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Color name
RGB 230 211 163

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 211 163 it is the complementary color RGB 25 44 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 211 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 211 163 shade: RGB 235 211 158, RGB 252 229 177, RGB 255 247 196, RGB 255 255 215 and RGB 255 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 211 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 211 163 shade: RGB 230 211 163, RGB 213 193 144, RGB 196 175 125, RGB 179 157 106 and RGB 162 139 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 211 163 shade: RGB 229 210 162, RGB 229 192 162, RGB 229 174 162 and RGB 229 162 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 211 163 shade: RGB 229 210 162, RGB 229 228 162, RGB 212 229 162, RGB 194 229 162 and RGB 176 229 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 211 163 shade matches the following richer shades: RGB 229 210 162, RGB 239 214 153 and RGB 248 219 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 211 163 shade: RGB 229 210 162, RGB 220 206 172, RGB 210 202 181, RGB 201 198 191 and RGB 191 194 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 211 163 shade: RGB 229 174 162, RGB 229 191 162, RGB 229 209 162, RGB 229 227 162 and RGB 214 229 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 211 163 shade: RGB 212 179 98, RGB 220 195 130, RGB 229 210 162, RGB 238 226 195 and RGB 247 241 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 211 163 shade: RGB 230 211 163, RGB 169 229 162 and RGB 182 162 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 211 163 shade: RGB 230 211 163, RGB 162 229 209 and RGB 209 162 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 211 163 shade: RGB 230 211 163, RGB 169 229 162, RGB 162 182 229 and RGB 223 162 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 211 163 shade: RGB 230 211 163, RGB 162 229 176, RGB 162 182 229 and RGB 229 162 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 29 / 10

HEX #E6D3A3

RGB 230 211 163

HSL 42.99, 0.57%, 0.77%

LAB 85.02, -0.57, 26.2

 

Complementary color

CMYK 73 / 52 / 0 / 64

HEX #192C5C

RGB 25 44 92

HSL 222.99, 0.57%, 0.23%

LAB 19.14, 10.53, -31.1

 

CMYK 0 / 10 / 33 / 8

HEX #EBD39E

RGB 235 211 158

HSL 41.3, 0.66%, 0.77%

LAB 85.36, 0.72, 29.33

 

CMYK 0 / 9 / 30 / 1

HEX #FCE5B1

RGB 252 229 177

HSL 41.6, 0.93%, 0.84%

LAB 91.64, 0.3, 28.26

 

CMYK 0 / 3 / 23 / 0

HEX #FFF7C4

RGB 255 247 196

HSL 51.86, 1%, 0.88%

LAB 96.73, -5.17, 25.53

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 8 / 29 / 10

HEX #E6D3A3

RGB 230 211 163

HSL 42.99, 0.57%, 0.77%

LAB 85.02, -0.57, 26.2

 

CMYK 0 / 9 / 32 / 16

HEX #D5C190

RGB 213 193 144

HSL 42.61, 0.45%, 0.7%

LAB 78.64, -0.17, 27.28

 

CMYK 0 / 11 / 36 / 23

HEX #C4AF7D

RGB 196 175 125

HSL 42.25, 0.38%, 0.63%

LAB 72.15, 0.28, 28.43

 

CMYK 0 / 12 / 41 / 30

HEX #B39D6A

RGB 179 157 106

HSL 41.92, 0.32%, 0.56%

LAB 65.54, 0.82, 29.64

 

CMYK 0 / 14 / 46 / 36

HEX #A28B57

RGB 162 139 87

HSL 41.6, 0.3%, 0.49%

LAB 58.82, 1.46, 30.94

 

CMYK 0 / 8 / 29 / 10

HEX #E5D2A2

RGB 229 210 162

HSL 42.99, 0.56%, 0.77%

LAB 84.67, -0.56, 26.22

 

CMYK 0 / 16 / 29 / 10

HEX #E5C0A2

RGB 229 192 162

HSL 26.87, 0.56%, 0.77%

LAB 80.16, 8.84, 20.05

 

