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Color name
RGB 229 93 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 93 25 it is the complementary color RGB 26 162 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 93 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 93 25 shade: RGB 234 93 20, RGB 251 111 39, RGB 255 129 58, RGB 255 147 77 and RGB 255 165 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 93 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 212 75 6, RGB 195 57 0, RGB 178 39 0 and RGB 161 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 229 38 25 and RGB 229 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 229 148 25, RGB 229 203 25, RGB 200 229 25 and RGB 145 229 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 93 25 shade matches the following richer shades: RGB 229 93 25 and RGB 250 86 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 208 100 46, RGB 188 107 66, RGB 167 114 87 and RGB 146 121 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 93 25 shade: RGB 229 25 66, RGB 229 39 25, RGB 229 93 25, RGB 229 147 25 and RGB 229 202 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 93 25 shade: RGB 155 63 17, RGB 192 78 21, RGB 229 93 25, RGB 233 119 62 and RGB 237 145 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 120 229 25 and RGB 25 39 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 25 229 93 and RGB 93 25 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 120 229 25, RGB 25 161 229 and RGB 134 25 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 93 25 shade: RGB 229 93 25, RGB 59 229 25, RGB 25 161 229 and RGB 195 25 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

Complementary color

CMYK 89 / 30 / 0 / 10

HEX #1AA2E6

RGB 26 162 230

HSL 200, 0.8%, 0.5%

LAB 63.16, -9.97, -43.65

 

CMYK 0 / 60 / 91 / 8

HEX #EA5D14

RGB 234 93 20

HSL 20.47, 0.84%, 0.5%

LAB 57.44, 51.72, 62.67

 

CMYK 0 / 56 / 84 / 2

HEX #FB6F27

RGB 251 111 39

HSL 20.38, 0.96%, 0.57%

LAB 63.36, 50.01, 62.08

 

CMYK 0 / 49 / 77 / 0

HEX #FF813A

RGB 255 129 58

HSL 21.62, 1%, 0.61%

LAB 67.48, 43.42, 58.22

 

CMYK 0 / 42 / 70 / 0

HEX #FF934D

RGB 255 147 77

HSL 23.6, 1%, 0.65%

LAB 71.33, 35.17, 53.46

 

CMYK 0 / 35 / 62 / 0

HEX #FFA560

RGB 255 165 96

HSL 26.04, 1%, 0.69%

LAB 75.46, 26.94, 48.88

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 65 / 97 / 17

HEX #D44B06

RGB 212 75 6

HSL 20.1, 0.94%, 0.43%

LAB 50.74, 51.64, 59.92

 

CMYK 0 / 71 / 100 / 24

HEX #C33900

RGB 195 57 0

HSL 17.54, 1%, 0.38%

LAB 44.98, 53.04, 56.76

 

CMYK 0 / 78 / 100 / 30

HEX #B22700

RGB 178 39 0

HSL 13.15, 1%, 0.35%

LAB 39.44, 53.83, 52.33

 

CMYK 0 / 87 / 100 / 37

HEX #A11500

RGB 161 21 0

HSL 7.83, 1%, 0.32%

LAB 34.22, 53.54, 47.88

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 83 / 89 / 10

HEX #E52619

RGB 229 38 25

HSL 3.82, 0.8%, 0.5%

LAB 49.63, 69.16, 55.08

 

CMYK 0 / 89 / 89 / 10

HEX #E51919

RGB 229 25 25

HSL 0, 0.8%, 0.5%

LAB 48.79, 71.58, 54.47

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 35 / 89 / 10

HEX #E59419

RGB 229 148 25

HSL 36.18, 0.8%, 0.5%

LAB 67.95, 22.2, 68.78

 

CMYK 0 / 11 / 89 / 10

HEX #E5CB19

RGB 229 203 25

HSL 52.35, 0.8%, 0.5%

LAB 81.53, -6.68, 79.28

 

CMYK 13 / 0 / 89 / 10

HEX #C8E519

RGB 200 229 25

HSL 68.53, 0.8%, 0.5%

LAB 86.2, -31.54, 82

 

CMYK 37 / 0 / 89 / 10

HEX #91E519

RGB 145 229 25

HSL 84.71, 0.8%, 0.5%

LAB 82.98, -52.35, 78.05

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 66 / 98 / 2

HEX #FA5604

RGB 250 86 4

HSL 20, 0.97%, 0.5%

LAB 58.96, 60.04, 68.38

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 52 / 78 / 18

HEX #D0642E

RGB 208 100 46

HSL 20, 0.64%, 0.5%

LAB 54.78, 39.3, 48.86

 

