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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 136 58 it is the complementary color RGB 24 119 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 136 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 136 58 shade: RGB 236 136 53, RGB 253 154 72, RGB 255 172 91, RGB 255 190 110 and RGB 255 208 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 136 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 136 58 shade: RGB 231 136 58, RGB 214 118 39, RGB 197 100 20, RGB 180 82 1 and RGB 163 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 136 58 shade: RGB 230 136 59, RGB 230 90 59 and RGB 230 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 136 58 shade: RGB 230 136 59, RGB 230 183 59, RGB 230 229 59, RGB 186 230 59 and RGB 140 230 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 136 58 shade matches the following richer shades: RGB 230 136 59 and RGB 248 135 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 136 58 shade: RGB 230 136 59, RGB 213 138 77, RGB 195 140 95, RGB 177 142 113 and RGB 159 143 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 136 58 shade: RGB 230 59 74, RGB 230 91 59, RGB 230 136 59, RGB 230 182 59 and RGB 230 228 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 136 58 shade: RGB 185 96 22, RGB 222 115 27, RGB 230 136 59, RGB 235 159 96 and RGB 239 181 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 136 58 shade: RGB 231 136 58, RGB 119 230 59 and RGB 68 59 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 136 58 shade: RGB 231 136 58, RGB 59 230 136 and RGB 136 59 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 136 58 shade: RGB 231 136 58, RGB 119 230 59, RGB 59 153 230 and RGB 171 59 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 136 58 shade: RGB 231 136 58, RGB 68 230 59, RGB 59 153 230 and RGB 222 59 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 75 / 9

HEX #E7883A

RGB 231 136 58

HSL 27.05, 0.78%, 0.57%

LAB 65.67, 30.37, 55.34

 

Complementary color

CMYK 88 / 40 / 0 / 23

HEX #1877C5

RGB 24 119 197

HSL 207.05, 0.78%, 0.43%

LAB 48.78, 2.76, -47.86

 

CMYK 0 / 42 / 78 / 7

HEX #EC8835

RGB 236 136 53

HSL 27.21, 0.83%, 0.57%

LAB 66.29, 32.21, 58.33

 

CMYK 0 / 39 / 72 / 1

HEX #FD9A48

RGB 253 154 72

HSL 27.18, 0.98%, 0.64%

LAB 72.54, 30.53, 57.01

 

CMYK 0 / 33 / 64 / 0

HEX #FFAC5B

RGB 255 172 91

HSL 29.63, 1%, 0.68%

LAB 76.99, 22.98, 53.08

 

CMYK 0 / 25 / 57 / 0

HEX #FFBE6E

RGB 255 190 110

HSL 33.1, 1%, 0.72%

LAB 81.41, 14.86, 49.03

 

CMYK 0 / 18 / 49 / 0

HEX #FFD081

RGB 255 208 129

HSL 37.62, 1%, 0.75%

LAB 85.98, 7.07, 45.24

 

CMYK 0 / 41 / 75 / 9

HEX #E7883A

RGB 231 136 58

HSL 27.05, 0.78%, 0.57%

LAB 65.67, 30.37, 55.34

 

CMYK 0 / 45 / 82 / 16

HEX #D67627

RGB 214 118 39

HSL 27.09, 0.69%, 0.5%

LAB 59.34, 32.18, 56.48

 

CMYK 0 / 49 / 90 / 23

HEX #C56414

RGB 197 100 20

HSL 27.12, 0.82%, 0.43%

LAB 52.99, 34.18, 56.83

 

CMYK 0 / 54 / 99 / 29

HEX #B45201

RGB 180 82 1

HSL 27.15, 0.99%, 0.35%

LAB 46.63, 36.31, 55.97

 

CMYK 0 / 61 / 100 / 36

HEX #A34000

RGB 163 64 0

HSL 23.56, 1%, 0.32%

LAB 40.33, 38.55, 51.21

 

