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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 13 17 it is the complementary color RGB 24 242 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 13 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 13 17 shade: RGB 236 13 12, RGB 253 31 31, RGB 255 49 50, RGB 255 67 69 and RGB 255 85 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 13 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 214 0 0, RGB 197 0 0, RGB 180 0 0 and RGB 163 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 13 17 shade: RGB 231 13 17 and RGB 231 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 231 13 76, RGB 231 13 134, RGB 231 13 193 and RGB 210 13 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 13 17 shade matches the following richer shades: RGB 231 13 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 211 33 36, RGB 191 53 55, RGB 171 72 74 and RGB 152 92 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 13 17 shade: RGB 231 13 136, RGB 231 13 78, RGB 231 13 20, RGB 231 64 13 and RGB 231 122 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 13 17 shade: RGB 153 8 11, RGB 192 11 14, RGB 231 13 17, RGB 242 43 47 and RGB 244 82 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 195 231 13 and RGB 13 107 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 20 231 13 and RGB 13 20 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 195 231 13, RGB 13 231 224 and RGB 49 13 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 13 17 shade: RGB 231 13 17, RGB 129 231 13, RGB 13 231 224 and RGB 115 13 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

Complementary color

CMYK 90 / 0 / 2 / 5

HEX #18F2EE

RGB 24 242 238

HSL 178.9, 0.89%, 0.52%

LAB 86.93, -46.72, -11.52

 

CMYK 0 / 94 / 95 / 7

HEX #EC0D0C

RGB 236 13 12

HSL 0.27, 0.9%, 0.49%

LAB 49.67, 74.63, 60.32

 

CMYK 0 / 88 / 88 / 1

HEX #FD1F1F

RGB 253 31 31

HSL 0, 0.98%, 0.56%

LAB 53.99, 76.88, 57.92

 

CMYK 0 / 81 / 80 / 0

HEX #FF3132

RGB 255 49 50

HSL 359.71, 1%, 0.6%

LAB 55.77, 74.21, 50.59

 

CMYK 0 / 74 / 73 / 0

HEX #FF4345

RGB 255 67 69

HSL 359.36, 1%, 0.63%

LAB 57.75, 69.82, 42.51

 

CMYK 0 / 67 / 65 / 0

HEX #FF5558

RGB 255 85 88

HSL 358.94, 1%, 0.67%

LAB 60.3, 64.38, 34.91

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 0 / 100 / 100 / 23

HEX #C50000

RGB 197 0 0

HSL 0, 1%, 0.39%

LAB 41.01, 65.97, 55.35

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 0 / 94 / 67 / 9

HEX #E70D4C

RGB 231 13 76

HSL 342.66, 0.89%, 0.48%

LAB 49.25, 75.08, 27.16

 

CMYK 0 / 94 / 42 / 9

HEX #E70D86

RGB 231 13 134

HSL 326.7, 0.89%, 0.48%

LAB 50.68, 78.97, -6.26

 

CMYK 0 / 94 / 16 / 9

HEX #E70DC1

RGB 231 13 193

HSL 310.46, 0.89%, 0.48%

LAB 53.09, 85.22, -37.49

 

CMYK 9 / 94 / 0 / 9

HEX #D20DE7

RGB 210 13 231

HSL 294.22, 0.89%, 0.48%

LAB 51.56, 87.02, -61.89

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 0 / 84 / 83 / 17

HEX #D32124

RGB 211 33 36

HSL 358.99, 0.73%, 0.48%

LAB 45.72, 65.56, 45.25

 

CMYK 0 / 72 / 71 / 25

HEX #BF3537

RGB 191 53 55

HSL 359.13, 0.57%, 0.48%

LAB 44.09, 54.6, 31.69

 

CMYK 0 / 58 / 57 / 33

HEX #AB484A

RGB 171 72 74

HSL 358.79, 0.41%, 0.48%

LAB 43.93, 40.81, 19.32

 

