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Color name
RGB 230 216 14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 216 14 it is the complementary color RGB 25 39 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 216 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 216 14 shade: RGB 235 216 9, RGB 252 234 28, RGB 255 252 47, RGB 255 255 66 and RGB 255 255 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 216 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 216 14 shade: RGB 230 216 14, RGB 213 198 0, RGB 196 180 0, RGB 179 162 0 and RGB 162 144 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 216 14 shade: RGB 231 217 13, RGB 231 158 13, RGB 231 99 13, RGB 231 40 13 and RGB 231 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 216 14 shade: RGB 231 217 13, RGB 186 231 13, RGB 127 231 13, RGB 69 231 13 and RGB 13 231 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 216 14 shade matches the following richer shades: RGB 231 217 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 216 14 shade: RGB 231 217 13, RGB 211 199 33, RGB 191 182 53, RGB 171 165 72 and RGB 152 148 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 216 14 shade: RGB 231 100 13, RGB 231 158 13, RGB 231 216 13, RGB 187 231 13 and RGB 129 231 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 216 14 shade: RGB 153 143 8, RGB 192 180 11, RGB 231 217 13, RGB 242 229 43 and RGB 244 234 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 216 14 shade: RGB 230 216 14, RGB 13 231 42 and RGB 129 13 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 216 14 shade: RGB 230 216 14, RGB 13 231 216 and RGB 216 13 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 216 14 shade: RGB 230 216 14, RGB 13 231 42, RGB 13 27 231 and RGB 231 13 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 216 14 shade: RGB 230 216 14, RGB 13 231 107, RGB 13 27 231 and RGB 231 13 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 94 / 10

HEX #E6D80E

RGB 230 216 14

HSL 56.11, 0.89%, 0.48%

LAB 84.98, -12.95, 83.48

 

Complementary color

CMYK 90 / 84 / 0 / 5

HEX #1927F1

RGB 25 39 241

HSL 236.11, 0.89%, 0.52%

LAB 34, 66.21, -97.13

 

CMYK 0 / 8 / 96 / 8

HEX #EBD809

RGB 235 216 9

HSL 54.96, 0.93%, 0.48%

LAB 85.4, -10.87, 84.45

 

CMYK 0 / 7 / 89 / 1

HEX #FCEA1C

RGB 252 234 28

HSL 55.18, 0.97%, 0.55%

LAB 91.52, -12.38, 87.42

 

CMYK 0 / 1 / 82 / 0

HEX #FFFC2F

RGB 255 252 47

HSL 59.13, 1%, 0.59%

LAB 96.45, -19.45, 87.82

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 6 / 94 / 10

HEX #E6D80E

RGB 230 216 14

HSL 56.11, 0.89%, 0.48%

LAB 84.98, -12.95, 83.48

 

CMYK 0 / 7 / 100 / 16

HEX #D5C600

RGB 213 198 0

HSL 55.77, 1%, 0.42%

LAB 78.77, -11.34, 79.58

 

CMYK 0 / 8 / 100 / 23

HEX #C4B400

RGB 196 180 0

HSL 55.1, 1%, 0.38%

LAB 72.48, -9.56, 74.36

 

CMYK 0 / 9 / 100 / 30

HEX #B3A200

RGB 179 162 0

HSL 54.3, 1%, 0.35%

LAB 66.08, -7.73, 69.06

 

CMYK 0 / 11 / 100 / 36

HEX #A29000

RGB 162 144 0

HSL 53.33, 1%, 0.32%

LAB 59.55, -5.83, 63.65

 

CMYK 0 / 6 / 94 / 9

HEX #E7D90D

RGB 231 217 13

HSL 56.15, 0.89%, 0.48%

LAB 85.32, -13.03, 83.88

 

CMYK 0 / 32 / 94 / 9

HEX #E79E0D

RGB 231 158 13

HSL 39.91, 0.89%, 0.48%

LAB 70.51, 17.56, 73.04

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 0 / 83 / 94 / 9

HEX #E7280D

RGB 231 40 13

HSL 7.43, 0.89%, 0.48%

LAB 50.14, 69.11, 59.74

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 6 / 94 / 9

HEX #E7D90D

RGB 231 217 13

HSL 56.15, 0.89%, 0.48%

LAB 85.32, -13.03, 83.88

 

CMYK 19 / 0 / 94 / 9

HEX #BAE70D

RGB 186 231 13

HSL 72.39, 0.89%, 0.48%

LAB 85.82, -38.22, 82.81

 

CMYK 45 / 0 / 94 / 9

HEX #7FE70D

RGB 127 231 13

HSL 88.62, 0.89%, 0.48%

LAB 82.75, -59.25, 79.08

 

CMYK 70 / 0 / 94 / 9

HEX #45E70D

RGB 69 231 13

HSL 104.59, 0.89%, 0.48%

LAB 80.99, -73.49, 76.91

 

CMYK 94 / 0 / 93 / 9

HEX #0DE710

RGB 13 231 16

HSL 120.83, 0.89%, 0.48%

LAB 80.33, -79.26, 75.78

 

CMYK 0 / 6 / 94 / 9

HEX #E7D90D

RGB 231 217 13

HSL 56.15, 0.89%, 0.48%

LAB 85.32, -13.03, 83.88

 

CMYK 0 / 6 / 94 / 9

HEX #E7D90D

RGB 231 217 13

HSL 56.15, 0.89%, 0.48%

LAB 85.32, -13.03, 83.88

 

