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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 82 95 it is the complementary color RGB 26 173 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 82 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 82 95 shade: RGB 234 82 90, RGB 251 100 109, RGB 255 118 128, RGB 255 136 147 and RGB 255 154 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 82 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 82 95 shade: RGB 229 82 95, RGB 212 64 76, RGB 195 46 57, RGB 178 28 38 and RGB 161 10 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 82 95 shade: RGB 229 81 94 and RGB 229 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 82 95 shade: RGB 229 81 94, RGB 229 81 134, RGB 229 81 174, RGB 229 81 214 and RGB 204 81 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 82 95 shade matches the following richer shades: RGB 229 81 94 and RGB 245 65 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 82 95 shade: RGB 229 81 94, RGB 213 98 108, RGB 196 114 121, RGB 180 130 134 and RGB 164 146 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 82 95 shade: RGB 229 81 175, RGB 229 81 135, RGB 229 81 96, RGB 229 106 81 and RGB 229 145 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 82 95 shade: RGB 198 29 44, RGB 223 46 61, RGB 229 81 94, RGB 234 117 128 and RGB 239 153 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 82 95 shade: RGB 229 82 95, RGB 214 229 81 and RGB 81 155 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 82 95 shade: RGB 229 82 95, RGB 96 229 81 and RGB 81 96 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 82 95 shade: RGB 229 82 95, RGB 214 229 81, RGB 81 229 214 and RGB 96 81 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 82 95 shade: RGB 229 82 95, RGB 170 229 81, RGB 81 229 214 and RGB 140 81 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 59 / 10

HEX #E5525F

RGB 229 82 95

HSL 354.69, 0.74%, 0.61%

LAB 55.6, 57.75, 23.98

 

Complementary color

CMYK 85 / 0 / 8 / 32

HEX #1AADA0

RGB 26 173 160

HSL 174.69, 0.74%, 0.39%

LAB 63.87, -38.61, -3.61

 

CMYK 0 / 65 / 62 / 8

HEX #EA525A

RGB 234 82 90

HSL 356.84, 0.78%, 0.62%

LAB 56.35, 59.03, 28.03

 

CMYK 0 / 60 / 57 / 2

HEX #FB646D

RGB 251 100 109

HSL 356.42, 0.95%, 0.69%

LAB 62.28, 58.27, 25.36

 

CMYK 0 / 54 / 50 / 0

HEX #FF7680

RGB 255 118 128

HSL 355.62, 1%, 0.73%

LAB 66.35, 52.98, 20.16

 

CMYK 0 / 47 / 42 / 0

HEX #FF8893

RGB 255 136 147

HSL 354.45, 1%, 0.77%

LAB 70.16, 46.07, 14.75

 

CMYK 0 / 40 / 35 / 0

HEX #FF9AA6

RGB 255 154 166

HSL 352.87, 1%, 0.8%

LAB 74.27, 39.06, 10.02

 

CMYK 0 / 64 / 59 / 10

HEX #E5525F

RGB 229 82 95

HSL 354.69, 0.74%, 0.61%

LAB 55.6, 57.75, 23.98

 

CMYK 0 / 70 / 64 / 17

HEX #D4404C

RGB 212 64 76

HSL 355.14, 0.63%, 0.54%

LAB 49.72, 58.25, 27

 

CMYK 0 / 76 / 71 / 24

HEX #C32E39

RGB 195 46 57

HSL 355.57, 0.62%, 0.47%

LAB 44.02, 58.29, 30.6

 

CMYK 0 / 84 / 79 / 30

HEX #B21C26

RGB 178 28 38

HSL 356, 0.73%, 0.4%

LAB 38.61, 57.59, 34.85

 

CMYK 0 / 94 / 88 / 37

HEX #A10A13

RGB 161 10 19

HSL 356.42, 0.88%, 0.34%

LAB 33.65, 55.74, 39.39

 

CMYK 0 / 65 / 59 / 10

HEX #E5515E

RGB 229 81 94

HSL 354.73, 0.74%, 0.61%

LAB 55.43, 58.09, 24.34

 

CMYK 0 / 65 / 65 / 10

HEX #E55151

RGB 229 81 81

HSL 0, 0.74%, 0.61%

LAB 55.21, 57.27, 31.61

 

CMYK 0 / 65 / 59 / 10

HEX #E5515E

RGB 229 81 94

HSL 354.73, 0.74%, 0.61%

LAB 55.43, 58.09, 24.34

 

CMYK 0 / 65 / 41 / 10

HEX #E55186

RGB 229 81 134

HSL 338.51, 0.74%, 0.61%

LAB 56.35, 61.45, 2.03

 

CMYK 0 / 65 / 24 / 10

HEX #E551AE

RGB 229 81 174

HSL 322.3, 0.74%, 0.61%

LAB 57.65, 66.05, -19.43

 

CMYK 0 / 65 / 7 / 10

HEX #E551D6

RGB 229 81 214

HSL 306.08, 0.74%, 0.61%

LAB 59.34, 71.74, -39.71

 

CMYK 11 / 65 / 0 / 10

HEX #CC51E5

RGB 204 81 229

HSL 289.86, 0.74%, 0.61%

LAB 56.47, 68.45, -52.95

 

CMYK 0 / 65 / 59 / 10

HEX #E5515E

RGB 229 81 94

HSL 354.73, 0.74%, 0.61%

LAB 55.43, 58.09, 24.34

 

CMYK 0 / 73 / 67 / 4

HEX #F54151

RGB 245 65 81

HSL 354.67, 0.9%, 0.61%

LAB 55.87, 68.09, 33.05

 

