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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 104 117 it is the complementary color RGB 25 151 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 104 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 104 117 shade: RGB 235 104 112, RGB 252 122 131, RGB 255 140 150, RGB 255 158 169 and RGB 255 176 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 104 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 104 117 shade: RGB 230 104 117, RGB 213 86 98, RGB 196 68 79, RGB 179 50 60 and RGB 162 32 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 104 117 shade: RGB 230 101 114 and RGB 230 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 104 117 shade: RGB 230 101 114, RGB 230 101 149, RGB 230 101 184, RGB 230 101 218 and RGB 206 101 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 104 117 shade matches the following richer shades: RGB 230 101 114 and RGB 244 87 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 104 117 shade: RGB 230 101 114, RGB 215 115 126, RGB 201 130 137, RGB 186 144 149 and RGB 172 159 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 104 117 shade: RGB 230 101 185, RGB 230 101 150, RGB 230 101 116, RGB 230 120 101 and RGB 230 155 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 104 117 shade: RGB 214 34 53, RGB 224 66 82, RGB 230 101 114, RGB 235 136 147 and RGB 241 172 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 104 117 shade: RGB 230 104 117, RGB 219 230 101 and RGB 101 167 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 104 117 shade: RGB 230 104 117, RGB 116 230 101 and RGB 101 116 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 104 117 shade: RGB 230 104 117, RGB 219 230 101, RGB 101 230 215 and RGB 112 101 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 104 117 shade: RGB 230 104 117, RGB 180 230 101, RGB 101 230 215 and RGB 150 101 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 49 / 10

HEX #E66875

RGB 230 104 117

HSL 353.81, 0.72%, 0.65%

LAB 59.9, 50.02, 17

 

Complementary color

CMYK 83 / 0 / 9 / 41

HEX #19978A

RGB 25 151 138

HSL 173.81, 0.72%, 0.35%

LAB 56.26, -35.08, -2.39

 

CMYK 0 / 56 / 52 / 8

HEX #EB6870

RGB 235 104 112

HSL 356.34, 0.77%, 0.66%

LAB 60.54, 51.31, 20.89

 

CMYK 0 / 52 / 48 / 1

HEX #FC7A83

RGB 252 122 131

HSL 355.85, 0.96%, 0.73%

LAB 66.71, 50.31, 18.89

 

CMYK 0 / 45 / 41 / 0

HEX #FF8C96

RGB 255 140 150

HSL 354.78, 1%, 0.77%

LAB 71.02, 44.38, 14.29

 

CMYK 0 / 38 / 34 / 0

HEX #FF9EA9

RGB 255 158 169

HSL 353.2, 1%, 0.81%

LAB 75.19, 37.36, 9.68

 

CMYK 0 / 31 / 26 / 0

HEX #FFB0BC

RGB 255 176 188

HSL 350.89, 1%, 0.85%

LAB 79.58, 30.43, 5.61

 

CMYK 0 / 55 / 49 / 10

HEX #E66875

RGB 230 104 117

HSL 353.81, 0.72%, 0.65%

LAB 59.9, 50.02, 17

 

CMYK 0 / 60 / 54 / 16

HEX #D55662

RGB 213 86 98

HSL 354.33, 0.6%, 0.59%

LAB 53.69, 50.94, 19.2

 

CMYK 0 / 65 / 60 / 23

HEX #C4444F

RGB 196 68 79

HSL 354.84, 0.52%, 0.52%

LAB 47.54, 51.71, 21.83

 

CMYK 0 / 72 / 66 / 30

HEX #B3323C

RGB 179 50 60

HSL 355.35, 0.56%, 0.45%

LAB 41.52, 52.16, 25.04

 

CMYK 0 / 80 / 75 / 36

HEX #A22029

RGB 162 32 41

HSL 355.85, 0.67%, 0.38%

LAB 35.74, 52, 28.96

 

CMYK 0 / 56 / 50 / 10

HEX #E66572

RGB 230 101 114

HSL 353.95, 0.72%, 0.65%

LAB 59.29, 51.17, 17.91

 

CMYK 0 / 56 / 56 / 10

HEX #E66565

RGB 230 101 101

HSL 0, 0.72%, 0.65%

LAB 59.04, 50.11, 25.07

 

CMYK 0 / 56 / 50 / 10

HEX #E66572

RGB 230 101 114

HSL 353.95, 0.72%, 0.65%

LAB 59.29, 51.17, 17.91

 

CMYK 0 / 56 / 35 / 10

HEX #E66595

RGB 230 101 149

HSL 337.67, 0.72%, 0.65%

LAB 60.16, 54.71, -1.17

 

CMYK 0 / 56 / 20 / 10

HEX #E665B8

RGB 230 101 184

HSL 321.4, 0.72%, 0.65%

LAB 61.3, 59.2, -19.61

 

CMYK 0 / 56 / 5 / 10

HEX #E665DA

RGB 230 101 218

HSL 305.58, 0.72%, 0.65%

LAB 62.67, 64.38, -36.74

 

CMYK 10 / 56 / 0 / 10

HEX #CE65E6

RGB 206 101 230

HSL 288.84, 0.72%, 0.65%

LAB 60.02, 60.27, -47.86

 

CMYK 0 / 56 / 50 / 10

HEX #E66572

RGB 230 101 114

HSL 353.95, 0.72%, 0.65%

LAB 59.29, 51.17, 17.91

 

CMYK 0 / 64 / 58 / 4

HEX #F45767

RGB 244 87 103

HSL 353.89, 0.88%, 0.65%

LAB 59, 61.05, 24.27

 

