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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 70 198 it is the complementary color RGB 25 185 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 70 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 70 198 shade: RGB 235 70 193, RGB 252 88 212, RGB 255 106 231, RGB 255 124 250 and RGB 255 142 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 70 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 70 198 shade: RGB 230 70 198, RGB 213 52 179, RGB 196 34 160, RGB 179 16 141 and RGB 162 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 70 198 shade: RGB 229 70 198, RGB 229 70 155, RGB 229 70 112 and RGB 229 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 70 198 shade: RGB 229 70 198, RGB 218 70 229, RGB 175 70 229, RGB 133 70 229 and RGB 90 70 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 70 198 shade matches the following richer shades: RGB 229 70 198 and RGB 246 54 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 70 198 shade: RGB 229 70 198, RGB 212 87 187, RGB 196 104 177, RGB 179 121 167 and RGB 162 138 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 70 198 shade: RGB 176 70 229, RGB 219 70 229, RGB 229 70 198, RGB 229 70 155 and RGB 229 70 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 70 198 shade: RGB 192 26 158, RGB 224 34 186, RGB 229 70 198, RGB 234 107 209 and RGB 239 143 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 70 198 shade: RGB 230 70 198, RGB 229 134 70 and RGB 70 229 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 70 198 shade: RGB 230 70 198, RGB 198 229 70 and RGB 70 198 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 70 198 shade: RGB 230 70 198, RGB 229 134 70, RGB 70 229 102 and RGB 70 166 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 70 198 shade: RGB 230 70 198, RGB 229 182 70, RGB 70 229 102 and RGB 70 118 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 14 / 10

HEX #E646C6

RGB 230 70 198

HSL 312, 0.76%, 0.59%

LAB 57.35, 73.59, -33.72

 

Complementary color

CMYK 86 / 0 / 69 / 27

HEX #19B939

RGB 25 185 57

HSL 132, 0.76%, 0.41%

LAB 65.9, -63.33, 51.92

 

CMYK 0 / 70 / 18 / 8

HEX #EB46C1

RGB 235 70 193

HSL 315.27, 0.8%, 0.6%

LAB 57.94, 74.1, -29.87

 

CMYK 0 / 65 / 16 / 1

HEX #FC58D4

RGB 252 88 212

HSL 314.63, 0.96%, 0.67%

LAB 63.7, 74.45, -31.53

 

CMYK 0 / 58 / 9 / 0

HEX #FF6AE7

RGB 255 106 231

HSL 309.66, 1%, 0.71%

LAB 67.53, 70.82, -36.15

 

CMYK 0 / 51 / 2 / 0

HEX #FF7CFA

RGB 255 124 250

HSL 302.29, 1%, 0.74%

LAB 71.27, 65.95, -40.78

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 70 / 14 / 10

HEX #E646C6

RGB 230 70 198

HSL 312, 0.76%, 0.59%

LAB 57.35, 73.59, -33.72

 

CMYK 0 / 76 / 16 / 16

HEX #D534B3

RGB 213 52 179

HSL 312.67, 0.66%, 0.52%

LAB 51.67, 72.74, -31.79

 

CMYK 0 / 83 / 18 / 23

HEX #C422A0

RGB 196 34 160

HSL 313.33, 0.7%, 0.45%

LAB 46.2, 71.12, -29.33

 

CMYK 0 / 91 / 21 / 30

HEX #B3108D

RGB 179 16 141

HSL 313.99, 0.84%, 0.38%

LAB 41.02, 68.41, -26.16

 

CMYK 0 / 100 / 25 / 36

HEX #A2007A

RGB 162 0 122

HSL 314.81, 1%, 0.32%

LAB 36.15, 64.53, -22.23

 

CMYK 0 / 69 / 14 / 10

HEX #E546C6

RGB 229 70 198

HSL 311.7, 0.75%, 0.59%

LAB 57.19, 73.35, -33.98

 

CMYK 0 / 69 / 32 / 10

HEX #E5469B

RGB 229 70 155

HSL 327.92, 0.75%, 0.59%

LAB 55.49, 67.87, -11.63

 

CMYK 0 / 69 / 51 / 10

HEX #E54670

RGB 229 70 112

HSL 344.15, 0.75%, 0.59%

LAB 54.25, 63.69, 12.08

 

CMYK 0 / 69 / 69 / 10

HEX #E54646

RGB 229 70 70

HSL 0, 0.75%, 0.59%

LAB 53.47, 61, 35.79

 

CMYK 0 / 69 / 14 / 10

HEX #E546C6

RGB 229 70 198

HSL 311.7, 0.75%, 0.59%

LAB 57.19, 73.35, -33.98

 

CMYK 5 / 69 / 0 / 10

HEX #DA46E5

RGB 218 70 229

HSL 295.85, 0.75%, 0.59%

LAB 57.02, 75.67, -51.95

 

CMYK 24 / 69 / 0 / 10

HEX #AF46E5

RGB 175 70 229

HSL 279.62, 0.75%, 0.59%

LAB 50.86, 66.77, -62.15

 

CMYK 42 / 69 / 0 / 10

HEX #8546E5

RGB 133 70 229

HSL 263.77, 0.75%, 0.59%

LAB 45.67, 58.79, -70.82

 

CMYK 61 / 69 / 0 / 10

HEX #5A46E5

RGB 90 70 229

HSL 247.55, 0.75%, 0.59%

LAB 41.55, 52.03, -77.72

 

CMYK 0 / 69 / 14 / 10

HEX #E546C6

RGB 229 70 198

HSL 311.7, 0.75%, 0.59%

LAB 57.19, 73.35, -33.98

 

