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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 119 91 it is the complementary color RGB 25 136 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 119 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 119 91 shade: RGB 235 119 86, RGB 252 137 105, RGB 255 155 124, RGB 255 173 143 and RGB 255 191 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 119 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 119 91 shade: RGB 230 119 91, RGB 213 101 72, RGB 196 83 53, RGB 179 65 34 and RGB 162 47 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 119 91 shade: RGB 230 118 90 and RGB 230 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 119 91 shade: RGB 230 118 90, RGB 230 156 90, RGB 230 194 90, RGB 229 230 90 and RGB 191 230 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 119 91 shade matches the following richer shades: RGB 230 118 90 and RGB 245 109 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 119 91 shade: RGB 230 118 90, RGB 215 128 106, RGB 199 137 121, RGB 184 146 136 and RGB 169 155 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 119 91 shade: RGB 230 90 137, RGB 230 90 100, RGB 230 118 90, RGB 230 155 90 and RGB 230 193 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 119 91 shade: RGB 207 66 31, RGB 225 89 54, RGB 230 118 90, RGB 235 148 126 and RGB 241 178 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 119 91 shade: RGB 230 119 91, RGB 174 230 90 and RGB 90 118 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 119 91 shade: RGB 230 119 91, RGB 90 230 118 and RGB 118 90 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 119 91 shade: RGB 230 119 91, RGB 174 230 90, RGB 90 202 230 and RGB 146 90 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 119 91 shade: RGB 230 119 91, RGB 132 230 90, RGB 90 202 230 and RGB 188 90 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 60 / 10

HEX #E6775B

RGB 230 119 91

HSL 12.09, 0.74%, 0.63%

LAB 62.31, 40.59, 34.88

 

Complementary color

CMYK 85 / 17 / 0 / 36

HEX #1988A4

RGB 25 136 164

HSL 192.09, 0.74%, 0.37%

LAB 52.39, -19.26, -23.19

 

CMYK 0 / 49 / 63 / 8

HEX #EB7756

RGB 235 119 86

HSL 13.29, 0.79%, 0.63%

LAB 62.95, 42.15, 38.54

 

CMYK 0 / 46 / 58 / 1

HEX #FC8969

RGB 252 137 105

HSL 13.06, 0.96%, 0.7%

LAB 69.19, 40.8, 36.53

 

CMYK 0 / 39 / 51 / 0

HEX #FF9B7C

RGB 255 155 124

HSL 14.2, 1%, 0.74%

LAB 73.65, 34.24, 32.11

 

CMYK 0 / 32 / 44 / 0

HEX #FFAD8F

RGB 255 173 143

HSL 16.07, 1%, 0.78%

LAB 77.95, 26.66, 27.62

 

CMYK 0 / 25 / 36 / 0

HEX #FFBFA2

RGB 255 191 162

HSL 18.71, 1%, 0.82%

LAB 82.45, 19.29, 23.6

 

CMYK 0 / 48 / 60 / 10

HEX #E6775B

RGB 230 119 91

HSL 12.09, 0.74%, 0.63%

LAB 62.31, 40.59, 34.88

 

CMYK 0 / 53 / 66 / 16

HEX #D56548

RGB 213 101 72

HSL 12.34, 0.63%, 0.56%

LAB 56.01, 41.97, 37.05

 

CMYK 0 / 58 / 73 / 23

HEX #C45335

RGB 196 83 53

HSL 12.59, 0.57%, 0.49%

LAB 49.71, 43.4, 39.45

 

CMYK 0 / 64 / 81 / 30

HEX #B34122

RGB 179 65 34

HSL 12.83, 0.68%, 0.42%

LAB 43.48, 44.79, 42

 

CMYK 0 / 71 / 91 / 36

HEX #A22F0F

RGB 162 47 15

HSL 13.06, 0.83%, 0.35%

LAB 37.39, 45.97, 44.21

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 0 / 61 / 61 / 10

HEX #E65A5A

RGB 230 90 90

HSL 0, 0.74%, 0.63%

LAB 56.95, 54.33, 28.67

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 0 / 32 / 61 / 10

HEX #E69C5A

RGB 230 156 90

HSL 28.29, 0.74%, 0.63%

LAB 70.41, 21.14, 45.22

 

CMYK 0 / 16 / 61 / 10

HEX #E6C25A

RGB 230 194 90

HSL 44.57, 0.74%, 0.63%

LAB 79.7, 1.04, 55.89

 

CMYK 0 / 0 / 61 / 10

HEX #E5E65A

RGB 229 230 90

HSL 60.43, 0.74%, 0.63%

LAB 88.92, -17.54, 65.96

 

CMYK 17 / 0 / 61 / 10

HEX #BFE65A

RGB 191 230 90

HSL 76.71, 0.74%, 0.63%

LAB 86.21, -32.6, 62.24

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 0 / 56 / 69 / 4

HEX #F56D4B

RGB 245 109 75

HSL 12, 0.89%, 0.63%

LAB 62.39, 50.07, 44.1

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 0 / 40 / 51 / 16

HEX #D7806A

RGB 215 128 106

HSL 12.11, 0.58%, 0.63%

LAB 62.45, 31.33, 26.34

 