CMYK 0 / 43 / 65 / 26

HEX #BC6B42

RGB 188 107 66

HSL 20.16, 0.48%, 0.5%

LAB 53.6, 28.6, 36.58

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 17 / 26 / 43

HEX #92796C

RGB 146 121 108

HSL 20.53, 0.15%, 0.5%

LAB 52.81, 7.6, 10.75

 

CMYK 0 / 89 / 71 / 10

HEX #E51942

RGB 229 25 66

HSL 347.94, 0.8%, 0.5%

LAB 49.19, 72.71, 33.02

 

CMYK 0 / 83 / 89 / 10

HEX #E52719

RGB 229 39 25

HSL 4.12, 0.8%, 0.5%

LAB 49.71, 68.94, 55.13

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 36 / 89 / 10

HEX #E59319

RGB 229 147 25

HSL 35.88, 0.8%, 0.5%

LAB 67.72, 22.74, 68.6

 

CMYK 0 / 12 / 89 / 10

HEX #E5CA19

RGB 229 202 25

HSL 52.06, 0.8%, 0.5%

LAB 81.27, -6.17, 79.08

 

CMYK 0 / 59 / 89 / 39

HEX #9B3F11

RGB 155 63 17

HSL 20, 0.8%, 0.34%

LAB 38.84, 36.2, 44

 

CMYK 0 / 59 / 89 / 25

HEX #C04E15

RGB 192 78 21

HSL 20, 0.8%, 0.42%

LAB 47.89, 43.24, 52.28

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 0 / 49 / 73 / 9

HEX #E9773E

RGB 233 119 62

HSL 20, 0.8%, 0.58%

LAB 62.39, 40.1, 50.19

 

CMYK 0 / 39 / 58 / 7

HEX #ED9163

RGB 237 145 99

HSL 20, 0.79%, 0.66%

LAB 68.86, 30.44, 38.9

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 48 / 0 / 89 / 10

HEX #78E519

RGB 120 229 25

HSL 92.06, 0.8%, 0.5%

LAB 81.89, -60.39, 76.7

 

CMYK 89 / 83 / 0 / 10

HEX #1927E5

RGB 25 39 229

HSL 235.88, 0.8%, 0.5%

LAB 32.51, 62.7, -92.78

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 89 / 0 / 59 / 10

HEX #19E55D

RGB 25 229 93

HSL 140, 0.8%, 0.5%

LAB 80.2, -72.73, 52.62

 

CMYK 59 / 89 / 0 / 10

HEX #5D19E5

RGB 93 25 229

HSL 260, 0.8%, 0.5%

LAB 35.36, 71, -87.92

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 48 / 0 / 89 / 10

HEX #78E519

RGB 120 229 25

HSL 92.06, 0.8%, 0.5%

LAB 81.89, -60.39, 76.7

 

CMYK 89 / 30 / 0 / 10

HEX #19A1E5

RGB 25 161 229

HSL 200, 0.8%, 0.5%

LAB 62.8, -9.83, -43.65

 

CMYK 41 / 89 / 0 / 10

HEX #8619E5

RGB 134 25 229

HSL 272.06, 0.8%, 0.5%

LAB 40.28, 74.85, -79.64

 

CMYK 0 / 59 / 89 / 10

HEX #E55D19

RGB 229 93 25

HSL 20, 0.8%, 0.5%

LAB 56.64, 50, 60.22

 

CMYK 74 / 0 / 89 / 10

HEX #3BE519

RGB 59 229 25

HSL 110, 0.8%, 0.5%

LAB 80.2, -74.23, 74.59

 

CMYK 89 / 30 / 0 / 10

HEX #19A1E5

RGB 25 161 229

HSL 200, 0.8%, 0.5%

LAB 62.8, -9.83, -43.65

 

CMYK 15 / 89 / 0 / 10

HEX #C319E5

RGB 195 25 229

HSL 290, 0.8%, 0.5%

LAB 49.44, 83, -64.31

 

Description

Color code: RGB 229 93 25 | qconv.com Color code: RGB 229 93 25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 93 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 93 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 89 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 89% 10% C M Y K

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Provide designers and agencies with accurate color values.

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