CMYK 0 / 56 / 50 / 10

HEX #E66572

RGB 230 101 114

HSL 353.95, 0.72%, 0.65%

LAB 59.29, 51.17, 17.91

 

CMYK 0 / 47 / 41 / 16

HEX #D7737E

RGB 215 115 126

HSL 353.4, 0.56%, 0.65%

LAB 60.08, 40.15, 11.75

 

CMYK 0 / 35 / 32 / 21

HEX #C98289

RGB 201 130 137

HSL 354.08, 0.4%, 0.65%

LAB 61.82, 28.3, 7.64

 

CMYK 0 / 23 / 20 / 27

HEX #BA9095

RGB 186 144 149

HSL 352.86, 0.23%, 0.65%

LAB 63.8, 16.62, 3.46

 

CMYK 0 / 8 / 7 / 33

HEX #AC9FA0

RGB 172 159 160

HSL 355.38, 0.07%, 0.65%

LAB 66.6, 4.91, 1.18

 

CMYK 0 / 56 / 20 / 10

HEX #E665B9

RGB 230 101 185

HSL 320.93, 0.72%, 0.65%

LAB 61.34, 59.34, -20.13

 

CMYK 0 / 56 / 35 / 10

HEX #E66596

RGB 230 101 150

HSL 337.21, 0.72%, 0.65%

LAB 60.19, 54.82, -1.71

 

CMYK 0 / 56 / 50 / 10

HEX #E66574

RGB 230 101 116

HSL 353.02, 0.72%, 0.65%

LAB 59.33, 51.34, 16.81

 

CMYK 0 / 48 / 56 / 10

HEX #E67865

RGB 230 120 101

HSL 8.84, 0.72%, 0.65%

LAB 62.67, 40.82, 29.8

 

CMYK 0 / 33 / 56 / 10

HEX #E69B65

RGB 230 155 101

HSL 25.12, 0.72%, 0.65%

LAB 70.32, 22.49, 39.46

 

CMYK 0 / 84 / 75 / 16

HEX #D62235

RGB 214 34 53

HSL 353.67, 0.73%, 0.49%

LAB 46.57, 66.68, 36.88

 

CMYK 0 / 71 / 63 / 12

HEX #E04252

RGB 224 66 82

HSL 353.92, 0.72%, 0.57%

LAB 52.23, 61.56, 27.09

 

CMYK 0 / 56 / 50 / 10

HEX #E66572

RGB 230 101 114

HSL 353.95, 0.72%, 0.65%

LAB 59.29, 51.17, 17.91

 

CMYK 0 / 42 / 37 / 8

HEX #EB8893

RGB 235 136 147

HSL 353.33, 0.71%, 0.73%

LAB 67.56, 38.92, 10.72

 

CMYK 0 / 29 / 26 / 5

HEX #F1ACB3

RGB 241 172 179

HSL 353.91, 0.71%, 0.81%

LAB 76.96, 26.24, 6.53

 

CMYK 0 / 55 / 49 / 10

HEX #E66875

RGB 230 104 117

HSL 353.81, 0.72%, 0.65%

LAB 59.9, 50.02, 17

 

CMYK 5 / 0 / 56 / 10

HEX #DBE665

RGB 219 230 101

HSL 65.12, 0.72%, 0.65%

LAB 88.25, -20.79, 60.35

 

CMYK 56 / 27 / 0 / 10

HEX #65A7E6

RGB 101 167 230

HSL 209.3, 0.72%, 0.65%

LAB 66.61, -3, -38.09

 

CMYK 0 / 55 / 49 / 10

HEX #E66875

RGB 230 104 117

HSL 353.81, 0.72%, 0.65%

LAB 59.9, 50.02, 17

 

CMYK 50 / 0 / 56 / 10

HEX #74E665

RGB 116 230 101

HSL 113.02, 0.72%, 0.65%

LAB 82.51, -56.76, 52.24

 

CMYK 56 / 50 / 0 / 10

HEX #6574E6

RGB 101 116 230

HSL 233.02, 0.72%, 0.65%

LAB 52.92, 27.08, -59.78

 

CMYK 0 / 55 / 49 / 10

HEX #E66875

RGB 230 104 117

HSL 353.81, 0.72%, 0.65%

LAB 59.9, 50.02, 17

 

CMYK 5 / 0 / 56 / 10

HEX #DBE665

RGB 219 230 101

HSL 65.12, 0.72%, 0.65%

LAB 88.25, -20.79, 60.35

 

CMYK 56 / 0 / 7 / 10

HEX #65E6D7

RGB 101 230 215

HSL 173.02, 0.72%, 0.65%

LAB 84.1, -39.12, -3.46

 

CMYK 51 / 56 / 0 / 10

HEX #7065E6

RGB 112 101 230

HSL 245.12, 0.72%, 0.65%

LAB 50.06, 38.26, -64.36

 

CMYK 0 / 55 / 49 / 10

HEX #E66875

RGB 230 104 117

HSL 353.81, 0.72%, 0.65%

LAB 59.9, 50.02, 17

 

CMYK 22 / 0 / 56 / 10

HEX #B4E665

RGB 180 230 101

HSL 83.26, 0.72%, 0.65%

LAB 85.62, -35.84, 56.65

 

CMYK 56 / 0 / 7 / 10

HEX #65E6D7

RGB 101 230 215

HSL 173.02, 0.72%, 0.65%

LAB 84.1, -39.12, -3.46

 

CMYK 35 / 56 / 0 / 10

HEX #9665E6

RGB 150 101 230

HSL 262.79, 0.72%, 0.65%

LAB 53.5, 46.51, -58.63

 

Description

Color code: RGB 230 104 117 | qconv.com Color code: RGB 230 104 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 104 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 104 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 49 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 49% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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