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Color name
RGB 229 25 196

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 25 196 it is the complementary color RGB 26 230 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 25 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 25 196 shade: RGB 234 25 191, RGB 251 43 210, RGB 255 61 229, RGB 255 79 248 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 25 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 212 7 177, RGB 195 0 158, RGB 178 0 139 and RGB 161 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 229 25 141, RGB 229 25 86, RGB 229 25 31 and RGB 229 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 207 25 229, RGB 152 25 229, RGB 97 25 229 and RGB 42 25 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 25 196 shade matches the following richer shades: RGB 229 25 196 and RGB 250 4 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 208 46 182, RGB 188 66 168, RGB 167 87 154 and RGB 146 108 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 25 196 shade: RGB 151 25 229, RGB 205 25 229, RGB 229 25 198, RGB 229 25 144 and RGB 229 25 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 25 196 shade: RGB 155 17 132, RGB 192 21 164, RGB 229 25 196, RGB 233 62 205 and RGB 237 99 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 229 96 25 and RGB 25 229 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 198 229 25 and RGB 25 198 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 229 96 25, RGB 25 229 56 and RGB 25 158 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 25 196 shade: RGB 229 25 196, RGB 229 158 25, RGB 25 229 56 and RGB 25 96 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

Complementary color

CMYK 89 / 0 / 74 / 10

HEX #1AE63B

RGB 26 230 59

HSL 129.71, 0.8%, 0.5%

LAB 80.25, -76.3, 65.95

 

CMYK 0 / 89 / 18 / 8

HEX #EA19BF

RGB 234 25 191

HSL 312.34, 0.83%, 0.51%

LAB 53.97, 84.25, -34.91

 

CMYK 0 / 83 / 16 / 2

HEX #FB2BD2

RGB 251 43 210

HSL 311.83, 0.96%, 0.58%

LAB 58.87, 86.95, -37.93

 

CMYK 0 / 76 / 10 / 0

HEX #FF3DE5

RGB 255 61 229

HSL 308.04, 1%, 0.62%

LAB 61.87, 86.11, -43.89

 

CMYK 0 / 69 / 3 / 0

HEX #FF4FF8

RGB 255 79 248

HSL 302.39, 1%, 0.65%

LAB 64.67, 83.54, -50.05

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 97 / 17 / 17

HEX #D407B1

RGB 212 7 177

HSL 310.24, 0.94%, 0.43%

LAB 48.66, 80.21, -35.34

 

CMYK 0 / 100 / 19 / 24

HEX #C3009E

RGB 195 0 158

HSL 311.38, 1%, 0.38%

LAB 44.33, 75.29, -31.06

 

CMYK 0 / 100 / 22 / 30

HEX #B2008B

RGB 178 0 139

HSL 313.15, 1%, 0.35%

LAB 40.13, 69.73, -26.34

 

CMYK 0 / 100 / 25 / 37

HEX #A10078

RGB 161 0 120

HSL 315.28, 1%, 0.32%

LAB 35.86, 64.09, -21.45

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 89 / 38 / 10

HEX #E5198D

RGB 229 25 141

HSL 325.88, 0.8%, 0.5%

LAB 51.01, 77.79, -10.03

 

CMYK 0 / 89 / 62 / 10

HEX #E51956

RGB 229 25 86

HSL 342.06, 0.8%, 0.5%

LAB 49.53, 73.67, 21.34

 

CMYK 0 / 89 / 86 / 10

HEX #E5191F

RGB 229 25 31

HSL 358.24, 0.8%, 0.5%

LAB 48.82, 71.68, 51.83

 

CMYK 0 / 89 / 89 / 10

HEX #E51919

RGB 229 25 25

HSL 0, 0.8%, 0.5%

LAB 48.79, 71.58, 54.47

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 10 / 89 / 0 / 10

HEX #CF19E5

RGB 207 25 229

HSL 293.53, 0.8%, 0.5%

LAB 51.4, 84.86, -61.04

 

CMYK 34 / 89 / 0 / 10

HEX #9819E5

RGB 152 25 229

HSL 277.35, 0.8%, 0.5%

LAB 42.81, 76.99, -75.4

 

CMYK 58 / 89 / 0 / 10

HEX #6119E5

RGB 97 25 229

HSL 261.18, 0.8%, 0.5%

LAB 35.78, 71.31, -87.22

 

CMYK 82 / 89 / 0 / 10

HEX #2A19E5

RGB 42 25 229

HSL 245, 0.8%, 0.5%

LAB 31.45, 68.32, -94.53

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 98 / 16 / 2

HEX #FA04D2

RGB 250 4 210

HSL 309.76, 0.97%, 0.5%

LAB 57.14, 91.32, -40.66

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 78 / 13 / 18

HEX #D02EB6

RGB 208 46 182

HSL 309.63, 0.64%, 0.5%

LAB 50.38, 73.72, -35.62

 