CMYK 0 / 41 / 74 / 10

HEX #E6883B

RGB 230 136 59

HSL 27.02, 0.77%, 0.57%

LAB 65.55, 30.01, 54.73

 

CMYK 0 / 61 / 74 / 10

HEX #E65A3B

RGB 230 90 59

HSL 10.88, 0.77%, 0.57%

LAB 56.54, 52.68, 45.31

 

CMYK 0 / 74 / 74 / 10

HEX #E63B3B

RGB 230 59 59

HSL 0, 0.77%, 0.57%

LAB 52.14, 64.64, 40.51

 

CMYK 0 / 41 / 74 / 10

HEX #E6883B

RGB 230 136 59

HSL 27.02, 0.77%, 0.57%

LAB 65.55, 30.01, 54.73

 

CMYK 0 / 20 / 74 / 10

HEX #E6B73B

RGB 230 183 59

HSL 43.51, 0.77%, 0.57%

LAB 76.68, 5.09, 65.73

 

CMYK 0 / 0 / 74 / 10

HEX #E6E53B

RGB 230 229 59

HSL 59.65, 0.77%, 0.57%

LAB 88.53, -18.24, 76.88

 

CMYK 19 / 0 / 74 / 10

HEX #BAE63B

RGB 186 230 59

HSL 75.44, 0.77%, 0.57%

LAB 85.68, -36.44, 73.09

 

CMYK 39 / 0 / 74 / 10

HEX #8CE63B

RGB 140 230 59

HSL 91.58, 0.77%, 0.57%

LAB 83.17, -53.07, 69.81

 

CMYK 0 / 41 / 74 / 10

HEX #E6883B

RGB 230 136 59

HSL 27.02, 0.77%, 0.57%

LAB 65.55, 30.01, 54.73

 

CMYK 0 / 46 / 83 / 3

HEX #F8872A

RGB 248 135 42

HSL 27.09, 0.94%, 0.57%

LAB 67.61, 37.19, 64.42

 

CMYK 0 / 41 / 74 / 10

HEX #E6883B

RGB 230 136 59

HSL 27.02, 0.77%, 0.57%

LAB 65.55, 30.01, 54.73

 

CMYK 0 / 35 / 64 / 16

HEX #D58A4D

RGB 213 138 77

HSL 26.91, 0.62%, 0.57%

LAB 64.05, 22.89, 43.84

 

CMYK 0 / 28 / 51 / 24

HEX #C38C5F

RGB 195 140 95

HSL 27, 0.45%, 0.57%

LAB 62.66, 15.69, 32.2

 

CMYK 0 / 20 / 36 / 31

HEX #B18E71

RGB 177 142 113

HSL 27.19, 0.29%, 0.57%

LAB 61.56, 9.09, 20.47

 

CMYK 0 / 10 / 18 / 38

HEX #9F8F82

RGB 159 143 130

HSL 26.9, 0.13%, 0.57%

LAB 60.45, 3.75, 9.08

 

CMYK 0 / 74 / 68 / 10

HEX #E63B4A

RGB 230 59 74

HSL 354.74, 0.77%, 0.57%

LAB 52.34, 65.3, 32.15

 

CMYK 0 / 60 / 74 / 10

HEX #E65B3B

RGB 230 91 59

HSL 11.23, 0.77%, 0.57%

LAB 56.7, 52.24, 45.49

 

CMYK 0 / 41 / 74 / 10

HEX #E6883B

RGB 230 136 59

HSL 27.02, 0.77%, 0.57%

LAB 65.55, 30.01, 54.73

 

CMYK 0 / 21 / 74 / 10

HEX #E6B63B

RGB 230 182 59

HSL 43.16, 0.77%, 0.57%

LAB 76.43, 5.61, 65.49

 

CMYK 0 / 1 / 74 / 10

HEX #E6E43B

RGB 230 228 59

HSL 59.3, 0.77%, 0.57%

LAB 88.27, -17.76, 76.64

 

