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Color name
RGB 230 189 179

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 189 179 it is the complementary color RGB 25 66 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 189 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 189 179 shade: RGB 235 189 174, RGB 252 207 193, RGB 255 225 212, RGB 255 243 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 189 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 189 179 shade: RGB 230 189 179, RGB 213 171 160, RGB 196 153 141, RGB 179 135 122 and RGB 162 117 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 189 179 shade: RGB 229 188 178 and RGB 229 178 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 189 179 shade: RGB 229 188 178, RGB 229 202 178, RGB 229 216 178, RGB 229 229 178 and RGB 215 229 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 189 179 shade matches the following richer shades: RGB 229 188 178, RGB 237 183 170, RGB 246 178 161 and RGB 254 173 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 189 179 shade: RGB 229 188 178, RGB 221 193 186, RGB 212 198 195, RGB 204 203 203 and RGB 196 208 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 189 179 shade: RGB 229 178 196, RGB 229 178 182, RGB 229 187 178, RGB 229 201 178 and RGB 229 215 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 189 179 shade: RGB 208 134 116, RGB 219 161 147, RGB 229 188 178, RGB 239 215 209 and RGB 250 242 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 189 179 shade: RGB 230 189 179, RGB 209 229 178 and RGB 178 189 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 189 179 shade: RGB 230 189 179, RGB 178 229 187 and RGB 187 178 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 189 179 shade: RGB 230 189 179, RGB 209 229 178, RGB 178 220 229 and RGB 198 178 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 189 179 shade: RGB 230 189 179, RGB 194 229 178, RGB 178 220 229 and RGB 213 178 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

Complementary color

CMYK 67 / 13 / 0 / 70

HEX #19424C

RGB 25 66 76

HSL 191.76, 0.5%, 0.2%

LAB 25.64, -10.73, -10.33

 

CMYK 0 / 20 / 26 / 8

HEX #EBBDAE

RGB 235 189 174

HSL 14.75, 0.6%, 0.8%

LAB 80.24, 14.31, 13.83

 

CMYK 0 / 18 / 23 / 1

HEX #FCCFC1

RGB 252 207 193

HSL 14.24, 0.91%, 0.87%

LAB 86.59, 13.78, 12.9

 

CMYK 0 / 12 / 17 / 0

HEX #FFE1D4

RGB 255 225 212

HSL 18.14, 1%, 0.92%

LAB 91.62, 8.29, 10.13

 

CMYK 0 / 5 / 9 / 0

HEX #FFF3E7

RGB 255 243 231

HSL 30, 1%, 0.95%

LAB 96.46, 2.04, 7.21

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

CMYK 0 / 20 / 25 / 16

HEX #D5ABA0

RGB 213 171 160

HSL 12.45, 0.39%, 0.73%

LAB 73.42, 13.69, 11.47

 

CMYK 0 / 22 / 28 / 23

HEX #C4998D

RGB 196 153 141

HSL 13.09, 0.32%, 0.66%

LAB 66.86, 14.29, 12.45

 

CMYK 0 / 25 / 32 / 30

HEX #B3877A

RGB 179 135 122

HSL 13.68, 0.27%, 0.59%

LAB 60.17, 14.97, 13.52

 

CMYK 0 / 28 / 36 / 36

HEX #A27567

RGB 162 117 103

HSL 14.24, 0.24%, 0.52%

LAB 53.37, 15.76, 14.7

 

CMYK 0 / 18 / 22 / 10

HEX #E5BCB2

RGB 229 188 178

HSL 11.76, 0.5%, 0.8%

LAB 79.52, 13.17, 10.58

 

CMYK 0 / 22 / 22 / 10

HEX #E5B2B2

RGB 229 178 178

HSL 0, 0.5%, 0.8%

LAB 77.11, 18.51, 7.13

 

CMYK 0 / 18 / 22 / 10

HEX #E5BCB2

RGB 229 188 178

HSL 11.76, 0.5%, 0.8%

LAB 79.52, 13.17, 10.58

 

CMYK 0 / 12 / 22 / 10

HEX #E5CAB2

RGB 229 202 178

HSL 28.24, 0.5%, 0.8%

LAB 82.97, 5.78, 15.46

 

CMYK 0 / 6 / 22 / 10

HEX #E5D8B2

RGB 229 216 178

HSL 44.71, 0.5%, 0.8%

LAB 86.5, -1.49, 20.37

 

CMYK 0 / 0 / 22 / 10

HEX #E5E5B2

RGB 229 229 178

HSL 60, 0.5%, 0.8%

LAB 89.82, -8.11, 24.95

 

CMYK 6 / 0 / 22 / 10

HEX #D7E5B2

RGB 215 229 178

HSL 76.47, 0.5%, 0.8%

LAB 88.78, -13.21, 23.36

 

CMYK 0 / 18 / 22 / 10

HEX #E5BCB2

RGB 229 188 178

HSL 11.76, 0.5%, 0.8%

LAB 79.52, 13.17, 10.58

 

CMYK 0 / 23 / 28 / 7

HEX #EDB7AA

RGB 237 183 170

HSL 11.64, 0.65%, 0.8%

LAB 78.91, 17.7, 14.13

 

CMYK 0 / 28 / 35 / 4

HEX #F6B2A1

RGB 246 178 161

HSL 12, 0.83%, 0.8%

LAB 78.47, 22.59, 18.49

 

