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Color name
RGB 230 174 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 174 34 it is the complementary color RGB 25 81 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 174 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 174 34 shade: RGB 235 174 29, RGB 252 192 48, RGB 255 210 67, RGB 255 228 86 and RGB 255 246 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 174 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 213 156 15, RGB 196 138 0, RGB 179 120 0 and RGB 162 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 230 121 34, RGB 230 68 34 and RGB 230 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 230 227 34, RGB 180 230 34, RGB 128 230 34 and RGB 75 230 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 174 34 shade matches the following richer shades: RGB 230 174 34 and RGB 250 183 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 210 166 54, RGB 190 157 74, RGB 171 149 94 and RGB 151 140 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 174 34 shade: RGB 230 67 34, RGB 230 119 34, RGB 230 171 34, RGB 230 223 34 and RGB 184 230 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 174 34 shade: RGB 164 122 18, RGB 201 150 22, RGB 230 174 34, RGB 234 188 71 and RGB 238 201 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 54 230 34 and RGB 93 34 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 34 230 171 and RGB 171 34 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 54 230 34, RGB 34 93 230 and RGB 210 34 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 174 34 shade: RGB 230 174 34, RGB 34 230 73, RGB 34 93 230 and RGB 230 34 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

Complementary color

CMYK 89 / 63 / 0 / 13

HEX #1951DD

RGB 25 81 221

HSL 222.86, 0.8%, 0.48%

LAB 40.1, 36.51, -75.66

 

CMYK 0 / 26 / 88 / 8

HEX #EBAE1D

RGB 235 174 29

HSL 42.23, 0.84%, 0.52%

LAB 74.84, 11.05, 73.5

 

CMYK 0 / 24 / 81 / 1

HEX #FCC030

RGB 252 192 48

HSL 42.35, 0.97%, 0.59%

LAB 81.08, 9.36, 74.3

 

CMYK 0 / 18 / 74 / 0

HEX #FFD243

RGB 255 210 67

HSL 45.64, 1%, 0.63%

LAB 85.89, 2.03, 72.49

 

CMYK 0 / 11 / 66 / 0

HEX #FFE456

RGB 255 228 86

HSL 50.41, 1%, 0.67%

LAB 90.51, -6.16, 69.91

 

CMYK 0 / 4 / 59 / 0

HEX #FFF669

RGB 255 246 105

HSL 56.4, 1%, 0.71%

LAB 95.24, -13.89, 67.17

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 0 / 27 / 93 / 16

HEX #D59C0F

RGB 213 156 15

HSL 42.73, 0.87%, 0.45%

LAB 67.99, 10.84, 69.99

 

CMYK 0 / 30 / 100 / 23

HEX #C48A00

RGB 196 138 0

HSL 42.24, 1%, 0.38%

LAB 61.58, 12.91, 66.75

 

CMYK 0 / 33 / 100 / 30

HEX #B37800

RGB 179 120 0

HSL 40.22, 1%, 0.35%

LAB 55.09, 15.24, 61.44

 

CMYK 0 / 37 / 100 / 36

HEX #A26600

RGB 162 102 0

HSL 37.78, 1%, 0.32%

LAB 48.49, 17.68, 56.06

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 0 / 47 / 85 / 10

HEX #E67922

RGB 230 121 34

HSL 26.63, 0.8%, 0.52%

LAB 62.18, 36.96, 61.65

 

CMYK 0 / 70 / 85 / 10

HEX #E64422

RGB 230 68 34

HSL 10.41, 0.8%, 0.52%

LAB 53.03, 60.81, 54.02

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 0 / 1 / 85 / 10

HEX #E6E322

RGB 230 227 34

HSL 59.08, 0.8%, 0.52%

LAB 87.91, -18.04, 82.72

 

CMYK 22 / 0 / 85 / 10

HEX #B4E622

RGB 180 230 34

HSL 75.31, 0.8%, 0.52%

LAB 85.21, -39.71, 79.05

 

CMYK 44 / 0 / 85 / 10

HEX #80E622

RGB 128 230 34

HSL 91.22, 0.8%, 0.52%

LAB 82.54, -58.06, 75.72

 

CMYK 67 / 0 / 85 / 10

HEX #4BE622

RGB 75 230 34

HSL 107.45, 0.8%, 0.52%

LAB 80.85, -71.5, 73.59

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 0 / 27 / 94 / 2

HEX #FAB70E

RGB 250 183 14

HSL 42.97, 0.96%, 0.52%

LAB 78.59, 12.53, 79.65

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 0 / 21 / 74 / 18

HEX #D2A636

RGB 210 166 54

HSL 43.08, 0.63%, 0.52%

LAB 70.34, 5.25, 60.8

 