CMYK 0 / 24 / 29 / 10

HEX #E5AEA2

RGB 229 174 162

HSL 10.75, 0.56%, 0.77%

LAB 75.79, 18.41, 13.94

 

CMYK 0 / 29 / 29 / 10

HEX #E5A2A2

RGB 229 162 162

HSL 0, 0.56%, 0.77%

LAB 72.96, 24.84, 9.95

 

CMYK 0 / 8 / 29 / 10

HEX #E5D2A2

RGB 229 210 162

HSL 42.99, 0.56%, 0.77%

LAB 84.67, -0.56, 26.22

 

CMYK 0 / 0 / 29 / 10

HEX #E5E4A2

RGB 229 228 162

HSL 59.1, 0.56%, 0.77%

LAB 89.28, -9.73, 32.42

 

CMYK 7 / 0 / 29 / 10

HEX #D4E5A2

RGB 212 229 162

HSL 75.22, 0.56%, 0.77%

LAB 88.28, -16.56, 30.87

 

CMYK 15 / 0 / 29 / 10

HEX #C2E5A2

RGB 194 229 162

HSL 91.34, 0.56%, 0.77%

LAB 87.05, -23.07, 29.01

 

CMYK 23 / 0 / 29 / 10

HEX #B0E5A2

RGB 176 229 162

HSL 107.46, 0.56%, 0.77%

LAB 85.95, -29.32, 27.32

 

CMYK 0 / 8 / 29 / 10

HEX #E5D2A2

RGB 229 210 162

HSL 42.99, 0.56%, 0.77%

LAB 84.67, -0.56, 26.22

 

CMYK 0 / 10 / 36 / 6

HEX #EFD699

RGB 239 214 153

HSL 42.56, 0.73%, 0.77%

LAB 86.38, 0.12, 33.32

 

CMYK 0 / 12 / 42 / 3

HEX #F8DB8F

RGB 248 219 143

HSL 43.43, 0.88%, 0.77%

LAB 88.26, -0.01, 40.99

 

CMYK 0 / 8 / 29 / 10

HEX #E5D2A2

RGB 229 210 162

HSL 42.99, 0.56%, 0.77%

LAB 84.67, -0.56, 26.22

 

CMYK 0 / 6 / 22 / 14

HEX #DCCEAC

RGB 220 206 172

HSL 42.5, 0.41%, 0.77%

LAB 83.09, -0.52, 18.69

 

CMYK 0 / 4 / 14 / 18

HEX #D2CAB5

RGB 210 202 181

HSL 43.45, 0.24%, 0.77%

LAB 81.44, -0.76, 11.47

 

CMYK 0 / 1 / 5 / 21

HEX #C9C6BF

RGB 201 198 191

HSL 42, 0.08%, 0.77%

LAB 79.94, -0.21, 3.86

 

CMYK 5 / 3 / 0 / 22

HEX #BFC2C8

RGB 191 194 200

HSL 220, 0.08%, 0.77%

LAB 78.36, 0.1, -3.37

 

CMYK 0 / 24 / 29 / 10

HEX #E5AEA2

RGB 229 174 162

HSL 10.75, 0.56%, 0.77%

LAB 75.79, 18.41, 13.94

 

CMYK 0 / 17 / 29 / 10

HEX #E5BFA2

RGB 229 191 162

HSL 25.97, 0.56%, 0.77%

LAB 79.91, 9.37, 19.71

 

CMYK 0 / 9 / 29 / 10

HEX #E5D1A2

RGB 229 209 162

HSL 42.09, 0.56%, 0.77%

LAB 84.42, -0.05, 25.88

 

CMYK 0 / 1 / 29 / 10

HEX #E5E3A2

RGB 229 227 162

HSL 58.21, 0.56%, 0.77%

LAB 89.02, -9.23, 32.08

 

