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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 133 0 it is the complementary color RGB 24 122 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 133 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 133 0 shade: RGB 236 133 0, RGB 253 151 14, RGB 255 169 33, RGB 255 187 52 and RGB 255 205 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 133 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 133 0 shade: RGB 231 133 0, RGB 214 115 0, RGB 197 97 0, RGB 180 79 0 and RGB 163 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 133 0 shade: RGB 229 132 0, RGB 229 70 0, RGB 229 8 0 and RGB 229 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 133 0 shade: RGB 229 132 0, RGB 229 194 0, RGB 203 229 0, RGB 141 229 0 and RGB 79 229 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 133 0 shade matches the following richer shades: RGB 229 132 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 133 0 shade: RGB 229 132 0, RGB 210 129 18, RGB 192 126 37, RGB 173 123 55 and RGB 155 120 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 133 0 shade: RGB 229 7 0, RGB 229 68 0, RGB 229 130 0, RGB 229 191 0 and RGB 206 229 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 133 0 shade: RGB 146 84 0, RGB 188 108 0, RGB 229 132 0, RGB 255 153 15 and RGB 255 171 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 133 0 shade: RGB 231 133 0, RGB 53 229 0 and RGB 38 0 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 133 0 shade: RGB 231 133 0, RGB 0 229 130 and RGB 130 0 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 133 0 shade: RGB 231 133 0, RGB 53 229 0, RGB 0 99 229 and RGB 175 0 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 133 0 shade: RGB 231 133 0, RGB 0 229 15, RGB 0 99 229 and RGB 229 0 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 100 / 9

HEX #E78500

RGB 231 133 0

HSL 34.55, 1%, 0.45%

LAB 64.77, 30.67, 70.96

 

Complementary color

CMYK 91 / 52 / 0 / 0

HEX #187AFF

RGB 24 122 255

HSL 214.55, 1%, 0.55%

LAB 53.31, 23.24, -73.19

 

CMYK 0 / 44 / 100 / 7

HEX #EC8500

RGB 236 133 0

HSL 33.81, 1%, 0.46%

LAB 65.44, 32.73, 71.71

 

CMYK 0 / 40 / 94 / 1

HEX #FD970E

RGB 253 151 14

HSL 34.39, 0.98%, 0.52%

LAB 71.59, 30.5, 74.9

 

CMYK 0 / 34 / 87 / 0

HEX #FFA921

RGB 255 169 33

HSL 36.76, 1%, 0.56%

LAB 75.91, 22.25, 74.34

 

CMYK 0 / 27 / 80 / 0

HEX #FFBB34

RGB 255 187 52

HSL 39.9, 1%, 0.6%

LAB 80.21, 13.35, 72.4

 

CMYK 0 / 20 / 72 / 0

HEX #FFCD47

RGB 255 205 71

HSL 43.7, 1%, 0.64%

LAB 84.68, 4.76, 69.84

 

CMYK 0 / 42 / 100 / 9

HEX #E78500

RGB 231 133 0

HSL 34.55, 1%, 0.45%

LAB 64.77, 30.67, 70.96

 

CMYK 0 / 46 / 100 / 16

HEX #D67300

RGB 214 115 0

HSL 32.24, 1%, 0.42%

LAB 58.56, 33.07, 65.94

 

CMYK 0 / 51 / 100 / 23

HEX #C56100

RGB 197 97 0

HSL 29.54, 1%, 0.39%

LAB 52.31, 35.47, 60.91

 

CMYK 0 / 56 / 100 / 29

HEX #B44F00

RGB 180 79 0

HSL 26.33, 1%, 0.35%

LAB 46.04, 37.81, 55.89

 

CMYK 0 / 63 / 100 / 36

HEX #A33D00

RGB 163 61 0

HSL 22.45, 1%, 0.32%

LAB 39.79, 39.99, 50.91

 

CMYK 0 / 42 / 100 / 10

HEX #E58400

RGB 229 132 0

HSL 34.59, 1%, 0.45%

LAB 64.29, 30.37, 70.52

 

CMYK 0 / 69 / 100 / 10

HEX #E54600

RGB 229 70 0

HSL 18.34, 1%, 0.45%

LAB 52.99, 59.3, 64.13

 

CMYK 0 / 97 / 100 / 10

HEX #E50800

RGB 229 8 0

HSL 2.1, 1%, 0.45%

LAB 48.05, 73.21, 62.05

 

CMYK 0 / 100 / 100 / 10

HEX #E50000

RGB 229 0 0

HSL 0, 1%, 0.45%

LAB 47.83, 73.85, 61.97

 

CMYK 0 / 42 / 100 / 10

HEX #E58400

RGB 229 132 0

HSL 34.59, 1%, 0.45%

LAB 64.29, 30.37, 70.52

 

CMYK 0 / 15 / 100 / 10

HEX #E5C200

RGB 229 194 0

HSL 50.83, 1%, 0.45%

LAB 79.18, -2.36, 80.54

 

CMYK 11 / 0 / 100 / 10

HEX #CBE500

RGB 203 229 0

HSL 66.81, 1%, 0.45%

LAB 86.37, -30.63, 84.81

 

CMYK 38 / 0 / 100 / 10

HEX #8DE500

RGB 141 229 0

HSL 83.06, 1%, 0.45%

LAB 82.75, -54.11, 80.47

 

CMYK 66 / 0 / 100 / 10

HEX #4FE500

RGB 79 229 0

HSL 99.3, 1%, 0.45%

LAB 80.57, -71.19, 77.83

 

CMYK 0 / 42 / 100 / 10

HEX #E58400

RGB 229 132 0

HSL 34.59, 1%, 0.45%

LAB 64.29, 30.37, 70.52

 