CMYK 0 / 39 / 39 / 40

HEX #985C5D

RGB 152 92 93

HSL 359, 0.25%, 0.48%

LAB 45.8, 24.7, 9.9

 

CMYK 0 / 94 / 41 / 9

HEX #E70D88

RGB 231 13 136

HSL 326.15, 0.89%, 0.48%

LAB 50.75, 79.14, -7.37

 

CMYK 0 / 94 / 66 / 9

HEX #E70D4E

RGB 231 13 78

HSL 342.11, 0.89%, 0.48%

LAB 49.29, 75.18, 25.99

 

CMYK 0 / 94 / 91 / 9

HEX #E70D14

RGB 231 13 20

HSL 358.07, 0.89%, 0.48%

LAB 48.67, 73.47, 56.57

 

CMYK 0 / 72 / 94 / 9

HEX #E7400D

RGB 231 64 13

HSL 14.04, 0.89%, 0.48%

LAB 52.6, 62.21, 61.16

 

CMYK 0 / 47 / 94 / 9

HEX #E77A0D

RGB 231 122 13

HSL 30, 0.89%, 0.48%

LAB 62.45, 36.49, 67.45

 

CMYK 0 / 95 / 93 / 40

HEX #99080B

RGB 153 8 11

HSL 358.76, 0.9%, 0.32%

LAB 31.74, 53.71, 40.96

 

CMYK 0 / 94 / 93 / 25

HEX #C00B0E

RGB 192 11 14

HSL 359.01, 0.89%, 0.4%

LAB 40.37, 63.71, 49.52

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 0 / 82 / 81 / 5

HEX #F22B2F

RGB 242 43 47

HSL 358.79, 0.88%, 0.56%

LAB 52.74, 72.03, 48.34

 

CMYK 0 / 66 / 65 / 4

HEX #F45255

RGB 244 82 85

HSL 358.89, 0.88%, 0.64%

LAB 57.96, 61.92, 33.3

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 16 / 0 / 94 / 9

HEX #C3E70D

RGB 195 231 13

HSL 69.91, 0.89%, 0.48%

LAB 86.4, -34.65, 83.51

 

CMYK 94 / 54 / 0 / 9

HEX #0D6BE7

RGB 13 107 231

HSL 214.13, 0.89%, 0.48%

LAB 47.46, 23.12, -69.33

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 91 / 0 / 94 / 9

HEX #14E70D

RGB 20 231 13

HSL 118.07, 0.89%, 0.48%

LAB 80.36, -79, 76.15

 

CMYK 94 / 91 / 0 / 9

HEX #0D14E7

RGB 13 20 231

HSL 238.07, 0.89%, 0.48%

LAB 30.29, 69.7, -97.63

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 16 / 0 / 94 / 9

HEX #C3E70D

RGB 195 231 13

HSL 69.91, 0.89%, 0.48%

LAB 86.4, -34.65, 83.51

 

CMYK 94 / 0 / 3 / 9

HEX #0DE7E0

RGB 13 231 224

HSL 178.07, 0.89%, 0.48%

LAB 83.24, -46.33, -9.65

 

CMYK 79 / 94 / 0 / 9

HEX #310DE7

RGB 49 13 231

HSL 249.91, 0.89%, 0.48%

LAB 31.14, 71.94, -96.19

 

CMYK 0 / 94 / 93 / 9

HEX #E70D11

RGB 231 13 17

HSL 358.9, 0.89%, 0.48%

LAB 48.66, 73.44, 57.65

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 94 / 0 / 3 / 9

HEX #0DE7E0

RGB 13 231 224

HSL 178.07, 0.89%, 0.48%

LAB 83.24, -46.33, -9.65

 

CMYK 50 / 94 / 0 / 9

HEX #730DE7

RGB 115 13 231

HSL 268.07, 0.89%, 0.48%

LAB 37.3, 75.55, -85.77

 

Description

Color code: RGB 231 13 17 | qconv.com Color code: RGB 231 13 17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 13 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 13 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 93 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 93% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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