CMYK 7 / 0 / 29 / 10

HEX #D6E5A2

RGB 214 229 162

HSL 73.43, 0.56%, 0.77%

LAB 88.42, -15.82, 31.08

 

CMYK 0 / 16 / 54 / 17

HEX #D4B362

RGB 212 179 98

HSL 42.63, 0.57%, 0.61%

LAB 74.27, 1.99, 45.35

 

CMYK 0 / 11 / 41 / 14

HEX #DCC382

RGB 220 195 130

HSL 43.33, 0.56%, 0.69%

LAB 79.53, -0.08, 35.88

 

CMYK 0 / 8 / 29 / 10

HEX #E5D2A2

RGB 229 210 162

HSL 42.99, 0.56%, 0.77%

LAB 84.67, -0.56, 26.22

 

CMYK 0 / 5 / 18 / 7

HEX #EEE2C3

RGB 238 226 195

HSL 43.26, 0.56%, 0.85%

LAB 90.1, -0.87, 16.63

 

CMYK 0 / 2 / 8 / 3

HEX #F7F1E3

RGB 247 241 227

HSL 42, 0.56%, 0.93%

LAB 95.26, -0.35, 7.46

 

CMYK 0 / 8 / 29 / 10

HEX #E6D3A3

RGB 230 211 163

HSL 42.99, 0.57%, 0.77%

LAB 85.02, -0.57, 26.2

 

CMYK 26 / 0 / 29 / 10

HEX #A9E5A2

RGB 169 229 162

HSL 113.73, 0.56%, 0.77%

LAB 85.55, -31.65, 26.72

 

CMYK 21 / 29 / 0 / 10

HEX #B6A2E5

RGB 182 162 229

HSL 257.91, 0.56%, 0.77%

LAB 70.49, 20.79, -31.12

 

CMYK 0 / 8 / 29 / 10

HEX #E6D3A3

RGB 230 211 163

HSL 42.99, 0.57%, 0.77%

LAB 85.02, -0.57, 26.2

 

CMYK 29 / 0 / 9 / 10

HEX #A2E5D1

RGB 162 229 209

HSL 162.09, 0.56%, 0.77%

LAB 86.17, -25.17, 3.01

 

CMYK 9 / 29 / 0 / 10

HEX #D1A2E5

RGB 209 162 229

HSL 282.09, 0.56%, 0.77%

LAB 72.93, 29.16, -27.16

 

CMYK 0 / 8 / 29 / 10

HEX #E6D3A3

RGB 230 211 163

HSL 42.99, 0.57%, 0.77%

LAB 85.02, -0.57, 26.2

 

CMYK 26 / 0 / 29 / 10

HEX #A9E5A2

RGB 169 229 162

HSL 113.73, 0.56%, 0.77%

LAB 85.55, -31.65, 26.72

 

CMYK 29 / 21 / 0 / 10

HEX #A2B6E5

RGB 162 182 229

HSL 222.09, 0.56%, 0.77%

LAB 74.06, 3.73, -25.76

 

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

CMYK 0 / 8 / 29 / 10

HEX #E6D3A3

RGB 230 211 163

HSL 42.99, 0.57%, 0.77%

LAB 85.02, -0.57, 26.2

 

CMYK 29 / 0 / 23 / 10

HEX #A2E5B0

RGB 162 229 176

HSL 132.54, 0.56%, 0.77%

LAB 85.43, -31.55, 19.25

 

CMYK 29 / 21 / 0 / 10

HEX #A2B6E5

RGB 162 182 229

HSL 222.09, 0.56%, 0.77%

LAB 74.06, 3.73, -25.76

 

CMYK 0 / 29 / 6 / 10

HEX #E5A2D8

RGB 229 162 216

HSL 311.64, 0.56%, 0.77%

LAB 74.48, 33.19, -17.5

 

Description

Color code: RGB 230 211 163 | qconv.com Color code: RGB 230 211 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 211 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 211 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 29 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 29% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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