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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 181 121 it is the complementary color RGB 25 74 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 181 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 181 121 shade: RGB 235 181 116, RGB 252 199 135, RGB 255 217 154, RGB 255 235 173 and RGB 255 253 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 181 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 213 163 102, RGB 196 145 83, RGB 179 127 64 and RGB 162 109 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 230 152 121, RGB 230 122 121 and RGB 230 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 230 210 121, RGB 220 230 121, RGB 191 230 121 and RGB 161 230 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 181 121 shade matches the following richer shades: RGB 230 181 121 and RGB 243 182 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 217 180 134, RGB 204 178 146, RGB 192 177 159 and RGB 179 176 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 181 121 shade: RGB 230 123 121, RGB 230 152 121, RGB 230 181 121, RGB 230 210 121 and RGB 221 230 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 181 121 shade: RGB 217 143 51, RGB 224 162 86, RGB 230 181 121, RGB 236 200 156 and RGB 243 219 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 148 230 121 and RGB 137 121 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 121 230 181 and RGB 181 121 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 148 230 121, RGB 121 170 230 and RGB 203 121 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 181 121 shade: RGB 230 181 121, RGB 121 230 126, RGB 121 170 230 and RGB 230 121 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

Complementary color

CMYK 81 / 45 / 0 / 47

HEX #194A86

RGB 25 74 134

HSL 213.03, 0.69%, 0.31%

LAB 31.41, 6.76, -38.22

 

CMYK 0 / 23 / 51 / 8

HEX #EBB574

RGB 235 181 116

HSL 32.77, 0.75%, 0.69%

LAB 77.26, 11.96, 40.47

 

CMYK 0 / 21 / 46 / 1

HEX #FCC787

RGB 252 199 135

HSL 32.82, 0.95%, 0.76%

LAB 83.6, 11.09, 39.14

 

CMYK 0 / 15 / 40 / 0

HEX #FFD99A

RGB 255 217 154

HSL 37.43, 1%, 0.8%

LAB 88.55, 4.9, 35.94

 

CMYK 0 / 8 / 32 / 0

HEX #FFEBAD

RGB 255 235 173

HSL 45.37, 1%, 0.84%

LAB 93.32, -2.1, 32.6

 

CMYK 0 / 1 / 25 / 0

HEX #FFFDC0

RGB 255 253 192

HSL 58.1, 1%, 0.88%

LAB 98.16, -8.69, 29.52

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 23 / 52 / 16

HEX #D5A366

RGB 213 163 102

HSL 32.97, 0.57%, 0.62%

LAB 70.39, 11.3, 38.61

 

CMYK 0 / 26 / 58 / 23

HEX #C49153

RGB 196 145 83

HSL 32.92, 0.49%, 0.55%

LAB 63.84, 12.34, 40.04

 

CMYK 0 / 29 / 64 / 30

HEX #B37F40

RGB 179 127 64

HSL 32.87, 0.47%, 0.48%

LAB 57.2, 13.57, 41.51

 

CMYK 0 / 33 / 72 / 36

HEX #A26D2D

RGB 162 109 45

HSL 32.82, 0.57%, 0.41%

LAB 50.46, 15.04, 42.9

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 34 / 47 / 10

HEX #E69879

RGB 230 152 121

HSL 17.06, 0.69%, 0.69%

LAB 69.94, 25.84, 28.3

 

CMYK 0 / 47 / 47 / 10

HEX #E67A79

RGB 230 122 121

HSL 0.55, 0.69%, 0.69%

LAB 63.44, 41.54, 19.58

 

CMYK 0 / 47 / 47 / 10

HEX #E67979

RGB 230 121 121

HSL 0, 0.69%, 0.69%

LAB 63.24, 42.04, 19.3

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 9 / 47 / 10

HEX #E6D279

RGB 230 210 121

HSL 48.99, 0.69%, 0.69%

LAB 84.12, -4.71, 46.38

 

CMYK 4 / 0 / 47 / 10

HEX #DCE679

RGB 220 230 121

HSL 65.5, 0.69%, 0.69%

LAB 88.54, -18.69, 51.58

 

CMYK 17 / 0 / 47 / 10

HEX #BFE679

RGB 191 230 121

HSL 81.47, 0.69%, 0.69%

LAB 86.53, -29.79, 48.67

 

CMYK 30 / 0 / 47 / 10

HEX #A1E679

RGB 161 230 121

HSL 97.98, 0.69%, 0.69%

LAB 84.77, -40.51, 46.11

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 25 / 56 / 5

HEX #F3B66C

RGB 243 182 108

HSL 32.89, 0.85%, 0.69%

LAB 78.22, 14.02, 45.88

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 17 / 38 / 15

HEX #D9B486

RGB 217 180 134

HSL 33.25, 0.52%, 0.69%

LAB 75.52, 7.07, 28.47

 