CMYK 0 / 42 / 100 / 10

HEX #E58400

RGB 229 132 0

HSL 34.59, 1%, 0.45%

LAB 64.29, 30.37, 70.52

 

CMYK 0 / 39 / 91 / 18

HEX #D28112

RGB 210 129 18

HSL 34.69, 0.84%, 0.45%

LAB 61.17, 24.16, 64.24

 

CMYK 0 / 34 / 81 / 25

HEX #C07E25

RGB 192 126 37

HSL 34.45, 0.68%, 0.45%

LAB 58.28, 18.46, 55.22

 

CMYK 0 / 29 / 68 / 32

HEX #AD7B37

RGB 173 123 55

HSL 34.58, 0.52%, 0.45%

LAB 55.41, 12.6, 43.77

 

CMYK 0 / 23 / 52 / 39

HEX #9B784A

RGB 155 120 74

HSL 34.07, 0.35%, 0.45%

LAB 52.84, 7.81, 30.35

 

CMYK 0 / 97 / 100 / 10

HEX #E50700

RGB 229 7 0

HSL 1.83, 1%, 0.45%

LAB 48.02, 73.29, 62.04

 

CMYK 0 / 70 / 100 / 10

HEX #E54400

RGB 229 68 0

HSL 17.82, 1%, 0.45%

LAB 52.72, 60.04, 64

 

CMYK 0 / 43 / 100 / 10

HEX #E58200

RGB 229 130 0

HSL 34.06, 1%, 0.45%

LAB 63.85, 31.41, 70.25

 

CMYK 0 / 17 / 100 / 10

HEX #E5BF00

RGB 229 191 0

HSL 50.04, 1%, 0.45%

LAB 78.41, -0.81, 80

 

CMYK 10 / 0 / 100 / 10

HEX #CEE500

RGB 206 229 0

HSL 66.03, 1%, 0.45%

LAB 86.58, -29.41, 85.06

 

CMYK 0 / 42 / 100 / 43

HEX #925400

RGB 146 84 0

HSL 34.52, 1%, 0.29%

LAB 41.93, 20.67, 50.77

 

CMYK 0 / 43 / 100 / 26

HEX #BC6C00

RGB 188 108 0

HSL 34.47, 1%, 0.37%

LAB 53.4, 25.85, 60.92

 

CMYK 0 / 42 / 100 / 10

HEX #E58400

RGB 229 132 0

HSL 34.59, 1%, 0.45%

LAB 64.29, 30.37, 70.52

 

CMYK 0 / 40 / 94 / 0

HEX #FF990F

RGB 255 153 15

HSL 34.5, 1%, 0.53%

LAB 72.28, 30.29, 75.34

 

CMYK 0 / 33 / 78 / 0

HEX #FFAB39

RGB 255 171 57

HSL 34.55, 1%, 0.61%

LAB 76.49, 21.87, 67.24

 

CMYK 0 / 42 / 100 / 9

HEX #E78500

RGB 231 133 0

HSL 34.55, 1%, 0.45%

LAB 64.77, 30.67, 70.96

 

CMYK 77 / 0 / 100 / 10

HEX #35E500

RGB 53 229 0

HSL 106.11, 1%, 0.45%

LAB 80.06, -75.59, 77.21

 

CMYK 83 / 100 / 0 / 10

HEX #2600E5

RGB 38 0 229

HSL 249.96, 1%, 0.45%

LAB 29.59, 73.36, -97.65

 

CMYK 0 / 42 / 100 / 9

HEX #E78500

RGB 231 133 0

HSL 34.55, 1%, 0.45%

LAB 64.77, 30.67, 70.96

 

CMYK 100 / 0 / 43 / 10

HEX #00E582

RGB 0 229 130

HSL 154.06, 1%, 0.45%

LAB 80.54, -68.13, 35.51

 

CMYK 43 / 100 / 0 / 10

HEX #8200E5

RGB 130 0 229

HSL 274.06, 1%, 0.45%

LAB 38.56, 77.99, -82.49

 

CMYK 0 / 42 / 100 / 9

HEX #E78500

RGB 231 133 0

HSL 34.55, 1%, 0.45%

LAB 64.77, 30.67, 70.96

 

CMYK 77 / 0 / 100 / 10

HEX #35E500

RGB 53 229 0

HSL 106.11, 1%, 0.45%

LAB 80.06, -75.59, 77.21

 

CMYK 100 / 57 / 0 / 10

HEX #0063E5

RGB 0 99 229

HSL 214.06, 1%, 0.45%

LAB 45.05, 27.15, -72.12

 

CMYK 24 / 100 / 0 / 10

HEX #AF00E5

RGB 175 0 229

HSL 285.85, 1%, 0.45%

LAB 45.32, 82.88, -71.14

 

CMYK 0 / 42 / 100 / 9

HEX #E78500

RGB 231 133 0

HSL 34.55, 1%, 0.45%

LAB 64.77, 30.67, 70.96

 

CMYK 100 / 0 / 93 / 10

HEX #00E50F

RGB 0 229 15

HSL 123.93, 1%, 0.45%

LAB 79.66, -79.2, 75.31

 

CMYK 100 / 57 / 0 / 10

HEX #0063E5

RGB 0 99 229

HSL 214.06, 1%, 0.45%

LAB 45.05, 27.15, -72.12

 

CMYK 0 / 100 / 7 / 10

HEX #E500D6

RGB 229 0 214

HSL 303.93, 1%, 0.45%

LAB 53.51, 88.51, -48.93

 

Description

Color code: RGB 231 133 0 | qconv.com Color code: RGB 231 133 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 133 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 133 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 100 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 100% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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