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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 22 185 96 it is the complementary color RGB 233 70 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 22 185 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 22 185 96 shade: RGB 27 185 91, RGB 44 203 110, RGB 61 221 129, RGB 78 239 148 and RGB 95 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 22 185 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 22 185 96 shade: RGB 22 185 96, RGB 5 167 77, RGB 0 149 58, RGB 0 131 39 and RGB 0 113 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 22 185 96 shade: RGB 21 187 96, RGB 21 187 52, RGB 36 187 21, RGB 80 187 21 and RGB 125 187 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 22 185 96 shade: RGB 21 187 96, RGB 21 187 141, RGB 21 187 186, RGB 21 143 187 and RGB 21 99 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 22 185 96 shade matches the following richer shades: RGB 21 187 96 and RGB 5 204 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 22 185 96 shade: RGB 21 187 96, RGB 38 170 98, RGB 55 153 100, RGB 72 136 101 and RGB 89 119 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 22 185 96 shade: RGB 35 187 21, RGB 21 187 52, RGB 21 187 96, RGB 21 187 140 and RGB 21 187 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 22 185 96 shade: RGB 13 113 58, RGB 17 150 77, RGB 21 187 96, RGB 26 224 116 and RGB 59 232 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 22 185 96 shade: RGB 22 185 96, RGB 21 79 187 and RGB 187 30 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 22 185 96 shade: RGB 22 185 96, RGB 96 21 187 and RGB 187 96 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 22 185 96 shade: RGB 22 185 96, RGB 21 79 187, RGB 187 21 112 and RGB 187 129 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 22 185 96 shade: RGB 22 185 96, RGB 21 30 187, RGB 187 21 112 and RGB 187 178 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 48 / 27

HEX #16B960

RGB 22 185 96

HSL 147.24, 0.79%, 0.41%

LAB 66.3, -58.39, 34.38

 

Complementary color

CMYK 0 / 70 / 32 / 9

HEX #E9469F

RGB 233 70 159

HSL 327.24, 0.79%, 0.59%

LAB 56.29, 69.38, -12.69

 

CMYK 85 / 0 / 51 / 27

HEX #1BB95B

RGB 27 185 91

HSL 144.3, 0.75%, 0.42%

LAB 66.28, -58.81, 36.88

 

CMYK 78 / 0 / 46 / 20

HEX #2CCB6E

RGB 44 203 110

HSL 144.91, 0.64%, 0.48%

LAB 72.48, -60.12, 35.21

 

CMYK 72 / 0 / 42 / 13

HEX #3DDD81

RGB 61 221 129

HSL 145.5, 0.7%, 0.55%

LAB 78.63, -60.99, 33.63

 

CMYK 67 / 0 / 38 / 6

HEX #4EEF94

RGB 78 239 148

HSL 146.09, 0.83%, 0.62%

LAB 84.74, -61.54, 32.15

 

CMYK 63 / 0 / 35 / 0

HEX #5FFFA7

RGB 95 255 167

HSL 147, 1%, 0.69%

LAB 90.2, -61.11, 29.98

 

CMYK 88 / 0 / 48 / 27

HEX #16B960

RGB 22 185 96

HSL 147.24, 0.79%, 0.41%

LAB 66.3, -58.39, 34.38

 

CMYK 97 / 0 / 54 / 35

HEX #05A74D

RGB 5 167 77

HSL 146.67, 0.94%, 0.34%

LAB 60.07, -56.38, 36.18

 

CMYK 100 / 0 / 61 / 42

HEX #00953A

RGB 0 149 58

HSL 143.36, 1%, 0.29%

LAB 53.81, -53.55, 38.01

 

CMYK 100 / 0 / 70 / 49

HEX #008327

RGB 0 131 39

HSL 137.86, 1%, 0.26%

LAB 47.47, -50.13, 39.6

 

CMYK 100 / 0 / 82 / 56

HEX #007114

RGB 0 113 20

HSL 130.62, 1%, 0.22%

LAB 40.99, -46.23, 40.43

 