CMYK 0 / 48 / 88 / 27

HEX #B96016

RGB 185 96 22

HSL 27.24, 0.79%, 0.41%

LAB 50.38, 31.38, 53.42

 

CMYK 0 / 48 / 88 / 13

HEX #DE731B

RGB 222 115 27

HSL 27.08, 0.78%, 0.49%

LAB 59.77, 36.67, 61.52

 

CMYK 0 / 41 / 74 / 10

HEX #E6883B

RGB 230 136 59

HSL 27.02, 0.77%, 0.57%

LAB 65.55, 30.01, 54.73

 

CMYK 0 / 32 / 59 / 8

HEX #EB9F60

RGB 235 159 96

HSL 27.19, 0.78%, 0.65%

LAB 71.76, 22.01, 43.93

 

CMYK 0 / 24 / 44 / 6

HEX #EFB585

RGB 239 181 133

HSL 27.17, 0.77%, 0.73%

LAB 77.93, 15.18, 32.58

 

CMYK 0 / 41 / 75 / 9

HEX #E7883A

RGB 231 136 58

HSL 27.05, 0.78%, 0.57%

LAB 65.67, 30.37, 55.34

 

CMYK 48 / 0 / 74 / 10

HEX #77E63B

RGB 119 230 59

HSL 98.95, 0.77%, 0.57%

LAB 82.29, -59.58, 68.65

 

CMYK 70 / 74 / 0 / 10

HEX #443BE6

RGB 68 59 230

HSL 243.16, 0.77%, 0.57%

LAB 37.97, 55.73, -84.24

 

CMYK 0 / 41 / 75 / 9

HEX #E7883A

RGB 231 136 58

HSL 27.05, 0.78%, 0.57%

LAB 65.67, 30.37, 55.34

 

CMYK 74 / 0 / 41 / 10

HEX #3BE688

RGB 59 230 136

HSL 147.02, 0.77%, 0.57%

LAB 81.46, -63.25, 33.8

 

CMYK 41 / 74 / 0 / 10

HEX #883BE6

RGB 136 59 230

HSL 267.02, 0.77%, 0.57%

LAB 44.34, 64.49, -73.54

 

CMYK 0 / 41 / 75 / 9

HEX #E7883A

RGB 231 136 58

HSL 27.05, 0.78%, 0.57%

LAB 65.67, 30.37, 55.34

 

CMYK 48 / 0 / 74 / 10

HEX #77E63B

RGB 119 230 59

HSL 98.95, 0.77%, 0.57%

LAB 82.29, -59.58, 68.65

 

CMYK 74 / 33 / 0 / 10

HEX #3B99E6

RGB 59 153 230

HSL 207.02, 0.77%, 0.57%

LAB 61.16, -1.95, -46.76

 

CMYK 26 / 74 / 0 / 10

HEX #AB3BE6

RGB 171 59 230

HSL 279.3, 0.77%, 0.57%

LAB 48.88, 70.48, -65.95

 

CMYK 0 / 41 / 75 / 9

HEX #E7883A

RGB 231 136 58

HSL 27.05, 0.78%, 0.57%

LAB 65.67, 30.37, 55.34

 

CMYK 70 / 0 / 74 / 10

HEX #44E63B

RGB 68 230 59

HSL 116.84, 0.77%, 0.57%

LAB 80.82, -71.4, 66.7

 

CMYK 74 / 33 / 0 / 10

HEX #3B99E6

RGB 59 153 230

HSL 207.02, 0.77%, 0.57%

LAB 61.16, -1.95, -46.76

 

CMYK 3 / 74 / 0 / 10

HEX #DE3BE6

RGB 222 59 230

HSL 297.19, 0.77%, 0.57%

LAB 56.46, 80.17, -53.37

 

Description

Color code: RGB 231 136 58 | qconv.com Color code: RGB 231 136 58 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 136 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 136 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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