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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 60 78 it is the complementary color RGB 26 195 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 60 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 60 78 shade: RGB 234 60 73, RGB 251 78 92, RGB 255 96 111, RGB 255 114 130 and RGB 255 132 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 60 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 60 78 shade: RGB 229 60 78, RGB 212 42 59, RGB 195 24 40, RGB 178 6 21 and RGB 161 0 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 60 78 shade: RGB 228 62 79 and RGB 228 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 60 78 shade: RGB 228 62 79, RGB 228 62 124, RGB 228 62 169, RGB 228 62 214 and RGB 197 62 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 60 78 shade matches the following richer shades: RGB 228 62 79 and RGB 246 44 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 60 78 shade: RGB 228 62 79, RGB 210 79 93, RGB 193 97 107, RGB 175 115 121 and RGB 157 132 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 60 78 shade: RGB 228 62 170, RGB 228 62 125, RGB 228 62 81, RGB 228 87 62 and RGB 228 131 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 60 78 shade: RGB 183 24 41, RGB 219 29 50, RGB 228 62 79, RGB 233 98 112 and RGB 238 134 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 60 78 shade: RGB 229 60 78, RGB 214 228 62 and RGB 62 148 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 60 78 shade: RGB 229 60 78, RGB 81 228 62 and RGB 62 81 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 60 78 shade: RGB 229 60 78, RGB 214 228 62, RGB 62 228 209 and RGB 75 62 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 60 78 shade: RGB 229 60 78, RGB 164 228 62, RGB 62 228 209 and RGB 125 62 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 66 / 10

HEX #E53C4E

RGB 229 60 78

HSL 353.61, 0.76%, 0.57%

LAB 52.33, 64.89, 29.76

 

Complementary color

CMYK 87 / 0 / 9 / 24

HEX #1AC3B1

RGB 26 195 177

HSL 173.61, 0.76%, 0.43%

LAB 71.16, -43.5, -2.27

 

CMYK 0 / 74 / 69 / 8

HEX #EA3C49

RGB 234 60 73

HSL 355.52, 0.81%, 0.58%

LAB 53.17, 66.1, 33.92

 

CMYK 0 / 69 / 63 / 2

HEX #FB4E5C

RGB 251 78 92

HSL 355.14, 0.96%, 0.65%

LAB 58.72, 65.99, 30.5

 

CMYK 0 / 62 / 56 / 0

HEX #FF606F

RGB 255 96 111

HSL 354.34, 1%, 0.69%

LAB 62.32, 61.41, 24.39

 

CMYK 0 / 55 / 49 / 0

HEX #FF7282

RGB 255 114 130

HSL 353.19, 1%, 0.72%

LAB 65.68, 55.01, 18.1

 

CMYK 0 / 48 / 42 / 0

HEX #FF8495

RGB 255 132 149

HSL 351.71, 1%, 0.76%

LAB 69.42, 48.25, 12.6

 

CMYK 0 / 74 / 66 / 10

HEX #E53C4E

RGB 229 60 78

HSL 353.61, 0.76%, 0.57%

LAB 52.33, 64.89, 29.76

 

CMYK 0 / 80 / 72 / 17

HEX #D42A3B

RGB 212 42 59

HSL 354, 0.67%, 0.5%

LAB 46.93, 64.45, 33.67

 

CMYK 0 / 88 / 79 / 24

HEX #C31828

RGB 195 24 40

HSL 354.39, 0.78%, 0.43%

LAB 41.86, 63.16, 38.17

 

CMYK 0 / 97 / 88 / 30

HEX #B20615

RGB 178 6 21

HSL 354.77, 0.93%, 0.36%

LAB 37.21, 60.75, 42.81

 

CMYK 0 / 100 / 99 / 37

HEX #A10002

RGB 161 0 2

HSL 359.25, 1%, 0.32%

LAB 33.1, 56.82, 46.4

 

CMYK 0 / 73 / 65 / 11

HEX #E43E4F

RGB 228 62 79

HSL 353.86, 0.75%, 0.57%

LAB 52.4, 63.99, 29.22

 

CMYK 0 / 73 / 73 / 11

HEX #E43E3E

RGB 228 62 62

HSL 0, 0.75%, 0.57%

LAB 52.16, 63.17, 38.75

 

CMYK 0 / 73 / 65 / 11

HEX #E43E4F

RGB 228 62 79

HSL 353.86, 0.75%, 0.57%

LAB 52.4, 63.99, 29.22

 

CMYK 0 / 73 / 46 / 11

HEX #E43E7C

RGB 228 62 124

HSL 337.59, 0.75%, 0.57%

LAB 53.38, 67.2, 3.65

 

CMYK 0 / 73 / 26 / 11

HEX #E43EA9

RGB 228 62 169

HSL 321.33, 0.75%, 0.57%

LAB 54.87, 71.95, -20.79

 

CMYK 0 / 73 / 6 / 11

HEX #E43ED6

RGB 228 62 214

HSL 305.06, 0.75%, 0.57%

LAB 56.87, 78.04, -43.6

 

CMYK 14 / 73 / 0 / 11

HEX #C53EE4

RGB 197 62 228

HSL 288.8, 0.75%, 0.57%

LAB 52.86, 73.95, -58.22

 

CMYK 0 / 73 / 65 / 11

HEX #E43E4F

RGB 228 62 79

HSL 353.86, 0.75%, 0.57%

LAB 52.4, 63.99, 29.22

 

CMYK 0 / 82 / 74 / 4

HEX #F62C41

RGB 246 44 65

HSL 353.76, 0.92%, 0.57%

LAB 53.79, 73.45, 39.81

 

CMYK 0 / 73 / 65 / 11

HEX #E43E4F

RGB 228 62 79

HSL 353.86, 0.75%, 0.57%

LAB 52.4, 63.99, 29.22

 

