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Color name
RGB 231 111 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 111 127 it is the complementary color RGB 24 144 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 111 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 111 127 shade: RGB 236 111 122, RGB 253 129 141, RGB 255 147 160, RGB 255 165 179 and RGB 255 183 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 111 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 111 127 shade: RGB 231 111 127, RGB 214 93 108, RGB 197 75 89, RGB 180 57 70 and RGB 163 39 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 111 127 shade: RGB 230 111 127 and RGB 230 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 111 127 shade: RGB 230 111 127, RGB 230 111 159, RGB 230 111 191, RGB 230 111 223 and RGB 205 111 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 111 127 shade matches the following richer shades: RGB 230 111 127 and RGB 244 97 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 111 127 shade: RGB 230 111 127, RGB 216 124 137, RGB 203 138 147, RGB 189 151 156 and RGB 176 165 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 111 127 shade: RGB 230 111 190, RGB 230 111 158, RGB 230 111 127, RGB 230 127 111 and RGB 230 158 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 111 127 shade: RGB 218 40 64, RGB 224 75 95, RGB 230 111 127, RGB 236 146 158 and RGB 242 181 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 111 127 shade: RGB 231 111 127, RGB 222 230 111 and RGB 111 174 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 111 127 shade: RGB 231 111 127, RGB 127 230 111 and RGB 111 127 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 111 127 shade: RGB 231 111 127, RGB 222 230 111, RGB 111 230 214 and RGB 119 111 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 111 127 shade: RGB 231 111 127, RGB 186 230 111, RGB 111 230 214 and RGB 154 111 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 45 / 9

HEX #E76F7F

RGB 231 111 127

HSL 352, 0.71%, 0.67%

LAB 61.56, 47.95, 13.57

 

Complementary color

CMYK 83 / 0 / 11 / 44

HEX #189080

RGB 24 144 128

HSL 172, 0.71%, 0.33%

LAB 53.71, -34.86, -0.39

 

CMYK 0 / 53 / 48 / 7

HEX #EC6F7A

RGB 236 111 122

HSL 354.72, 0.77%, 0.68%

LAB 62.17, 49.21, 17.4

 

CMYK 0 / 49 / 44 / 1

HEX #FD818D

RGB 253 129 141

HSL 354.19, 0.97%, 0.75%

LAB 68.39, 48.21, 15.61

 

CMYK 0 / 42 / 37 / 0

HEX #FF93A0

RGB 255 147 160

HSL 352.78, 1%, 0.79%

LAB 72.67, 41.94, 11.06

 

CMYK 0 / 35 / 30 / 0

HEX #FFA5B3

RGB 255 165 179

HSL 350.67, 1%, 0.82%

LAB 76.94, 34.98, 6.7

 

CMYK 0 / 28 / 22 / 0

HEX #FFB7C6

RGB 255 183 198

HSL 347.5, 1%, 0.86%

LAB 81.4, 28.15, 2.84

 

CMYK 0 / 52 / 45 / 9

HEX #E76F7F

RGB 231 111 127

HSL 352, 0.71%, 0.67%

LAB 61.56, 47.95, 13.57

 

CMYK 0 / 57 / 50 / 16

HEX #D65D6C

RGB 214 93 108

HSL 352.56, 0.6%, 0.6%

LAB 55.29, 48.89, 15.52

 

CMYK 0 / 62 / 55 / 23

HEX #C54B59

RGB 197 75 89

HSL 353.11, 0.51%, 0.53%

LAB 49.04, 49.75, 17.84

 

CMYK 0 / 68 / 61 / 29

HEX #B43946

RGB 180 57 70

HSL 353.66, 0.52%, 0.46%

LAB 42.87, 50.38, 20.66

 

CMYK 0 / 76 / 69 / 36

HEX #A32733

RGB 163 39 51

HSL 354.19, 0.61%, 0.4%

LAB 36.89, 50.56, 24.17

 

CMYK 0 / 52 / 45 / 10

HEX #E66F7F

RGB 230 111 127

HSL 351.93, 0.7%, 0.67%

LAB 61.42, 47.6, 13.35

 

CMYK 0 / 52 / 52 / 10

HEX #E66F6F

RGB 230 111 111

HSL 0, 0.7%, 0.67%

LAB 61.08, 46.12, 22.06

 

CMYK 0 / 52 / 45 / 10

HEX #E66F7F

RGB 230 111 127

HSL 351.93, 0.7%, 0.67%

LAB 61.42, 47.6, 13.35

 

CMYK 0 / 52 / 31 / 10

HEX #E66F9F

RGB 230 111 159

HSL 335.8, 0.7%, 0.67%

LAB 62.25, 51.19, -3.86

 

CMYK 0 / 52 / 17 / 10

HEX #E66FBF

RGB 230 111 191

HSL 319.66, 0.7%, 0.67%

LAB 63.3, 55.57, -20.54

 

CMYK 0 / 52 / 3 / 10

HEX #E66FDF

RGB 230 111 223

HSL 303.53, 0.7%, 0.67%

LAB 64.58, 60.66, -36.56

 

CMYK 11 / 52 / 0 / 10

HEX #CD6FE6

RGB 205 111 230

HSL 287.39, 0.7%, 0.67%

LAB 61.71, 55.17, -45.19

 

CMYK 0 / 52 / 45 / 10

HEX #E66F7F

RGB 230 111 127

HSL 351.93, 0.7%, 0.67%

LAB 61.42, 47.6, 13.35

 

CMYK 0 / 60 / 52 / 4

HEX #F46175

RGB 244 97 117

HSL 351.84, 0.87%, 0.67%

LAB 60.84, 57.89, 18.64

 

