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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 215 182 it is the complementary color RGB 25 40 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 215 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 215 182 shade: RGB 235 215 177, RGB 252 233 196, RGB 255 251 215, RGB 255 255 234 and RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 215 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 213 197 163, RGB 196 179 144, RGB 179 161 125 and RGB 162 143 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 230 202 182, RGB 230 189 182 and RGB 230 182 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 230 228 182, RGB 219 230 182, RGB 206 230 182 and RGB 193 230 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 215 182 shade matches the following richer shades: RGB 230 215 182, RGB 238 218 174, RGB 245 221 167 and RGB 253 224 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 222 212 190, RGB 214 209 198, RGB 206 206 206 and RGB 198 203 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 215 182 shade: RGB 230 189 182, RGB 230 202 182, RGB 230 215 182, RGB 230 227 182 and RGB 220 230 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 215 182 shade: RGB 209 181 121, RGB 219 198 152, RGB 230 215 182, RGB 240 232 213 and RGB 251 249 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 188 230 182 and RGB 196 182 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 182 230 215 and RGB 215 182 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 188 230 182, RGB 182 197 230 and RGB 224 182 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 215 182 shade: RGB 230 215 182, RGB 182 230 191, RGB 182 197 230 and RGB 230 182 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

Complementary color

CMYK 66 / 45 / 0 / 71

HEX #192849

RGB 25 40 73

HSL 221.25, 0.49%, 0.19%

LAB 16.53, 5.7, -22.5

 

CMYK 0 / 9 / 25 / 8

HEX #EBD7B1

RGB 235 215 177

HSL 39.31, 0.59%, 0.81%

LAB 86.72, 1.11, 21.28

 

CMYK 0 / 8 / 22 / 1

HEX #FCE9C4

RGB 252 233 196

HSL 39.64, 0.9%, 0.88%

LAB 93, 0.79, 20.34

 

CMYK 0 / 2 / 16 / 0

HEX #FFFBD7

RGB 255 251 215

HSL 54, 1%, 0.92%

LAB 98.1, -4.47, 17.75

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 8 / 23 / 16

HEX #D5C5A3

RGB 213 197 163

HSL 40.8, 0.37%, 0.74%

LAB 80.02, 0.27, 19.11

 

CMYK 0 / 9 / 27 / 23

HEX #C4B390

RGB 196 179 144

HSL 40.38, 0.31%, 0.67%

LAB 73.54, 0.61, 20.11

 

CMYK 0 / 10 / 30 / 30

HEX #B3A17D

RGB 179 161 125

HSL 40, 0.26%, 0.6%

LAB 66.94, 1, 21.17

 

CMYK 0 / 12 / 35 / 36

HEX #A28F6A

RGB 162 143 106

HSL 39.64, 0.23%, 0.53%

LAB 60.22, 1.47, 22.32

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 12 / 21 / 10

HEX #E6CAB6

RGB 230 202 182

HSL 25, 0.49%, 0.81%

LAB 83.15, 6.73, 13.59

 

CMYK 0 / 18 / 21 / 10

HEX #E6BDB6

RGB 230 189 182

HSL 8.75, 0.49%, 0.81%

LAB 79.95, 13.6, 9.05

 

CMYK 0 / 21 / 21 / 10

HEX #E6B6B6

RGB 230 182 182

HSL 0, 0.49%, 0.81%

LAB 78.26, 17.32, 6.62

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 1 / 21 / 10

HEX #E6E4B6

RGB 230 228 182

HSL 57.5, 0.49%, 0.81%

LAB 89.71, -6.68, 22.75

 

CMYK 5 / 0 / 21 / 10

HEX #DBE6B6

RGB 219 230 182

HSL 73.75, 0.49%, 0.81%

LAB 89.41, -11.68, 22.2

 

CMYK 10 / 0 / 21 / 10

HEX #CEE6B6

RGB 206 230 182

HSL 90, 0.49%, 0.81%

LAB 88.49, -16.31, 20.79

 

CMYK 16 / 0 / 21 / 10

HEX #C1E6B6

RGB 193 230 182

HSL 106.25, 0.49%, 0.81%

LAB 87.63, -20.82, 19.47

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 8 / 27 / 7

HEX #EEDAAE

RGB 238 218 174

HSL 41.25, 0.65%, 0.81%

LAB 87.67, 0.29, 24.19

 

CMYK 0 / 10 / 32 / 4

HEX #F5DDA7

RGB 245 221 167

HSL 41.54, 0.8%, 0.81%

LAB 88.88, 0.5, 29.56

 

