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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 104 180 it is the complementary color RGB 25 151 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 104 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 104 180 shade: RGB 235 104 175, RGB 252 122 194, RGB 255 140 213, RGB 255 158 232 and RGB 255 176 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 104 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 104 180 shade: RGB 230 104 180, RGB 213 86 161, RGB 196 68 142, RGB 179 50 123 and RGB 162 32 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 104 180 shade: RGB 230 101 179, RGB 230 101 144, RGB 230 101 109 and RGB 230 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 104 180 shade: RGB 230 101 179, RGB 230 101 213, RGB 211 101 230, RGB 177 101 230 and RGB 142 101 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 104 180 shade matches the following richer shades: RGB 230 101 179 and RGB 244 87 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 104 180 shade: RGB 230 101 179, RGB 215 115 176, RGB 201 130 173, RGB 186 144 170 and RGB 172 159 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 104 180 shade: RGB 210 101 230, RGB 230 101 215, RGB 230 101 180, RGB 230 101 146 and RGB 230 101 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 104 180 shade: RGB 214 34 142, RGB 224 66 161, RGB 230 101 179, RGB 235 136 196 and RGB 241 172 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 104 180 shade: RGB 230 104 180, RGB 230 176 101 and RGB 101 230 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 104 180 shade: RGB 230 104 180, RGB 180 230 101 and RGB 101 180 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 104 180 shade: RGB 230 104 180, RGB 230 176 101, RGB 101 230 150 and RGB 101 155 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 104 180 shade: RGB 230 104 180, RGB 230 215 101, RGB 101 230 150 and RGB 101 116 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 22 / 10

HEX #E668B4

RGB 230 104 180

HSL 323.81, 0.72%, 0.65%

LAB 61.67, 57.27, -16.76

 

Complementary color

CMYK 83 / 0 / 50 / 41

HEX #19974B

RGB 25 151 75

HSL 143.81, 0.72%, 0.35%

LAB 54.92, -49.8, 30.86

 

CMYK 0 / 56 / 26 / 8

HEX #EB68AF

RGB 235 104 175

HSL 327.48, 0.77%, 0.66%

LAB 62.22, 58.1, -13.01

 

CMYK 0 / 52 / 23 / 1

HEX #FC7AC2

RGB 252 122 194

HSL 326.77, 0.96%, 0.73%

LAB 68.39, 57.49, -14.23

 

CMYK 0 / 45 / 16 / 0

HEX #FF8CD5

RGB 255 140 213

HSL 321.91, 1%, 0.77%

LAB 72.77, 52.45, -18.15

 

CMYK 0 / 38 / 9 / 0

HEX #FF9EE8

RGB 255 158 232

HSL 314.23, 1%, 0.81%

LAB 77, 46.38, -22.13

 

CMYK 0 / 31 / 2 / 0

HEX #FFB0FB

RGB 255 176 251

HSL 303.04, 1%, 0.85%

LAB 81.44, 40.33, -25.62

 

CMYK 0 / 55 / 22 / 10

HEX #E668B4

RGB 230 104 180

HSL 323.81, 0.72%, 0.65%

LAB 61.67, 57.27, -16.76

 

CMYK 0 / 60 / 24 / 16

HEX #D556A1

RGB 213 86 161

HSL 324.57, 0.6%, 0.59%

LAB 55.46, 57.74, -15.44

 

CMYK 0 / 65 / 28 / 23

HEX #C4448E

RGB 196 68 142

HSL 325.31, 0.52%, 0.52%

LAB 49.28, 57.97, -13.82

 

CMYK 0 / 72 / 31 / 30

HEX #B3327B

RGB 179 50 123

HSL 326.05, 0.56%, 0.45%

LAB 43.2, 57.76, -11.76

 

CMYK 0 / 80 / 36 / 36

HEX #A22068

RGB 162 32 104

HSL 326.77, 0.67%, 0.38%

LAB 37.32, 56.84, -9.07

 