CMYK 0 / 65 / 59 / 10

HEX #E5515E

RGB 229 81 94

HSL 354.73, 0.74%, 0.61%

LAB 55.43, 58.09, 24.34

 

CMYK 0 / 54 / 49 / 16

HEX #D5626C

RGB 213 98 108

HSL 354.78, 0.58%, 0.61%

LAB 56.05, 46.15, 16.55

 

CMYK 0 / 42 / 38 / 23

HEX #C47279

RGB 196 114 121

HSL 354.88, 0.41%, 0.61%

LAB 57.22, 33.07, 10.24

 

CMYK 0 / 28 / 26 / 29

HEX #B48286

RGB 180 130 134

HSL 355.2, 0.25%, 0.61%

LAB 59.33, 19.86, 5.49

 

CMYK 0 / 11 / 10 / 36

HEX #A49293

RGB 164 146 147

HSL 356.67, 0.09%, 0.61%

LAB 62.13, 6.86, 1.91

 

CMYK 0 / 65 / 24 / 10

HEX #E551AF

RGB 229 81 175

HSL 321.89, 0.74%, 0.61%

LAB 57.69, 66.18, -19.95

 

CMYK 0 / 65 / 41 / 10

HEX #E55187

RGB 229 81 135

HSL 338.11, 0.74%, 0.61%

LAB 56.38, 61.55, 1.48

 

CMYK 0 / 65 / 58 / 10

HEX #E55160

RGB 229 81 96

HSL 353.92, 0.74%, 0.61%

LAB 55.47, 58.23, 23.22

 

CMYK 0 / 54 / 65 / 10

HEX #E56A51

RGB 229 106 81

HSL 10.14, 0.74%, 0.61%

LAB 59.49, 46.01, 36.86

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 85 / 78 / 22

HEX #C61D2C

RGB 198 29 44

HSL 354.67, 0.74%, 0.45%

LAB 42.86, 63.11, 37.12

 

CMYK 0 / 79 / 73 / 13

HEX #DF2E3D

RGB 223 46 61

HSL 354.92, 0.73%, 0.53%

LAB 49.47, 66.54, 36

 

CMYK 0 / 65 / 59 / 10

HEX #E5515E

RGB 229 81 94

HSL 354.73, 0.74%, 0.61%

LAB 55.43, 58.09, 24.34

 

CMYK 0 / 50 / 45 / 8

HEX #EA7580

RGB 234 117 128

HSL 354.36, 0.74%, 0.69%

LAB 63.16, 46.16, 15.28

 

CMYK 0 / 36 / 33 / 6

HEX #EF99A1

RGB 239 153 161

HSL 354.42, 0.73%, 0.77%

LAB 72.03, 33.18, 9.33

 

CMYK 0 / 64 / 59 / 10

HEX #E5525F

RGB 229 82 95

HSL 354.69, 0.74%, 0.61%

LAB 55.6, 57.75, 23.98

 

CMYK 7 / 0 / 65 / 10

HEX #D6E551

RGB 214 229 81

HSL 66.08, 0.74%, 0.61%

LAB 87.45, -23.68, 67.67

 

CMYK 65 / 32 / 0 / 10

HEX #519BE5

RGB 81 155 229

HSL 210, 0.74%, 0.61%

LAB 62.38, -0.24, -44.23

 

CMYK 0 / 64 / 59 / 10

HEX #E5525F

RGB 229 82 95

HSL 354.69, 0.74%, 0.61%

LAB 55.6, 57.75, 23.98

 

CMYK 58 / 0 / 65 / 10

HEX #60E551

RGB 96 229 81

HSL 113.92, 0.74%, 0.61%

LAB 81.36, -63.57, 59.35

 

CMYK 65 / 58 / 0 / 10

HEX #5160E5

RGB 81 96 229

HSL 233.92, 0.74%, 0.61%

LAB 46.67, 35.54, -69.37

 

CMYK 0 / 64 / 59 / 10

HEX #E5525F

RGB 229 82 95

HSL 354.69, 0.74%, 0.61%

LAB 55.6, 57.75, 23.98

 

CMYK 7 / 0 / 65 / 10

HEX #D6E551

RGB 214 229 81

HSL 66.08, 0.74%, 0.61%

LAB 87.45, -23.68, 67.67

 

CMYK 65 / 0 / 7 / 10

HEX #51E5D6

RGB 81 229 214

HSL 173.92, 0.74%, 0.61%

LAB 83.25, -42.35, -4.25

 

CMYK 58 / 65 / 0 / 10

HEX #6051E5

RGB 96 81 229

HSL 246.08, 0.74%, 0.61%

LAB 44.27, 46.77, -73.24

 

CMYK 0 / 64 / 59 / 10

HEX #E5525F

RGB 229 82 95

HSL 354.69, 0.74%, 0.61%

LAB 55.6, 57.75, 23.98

 

CMYK 26 / 0 / 65 / 10

HEX #AAE551

RGB 170 229 81

HSL 83.92, 0.74%, 0.61%

LAB 84.58, -40.72, 63.77

 

CMYK 65 / 0 / 7 / 10

HEX #51E5D6

RGB 81 229 214

HSL 173.92, 0.74%, 0.61%

LAB 83.25, -42.35, -4.25

 

CMYK 39 / 65 / 0 / 10

HEX #8C51E5

RGB 140 81 229

HSL 263.92, 0.74%, 0.61%

LAB 48.41, 54.68, -66.33

 

Description

Color code: RGB 229 82 95 | qconv.com Color code: RGB 229 82 95 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 82 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 82 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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