CMYK 0 / 17 / 61 / 25

HEX #BE9D4A

RGB 190 157 74

HSL 42.93, 0.47%, 0.52%

LAB 66.18, 2.55, 47.09

 

CMYK 0 / 13 / 45 / 33

HEX #AB955E

RGB 171 149 94

HSL 42.86, 0.31%, 0.52%

LAB 62.47, 0.52, 31.99

 

CMYK 0 / 7 / 25 / 41

HEX #978C71

RGB 151 140 113

HSL 42.63, 0.15%, 0.52%

LAB 58.53, -0.39, 15.93

 

CMYK 0 / 71 / 85 / 10

HEX #E64322

RGB 230 67 34

HSL 10.1, 0.8%, 0.52%

LAB 52.9, 61.17, 53.91

 

CMYK 0 / 48 / 85 / 10

HEX #E67722

RGB 230 119 34

HSL 26.02, 0.8%, 0.52%

LAB 61.77, 37.98, 61.3

 

CMYK 0 / 26 / 85 / 10

HEX #E6AB22

RGB 230 171 34

HSL 41.94, 0.8%, 0.52%

LAB 73.59, 10.59, 71.04

 

CMYK 0 / 3 / 85 / 10

HEX #E6DF22

RGB 230 223 34

HSL 57.86, 0.8%, 0.52%

LAB 86.86, -16.08, 81.87

 

CMYK 20 / 0 / 85 / 10

HEX #B8E622

RGB 184 230 34

HSL 74.08, 0.8%, 0.52%

LAB 85.45, -38.15, 79.36

 

CMYK 0 / 26 / 89 / 36

HEX #A47A12

RGB 164 122 18

HSL 42.74, 0.8%, 0.36%

LAB 53.87, 7.57, 56.21

 

CMYK 0 / 25 / 89 / 21

HEX #C99616

RGB 201 150 22

HSL 42.91, 0.8%, 0.44%

LAB 65.19, 8.89, 65.94

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 0 / 20 / 70 / 8

HEX #EABC47

RGB 234 188 71

HSL 43.07, 0.8%, 0.6%

LAB 78.41, 4.73, 62.87

 

CMYK 0 / 16 / 55 / 7

HEX #EEC96C

RGB 238 201 108

HSL 42.92, 0.79%, 0.68%

LAB 82.4, 2.04, 50.77

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 77 / 0 / 85 / 10

HEX #36E622

RGB 54 230 34

HSL 113.88, 0.8%, 0.52%

LAB 80.46, -74.92, 73.09

 

CMYK 60 / 85 / 0 / 10

HEX #5D22E6

RGB 93 34 230

HSL 258.06, 0.8%, 0.52%

LAB 36.34, 68.64, -86.87

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 85 / 0 / 26 / 10

HEX #22E6AB

RGB 34 230 171

HSL 161.94, 0.8%, 0.52%

LAB 81.77, -58.63, 16.17

 

CMYK 26 / 85 / 0 / 10

HEX #AB22E6

RGB 171 34 230

HSL 281.94, 0.8%, 0.52%

LAB 46.33, 77.89, -70.09

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 77 / 0 / 85 / 10

HEX #36E622

RGB 54 230 34

HSL 113.88, 0.8%, 0.52%

LAB 80.46, -74.92, 73.09

 

CMYK 85 / 60 / 0 / 10

HEX #225DE6

RGB 34 93 230

HSL 221.94, 0.8%, 0.52%

LAB 44.06, 32.73, -74.28

 

CMYK 9 / 85 / 0 / 10

HEX #D222E6

RGB 210 34 230

HSL 293.88, 0.8%, 0.52%

LAB 52.46, 84.02, -59.87

 

CMYK 0 / 24 / 85 / 10

HEX #E6AE22

RGB 230 174 34

HSL 42.86, 0.8%, 0.52%

LAB 74.32, 9, 71.64

 

CMYK 85 / 0 / 68 / 10

HEX #22E649

RGB 34 230 73

HSL 131.94, 0.8%, 0.52%

LAB 80.41, -74.54, 61.14

 

CMYK 85 / 60 / 0 / 10

HEX #225DE6

RGB 34 93 230

HSL 221.94, 0.8%, 0.52%

LAB 44.06, 32.73, -74.28

 

CMYK 0 / 85 / 17 / 10

HEX #E622BF

RGB 230 34 191

HSL 311.94, 0.8%, 0.52%

LAB 53.74, 82.08, -35.33

 

Description

Color code: RGB 230 174 34 | qconv.com Color code: RGB 230 174 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 174 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 174 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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