CMYK 0 / 11 / 37 / 1

HEX #FDE09F

RGB 253 224 159

HSL 41.49, 0.96%, 0.81%

LAB 90.18, 1.09, 35.51

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 5 / 14 / 13

HEX #DED4BE

RGB 222 212 190

HSL 41.25, 0.33%, 0.81%

LAB 85.17, -0.2, 12.11

 

CMYK 0 / 2 / 7 / 16

HEX #D6D1C6

RGB 214 209 198

HSL 41.25, 0.16%, 0.81%

LAB 83.95, -0.19, 6.05

 

CMYK 0 / 0 / 0 / 19

HEX #CECECE

RGB 206 206 206

HSL 0, 0%, 0.81%

LAB 82.76, 0, -0.01

 

CMYK 7 / 5 / 0 / 16

HEX #C6CBD6

RGB 198 203 214

HSL 221.25, 0.16%, 0.81%

LAB 81.61, 0.4, -6.06

 

CMYK 0 / 18 / 21 / 10

HEX #E6BDB6

RGB 230 189 182

HSL 8.75, 0.49%, 0.81%

LAB 79.95, 13.6, 9.05

 

CMYK 0 / 12 / 21 / 10

HEX #E6CAB6

RGB 230 202 182

HSL 25, 0.49%, 0.81%

LAB 83.15, 6.73, 13.59

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 1 / 21 / 10

HEX #E6E3B6

RGB 230 227 182

HSL 56.25, 0.49%, 0.81%

LAB 89.46, -6.18, 22.4

 

CMYK 4 / 0 / 21 / 10

HEX #DCE6B6

RGB 220 230 182

HSL 72.5, 0.49%, 0.81%

LAB 89.48, -11.32, 22.32

 

CMYK 0 / 13 / 42 / 18

HEX #D1B579

RGB 209 181 121

HSL 40.91, 0.49%, 0.65%

LAB 74.81, 1.89, 34.25

 

CMYK 0 / 10 / 31 / 14

HEX #DBC698

RGB 219 198 152

HSL 41.19, 0.48%, 0.73%

LAB 80.58, 0.55, 25.78

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 0 / 3 / 11 / 6

HEX #F0E8D5

RGB 240 232 213

HSL 42.22, 0.47%, 0.89%

LAB 92.15, -0.46, 10.19

 

CMYK 0 / 1 / 3 / 2

HEX #FBF9F4

RGB 251 249 244

HSL 42.86, 0.47%, 0.97%

LAB 97.95, -0.2, 2.62

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 18 / 0 / 21 / 10

HEX #BCE6B6

RGB 188 230 182

HSL 112.5, 0.49%, 0.81%

LAB 87.32, -22.52, 18.99

 

CMYK 15 / 21 / 0 / 10

HEX #C4B6E6

RGB 196 182 230

HSL 257.5, 0.49%, 0.81%

LAB 76.62, 14.31, -22.16

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 21 / 0 / 7 / 10

HEX #B6E6D7

RGB 182 230 215

HSL 161.25, 0.49%, 0.81%

LAB 87.7, -18.42, 2.22

 

CMYK 7 / 21 / 0 / 10

HEX #D7B6E6

RGB 215 182 230

HSL 281.25, 0.49%, 0.81%

LAB 78.24, 20.41, -19.56

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 18 / 0 / 21 / 10

HEX #BCE6B6

RGB 188 230 182

HSL 112.5, 0.49%, 0.81%

LAB 87.32, -22.52, 18.99

 

CMYK 21 / 14 / 0 / 10

HEX #B6C5E6

RGB 182 197 230

HSL 221.25, 0.49%, 0.81%

LAB 79.38, 1.82, -18.08

 

CMYK 3 / 21 / 0 / 10

HEX #E0B6E6

RGB 224 182 230

HSL 292.5, 0.49%, 0.81%

LAB 79.05, 23.35, -18.25

 

CMYK 0 / 7 / 21 / 10

HEX #E6D7B6

RGB 230 215 182

HSL 41.25, 0.49%, 0.81%

LAB 86.41, -0.04, 18.16

 

CMYK 21 / 0 / 17 / 10

HEX #B6E6BF

RGB 182 230 191

HSL 131.25, 0.49%, 0.81%

LAB 87.14, -22.96, 14

 

CMYK 21 / 14 / 0 / 10

HEX #B6C5E6

RGB 182 197 230

HSL 221.25, 0.49%, 0.81%

LAB 79.38, 1.82, -18.08

 

CMYK 0 / 21 / 4 / 10

HEX #E6B6DD

RGB 230 182 221

HSL 311.25, 0.49%, 0.81%

LAB 79.33, 23.69, -12.92

 

Description

Color code: RGB 230 215 182 | qconv.com Color code: RGB 230 215 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 215 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 215 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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