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Color name
RGB 229 47 148

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 47 148 it is the complementary color RGB 26 208 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 47 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 47 148 shade: RGB 234 47 143, RGB 251 65 162, RGB 255 83 181, RGB 255 101 200 and RGB 255 119 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 47 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 47 148 shade: RGB 229 47 148, RGB 212 29 129, RGB 195 11 110, RGB 178 0 91 and RGB 161 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 47 148 shade: RGB 229 46 147, RGB 229 46 98, RGB 229 46 49 and RGB 229 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 47 148 shade: RGB 229 46 147, RGB 229 46 197, RGB 211 46 229, RGB 162 46 229 and RGB 113 46 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 47 148 shade matches the following richer shades: RGB 229 46 147 and RGB 248 27 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 47 148 shade: RGB 229 46 147, RGB 210 65 145, RGB 191 84 143, RGB 172 103 141 and RGB 153 122 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 47 148 shade: RGB 210 46 229, RGB 229 46 198, RGB 229 46 149, RGB 229 46 101 and RGB 229 46 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 47 148 shade: RGB 171 21 104, RGB 208 25 127, RGB 229 46 147, RGB 233 82 166 and RGB 238 119 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 47 148 shade: RGB 229 47 148, RGB 229 162 46 and RGB 46 223 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 47 148 shade: RGB 229 47 148, RGB 149 229 46 and RGB 46 149 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 47 148 shade: RGB 229 47 148, RGB 229 162 46, RGB 46 229 125 and RGB 46 113 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 47 148 shade: RGB 229 47 148, RGB 229 216 46, RGB 46 229 125 and RGB 46 58 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 35 / 10

HEX #E52F94

RGB 229 47 148

HSL 326.7, 0.78%, 0.54%

LAB 52.76, 74.12, -11.59

 

Complementary color

CMYK 88 / 0 / 49 / 18

HEX #1AD06B

RGB 26 208 107

HSL 146.7, 0.78%, 0.46%

LAB 73.8, -64.02, 38.34

 

CMYK 0 / 80 / 39 / 8

HEX #EA2F8F

RGB 234 47 143

HSL 329.2, 0.82%, 0.55%

LAB 53.5, 74.82, -7.41

 

CMYK 0 / 74 / 35 / 2

HEX #FB41A2

RGB 251 65 162

HSL 328.71, 0.96%, 0.62%

LAB 58.88, 75.95, -10.25

 

CMYK 0 / 67 / 29 / 0

HEX #FF53B5

RGB 255 83 181

HSL 325.81, 1%, 0.66%

LAB 62.32, 73.09, -15.98

 

CMYK 0 / 60 / 22 / 0

HEX #FF65C8

RGB 255 101 200

HSL 321.43, 1%, 0.7%

LAB 65.54, 68.48, -21.89

 

CMYK 0 / 53 / 14 / 0

HEX #FF77DB

RGB 255 119 219

HSL 315.88, 1%, 0.73%

LAB 69.16, 63.32, -26.98

 

CMYK 0 / 79 / 35 / 10

HEX #E52F94

RGB 229 47 148

HSL 326.7, 0.78%, 0.54%

LAB 52.76, 74.12, -11.59

 

CMYK 0 / 86 / 39 / 17

HEX #D41D81

RGB 212 29 129

HSL 327.21, 0.76%, 0.47%

LAB 47.57, 72.19, -8.25

 

CMYK 0 / 94 / 44 / 24

HEX #C30B6E

RGB 195 11 110

HSL 327.72, 0.89%, 0.4%

LAB 42.71, 69.15, -4.12

 

CMYK 0 / 100 / 49 / 30

HEX #B2005B

RGB 178 0 91

HSL 329.33, 1%, 0.35%

LAB 38.23, 64.85, 0.92

 

CMYK 0 / 100 / 55 / 37

HEX #A10048

RGB 161 0 72

HSL 333.17, 1%, 0.32%

LAB 34.08, 59.47, 6.8

 

