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Color name
RGB 229 86 76

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 86 76 it is the complementary color RGB 26 169 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 86 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 86 76 shade: RGB 234 86 71, RGB 251 104 90, RGB 255 122 109, RGB 255 140 128 and RGB 255 158 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 86 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 212 68 57, RGB 195 50 38, RGB 178 32 19 and RGB 161 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 86 76 shade: RGB 229 86 76 and RGB 229 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 229 127 76, RGB 229 169 76, RGB 229 210 76 and RGB 207 229 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 86 76 shade matches the following richer shades: RGB 229 86 76 and RGB 246 72 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 212 100 93, RGB 196 115 109, RGB 179 129 126 and RGB 163 143 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 86 76 shade: RGB 229 76 150, RGB 229 76 109, RGB 229 84 76, RGB 229 124 76 and RGB 229 165 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 86 76 shade: RGB 195 38 27, RGB 224 52 40, RGB 229 86 76, RGB 234 120 112 and RGB 239 154 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 191 229 76 and RGB 76 130 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 76 229 84 and RGB 84 76 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 191 229 76, RGB 76 221 229 and RGB 114 76 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 86 76 shade: RGB 229 86 76, RGB 145 229 76, RGB 76 221 229 and RGB 160 76 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

Complementary color

CMYK 85 / 6 / 0 / 30

HEX #1AA9B3

RGB 26 169 179

HSL 183.92, 0.75%, 0.4%

LAB 63.22, -31.01, -15.2

 

CMYK 0 / 63 / 70 / 8

HEX #EA5647

RGB 234 86 71

HSL 5.52, 0.8%, 0.6%

LAB 56.69, 56.32, 39.22

 

CMYK 0 / 59 / 64 / 2

HEX #FB685A

RGB 251 104 90

HSL 5.22, 0.95%, 0.67%

LAB 62.63, 55.27, 36.51

 

CMYK 0 / 52 / 57 / 0

HEX #FF7A6D

RGB 255 122 109

HSL 5.34, 1%, 0.71%

LAB 66.74, 49.57, 31.31

 

CMYK 0 / 45 / 50 / 0

HEX #FF8C80

RGB 255 140 128

HSL 5.67, 1%, 0.75%

LAB 70.58, 42.25, 25.87

 

CMYK 0 / 38 / 42 / 0

HEX #FF9E93

RGB 255 158 147

HSL 6.11, 1%, 0.79%

LAB 74.71, 34.88, 21.06

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 0 / 68 / 73 / 17

HEX #D44439

RGB 212 68 57

HSL 4.26, 0.64%, 0.53%

LAB 50.01, 55.75, 38.35

 

CMYK 0 / 74 / 81 / 24

HEX #C33226

RGB 195 50 38

HSL 4.59, 0.67%, 0.46%

LAB 44.27, 56.24, 41.7

 

CMYK 0 / 82 / 89 / 30

HEX #B22013

RGB 178 32 19

HSL 4.91, 0.81%, 0.39%

LAB 38.8, 56.1, 44.99

 

CMYK 0 / 91 / 100 / 37

HEX #A10E00

RGB 161 14 0

HSL 5.22, 1%, 0.32%

LAB 33.76, 54.87, 47.61

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 0 / 67 / 67 / 10

HEX #E54C4C

RGB 229 76 76

HSL 0, 0.75%, 0.6%

LAB 54.4, 59.01, 33.47

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 0 / 45 / 67 / 10

HEX #E57F4C

RGB 229 127 76

HSL 20, 0.75%, 0.6%

LAB 63.64, 35.16, 44.41

 

CMYK 0 / 26 / 67 / 10

HEX #E5A94C

RGB 229 169 76

HSL 36.47, 0.75%, 0.6%

LAB 73.26, 12.91, 55.13

 

CMYK 0 / 8 / 67 / 10

HEX #E5D24C

RGB 229 210 76

HSL 52.55, 0.75%, 0.6%

LAB 83.59, -8.43, 66.02

 

CMYK 10 / 0 / 67 / 10

HEX #CFE54C

RGB 207 229 76

HSL 68.63, 0.75%, 0.6%

LAB 86.91, -26.79, 68.87

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 0 / 71 / 76 / 4

HEX #F6483B

RGB 246 72 59

HSL 4.17, 0.91%, 0.6%

LAB 56.63, 65.09, 46.23

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 0 / 53 / 56 / 17

HEX #D4645D

RGB 212 100 93

HSL 3.53, 0.58%, 0.6%

LAB 55.99, 43.54, 25.15

 