CMYK 0 / 56 / 22 / 10

HEX #E665B3

RGB 230 101 179

HSL 323.72, 0.72%, 0.65%

LAB 61.12, 58.5, -17.02

 

CMYK 0 / 56 / 37 / 10

HEX #E66590

RGB 230 101 144

HSL 340, 0.72%, 0.65%

LAB 60.02, 54.14, 1.52

 

CMYK 0 / 56 / 53 / 10

HEX #E6656D

RGB 230 101 109

HSL 356.28, 0.72%, 0.65%

LAB 59.19, 50.74, 20.66

 

CMYK 0 / 56 / 56 / 10

HEX #E66565

RGB 230 101 101

HSL 0, 0.72%, 0.65%

LAB 59.04, 50.11, 25.07

 

CMYK 0 / 56 / 22 / 10

HEX #E665B3

RGB 230 101 179

HSL 323.72, 0.72%, 0.65%

LAB 61.12, 58.5, -17.02

 

CMYK 0 / 56 / 7 / 10

HEX #E665D5

RGB 230 101 213

HSL 307.91, 0.72%, 0.65%

LAB 62.45, 63.57, -34.27

 

CMYK 8 / 56 / 0 / 10

HEX #D365E6

RGB 211 101 230

HSL 291.16, 0.72%, 0.65%

LAB 60.67, 61.54, -46.79

 

CMYK 23 / 56 / 0 / 10

HEX #B165E6

RGB 177 101 230

HSL 275.35, 0.72%, 0.65%

LAB 56.45, 53, -53.74

 

CMYK 38 / 56 / 0 / 10

HEX #8E65E6

RGB 142 101 230

HSL 259.07, 0.72%, 0.65%

LAB 52.7, 44.67, -59.96

 

CMYK 0 / 56 / 22 / 10

HEX #E665B3

RGB 230 101 179

HSL 323.72, 0.72%, 0.65%

LAB 61.12, 58.5, -17.02

 

CMYK 0 / 64 / 26 / 4

HEX #F457B5

RGB 244 87 181

HSL 324.08, 0.88%, 0.65%

LAB 61.12, 68.66, -17.97

 

CMYK 0 / 56 / 22 / 10

HEX #E665B3

RGB 230 101 179

HSL 323.72, 0.72%, 0.65%

LAB 61.12, 58.5, -17.02

 

CMYK 0 / 47 / 18 / 16

HEX #D773B0

RGB 215 115 176

HSL 323.4, 0.56%, 0.65%

LAB 61.52, 46.68, -14.9

 

CMYK 0 / 35 / 14 / 21

HEX #C982AD

RGB 201 130 173

HSL 323.66, 0.4%, 0.65%

LAB 62.84, 33.64, -11.37

 

CMYK 0 / 23 / 9 / 27

HEX #BA90AA

RGB 186 144 170

HSL 322.86, 0.23%, 0.65%

LAB 64.39, 20.13, -7.53

 

CMYK 0 / 8 / 3 / 33

HEX #AC9FA7

RGB 172 159 167

HSL 323.08, 0.07%, 0.65%

LAB 66.79, 6.19, -2.45

 

CMYK 9 / 56 / 0 / 10

HEX #D265E6

RGB 210 101 230

HSL 290.7, 0.72%, 0.65%

LAB 60.54, 61.28, -47

 

CMYK 0 / 56 / 7 / 10

HEX #E665D7

RGB 230 101 215

HSL 306.98, 0.72%, 0.65%

LAB 62.54, 63.89, -35.26

 

CMYK 0 / 56 / 22 / 10

HEX #E665B4

RGB 230 101 180

HSL 323.26, 0.72%, 0.65%

LAB 61.16, 58.64, -17.54

 

CMYK 0 / 56 / 37 / 10

HEX #E66592

RGB 230 101 146

HSL 339.07, 0.72%, 0.65%

LAB 60.07, 54.36, 0.44

 