CMYK 0 / 80 / 36 / 10

HEX #E52E93

RGB 229 46 147

HSL 326.89, 0.78%, 0.54%

LAB 52.64, 74.27, -11.17

 

CMYK 0 / 80 / 57 / 10

HEX #E52E62

RGB 229 46 98

HSL 342.95, 0.78%, 0.54%

LAB 51.26, 70.15, 16.37

 

CMYK 0 / 80 / 79 / 10

HEX #E52E31

RGB 229 46 49

HSL 359.02, 0.78%, 0.54%

LAB 50.49, 67.79, 44.2

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 80 / 36 / 10

HEX #E52E93

RGB 229 46 147

HSL 326.89, 0.78%, 0.54%

LAB 52.64, 74.27, -11.17

 

CMYK 0 / 80 / 14 / 10

HEX #E52EC5

RGB 229 46 197

HSL 310.49, 0.78%, 0.54%

LAB 54.7, 80.18, -37.29

 

CMYK 8 / 80 / 0 / 10

HEX #D32EE5

RGB 211 46 229

HSL 294.1, 0.78%, 0.54%

LAB 53.45, 81.44, -57.72

 

CMYK 29 / 80 / 0 / 10

HEX #A22EE5

RGB 162 46 229

HSL 278.03, 0.78%, 0.54%

LAB 46.03, 73.13, -70.07

 

CMYK 51 / 80 / 0 / 10

HEX #712EE5

RGB 113 46 229

HSL 261.97, 0.78%, 0.54%

LAB 39.78, 66.22, -80.54

 

CMYK 0 / 80 / 36 / 10

HEX #E52E93

RGB 229 46 147

HSL 326.89, 0.78%, 0.54%

LAB 52.64, 74.27, -11.17

 

CMYK 0 / 89 / 40 / 3

HEX #F81B95

RGB 248 27 149

HSL 326.88, 0.94%, 0.54%

LAB 54.98, 82.38, -8.49

 

CMYK 0 / 80 / 36 / 10

HEX #E52E93

RGB 229 46 147

HSL 326.89, 0.78%, 0.54%

LAB 52.64, 74.27, -11.17

 

CMYK 0 / 69 / 31 / 18

HEX #D24191

RGB 210 65 145

HSL 326.9, 0.62%, 0.54%

LAB 51.3, 63.39, -12.33

 

CMYK 0 / 56 / 25 / 25

HEX #BF548F

RGB 191 84 143

HSL 326.92, 0.46%, 0.54%

LAB 51.15, 49.52, -11.66

 

CMYK 0 / 40 / 18 / 33

HEX #AC678D

RGB 172 103 141

HSL 326.96, 0.29%, 0.54%

LAB 52.28, 33.03, -9.05

 

CMYK 0 / 20 / 9 / 40

HEX #997A8B

RGB 153 122 139

HSL 327.1, 0.13%, 0.54%

LAB 54.61, 14.96, -4.64

 

CMYK 8 / 80 / 0 / 10

HEX #D22EE5

RGB 210 46 229

HSL 293.77, 0.78%, 0.54%

LAB 53.29, 81.26, -57.98

 

CMYK 0 / 80 / 14 / 10

HEX #E52EC6

RGB 229 46 198

HSL 310.16, 0.78%, 0.54%

LAB 54.75, 80.31, -37.79

 

CMYK 0 / 80 / 35 / 10

HEX #E52E95

RGB 229 46 149

HSL 326.23, 0.78%, 0.54%

LAB 52.71, 74.47, -12.26

 

CMYK 0 / 80 / 56 / 10

HEX #E52E65

RGB 229 46 101

HSL 341.97, 0.78%, 0.54%

LAB 51.33, 70.35, 14.64

 

CMYK 0 / 80 / 77 / 10

HEX #E52E34

RGB 229 46 52

HSL 358.03, 0.78%, 0.54%

LAB 50.52, 67.89, 42.59

 