CMYK 0 / 31 / 39 / 22

HEX #C78979

RGB 199 137 121

HSL 12.31, 0.41%, 0.63%

LAB 62.86, 21.7, 18.14

 

CMYK 0 / 21 / 26 / 28

HEX #B89288

RGB 184 146 136

HSL 12.5, 0.25%, 0.63%

LAB 63.78, 12.78, 10.74

 

CMYK 0 / 8 / 11 / 34

HEX #A99B97

RGB 169 155 151

HSL 13.33, 0.09%, 0.63%

LAB 65.05, 4.42, 3.94

 

CMYK 0 / 61 / 40 / 10

HEX #E65A89

RGB 230 90 137

HSL 339.86, 0.74%, 0.63%

LAB 57.98, 58.3, 2.65

 

CMYK 0 / 61 / 57 / 10

HEX #E65A64

RGB 230 90 100

HSL 355.71, 0.74%, 0.63%

LAB 57.13, 55.02, 23.12

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 0 / 33 / 61 / 10

HEX #E69B5A

RGB 230 155 90

HSL 27.86, 0.74%, 0.63%

LAB 70.18, 21.67, 44.94

 

CMYK 0 / 16 / 61 / 10

HEX #E6C15A

RGB 230 193 90

HSL 44.14, 0.74%, 0.63%

LAB 79.44, 1.56, 55.61

 

CMYK 0 / 68 / 85 / 19

HEX #CF421F

RGB 207 66 31

HSL 11.93, 0.74%, 0.47%

LAB 48.59, 54.01, 49.92

 

CMYK 0 / 60 / 76 / 12

HEX #E15936

RGB 225 89 54

HSL 12.28, 0.74%, 0.55%

LAB 55.5, 51.17, 46.54

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 0 / 37 / 46 / 8

HEX #EB947E

RGB 235 148 126

HSL 12.11, 0.73%, 0.71%

LAB 69.72, 30.4, 25.38

 

CMYK 0 / 26 / 33 / 5

HEX #F1B2A2

RGB 241 178 162

HSL 12.15, 0.74%, 0.79%

LAB 77.96, 20.82, 17.18

 

CMYK 0 / 48 / 60 / 10

HEX #E6775B

RGB 230 119 91

HSL 12.09, 0.74%, 0.63%

LAB 62.31, 40.59, 34.88

 

CMYK 24 / 0 / 61 / 10

HEX #AEE65A

RGB 174 230 90

HSL 84, 0.74%, 0.63%

LAB 85.16, -39, 60.79

 

CMYK 61 / 49 / 0 / 10

HEX #5A76E6

RGB 90 118 230

HSL 228, 0.74%, 0.63%

LAB 52.78, 23.81, -60.04

 

CMYK 0 / 48 / 60 / 10

HEX #E6775B

RGB 230 119 91

HSL 12.09, 0.74%, 0.63%

LAB 62.31, 40.59, 34.88

 

CMYK 61 / 0 / 49 / 10

HEX #5AE676

RGB 90 230 118

HSL 132, 0.74%, 0.63%

LAB 81.88, -60.86, 43.34

 

CMYK 49 / 61 / 0 / 10

HEX #765AE6

RGB 118 90 230

HSL 252, 0.74%, 0.63%

LAB 48.1, 45.79, -67.49

 

CMYK 0 / 48 / 60 / 10

HEX #E6775B

RGB 230 119 91

HSL 12.09, 0.74%, 0.63%

LAB 62.31, 40.59, 34.88

 

CMYK 24 / 0 / 61 / 10

HEX #AEE65A

RGB 174 230 90

HSL 84, 0.74%, 0.63%

LAB 85.16, -39, 60.79

 

CMYK 61 / 12 / 0 / 10

HEX #5ACAE6

RGB 90 202 230

HSL 192, 0.74%, 0.63%

LAB 76.15, -23.68, -23.42

 

CMYK 37 / 61 / 0 / 10

HEX #925AE6

RGB 146 90 230

HSL 264, 0.74%, 0.63%

LAB 50.85, 51.52, -62.92

 

CMYK 0 / 48 / 60 / 10

HEX #E6775B

RGB 230 119 91

HSL 12.09, 0.74%, 0.63%

LAB 62.31, 40.59, 34.88

 

CMYK 43 / 0 / 61 / 10

HEX #84E65A

RGB 132 230 90

HSL 102, 0.74%, 0.63%

LAB 83.04, -53.27, 57.84

 

CMYK 61 / 12 / 0 / 10

HEX #5ACAE6

RGB 90 202 230

HSL 192, 0.74%, 0.63%

LAB 76.15, -23.68, -23.42

 

CMYK 18 / 61 / 0 / 10

HEX #BC5AE6

RGB 188 90 230

HSL 282, 0.74%, 0.63%

LAB 55.8, 61.02, -54.7

 

Description

Color code: RGB 230 119 91 | qconv.com Color code: RGB 230 119 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 119 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 119 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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