CMYK 0 / 6 / 84 / 17

HEX #D3C721

RGB 211 199 33

HSL 55.96, 0.73%, 0.48%

LAB 78.93, -12.22, 74.93

 

CMYK 0 / 5 / 72 / 25

HEX #BFB635

RGB 191 182 53

HSL 56.09, 0.57%, 0.48%

LAB 72.75, -11.47, 62.89

 

CMYK 0 / 4 / 58 / 33

HEX #ABA548

RGB 171 165 72

HSL 56.36, 0.41%, 0.48%

LAB 66.55, -10.09, 47.98

 

CMYK 0 / 3 / 39 / 40

HEX #98945C

RGB 152 148 92

HSL 56, 0.25%, 0.48%

LAB 60.45, -7.18, 30.13

 

CMYK 0 / 57 / 94 / 9

HEX #E7640D

RGB 231 100 13

HSL 23.94, 0.89%, 0.48%

LAB 58.16, 47.33, 64.62

 

CMYK 0 / 32 / 94 / 9

HEX #E79E0D

RGB 231 158 13

HSL 39.91, 0.89%, 0.48%

LAB 70.51, 17.56, 73.04

 

CMYK 0 / 6 / 94 / 9

HEX #E7D80D

RGB 231 216 13

HSL 55.87, 0.89%, 0.48%

LAB 85.06, -12.53, 83.68

 

CMYK 19 / 0 / 94 / 9

HEX #BBE70D

RGB 187 231 13

HSL 72.11, 0.89%, 0.48%

LAB 85.88, -37.83, 82.88

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 0 / 7 / 95 / 40

HEX #998F08

RGB 153 143 8

HSL 55.86, 0.9%, 0.32%

LAB 58.45, -9.3, 61.21

 

CMYK 0 / 6 / 94 / 25

HEX #C0B40B

RGB 192 180 11

HSL 56.02, 0.89%, 0.4%

LAB 72.14, -11.2, 72.72

 

CMYK 0 / 6 / 94 / 9

HEX #E7D90D

RGB 231 217 13

HSL 56.15, 0.89%, 0.48%

LAB 85.32, -13.03, 83.88

 

CMYK 0 / 5 / 82 / 5

HEX #F2E52B

RGB 242 229 43

HSL 56.08, 0.88%, 0.56%

LAB 89.44, -13.78, 82.43

 

CMYK 0 / 4 / 66 / 4

HEX #F4EA52

RGB 244 234 82

HSL 56.3, 0.88%, 0.64%

LAB 91.09, -13.86, 71.77

 

CMYK 0 / 6 / 94 / 10

HEX #E6D80E

RGB 230 216 14

HSL 56.11, 0.89%, 0.48%

LAB 84.98, -12.95, 83.48

 

CMYK 94 / 0 / 82 / 9

HEX #0DE72A

RGB 13 231 42

HSL 127.98, 0.89%, 0.48%

LAB 80.41, -78.32, 71.04

 

CMYK 44 / 94 / 0 / 9

HEX #810DE7

RGB 129 13 231

HSL 271.93, 0.89%, 0.48%

LAB 39.11, 76.8, -82.72

 

CMYK 0 / 6 / 94 / 10

HEX #E6D80E

RGB 230 216 14

HSL 56.11, 0.89%, 0.48%

LAB 84.98, -12.95, 83.48

 

CMYK 94 / 0 / 6 / 9

HEX #0DE7D8

RGB 13 231 216

HSL 175.87, 0.89%, 0.48%

LAB 83.02, -48.59, -5.76

 

CMYK 6 / 94 / 0 / 9

HEX #D80DE7

RGB 216 13 231

HSL 295.87, 0.89%, 0.48%

LAB 52.57, 87.93, -60.21

 

CMYK 0 / 6 / 94 / 10

HEX #E6D80E

RGB 230 216 14

HSL 56.11, 0.89%, 0.48%

LAB 84.98, -12.95, 83.48

 

CMYK 94 / 0 / 82 / 9

HEX #0DE72A

RGB 13 231 42

HSL 127.98, 0.89%, 0.48%

LAB 80.41, -78.32, 71.04

 

CMYK 94 / 88 / 0 / 9

HEX #0D1BE7

RGB 13 27 231

HSL 236.15, 0.89%, 0.48%

LAB 30.97, 67.63, -96.5

 

CMYK 0 / 94 / 13 / 9

HEX #E70DCA

RGB 231 13 202

HSL 307.98, 0.89%, 0.48%

LAB 53.54, 86.36, -41.98

 

CMYK 0 / 6 / 94 / 10

HEX #E6D80E

RGB 230 216 14

HSL 56.11, 0.89%, 0.48%

LAB 84.98, -12.95, 83.48

 

CMYK 94 / 0 / 54 / 9

HEX #0DE76B

RGB 13 231 107

HSL 145.87, 0.89%, 0.48%

LAB 80.9, -72.06, 47.1

 

CMYK 94 / 88 / 0 / 9

HEX #0D1BE7

RGB 13 27 231

HSL 236.15, 0.89%, 0.48%

LAB 30.97, 67.63, -96.5

 

CMYK 0 / 94 / 41 / 9

HEX #E70D88

RGB 231 13 136

HSL 326.15, 0.89%, 0.48%

LAB 50.75, 79.14, -7.37

 

Description

Color code: RGB 230 216 14 | qconv.com Color code: RGB 230 216 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 216 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 216 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 94 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 94% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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