CMYK 0 / 88 / 39 / 33

HEX #AB1568

RGB 171 21 104

HSL 326.8, 0.78%, 0.38%

LAB 38.19, 61.64, -7.6

 

CMYK 0 / 88 / 39 / 18

HEX #D0197F

RGB 208 25 127

HSL 326.56, 0.79%, 0.46%

LAB 46.5, 71.78, -8.72

 

CMYK 0 / 80 / 36 / 10

HEX #E52E93

RGB 229 46 147

HSL 326.89, 0.78%, 0.54%

LAB 52.64, 74.27, -11.17

 

CMYK 0 / 65 / 29 / 9

HEX #E952A6

RGB 233 82 166

HSL 326.62, 0.77%, 0.62%

LAB 58.14, 65.75, -13.99

 

CMYK 0 / 50 / 22 / 7

HEX #EE77B9

RGB 238 119 185

HSL 326.72, 0.78%, 0.7%

LAB 65.65, 53.33, -13.49

 

CMYK 0 / 79 / 35 / 10

HEX #E52F94

RGB 229 47 148

HSL 326.7, 0.78%, 0.54%

LAB 52.76, 74.12, -11.59

 

CMYK 0 / 29 / 80 / 10

HEX #E5A22E

RGB 229 162 46

HSL 38.03, 0.78%, 0.54%

LAB 71.35, 15.28, 65.41

 

CMYK 80 / 3 / 0 / 10

HEX #2EDFE5

RGB 46 223 229

HSL 181.97, 0.78%, 0.54%

LAB 81.3, -39.59, -15.18

 

CMYK 0 / 79 / 35 / 10

HEX #E52F94

RGB 229 47 148

HSL 326.7, 0.78%, 0.54%

LAB 52.76, 74.12, -11.59

 

CMYK 35 / 0 / 80 / 10

HEX #95E52E

RGB 149 229 46

HSL 86.23, 0.78%, 0.54%

LAB 83.24, -50.27, 73.87

 

CMYK 80 / 35 / 0 / 10

HEX #2E95E5

RGB 46 149 229

HSL 206.23, 0.78%, 0.54%

LAB 59.65, -1.42, -48.61

 

CMYK 0 / 79 / 35 / 10

HEX #E52F94

RGB 229 47 148

HSL 326.7, 0.78%, 0.54%

LAB 52.76, 74.12, -11.59

 

CMYK 0 / 29 / 80 / 10

HEX #E5A22E

RGB 229 162 46

HSL 38.03, 0.78%, 0.54%

LAB 71.35, 15.28, 65.41

 

CMYK 80 / 0 / 45 / 10

HEX #2EE57D

RGB 46 229 125

HSL 145.9, 0.78%, 0.54%

LAB 80.79, -66.34, 38.38

 

CMYK 80 / 51 / 0 / 10

HEX #2E71E5

RGB 46 113 229

HSL 218.03, 0.78%, 0.54%

LAB 49.55, 20.54, -64.77

 

CMYK 0 / 79 / 35 / 10

HEX #E52F94

RGB 229 47 148

HSL 326.7, 0.78%, 0.54%

LAB 52.76, 74.12, -11.59

 

CMYK 0 / 6 / 80 / 10

HEX #E5D82E

RGB 229 216 46

HSL 55.74, 0.78%, 0.54%

LAB 84.98, -12.72, 77.44

 

CMYK 80 / 0 / 45 / 10

HEX #2EE57D

RGB 46 229 125

HSL 145.9, 0.78%, 0.54%

LAB 80.79, -66.34, 38.38

 

CMYK 80 / 75 / 0 / 10

HEX #2E3AE5

RGB 46 58 229

HSL 236.07, 0.78%, 0.54%

LAB 36.49, 54.27, -86.16

 

Description

Color code: RGB 229 47 148 | qconv.com Color code: RGB 229 47 148 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 47 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 47 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 35 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 35% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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