CMYK 0 / 32 / 40 / 0

HEX #FEAD99

RGB 254 173 153

HSL 11.88, 0.98%, 0.8%

LAB 78.03, 27.33, 22.33

 

CMYK 0 / 18 / 22 / 10

HEX #E5BCB2

RGB 229 188 178

HSL 11.76, 0.5%, 0.8%

LAB 79.52, 13.17, 10.58

 

CMYK 0 / 13 / 16 / 13

HEX #DDC1BA

RGB 221 193 186

HSL 12, 0.34%, 0.8%

LAB 80.21, 8.79, 7.16

 

CMYK 0 / 7 / 8 / 17

HEX #D4C6C3

RGB 212 198 195

HSL 10.59, 0.17%, 0.8%

LAB 80.92, 4.37, 3.25

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCB

RGB 204 203 203

HSL 0, 0.01%, 0.8%

LAB 81.76, 0.35, 0.11

 

CMYK 7 / 1 / 0 / 17

HEX #C4D0D3

RGB 196 208 211

HSL 192, 0.15%, 0.8%

LAB 82.67, -3.48, -2.9

 

CMYK 0 / 22 / 14 / 10

HEX #E5B2C4

RGB 229 178 196

HSL 338.82, 0.5%, 0.8%

LAB 77.57, 21.26, -1.99

 

CMYK 0 / 22 / 21 / 10

HEX #E5B2B6

RGB 229 178 182

HSL 355.29, 0.5%, 0.8%

LAB 77.21, 19.1, 5.09

 

CMYK 0 / 18 / 22 / 10

HEX #E5BBB2

RGB 229 187 178

HSL 10.59, 0.5%, 0.8%

LAB 79.28, 13.71, 10.23

 

CMYK 0 / 12 / 22 / 10

HEX #E5C9B2

RGB 229 201 178

HSL 27.06, 0.5%, 0.8%

LAB 82.72, 6.31, 15.11

 

CMYK 0 / 6 / 22 / 10

HEX #E5D7B2

RGB 229 215 178

HSL 43.53, 0.5%, 0.8%

LAB 86.24, -0.98, 20.02

 

CMYK 0 / 36 / 44 / 18

HEX #D08674

RGB 208 134 116

HSL 11.74, 0.49%, 0.64%

LAB 63.11, 26.34, 21.47

 

CMYK 0 / 26 / 33 / 14

HEX #DBA193

RGB 219 161 147

HSL 11.67, 0.5%, 0.72%

LAB 71.32, 19.63, 15.74

 

CMYK 0 / 18 / 22 / 10

HEX #E5BCB2

RGB 229 188 178

HSL 11.76, 0.5%, 0.8%

LAB 79.52, 13.17, 10.58

 

CMYK 0 / 10 / 13 / 6

HEX #EFD7D1

RGB 239 215 209

HSL 12, 0.48%, 0.88%

LAB 87.75, 7.32, 5.97

 

CMYK 0 / 3 / 4 / 2

HEX #FAF2F0

RGB 250 242 240

HSL 12, 0.5%, 0.96%

LAB 96.05, 2.34, 1.9

 

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

CMYK 9 / 0 / 22 / 10

HEX #D1E5B2

RGB 209 229 178

HSL 83.53, 0.5%, 0.8%

LAB 88.36, -15.37, 22.71

 

CMYK 22 / 17 / 0 / 10

HEX #B2BDE5

RGB 178 189 229

HSL 227.06, 0.5%, 0.8%

LAB 76.99, 4.68, -21.19

 

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

CMYK 22 / 0 / 18 / 10

HEX #B2E5BB

RGB 178 229 187

HSL 130.59, 0.5%, 0.8%

LAB 86.55, -24.49, 15.21

 

CMYK 18 / 22 / 0 / 10

HEX #BBB2E5

RGB 187 178 229

HSL 250.59, 0.5%, 0.8%

LAB 74.86, 13.46, -24.36

 

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

CMYK 9 / 0 / 22 / 10

HEX #D1E5B2

RGB 209 229 178

HSL 83.53, 0.5%, 0.8%

LAB 88.36, -15.37, 22.71

 

CMYK 22 / 4 / 0 / 10

HEX #B2DCE5

RGB 178 220 229

HSL 190.59, 0.5%, 0.8%

LAB 85.15, -11.67, -8.93

 

CMYK 14 / 22 / 0 / 10

HEX #C6B2E5

RGB 198 178 229

HSL 263.53, 0.5%, 0.8%

LAB 75.76, 16.92, -22.91

 

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

CMYK 15 / 0 / 22 / 10

HEX #C2E5B2

RGB 194 229 178

HSL 101.18, 0.5%, 0.8%

LAB 87.35, -20.64, 21.16

 

CMYK 22 / 4 / 0 / 10

HEX #B2DCE5

RGB 178 220 229

HSL 190.59, 0.5%, 0.8%

LAB 85.15, -11.67, -8.93

 

CMYK 7 / 22 / 0 / 10

HEX #D5B2E5

RGB 213 178 229

HSL 281.18, 0.5%, 0.8%

LAB 77.07, 21.73, -20.81

 

Description

Color code: RGB 230 189 179 | qconv.com Color code: RGB 230 189 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 189 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 189 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 22 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 22% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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