CMYK 0 / 13 / 28 / 20

HEX #CCB292

RGB 204 178 146

HSL 33.1, 0.36%, 0.69%

LAB 74.03, 4.53, 19.82

 

CMYK 0 / 8 / 17 / 25

HEX #C0B19F

RGB 192 177 159

HSL 32.73, 0.21%, 0.69%

LAB 72.99, 2.37, 11.14

 

CMYK 0 / 2 / 4 / 30

HEX #B3B0AC

RGB 179 176 172

HSL 34.29, 0.04%, 0.69%

LAB 71.97, 0.33, 2.41

 

CMYK 0 / 47 / 47 / 10

HEX #E67B79

RGB 230 123 121

HSL 1.1, 0.69%, 0.69%

LAB 63.65, 41.03, 19.85

 

CMYK 0 / 34 / 47 / 10

HEX #E69879

RGB 230 152 121

HSL 17.06, 0.69%, 0.69%

LAB 69.94, 25.84, 28.3

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 9 / 47 / 10

HEX #E6D279

RGB 230 210 121

HSL 48.99, 0.69%, 0.69%

LAB 84.12, -4.71, 46.38

 

CMYK 4 / 0 / 47 / 10

HEX #DDE679

RGB 221 230 121

HSL 64.95, 0.69%, 0.69%

LAB 88.61, -18.3, 51.68

 

CMYK 0 / 34 / 76 / 15

HEX #D98F33

RGB 217 143 51

HSL 33.25, 0.69%, 0.53%

LAB 65.46, 20.52, 57.53

 

CMYK 0 / 28 / 62 / 12

HEX #E0A256

RGB 224 162 86

HSL 33.04, 0.69%, 0.61%

LAB 71.12, 15.17, 47.86

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 0 / 15 / 34 / 7

HEX #ECC89C

RGB 236 200 156

HSL 33, 0.68%, 0.77%

LAB 82.67, 6.57, 26.76

 

CMYK 0 / 10 / 21 / 5

HEX #F3DBBF

RGB 243 219 191

HSL 32.31, 0.68%, 0.85%

LAB 88.68, 3.97, 16.79

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 36 / 0 / 47 / 10

HEX #94E679

RGB 148 230 121

HSL 105.14, 0.69%, 0.69%

LAB 84.11, -44.82, 45.15

 

CMYK 40 / 47 / 0 / 10

HEX #8979E6

RGB 137 121 230

HSL 248.81, 0.69%, 0.69%

LAB 56.79, 32.04, -53.44

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 47 / 0 / 21 / 10

HEX #79E6B5

RGB 121 230 181

HSL 153.03, 0.69%, 0.69%

LAB 83.96, -42.56, 14.31

 

CMYK 21 / 47 / 0 / 10

HEX #B579E6

RGB 181 121 230

HSL 273.03, 0.69%, 0.69%

LAB 60.97, 43.49, -46.54

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 36 / 0 / 47 / 10

HEX #94E679

RGB 148 230 121

HSL 105.14, 0.69%, 0.69%

LAB 84.11, -44.82, 45.15

 

CMYK 47 / 26 / 0 / 10

HEX #79AAE6

RGB 121 170 230

HSL 213.03, 0.69%, 0.69%

LAB 68.41, -0.25, -35.22

 

CMYK 12 / 47 / 0 / 10

HEX #CB79E6

RGB 203 121 230

HSL 285.14, 0.69%, 0.69%

LAB 63.41, 49.55, -42.53

 

CMYK 0 / 21 / 47 / 10

HEX #E6B579

RGB 230 181 121

HSL 33.03, 0.69%, 0.69%

LAB 76.83, 10.39, 37.25

 

CMYK 47 / 0 / 45 / 10

HEX #79E67E

RGB 121 230 126

HSL 122.75, 0.69%, 0.69%

LAB 83, -52.2, 41.08

 

CMYK 47 / 26 / 0 / 10

HEX #79AAE6

RGB 121 170 230

HSL 213.03, 0.69%, 0.69%

LAB 68.41, -0.25, -35.22

 

CMYK 0 / 47 / 2 / 10

HEX #E679E1

RGB 230 121 225

HSL 302.75, 0.69%, 0.69%

LAB 66.47, 56.23, -34.73

 

Description

Color code: RGB 230 181 121 | qconv.com Color code: RGB 230 181 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 181 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 181 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 47 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 47% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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