CMYK 0 / 52 / 45 / 10

HEX #E66F7F

RGB 230 111 127

HSL 351.93, 0.7%, 0.67%

LAB 61.42, 47.6, 13.35

 

CMYK 0 / 43 / 37 / 15

HEX #D87C89

RGB 216 124 137

HSL 351.52, 0.54%, 0.67%

LAB 62.36, 37.09, 8.67

 

CMYK 0 / 32 / 28 / 20

HEX #CB8A93

RGB 203 138 147

HSL 351.69, 0.38%, 0.67%

LAB 64.14, 26.04, 5.33

 

CMYK 0 / 20 / 17 / 26

HEX #BD979C

RGB 189 151 156

HSL 352.11, 0.22%, 0.67%

LAB 66.02, 14.97, 2.78

 

CMYK 0 / 6 / 6 / 31

HEX #B0A5A6

RGB 176 165 166

HSL 354.55, 0.07%, 0.67%

LAB 68.67, 4.15, 0.9

 

CMYK 0 / 52 / 17 / 10

HEX #E66FBE

RGB 230 111 190

HSL 320.17, 0.7%, 0.67%

LAB 63.27, 55.42, -20.03

 

CMYK 0 / 52 / 31 / 10

HEX #E66F9E

RGB 230 111 158

HSL 336.3, 0.7%, 0.67%

LAB 62.22, 51.06, -3.33

 

CMYK 0 / 52 / 45 / 10

HEX #E66F7F

RGB 230 111 127

HSL 351.93, 0.7%, 0.67%

LAB 61.42, 47.6, 13.35

 

CMYK 0 / 45 / 52 / 10

HEX #E67F6F

RGB 230 127 111

HSL 8.07, 0.7%, 0.67%

LAB 64.28, 38.07, 26.33

 

CMYK 0 / 31 / 52 / 10

HEX #E69E6F

RGB 230 158 111

HSL 23.7, 0.7%, 0.67%

LAB 71.16, 21.72, 35.26

 

CMYK 0 / 82 / 71 / 15

HEX #DA2840

RGB 218 40 64

HSL 351.91, 0.71%, 0.51%

LAB 48, 66.82, 32.26

 

CMYK 0 / 67 / 58 / 12

HEX #E04B5F

RGB 224 75 95

HSL 351.95, 0.71%, 0.59%

LAB 53.71, 58.99, 21.32

 

CMYK 0 / 52 / 45 / 10

HEX #E66F7F

RGB 230 111 127

HSL 351.93, 0.7%, 0.67%

LAB 61.42, 47.6, 13.35

 

CMYK 0 / 38 / 33 / 7

HEX #EC929E

RGB 236 146 158

HSL 352, 0.7%, 0.75%

LAB 70.08, 35.39, 8.16

 

CMYK 0 / 25 / 22 / 5

HEX #F2B5BD

RGB 242 181 189

HSL 352.13, 0.7%, 0.83%

LAB 79.39, 23.25, 4.61

 

CMYK 0 / 52 / 45 / 9

HEX #E76F7F

RGB 231 111 127

HSL 352, 0.71%, 0.67%

LAB 61.56, 47.95, 13.57

 

CMYK 3 / 0 / 52 / 10

HEX #DEE66F

RGB 222 230 111

HSL 64.03, 0.7%, 0.67%

LAB 88.58, -18.79, 56.3

 

CMYK 52 / 24 / 0 / 10

HEX #6FAEE6

RGB 111 174 230

HSL 208.24, 0.7%, 0.67%

LAB 69.01, -4.76, -34.32

 

CMYK 0 / 52 / 45 / 9

HEX #E76F7F

RGB 231 111 127

HSL 352, 0.71%, 0.67%

LAB 61.56, 47.95, 13.57

 

CMYK 45 / 0 / 52 / 10

HEX #7FE66F

RGB 127 230 111

HSL 111.93, 0.7%, 0.67%

LAB 83.05, -52.49, 48.38

 

CMYK 52 / 45 / 0 / 10

HEX #6F7FE6

RGB 111 127 230

HSL 231.93, 0.7%, 0.67%

LAB 56.36, 22.49, -54.24

 

CMYK 0 / 52 / 45 / 9

HEX #E76F7F

RGB 231 111 127

HSL 352, 0.71%, 0.67%

LAB 61.56, 47.95, 13.57

 

CMYK 3 / 0 / 52 / 10

HEX #DEE66F

RGB 222 230 111

HSL 64.03, 0.7%, 0.67%

LAB 88.58, -18.79, 56.3

 

CMYK 52 / 0 / 7 / 10

HEX #6FE6D6

RGB 111 230 214

HSL 171.93, 0.7%, 0.67%

LAB 84.4, -37.38, -2.47

 

CMYK 48 / 52 / 0 / 10

HEX #776FE6

RGB 119 111 230

HSL 244.03, 0.7%, 0.67%

LAB 52.95, 33.79, -59.66

 

CMYK 0 / 52 / 45 / 9

HEX #E76F7F

RGB 231 111 127

HSL 352, 0.71%, 0.67%

LAB 61.56, 47.95, 13.57

 

CMYK 19 / 0 / 52 / 10

HEX #BAE66F

RGB 186 230 111

HSL 82.18, 0.7%, 0.67%

LAB 86.1, -32.67, 52.77

 

CMYK 52 / 0 / 7 / 10

HEX #6FE6D6

RGB 111 230 214

HSL 171.93, 0.7%, 0.67%

LAB 84.4, -37.38, -2.47

 

CMYK 33 / 52 / 0 / 10

HEX #9A6FE6

RGB 154 111 230

HSL 261.68, 0.7%, 0.67%

LAB 56.04, 41.95, -54.54

 

Description

Color code: RGB 231 111 127 | qconv.com Color code: RGB 231 111 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 111 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 111 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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