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Color name
RGB 230 215 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 215 80 it is the complementary color RGB 25 40 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 215 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 215 80 shade: RGB 235 215 75, RGB 252 233 94, RGB 255 251 113, RGB 255 255 132 and RGB 255 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 215 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 213 197 61, RGB 196 179 42, RGB 179 161 23 and RGB 162 143 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 230 174 80, RGB 230 134 80, RGB 230 94 80 and RGB 230 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 204 230 80, RGB 164 230 80, RGB 124 230 80 and RGB 84 230 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 215 80 shade matches the following richer shades: RGB 230 215 80 and RGB 246 228 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 214 202 97, RGB 197 189 113, RGB 181 176 129 and RGB 165 163 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 215 80 shade: RGB 230 135 80, RGB 230 175 80, RGB 230 215 80, RGB 205 230 80 and RGB 165 230 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 215 80 shade: RGB 200 182 28, RGB 224 206 44, RGB 230 215 80, RGB 235 223 117 and RGB 240 231 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 80 230 95 and RGB 155 80 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 80 230 215 and RGB 215 80 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 80 230 95, RGB 80 95 230 and RGB 230 80 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 215 80 shade: RGB 230 215 80, RGB 80 230 140, RGB 80 95 230 and RGB 230 80 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

Complementary color

CMYK 86 / 77 / 0 / 31

HEX #1928AF

RGB 25 40 175

HSL 234, 0.75%, 0.39%

LAB 26.21, 45.07, -71.66

 

CMYK 0 / 9 / 68 / 8

HEX #EBD74B

RGB 235 215 75

HSL 52.5, 0.8%, 0.61%

LAB 85.39, -8.5, 68.41

 

CMYK 0 / 8 / 63 / 1

HEX #FCE95E

RGB 252 233 94

HSL 52.78, 0.96%, 0.68%

LAB 91.59, -9.42, 67.73

 

CMYK 0 / 2 / 56 / 0

HEX #FFFB71

RGB 255 251 113

HSL 58.31, 1%, 0.72%

LAB 96.59, -15.77, 65.26

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 0 / 8 / 71 / 16

HEX #D5C53D

RGB 213 197 61

HSL 53.68, 0.64%, 0.54%

LAB 78.7, -9.34, 66.4

 

CMYK 0 / 9 / 79 / 23

HEX #C4B32A

RGB 196 179 42

HSL 53.38, 0.65%, 0.47%

LAB 72.32, -8.2, 66.34

 

CMYK 0 / 10 / 87 / 30

HEX #B3A117

RGB 179 161 23

HSL 53.08, 0.77%, 0.4%

LAB 65.85, -6.84, 65.31

 

CMYK 0 / 12 / 98 / 36

HEX #A28F04

RGB 162 143 4

HSL 52.78, 0.95%, 0.33%

LAB 59.28, -5.23, 62.83

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 0 / 24 / 65 / 10

HEX #E6AE50

RGB 230 174 80

HSL 37.6, 0.75%, 0.61%

LAB 74.62, 10.91, 54.82

 

CMYK 0 / 42 / 65 / 10

HEX #E68650

RGB 230 134 80

HSL 21.6, 0.75%, 0.61%

LAB 65.32, 32.14, 44.33

 

CMYK 0 / 59 / 65 / 10

HEX #E65E50

RGB 230 94 80

HSL 5.6, 0.75%, 0.61%

LAB 57.47, 51.93, 35

 

CMYK 0 / 65 / 65 / 10

HEX #E65050

RGB 230 80 80

HSL 0, 0.75%, 0.61%

LAB 55.22, 57.95, 32.23

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 11 / 0 / 65 / 10

HEX #CCE650

RGB 204 230 80

HSL 70.4, 0.75%, 0.61%

LAB 87, -28.21, 67.37

 

CMYK 29 / 0 / 65 / 10

HEX #A4E650

RGB 164 230 80

HSL 86.4, 0.75%, 0.61%

LAB 84.52, -43.41, 64

 

CMYK 46 / 0 / 65 / 10

HEX #7CE650

RGB 124 230 80

HSL 102.4, 0.75%, 0.61%

LAB 82.62, -56.58, 61.41

 

CMYK 63 / 0 / 65 / 10

HEX #54E650

RGB 84 230 80

HSL 118.4, 0.75%, 0.61%

LAB 81.32, -66.66, 59.62

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 0 / 7 / 74 / 4

HEX #F6E440

RGB 246 228 64

HSL 54.07, 0.91%, 0.61%

LAB 89.6, -10.92, 76.76

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 0 / 6 / 55 / 16

HEX #D6CA61

RGB 214 202 97

HSL 53.85, 0.59%, 0.61%

LAB 80.4, -9.21, 53.1

 