CMYK 0 / 65 / 11 / 26

HEX #BC42A8

RGB 188 66 168

HSL 309.84, 0.48%, 0.5%

LAB 48.78, 60.29, -30.15

 

CMYK 0 / 48 / 8 / 35

HEX #A7579A

RGB 167 87 154

HSL 309.75, 0.31%, 0.5%

LAB 48.72, 42.16, -22.21

 

CMYK 0 / 26 / 4 / 43

HEX #926C8C

RGB 146 108 140

HSL 309.47, 0.15%, 0.5%

LAB 50.37, 20.69, -11.64

 

CMYK 34 / 89 / 0 / 10

HEX #9719E5

RGB 151 25 229

HSL 277.06, 0.8%, 0.5%

LAB 42.66, 76.86, -75.64

 

CMYK 10 / 89 / 0 / 10

HEX #CD19E5

RGB 205 25 229

HSL 292.94, 0.8%, 0.5%

LAB 51.07, 84.55, -61.59

 

CMYK 0 / 89 / 14 / 10

HEX #E519C6

RGB 229 25 198

HSL 309.12, 0.8%, 0.5%

LAB 53.42, 84.19, -39.89

 

CMYK 0 / 89 / 37 / 10

HEX #E51990

RGB 229 25 144

HSL 325, 0.8%, 0.5%

LAB 51.11, 78.07, -11.68

 

CMYK 0 / 89 / 61 / 10

HEX #E5195A

RGB 229 25 90

HSL 340.88, 0.8%, 0.5%

LAB 49.61, 73.9, 19

 

CMYK 0 / 89 / 15 / 39

HEX #9B1184

RGB 155 17 132

HSL 310, 0.8%, 0.34%

LAB 36.05, 62.14, -28.73

 

CMYK 0 / 89 / 15 / 25

HEX #C015A4

RGB 192 21 164

HSL 309.82, 0.8%, 0.42%

LAB 44.83, 73.26, -33.91

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 73 / 12 / 9

HEX #E93ECD

RGB 233 62 205

HSL 309.82, 0.8%, 0.58%

LAB 57.25, 77.83, -37.84

 

CMYK 0 / 58 / 9 / 7

HEX #ED63D7

RGB 237 99 215

HSL 309.57, 0.79%, 0.66%

LAB 63.21, 66.62, -34.15

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 58 / 89 / 10

HEX #E56019

RGB 229 96 25

HSL 20.88, 0.8%, 0.5%

LAB 57.17, 48.62, 60.62

 

CMYK 89 / 0 / 22 / 10

HEX #19E5B2

RGB 25 229 178

HSL 165, 0.8%, 0.5%

LAB 81.54, -57.16, 12.17

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 14 / 0 / 89 / 10

HEX #C6E519

RGB 198 229 25

HSL 69.12, 0.8%, 0.5%

LAB 86.06, -32.35, 81.84

 

CMYK 89 / 14 / 0 / 10

HEX #19C6E5

RGB 25 198 229

HSL 189.12, 0.8%, 0.5%

LAB 73.71, -29.19, -26.72

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 58 / 89 / 10

HEX #E56019

RGB 229 96 25

HSL 20.88, 0.8%, 0.5%

LAB 57.17, 48.62, 60.62

 

CMYK 89 / 0 / 76 / 10

HEX #19E538

RGB 25 229 56

HSL 129.12, 0.8%, 0.5%

LAB 79.91, -76.3, 66.59

 

CMYK 89 / 31 / 0 / 10

HEX #199EE5

RGB 25 158 229

HSL 200.88, 0.8%, 0.5%

LAB 61.93, -8.14, -45.03

 

CMYK 0 / 89 / 14 / 10

HEX #E519C4

RGB 229 25 196

HSL 309.71, 0.8%, 0.5%

LAB 53.32, 83.93, -38.89

 

CMYK 0 / 31 / 89 / 10

HEX #E59E19

RGB 229 158 25

HSL 39.12, 0.8%, 0.5%

LAB 70.3, 16.88, 70.59

 

CMYK 89 / 0 / 76 / 10

HEX #19E538

RGB 25 229 56

HSL 129.12, 0.8%, 0.5%

LAB 79.91, -76.3, 66.59

 

CMYK 89 / 58 / 0 / 10

HEX #1960E5

RGB 25 96 229

HSL 219.12, 0.8%, 0.5%

LAB 44.56, 29.91, -72.91

 

Description

Color code: RGB 229 25 196 | qconv.com Color code: RGB 229 25 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 25 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 25 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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