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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 125 234 it is the complementary color RGB 25 130 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 125 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 125 234 shade: RGB 235 125 229, RGB 252 143 248, RGB 255 161 255, RGB 255 179 255 and RGB 255 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 125 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 125 234 shade: RGB 230 125 234, RGB 213 107 215, RGB 196 89 196, RGB 179 71 177 and RGB 162 53 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 125 234 shade: RGB 229 123 233, RGB 233 123 207, RGB 233 123 178, RGB 233 123 148 and RGB 233 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 125 234 shade: RGB 229 123 233, RGB 199 123 233, RGB 170 123 233, RGB 140 123 233 and RGB 123 123 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 125 234 shade matches the following richer shades: RGB 229 123 233 and RGB 241 111 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 125 234 shade: RGB 229 123 233, RGB 218 135 221, RGB 206 148 208, RGB 195 160 196 and RGB 183 172 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 125 234 shade: RGB 169 123 233, RGB 198 123 233, RGB 228 123 233, RGB 233 123 209 and RGB 233 123 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 125 234 shade: RGB 215 52 222, RGB 222 87 227, RGB 229 123 233, RGB 236 158 239 and RGB 243 194 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 125 234 shade: RGB 230 125 234, RGB 233 139 123 and RGB 123 233 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 125 234 shade: RGB 230 125 234, RGB 233 228 123 and RGB 123 233 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 125 234 shade: RGB 230 125 234, RGB 233 139 123, RGB 128 233 123 and RGB 123 217 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 125 234 shade: RGB 230 125 234, RGB 233 172 123, RGB 128 233 123 and RGB 123 184 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 47 / 0 / 8

HEX #E67DEA

RGB 230 125 234

HSL 297.8, 0.72%, 0.7%

LAB 67.6, 55.86, -37.96

 

Complementary color

CMYK 81 / 0 / 84 / 49

HEX #198215

RGB 25 130 21

HSL 117.8, 0.72%, 0.3%

LAB 47.27, -48.95, 46.15

 

CMYK 0 / 47 / 3 / 8

HEX #EB7DE5

RGB 235 125 229

HSL 303.27, 0.73%, 0.71%

LAB 68.01, 56.4, -34.51

 

CMYK 0 / 43 / 2 / 1

HEX #FC8FF8

RGB 252 143 248

HSL 302.2, 0.95%, 0.77%

LAB 74.26, 55.72, -35.06

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 2 / 47 / 0 / 8

HEX #E67DEA

RGB 230 125 234

HSL 297.8, 0.72%, 0.7%

LAB 67.6, 55.86, -37.96

 

CMYK 1 / 50 / 0 / 16

HEX #D56BD7

RGB 213 107 215

HSL 298.89, 0.57%, 0.63%

LAB 61.28, 56.49, -37.4

 

CMYK 0 / 55 / 0 / 23

HEX #C459C4

RGB 196 89 196

HSL 300, 0.48%, 0.56%

LAB 54.93, 57.02, -36.71

 

CMYK 0 / 60 / 1 / 30

HEX #B347B1

RGB 179 71 177

HSL 301.11, 0.43%, 0.49%

LAB 48.59, 57.34, -35.84

 

CMYK 0 / 67 / 2 / 36

HEX #A2359E

RGB 162 53 158

HSL 302.2, 0.51%, 0.42%

LAB 42.3, 57.29, -34.66

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 0 / 47 / 11 / 9

HEX #E97BCF

RGB 233 123 207

HSL 314.18, 0.71%, 0.7%

LAB 66.52, 53.14, -24.6

 

CMYK 0 / 47 / 24 / 9

HEX #E97BB2

RGB 233 123 178

HSL 330, 0.71%, 0.7%

LAB 65.52, 48.79, -9.79

 

CMYK 0 / 47 / 36 / 9

HEX #E97B94

RGB 233 123 148

HSL 346.36, 0.71%, 0.7%

LAB 64.67, 44.96, 5.99

 

CMYK 0 / 47 / 47 / 9

HEX #E97B7B

RGB 233 123 123

HSL 0, 0.71%, 0.7%

LAB 64.1, 42.32, 19.4

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 15 / 47 / 0 / 9

HEX #C77BE9

RGB 199 123 233

HSL 281.45, 0.71%, 0.7%

LAB 63.5, 48.01, -44.09

 

CMYK 27 / 47 / 0 / 9

HEX #AA7BE9

RGB 170 123 233

HSL 265.64, 0.71%, 0.7%

LAB 60.42, 40.12, -49.15

 

CMYK 40 / 47 / 0 / 9

HEX #8C7BE9

RGB 140 123 233

HSL 249.27, 0.71%, 0.7%

LAB 57.68, 32.44, -53.68

 

CMYK 47 / 47 / 0 / 9

HEX #7B7BE9

RGB 123 123 233

HSL 240, 0.71%, 0.7%

LAB 56.35, 28.44, -55.88

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 2 / 55 / 0 / 4

HEX #F16FF5

RGB 241 111 245

HSL 298.21, 0.87%, 0.7%

LAB 67.02, 67.31, -44.82

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 1 / 39 / 0 / 13

HEX #DA87DD

RGB 218 135 221

HSL 297.91, 0.56%, 0.7%

LAB 67.62, 44.9, -30.85

 