CMYK 89 / 0 / 49 / 27

HEX #15BB60

RGB 21 187 96

HSL 147.11, 0.8%, 0.41%

LAB 66.93, -59.14, 35.18

 

CMYK 89 / 0 / 72 / 27

HEX #15BB34

RGB 21 187 52

HSL 131.2, 0.8%, 0.41%

LAB 66.48, -64.71, 54.44

 

CMYK 81 / 0 / 89 / 27

HEX #24BB15

RGB 36 187 21

HSL 114.58, 0.8%, 0.41%

LAB 66.5, -65.13, 63.39

 

CMYK 57 / 0 / 89 / 27

HEX #50BB15

RGB 80 187 21

HSL 98.67, 0.8%, 0.41%

LAB 67.5, -56.63, 64.65

 

CMYK 33 / 0 / 89 / 27

HEX #7DBB15

RGB 125 187 21

HSL 82.41, 0.8%, 0.41%

LAB 69.44, -42.19, 67.06

 

CMYK 89 / 0 / 49 / 27

HEX #15BB60

RGB 21 187 96

HSL 147.11, 0.8%, 0.41%

LAB 66.93, -59.14, 35.18

 

CMYK 89 / 0 / 25 / 27

HEX #15BB8D

RGB 21 187 141

HSL 163.37, 0.8%, 0.41%

LAB 67.74, -49.89, 12.45

 

CMYK 89 / 0 / 1 / 27

HEX #15BBBA

RGB 21 187 186

HSL 179.64, 0.8%, 0.41%

LAB 68.93, -37.62, -10.51

 

CMYK 89 / 24 / 0 / 27

HEX #158FBB

RGB 21 143 187

HSL 195.9, 0.8%, 0.41%

LAB 55.47, -15.21, -31.6

 

CMYK 89 / 47 / 0 / 27

HEX #1563BB

RGB 21 99 187

HSL 211.81, 0.8%, 0.41%

LAB 42.26, 11.28, -52.53

 

CMYK 89 / 0 / 49 / 27

HEX #15BB60

RGB 21 187 96

HSL 147.11, 0.8%, 0.41%

LAB 66.93, -59.14, 35.18

 

CMYK 98 / 0 / 53 / 20

HEX #05CC5F

RGB 5 204 95

HSL 147.14, 0.95%, 0.41%

LAB 72.26, -65.62, 42.25

 

CMYK 89 / 0 / 49 / 27

HEX #15BB60

RGB 21 187 96

HSL 147.11, 0.8%, 0.41%

LAB 66.93, -59.14, 35.18

 

CMYK 78 / 0 / 42 / 33

HEX #26AA62

RGB 38 170 98

HSL 147.27, 0.63%, 0.41%

LAB 61.69, -51.09, 27.46

 

CMYK 64 / 0 / 35 / 40

HEX #379964

RGB 55 153 100

HSL 147.55, 0.47%, 0.41%

LAB 56.6, -41.13, 19.67

 

CMYK 47 / 0 / 26 / 47

HEX #488865

RGB 72 136 101

HSL 147.19, 0.31%, 0.41%

LAB 51.75, -29.08, 12.55

 

CMYK 25 / 0 / 13 / 53

HEX #597767

RGB 89 119 103

HSL 148, 0.14%, 0.41%

LAB 47.36, -14.41, 5.3

 

CMYK 81 / 0 / 89 / 27

HEX #23BB15

RGB 35 187 21

HSL 114.94, 0.8%, 0.41%

LAB 66.48, -65.25, 63.38

 

CMYK 89 / 0 / 72 / 27

HEX #15BB34

RGB 21 187 52

HSL 131.2, 0.8%, 0.41%

LAB 66.48, -64.71, 54.44

 

CMYK 89 / 0 / 49 / 27

HEX #15BB60

RGB 21 187 96

HSL 147.11, 0.8%, 0.41%

LAB 66.93, -59.14, 35.18

 

CMYK 89 / 0 / 25 / 27

HEX #15BB8C

RGB 21 187 140

HSL 163.01, 0.8%, 0.41%

LAB 67.72, -50.13, 12.96

 

