL 67.98, 0.89%, 0.48%

LAB 86.87, -31.84, 84.08

 

CMYK 0 / 37 / 95 / 40

HEX #996108

RGB 153 97 8

HSL 36.83, 0.9%, 0.32%

LAB 46.1, 16.55, 52.01

 

CMYK 0 / 37 / 94 / 25

HEX #C0790B

RGB 192 121 11

HSL 36.46, 0.89%, 0.4%

LAB 56.98, 20.61, 61.56

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 0 / 32 / 82 / 5

HEX #F2A42B

RGB 242 164 43

HSL 36.48, 0.88%, 0.56%

LAB 73.29, 19.65, 68.68

 

CMYK 0 / 26 / 66 / 4

HEX #F4B552

RGB 244 181 82

HSL 36.67, 0.88%, 0.64%

LAB 77.81, 13.2, 57.82

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 75 / 0 / 94 / 9

HEX #39E70D

RGB 57 231 13

HSL 107.89, 0.89%, 0.48%

LAB 80.77, -75.4, 76.64

 

CMYK 75 / 94 / 0 / 9

HEX #390DE7

RGB 57 13 231

HSL 252.11, 0.89%, 0.48%

LAB 31.64, 72.19, -95.34

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 94 / 0 / 38 / 9

HEX #0DE790

RGB 13 231 144

HSL 156.06, 0.89%, 0.48%

LAB 81.43, -65.8, 29.63

 

CMYK 38 / 94 / 0 / 9

HEX #900DE7

RGB 144 13 231

HSL 276.06, 0.89%, 0.48%

LAB 41.19, 78.33, -79.22

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 75 / 0 / 94 / 9

HEX #39E70D

RGB 57 231 13

HSL 107.89, 0.89%, 0.48%

LAB 80.77, -75.4, 76.64

 

CMYK 94 / 57 / 0 / 9

HEX #0D64E7

RGB 13 100 231

HSL 216.06, 0.89%, 0.48%

LAB 45.59, 27.62, -72.36

 

CMYK 19 / 94 / 0 / 9

HEX #BB0DE7

RGB 187 13 231

HSL 287.89, 0.89%, 0.48%

LAB 47.78, 83.68, -68.19

 

CMYK 0 / 37 / 94 / 9

HEX #E7920D

RGB 231 146 13

HSL 36.61, 0.89%, 0.48%

LAB 67.71, 23.94, 71.06

 

CMYK 94 / 0 / 85 / 9

HEX #0DE723

RGB 13 231 35

HSL 126.06, 0.89%, 0.48%

LAB 80.38, -78.65, 72.66

 

CMYK 94 / 57 / 0 / 9

HEX #0D64E7

RGB 13 100 231

HSL 216.06, 0.89%, 0.48%

LAB 45.59, 27.62, -72.36

 

CMYK 0 / 94 / 10 / 9

HEX #E70DD1

RGB 231 13 209

HSL 306.06, 0.89%, 0.48%

LAB 53.9, 87.27, -45.43

 

Description

Color code: RGB 231 146 13 | qconv.com Color code: RGB 231 146 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 146 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 146 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 94 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 94% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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