CMYK 0 / 62 / 56 / 18

HEX #D24F5D

RGB 210 79 93

HSL 353.59, 0.59%, 0.57%

LAB 51.93, 52.65, 19.71

 

CMYK 0 / 50 / 45 / 24

HEX #C1616B

RGB 193 97 107

HSL 353.75, 0.44%, 0.57%

LAB 52.89, 39.35, 12.31

 

CMYK 0 / 34 / 31 / 31

HEX #AF7379

RGB 175 115 121

HSL 354, 0.27%, 0.57%

LAB 54.82, 24.48, 6.47

 

CMYK 0 / 16 / 14 / 38

HEX #9D8487

RGB 157 132 135

HSL 352.8, 0.11%, 0.57%

LAB 57.48, 10.03, 1.93

 

CMYK 0 / 73 / 25 / 11

HEX #E43EAA

RGB 228 62 170

HSL 320.96, 0.75%, 0.57%

LAB 54.91, 72.07, -21.32

 

CMYK 0 / 73 / 45 / 11

HEX #E43E7D

RGB 228 62 125

HSL 337.23, 0.75%, 0.57%

LAB 53.41, 67.29, 3.09

 

CMYK 0 / 73 / 64 / 11

HEX #E43E51

RGB 228 62 81

HSL 353.13, 0.75%, 0.57%

LAB 52.43, 64.09, 28.08

 

CMYK 0 / 62 / 73 / 11

HEX #E4573E

RGB 228 87 62

HSL 9.04, 0.75%, 0.57%

LAB 55.74, 53.43, 42.77

 

CMYK 0 / 43 / 73 / 11

HEX #E4833E

RGB 228 131 62

HSL 24.94, 0.75%, 0.57%

LAB 64.22, 31.95, 51.9

 

CMYK 0 / 87 / 78 / 28

HEX #B71829

RGB 183 24 41

HSL 353.58, 0.77%, 0.41%

LAB 39.38, 59.95, 34.21

 

CMYK 0 / 87 / 77 / 14

HEX #DB1D32

RGB 219 29 50

HSL 353.37, 0.77%, 0.49%

LAB 47.2, 68.9, 39.58

 

CMYK 0 / 73 / 65 / 11

HEX #E43E4F

RGB 228 62 79

HSL 353.86, 0.75%, 0.57%

LAB 52.4, 63.99, 29.22

 

CMYK 0 / 58 / 52 / 9

HEX #E96270

RGB 233 98 112

HSL 353.78, 0.75%, 0.65%

LAB 59.19, 53.4, 19

 

CMYK 0 / 44 / 39 / 7

HEX #EE8691

RGB 238 134 145

HSL 353.65, 0.75%, 0.73%

LAB 67.48, 40.8, 11.79

 

CMYK 0 / 74 / 66 / 10

HEX #E53C4E

RGB 229 60 78

HSL 353.61, 0.76%, 0.57%

LAB 52.33, 64.89, 29.76

 

CMYK 6 / 0 / 73 / 11

HEX #D6E43E

RGB 214 228 62

HSL 65.06, 0.75%, 0.57%

LAB 87.06, -24.2, 74.11

 

CMYK 73 / 35 / 0 / 11

HEX #3E94E4

RGB 62 148 228

HSL 208.92, 0.75%, 0.57%

LAB 59.71, 0.62, -47.93

 

CMYK 0 / 74 / 66 / 10

HEX #E53C4E

RGB 229 60 78

HSL 353.61, 0.76%, 0.57%

LAB 52.33, 64.89, 29.76

 

CMYK 64 / 0 / 73 / 11

HEX #51E43E

RGB 81 228 62

HSL 113.13, 0.75%, 0.57%

LAB 80.51, -68.12, 65.48

 

CMYK 73 / 64 / 0 / 11

HEX #3E51E4

RGB 62 81 228

HSL 233.13, 0.75%, 0.57%

LAB 42.02, 41.94, -76.46

 

CMYK 0 / 74 / 66 / 10

HEX #E53C4E

RGB 229 60 78

HSL 353.61, 0.76%, 0.57%

LAB 52.33, 64.89, 29.76

 

CMYK 6 / 0 / 73 / 11

HEX #D6E43E

RGB 214 228 62

HSL 65.06, 0.75%, 0.57%

LAB 87.06, -24.2, 74.11

 

CMYK 73 / 0 / 8 / 11

HEX #3EE4D1

RGB 62 228 209

HSL 173.13, 0.75%, 0.57%

LAB 82.44, -45.79, -2.84

 

CMYK 67 / 73 / 0 / 11

HEX #4B3EE4

RGB 75 62 228

HSL 244.7, 0.75%, 0.57%

LAB 38.8, 54.23, -81.72

 

CMYK 0 / 74 / 66 / 10

HEX #E53C4E

RGB 229 60 78

HSL 353.61, 0.76%, 0.57%

LAB 52.33, 64.89, 29.76

 

CMYK 28 / 0 / 73 / 11

HEX #A4E43E

RGB 164 228 62

HSL 83.13, 0.75%, 0.57%

LAB 83.82, -43.71, 69.88

 

CMYK 73 / 0 / 8 / 11

HEX #3EE4D1

RGB 62 228 209

HSL 173.13, 0.75%, 0.57%

LAB 82.44, -45.79, -2.84

 

CMYK 45 / 73 / 0 / 11

HEX #7D3EE4

RGB 125 62 228

HSL 262.77, 0.75%, 0.57%

LAB 43.37, 60.93, -74.04

 

Description

Color code: RGB 229 60 78 | qconv.com Color code: RGB 229 60 78 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 60 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 60 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 66 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 66% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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