CMYK 0 / 56 / 51 / 10

HEX #E66570

RGB 230 101 112

HSL 354.88, 0.72%, 0.65%

LAB 59.25, 50.99, 19.01

 

CMYK 0 / 84 / 34 / 16

HEX #D6228E

RGB 214 34 142

HSL 324, 0.73%, 0.49%

LAB 48.75, 72.98, -14.32

 

CMYK 0 / 71 / 28 / 12

HEX #E042A1

RGB 224 66 161

HSL 323.92, 0.72%, 0.57%

LAB 54.36, 68.65, -16.94

 

CMYK 0 / 56 / 22 / 10

HEX #E665B3

RGB 230 101 179

HSL 323.72, 0.72%, 0.65%

LAB 61.12, 58.5, -17.02

 

CMYK 0 / 42 / 17 / 8

HEX #EB88C4

RGB 235 136 196

HSL 323.64, 0.71%, 0.73%

LAB 68.94, 45.51, -14.75

 

CMYK 0 / 29 / 11 / 5

HEX #F1ACD6

RGB 241 172 214

HSL 323.48, 0.71%, 0.81%

LAB 77.91, 31.54, -11.13

 

CMYK 0 / 55 / 22 / 10

HEX #E668B4

RGB 230 104 180

HSL 323.81, 0.72%, 0.65%

LAB 61.67, 57.27, -16.76

 

CMYK 0 / 23 / 56 / 10

HEX #E6B065

RGB 230 176 101

HSL 34.88, 0.72%, 0.65%

LAB 75.33, 11.3, 45.57

 

CMYK 56 / 0 / 1 / 10

HEX #65E6E3

RGB 101 230 227

HSL 178.6, 0.72%, 0.65%

LAB 84.44, -36.05, -9.31

 

CMYK 0 / 55 / 22 / 10

HEX #E668B4

RGB 230 104 180

HSL 323.81, 0.72%, 0.65%

LAB 61.67, 57.27, -16.76

 

CMYK 22 / 0 / 56 / 10

HEX #B4E665

RGB 180 230 101

HSL 83.26, 0.72%, 0.65%

LAB 85.62, -35.84, 56.65

 

CMYK 56 / 22 / 0 / 10

HEX #65B4E6

RGB 101 180 230

HSL 203.26, 0.72%, 0.65%

LAB 70.26, -10.15, -32.42

 

CMYK 0 / 55 / 22 / 10

HEX #E668B4

RGB 230 104 180

HSL 323.81, 0.72%, 0.65%

LAB 61.67, 57.27, -16.76

 

CMYK 0 / 23 / 56 / 10

HEX #E6B065

RGB 230 176 101

HSL 34.88, 0.72%, 0.65%

LAB 75.33, 11.3, 45.57

 

CMYK 56 / 0 / 35 / 10

HEX #65E696

RGB 101 230 150

HSL 142.79, 0.72%, 0.65%

LAB 82.68, -53.26, 28.5

 

CMYK 56 / 33 / 0 / 10

HEX #659BE6

RGB 101 155 230

HSL 214.88, 0.72%, 0.65%

LAB 63.28, 3.82, -43.31

 

CMYK 0 / 55 / 22 / 10

HEX #E668B4

RGB 230 104 180

HSL 323.81, 0.72%, 0.65%

LAB 61.67, 57.27, -16.76

 

CMYK 0 / 7 / 56 / 10

HEX #E6D765

RGB 230 215 101

HSL 53.02, 0.72%, 0.65%

LAB 85.18, -8.93, 57.1

 

CMYK 56 / 0 / 35 / 10

HEX #65E696

RGB 101 230 150

HSL 142.79, 0.72%, 0.65%

LAB 82.68, -53.26, 28.5

 

CMYK 56 / 50 / 0 / 10

HEX #6574E6

RGB 101 116 230

HSL 233.02, 0.72%, 0.65%

LAB 52.92, 27.08, -59.78

 

Description

Color code: RGB 230 104 180 | qconv.com Color code: RGB 230 104 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 104 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 104 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 22 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 22% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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