CMYK 1 / 29 / 0 / 18

HEX #CE94D0

RGB 206 148 208

HSL 298, 0.39%, 0.7%

LAB 68.65, 31.73, -22.18

 

CMYK 1 / 18 / 0 / 23

HEX #C3A0C4

RGB 195 160 196

HSL 298.33, 0.23%, 0.7%

LAB 69.99, 19.19, -13.61

 

CMYK 1 / 7 / 0 / 28

HEX #B7ACB8

RGB 183 172 184

HSL 295, 0.08%, 0.7%

LAB 71.58, 6.15, -4.72

 

CMYK 27 / 47 / 0 / 9

HEX #A97BE9

RGB 169 123 233

HSL 265.09, 0.71%, 0.7%

LAB 60.32, 39.86, -49.31

 

CMYK 15 / 47 / 0 / 9

HEX #C67BE9

RGB 198 123 233

HSL 280.91, 0.71%, 0.7%

LAB 63.39, 47.74, -44.27

 

CMYK 2 / 47 / 0 / 9

HEX #E47BE9

RGB 228 123 233

HSL 297.27, 0.71%, 0.7%

LAB 66.93, 56.1, -38.46

 

CMYK 0 / 47 / 10 / 9

HEX #E97BD1

RGB 233 123 209

HSL 313.09, 0.71%, 0.7%

LAB 66.59, 53.46, -25.6

 

CMYK 0 / 47 / 23 / 9

HEX #E97BB4

RGB 233 123 180

HSL 328.91, 0.71%, 0.7%

LAB 65.58, 49.07, -10.83

 

CMYK 3 / 77 / 0 / 13

HEX #D734DE

RGB 215 52 222

HSL 297.53, 0.72%, 0.54%

LAB 54.21, 79.51, -52.5

 

CMYK 2 / 62 / 0 / 11

HEX #DE57E3

RGB 222 87 227

HSL 297.86, 0.71%, 0.62%

LAB 59.79, 69.81, -46.39

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 1 / 34 / 0 / 6

HEX #EC9EEF

RGB 236 158 239

HSL 297.78, 0.72%, 0.78%

LAB 75.15, 41.67, -28.95

 

CMYK 1 / 21 / 0 / 4

HEX #F3C2F5

RGB 243 194 245

HSL 297.65, 0.72%, 0.86%

LAB 84.09, 25.94, -18.52

 

CMYK 2 / 47 / 0 / 8

HEX #E67DEA

RGB 230 125 234

HSL 297.8, 0.72%, 0.7%

LAB 67.6, 55.86, -37.96

 

CMYK 0 / 40 / 47 / 9

HEX #E98B7B

RGB 233 139 123

HSL 8.73, 0.71%, 0.7%

LAB 67.44, 34.07, 23.94

 

CMYK 47 / 0 / 21 / 9

HEX #7BE9B8

RGB 123 233 184

HSL 153.27, 0.71%, 0.7%

LAB 84.97, -42.77, 14.18

 

CMYK 2 / 47 / 0 / 8

HEX #E67DEA

RGB 230 125 234

HSL 297.8, 0.72%, 0.7%

LAB 67.6, 55.86, -37.96

 

CMYK 0 / 2 / 47 / 9

HEX #E9E47B

RGB 233 228 123

HSL 57.27, 0.71%, 0.7%

LAB 89.04, -12.4, 51.47

 

CMYK 47 / 0 / 2 / 9

HEX #7BE9E4

RGB 123 233 228

HSL 177.27, 0.71%, 0.7%

LAB 86.05, -32.75, -7.36

 

CMYK 2 / 47 / 0 / 8

HEX #E67DEA

RGB 230 125 234

HSL 297.8, 0.72%, 0.7%

LAB 67.6, 55.86, -37.96

 

CMYK 0 / 40 / 47 / 9

HEX #E98B7B

RGB 233 139 123

HSL 8.73, 0.71%, 0.7%

LAB 67.44, 34.07, 23.94

 

CMYK 45 / 0 / 47 / 9

HEX #80E97B

RGB 128 233 123

HSL 117.27, 0.71%, 0.7%

LAB 84.12, -51.88, 44.01

 

CMYK 47 / 7 / 0 / 9

HEX #7BD9E9

RGB 123 217 233

HSL 188.73, 0.71%, 0.7%

LAB 81.69, -23.75, -16.53

 

CMYK 2 / 47 / 0 / 8

HEX #E67DEA

RGB 230 125 234

HSL 297.8, 0.72%, 0.7%

LAB 67.6, 55.86, -37.96

 

CMYK 0 / 26 / 47 / 9

HEX #E9AC7B

RGB 233 172 123

HSL 26.73, 0.71%, 0.7%

LAB 74.99, 16.57, 33.89

 

CMYK 45 / 0 / 47 / 9

HEX #80E97B

RGB 128 233 123

HSL 117.27, 0.71%, 0.7%

LAB 84.12, -51.88, 44.01

 

CMYK 47 / 21 / 0 / 9

HEX #7BB8E9

RGB 123 184 233

HSL 206.73, 0.71%, 0.7%

LAB 72.48, -6.63, -30.55

 

Description

Color code: RGB 230 125 234 | qconv.com Color code: RGB 230 125 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 125 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 125 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 47 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 47% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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