CMYK 89 / 0 / 2 / 27

HEX #15BBB8

RGB 21 187 184

HSL 178.92, 0.8%, 0.41%

LAB 68.87, -38.22, -9.5

 

CMYK 88 / 0 / 49 / 56

HEX #0D713A

RGB 13 113 58

HSL 147, 0.79%, 0.25%

LAB 41.53, -40.07, 23.1

 

CMYK 89 / 0 / 49 / 41

HEX #11964D

RGB 17 150 77

HSL 147.07, 0.8%, 0.33%

LAB 54.52, -49.85, 29.29

 

CMYK 89 / 0 / 49 / 27

HEX #15BB60

RGB 21 187 96

HSL 147.11, 0.8%, 0.41%

LAB 66.93, -59.14, 35.18

 

CMYK 88 / 0 / 48 / 12

HEX #1AE074

RGB 26 224 116

HSL 147.27, 0.79%, 0.49%

LAB 78.92, -67.83, 40.37

 

CMYK 75 / 0 / 41 / 9

HEX #3BE889

RGB 59 232 137

HSL 147.05, 0.79%, 0.57%

LAB 82.08, -63.79, 34.11

 

CMYK 88 / 0 / 48 / 27

HEX #16B960

RGB 22 185 96

HSL 147.24, 0.79%, 0.41%

LAB 66.3, -58.39, 34.38

 

CMYK 89 / 58 / 0 / 27

HEX #154FBB

RGB 21 79 187

HSL 219.04, 0.8%, 0.41%

LAB 36.63, 24.5, -61.66

 

CMYK 0 / 84 / 89 / 27

HEX #BB1E15

RGB 187 30 21

HSL 3.25, 0.8%, 0.41%

LAB 40.49, 59.24, 46.19

 

CMYK 88 / 0 / 48 / 27

HEX #16B960

RGB 22 185 96

HSL 147.24, 0.79%, 0.41%

LAB 66.3, -58.39, 34.38

 

CMYK 49 / 89 / 0 / 27

HEX #6015BB

RGB 96 21 187

HSL 267.11, 0.8%, 0.41%

LAB 30.9, 62.27, -70.87

 

CMYK 0 / 49 / 89 / 27

HEX #BB6015

RGB 187 96 21

HSL 27.11, 0.8%, 0.41%

LAB 50.67, 32.19, 54.1

 

CMYK 88 / 0 / 48 / 27

HEX #16B960

RGB 22 185 96

HSL 147.24, 0.79%, 0.41%

LAB 66.3, -58.39, 34.38

 

CMYK 89 / 58 / 0 / 27

HEX #154FBB

RGB 21 79 187

HSL 219.04, 0.8%, 0.41%

LAB 36.63, 24.5, -61.66

 

CMYK 0 / 89 / 40 / 27

HEX #BB1570

RGB 187 21 112

HSL 327.11, 0.8%, 0.41%

LAB 41.64, 66.18, -7.13

 

CMYK 0 / 31 / 89 / 27

HEX #BB8115

RGB 187 129 21

HSL 39.04, 0.8%, 0.41%

LAB 58.34, 14.15, 60.12

 

CMYK 88 / 0 / 48 / 27

HEX #16B960

RGB 22 185 96

HSL 147.24, 0.79%, 0.41%

LAB 66.3, -58.39, 34.38

 

CMYK 89 / 84 / 0 / 27

HEX #151EBB

RGB 21 30 187

HSL 236.75, 0.8%, 0.41%

LAB 25.79, 53.87, -79.53

 

CMYK 0 / 89 / 40 / 27

HEX #BB1570

RGB 187 21 112

HSL 327.11, 0.8%, 0.41%

LAB 41.64, 66.18, -7.13

 

CMYK 0 / 5 / 89 / 27

HEX #BBB215

RGB 187 178 21

HSL 56.75, 0.8%, 0.41%

LAB 71.19, -12.21, 70.28

 

Description

Color code: RGB 22 185 96 | qconv.com Color code: RGB 22 185 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 185 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 185 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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