CMYK 0 / 78 / 15 / 4

HEX #F636D0

RGB 246 54 208

HSL 311.88, 0.91%, 0.59%

LAB 58.78, 83.22, -37

 

CMYK 0 / 69 / 14 / 10

HEX #E546C6

RGB 229 70 198

HSL 311.7, 0.75%, 0.59%

LAB 57.19, 73.35, -33.98

 

CMYK 0 / 59 / 12 / 17

HEX #D457BB

RGB 212 87 187

HSL 312, 0.59%, 0.59%

LAB 56.49, 60.77, -28.95

 

CMYK 0 / 47 / 10 / 23

HEX #C468B1

RGB 196 104 177

HSL 312.39, 0.44%, 0.59%

LAB 56.89, 46.41, -22.75

 

CMYK 0 / 32 / 7 / 30

HEX #B379A7

RGB 179 121 167

HSL 312.41, 0.28%, 0.59%

LAB 58.08, 29.97, -15.37

 

CMYK 0 / 15 / 3 / 36

HEX #A28A9D

RGB 162 138 157

HSL 312.5, 0.11%, 0.59%

LAB 60.15, 12.47, -6.71

 

CMYK 23 / 69 / 0 / 10

HEX #B046E5

RGB 176 70 229

HSL 280, 0.75%, 0.59%

LAB 51, 66.97, -61.93

 

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

CMYK 0 / 69 / 14 / 10

HEX #E546C6

RGB 229 70 198

HSL 311.7, 0.75%, 0.59%

LAB 57.19, 73.35, -33.98

 

CMYK 0 / 69 / 32 / 10

HEX #E5469B

RGB 229 70 155

HSL 327.92, 0.75%, 0.59%

LAB 55.49, 67.87, -11.63

 

CMYK 0 / 69 / 51 / 10

HEX #E54671

RGB 229 70 113

HSL 343.77, 0.75%, 0.59%

LAB 54.27, 63.78, 11.52

 

CMYK 0 / 86 / 18 / 25

HEX #C01A9E

RGB 192 26 158

HSL 312.29, 0.76%, 0.43%

LAB 44.82, 71.64, -30.34

 

CMYK 0 / 85 / 17 / 12

HEX #E022BA

RGB 224 34 186

HSL 312, 0.75%, 0.51%

LAB 52.44, 80.25, -34.53

 

CMYK 0 / 69 / 14 / 10

HEX #E546C6

RGB 229 70 198

HSL 311.7, 0.75%, 0.59%

LAB 57.19, 73.35, -33.98

 

CMYK 0 / 54 / 11 / 8

HEX #EA6BD1

RGB 234 107 209

HSL 311.81, 0.75%, 0.67%

LAB 63.84, 61.34, -29.82

 

CMYK 0 / 40 / 8 / 6

HEX #EF8FDC

RGB 239 143 220

HSL 311.88, 0.75%, 0.75%

LAB 71.67, 47.05, -23.87

 

CMYK 0 / 70 / 14 / 10

HEX #E646C6

RGB 230 70 198

HSL 312, 0.76%, 0.59%

LAB 57.35, 73.59, -33.72

 

CMYK 0 / 41 / 69 / 10

HEX #E58646

RGB 229 134 70

HSL 24.15, 0.75%, 0.59%

LAB 65.08, 31.18, 49.04

 

CMYK 69 / 0 / 14 / 10

HEX #46E5C6

RGB 70 229 198

HSL 168.3, 0.75%, 0.59%

LAB 82.6, -48.03, 3.23

 

CMYK 0 / 70 / 14 / 10

HEX #E646C6

RGB 230 70 198

HSL 312, 0.76%, 0.59%

LAB 57.35, 73.59, -33.72

 

CMYK 14 / 0 / 69 / 10

HEX #C6E546

RGB 198 229 70

HSL 71.7, 0.75%, 0.59%

LAB 86.25, -30.71, 70.2

 

CMYK 69 / 14 / 0 / 10

HEX #46C6E5

RGB 70 198 229

HSL 191.7, 0.75%, 0.59%

LAB 74.41, -25.07, -25.58

 

CMYK 0 / 70 / 14 / 10

HEX #E646C6

RGB 230 70 198

HSL 312, 0.76%, 0.59%

LAB 57.35, 73.59, -33.72

 

CMYK 0 / 41 / 69 / 10

HEX #E58646

RGB 229 134 70

HSL 24.15, 0.75%, 0.59%

LAB 65.08, 31.18, 49.04

 

CMYK 69 / 0 / 55 / 10

HEX #46E566

RGB 70 229 102

HSL 132.08, 0.75%, 0.59%

LAB 80.91, -66.47, 49.56

 

CMYK 69 / 28 / 0 / 10

HEX #46A6E5

RGB 70 166 229

HSL 203.77, 0.75%, 0.59%

LAB 65.15, -8.19, -39.91

 

CMYK 0 / 70 / 14 / 10

HEX #E646C6

RGB 230 70 198

HSL 312, 0.76%, 0.59%

LAB 57.35, 73.59, -33.72

 

CMYK 0 / 21 / 69 / 10

HEX #E5B646

RGB 229 182 70

HSL 42.26, 0.75%, 0.59%

LAB 76.41, 5.71, 61.07

 

CMYK 69 / 0 / 55 / 10

HEX #46E566

RGB 70 229 102

HSL 132.08, 0.75%, 0.59%

LAB 80.91, -66.47, 49.56

 

CMYK 69 / 48 / 0 / 10

HEX #4676E5

RGB 70 118 229

HSL 221.89, 0.75%, 0.59%

LAB 51.74, 20.25, -61.2

 

Description

Color code: RGB 230 70 198 | qconv.com Color code: RGB 230 70 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 70 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 70 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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