CMYK 0 / 41 / 44 / 23

HEX #C4736D

RGB 196 115 109

HSL 4.14, 0.42%, 0.6%

LAB 57.17, 31.18, 17.12

 

CMYK 0 / 28 / 30 / 30

HEX #B3817E

RGB 179 129 126

HSL 3.4, 0.26%, 0.6%

LAB 58.78, 18.88, 9.27

 

CMYK 0 / 12 / 13 / 36

HEX #A38F8E

RGB 163 143 142

HSL 2.86, 0.1%, 0.6%

LAB 61.12, 7.3, 3.27

 

CMYK 0 / 67 / 34 / 10

HEX #E54C96

RGB 229 76 150

HSL 330.98, 0.75%, 0.6%

LAB 56.12, 65.1, -7.74

 

CMYK 0 / 67 / 52 / 10

HEX #E54C6D

RGB 229 76 109

HSL 347.06, 0.75%, 0.6%

LAB 55, 61.19, 14.91

 

CMYK 0 / 63 / 67 / 10

HEX #E5544C

RGB 229 84 76

HSL 3.14, 0.75%, 0.6%

LAB 55.6, 55.74, 34.94

 

CMYK 0 / 46 / 67 / 10

HEX #E57C4C

RGB 229 124 76

HSL 18.82, 0.75%, 0.6%

LAB 63.01, 36.71, 43.68

 

CMYK 0 / 28 / 67 / 10

HEX #E5A54C

RGB 229 165 76

HSL 34.9, 0.75%, 0.6%

LAB 72.29, 15.04, 54.08

 

CMYK 0 / 81 / 86 / 24

HEX #C3261B

RGB 195 38 27

HSL 3.93, 0.76%, 0.44%

LAB 42.86, 59.63, 46

 

CMYK 0 / 77 / 82 / 12

HEX #E03428

RGB 224 52 40

HSL 3.91, 0.75%, 0.52%

LAB 50.05, 64.43, 48.14

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 0 / 49 / 52 / 8

HEX #EA7870

RGB 234 120 112

HSL 3.93, 0.74%, 0.68%

LAB 63.42, 43.2, 24.73

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A94

RGB 239 154 148

HSL 3.96, 0.74%, 0.76%

LAB 71.96, 31.1, 16.42

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 17 / 0 / 67 / 10

HEX #BFE54C

RGB 191 229 76

HSL 74.9, 0.75%, 0.6%

LAB 85.82, -33.1, 67.41

 

CMYK 67 / 43 / 0 / 10

HEX #4C82E5

RGB 76 130 229

HSL 218.82, 0.75%, 0.6%

LAB 55.24, 13.76, -55.58

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 67 / 0 / 63 / 10

HEX #4CE554

RGB 76 229 84

HSL 123.14, 0.75%, 0.6%

LAB 80.86, -67.5, 57.42

 

CMYK 63 / 67 / 0 / 10

HEX #544CE5

RGB 84 76 229

HSL 243.14, 0.75%, 0.6%

LAB 42.32, 47.89, -76.47

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 17 / 0 / 67 / 10

HEX #BFE54C

RGB 191 229 76

HSL 74.9, 0.75%, 0.6%

LAB 85.82, -33.1, 67.41

 

CMYK 67 / 3 / 0 / 10

HEX #4CDDE5

RGB 76 221 229

HSL 183.14, 0.75%, 0.6%

LAB 81.24, -35.36, -15.21

 

CMYK 50 / 67 / 0 / 10

HEX #724CE5

RGB 114 76 229

HSL 254.9, 0.75%, 0.6%

LAB 44.81, 52.46, -72.31

 

CMYK 0 / 62 / 67 / 10

HEX #E5564C

RGB 229 86 76

HSL 3.92, 0.75%, 0.6%

LAB 55.92, 54.89, 35.33

 

CMYK 37 / 0 / 67 / 10

HEX #91E54C

RGB 145 229 76

HSL 92.94, 0.75%, 0.6%

LAB 83.22, -49.88, 63.89

 

CMYK 67 / 3 / 0 / 10

HEX #4CDDE5

RGB 76 221 229

HSL 183.14, 0.75%, 0.6%

LAB 81.24, -35.36, -15.21

 

CMYK 30 / 67 / 0 / 10

HEX #A04CE5

RGB 160 76 229

HSL 272.94, 0.75%, 0.6%

LAB 49.86, 61.13, -63.88

 

Description

Color code: RGB 229 86 76 | qconv.com Color code: RGB 229 86 76 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 86 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 86 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 67% 10% C M Y K

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Provide designers and agencies with accurate color values.

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