CMYK 0 / 4 / 43 / 23

HEX #C5BD71

RGB 197 189 113

HSL 54.29, 0.42%, 0.61%

LAB 75.74, -8.02, 39.33

 

CMYK 0 / 3 / 29 / 29

HEX #B5B081

RGB 181 176 129

HSL 54.23, 0.26%, 0.61%

LAB 71.19, -5.71, 24.78

 

CMYK 0 / 1 / 12 / 35

HEX #A5A391

RGB 165 163 145

HSL 54, 0.1%, 0.61%

LAB 66.7, -2.49, 9.61

 

CMYK 0 / 41 / 65 / 10

HEX #E68750

RGB 230 135 80

HSL 22, 0.75%, 0.61%

LAB 65.54, 31.62, 44.59

 

CMYK 0 / 24 / 65 / 10

HEX #E6AF50

RGB 230 175 80

HSL 38, 0.75%, 0.61%

LAB 74.86, 10.38, 55.09

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 11 / 0 / 65 / 10

HEX #CDE650

RGB 205 230 80

HSL 70, 0.75%, 0.61%

LAB 87.07, -27.81, 67.47

 

CMYK 28 / 0 / 65 / 10

HEX #A5E650

RGB 165 230 80

HSL 86, 0.75%, 0.61%

LAB 84.57, -43.05, 64.08

 

CMYK 0 / 9 / 86 / 22

HEX #C8B61C

RGB 200 182 28

HSL 53.72, 0.75%, 0.45%

LAB 73.43, -8.42, 71.14

 

CMYK 0 / 8 / 80 / 12

HEX #E0CE2C

RGB 224 206 44

HSL 54, 0.74%, 0.53%

LAB 81.93, -9.89, 75.17

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 0 / 5 / 50 / 8

HEX #EBDF75

RGB 235 223 117

HSL 53.9, 0.75%, 0.69%

LAB 87.83, -9.64, 52.9

 

CMYK 0 / 4 / 36 / 6

HEX #F0E799

RGB 240 231 153

HSL 53.79, 0.74%, 0.77%

LAB 90.77, -8.12, 39.09

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 65 / 0 / 59 / 10

HEX #50E65F

RGB 80 230 95

HSL 126, 0.75%, 0.61%

LAB 81.36, -65.87, 53.3

 

CMYK 33 / 65 / 0 / 10

HEX #9B50E6

RGB 155 80 230

HSL 270, 0.75%, 0.61%

LAB 50, 58.46, -64.24

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 65 / 0 / 7 / 10

HEX #50E6D7

RGB 80 230 215

HSL 174, 0.75%, 0.61%

LAB 83.55, -42.69, -4.34

 

CMYK 7 / 65 / 0 / 10

HEX #D750E6

RGB 215 80 230

HSL 294, 0.75%, 0.61%

LAB 57.94, 71.5, -51.07

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 65 / 0 / 59 / 10

HEX #50E65F

RGB 80 230 95

HSL 126, 0.75%, 0.61%

LAB 81.36, -65.87, 53.3

 

CMYK 65 / 59 / 0 / 10

HEX #505FE6

RGB 80 95 230

HSL 234, 0.75%, 0.61%

LAB 46.45, 36.34, -70.31

 

CMYK 0 / 65 / 7 / 10

HEX #E650D7

RGB 230 80 215

HSL 306, 0.75%, 0.61%

LAB 59.4, 72.51, -40.17

 

CMYK 0 / 7 / 65 / 10

HEX #E6D750

RGB 230 215 80

HSL 54, 0.75%, 0.61%

LAB 85, -10.31, 65.91

 

CMYK 65 / 0 / 39 / 10

HEX #50E68C

RGB 80 230 140

HSL 144, 0.75%, 0.61%

LAB 81.94, -59.27, 32.5

 

CMYK 65 / 59 / 0 / 10

HEX #505FE6

RGB 80 95 230

HSL 234, 0.75%, 0.61%

LAB 46.45, 36.34, -70.31

 

CMYK 0 / 65 / 26 / 10

HEX #E650AA

RGB 230 80 170

HSL 324, 0.75%, 0.61%

LAB 57.52, 66.2, -17.3

 

Description

Color code: RGB 230 215 80 | qconv.com Color code: RGB 230 215 80 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 215 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 215 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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