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Color name
RGB 229 181 93

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 181 93 it is the complementary color RGB 26 74 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 181 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 181 93 shade: RGB 234 181 88, RGB 251 199 107, RGB 255 217 126, RGB 255 235 145 and RGB 255 253 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 181 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 181 93 shade: RGB 229 181 93, RGB 212 163 74, RGB 195 145 55, RGB 178 127 36 and RGB 161 109 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 181 93 shade: RGB 228 180 92, RGB 228 143 92, RGB 228 107 92 and RGB 228 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 181 93 shade: RGB 228 180 92, RGB 228 217 92, RGB 203 228 92, RGB 166 228 92 and RGB 129 228 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 181 93 shade matches the following richer shades: RGB 228 180 92 and RGB 243 185 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 181 93 shade: RGB 228 180 92, RGB 213 176 107, RGB 198 171 123, RGB 182 167 138 and RGB 167 162 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 181 93 shade: RGB 228 106 92, RGB 228 142 92, RGB 228 178 92, RGB 228 214 92 and RGB 205 228 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 181 93 shade: RGB 205 144 33, RGB 222 164 57, RGB 228 180 92, RGB 234 196 128 and RGB 240 213 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 181 93 shade: RGB 229 181 93, RGB 115 228 92 and RGB 124 92 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 181 93 shade: RGB 229 181 93, RGB 92 228 178 and RGB 178 92 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 181 93 shade: RGB 229 181 93, RGB 115 228 92, RGB 92 142 228 and RGB 205 92 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 181 93 shade: RGB 229 181 93, RGB 92 228 110, RGB 92 142 228 and RGB 228 92 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 59 / 10

HEX #E5B55D

RGB 229 181 93

HSL 38.82, 0.72%, 0.63%

LAB 76.37, 7.64, 50.68

 

Complementary color

CMYK 84 / 54 / 0 / 36

HEX #1A4AA2

RGB 26 74 162

HSL 218.82, 0.72%, 0.37%

LAB 33.41, 18.24, -52.05

 

CMYK 0 / 23 / 62 / 8

HEX #EAB558

RGB 234 181 88

HSL 38.22, 0.78%, 0.63%

LAB 76.83, 9.39, 53.7

 

CMYK 0 / 21 / 57 / 2

HEX #FBC76B

RGB 251 199 107

HSL 38.33, 0.95%, 0.7%

LAB 83.14, 8.32, 52.43

 

CMYK 0 / 15 / 51 / 0

HEX #FFD97E

RGB 255 217 126

HSL 42.33, 1%, 0.75%

LAB 88.16, 2.19, 49.39

 

CMYK 0 / 8 / 43 / 0

HEX #FFEB91

RGB 255 235 145

HSL 49.09, 1%, 0.78%

LAB 92.89, -5.16, 46.02

 

CMYK 0 / 1 / 36 / 0

HEX #FFFDA4

RGB 255 253 164

HSL 58.68, 1%, 0.82%

LAB 97.71, -12.08, 42.86

 

CMYK 0 / 21 / 59 / 10

HEX #E5B55D

RGB 229 181 93

HSL 38.82, 0.72%, 0.63%

LAB 76.37, 7.64, 50.68

 

CMYK 0 / 23 / 65 / 17

HEX #D4A34A

RGB 212 163 74

HSL 38.7, 0.62%, 0.56%

LAB 69.96, 8.78, 51.92

 

CMYK 0 / 26 / 72 / 24

HEX #C39137

RGB 195 145 55

HSL 38.57, 0.56%, 0.49%

LAB 63.45, 10.1, 53.01

 

CMYK 0 / 29 / 80 / 30

HEX #B27F24

RGB 178 127 36

HSL 38.45, 0.66%, 0.42%

LAB 56.85, 11.67, 53.67

 

CMYK 0 / 32 / 89 / 37

HEX #A16D11

RGB 161 109 17

HSL 38.33, 0.81%, 0.35%

LAB 50.16, 13.53, 53.38

 

CMYK 0 / 21 / 60 / 11

HEX #E4B45C

RGB 228 180 92

HSL 38.82, 0.72%, 0.63%

LAB 76.01, 7.68, 50.72

 

CMYK 0 / 37 / 60 / 11

HEX #E48F5C

RGB 228 143 92

HSL 22.5, 0.72%, 0.63%

LAB 67.21, 27.39, 40.3

 

CMYK 0 / 53 / 60 / 11

HEX #E46B5C

RGB 228 107 92

HSL 6.62, 0.72%, 0.63%

LAB 59.69, 45.87, 30.96

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 0 / 21 / 60 / 11

HEX #E4B45C

RGB 228 180 92

HSL 38.82, 0.72%, 0.63%

LAB 76.01, 7.68, 50.72

 

CMYK 0 / 5 / 60 / 11

HEX #E4D95C

RGB 228 217 92

HSL 55.15, 0.72%, 0.63%

LAB 85.45, -11.39, 61.34

 

CMYK 11 / 0 / 60 / 11

HEX #CBE45C

RGB 203 228 92

HSL 71.03, 0.72%, 0.63%

LAB 86.48, -26.84, 61.93

 

CMYK 27 / 0 / 60 / 11

HEX #A6E45C

RGB 166 228 92

HSL 87.35, 0.72%, 0.63%

LAB 84.16, -40.86, 58.7

 

CMYK 43 / 0 / 60 / 11

HEX #81E45C

RGB 129 228 92

HSL 103.68, 0.72%, 0.63%

LAB 82.34, -53.2, 56.16

 

CMYK 0 / 21 / 60 / 11

HEX #E4B45C

RGB 228 180 92

HSL 38.82, 0.72%, 0.63%

LAB 76.01, 7.68, 50.72

 

CMYK 0 / 24 / 68 / 5

HEX #F3B94D

RGB 243 185 77

HSL 39.04, 0.87%, 0.63%

LAB 78.63, 10.41, 60.86

 

CMYK 0 / 21 / 60 / 11

HEX #E4B45C

RGB 228 180 92

HSL 38.82, 0.72%, 0.63%

LAB 76.01, 7.68, 50.72

 

CMYK 0 / 17 / 50 / 16

HEX #D5B06B

RGB 213 176 107

HSL 39.06, 0.56%, 0.63%

LAB 73.71, 4.79, 40.17

 

CMYK 0 / 14 / 38 / 22

HEX #C6AB7B

RGB 198 171 123

HSL 38.4, 0.4%, 0.63%

LAB 71.26, 2.99, 28.35

 

CMYK 0 / 8 / 24 / 29

HEX #B6A78A

RGB 182 167 138

HSL 39.55, 0.23%, 0.63%

LAB 69.05, 0.76, 16.99

 

CMYK 0 / 3 / 8 / 35

HEX #A7A299

RGB 167 162 153

HSL 38.57, 0.07%, 0.63%

LAB 66.79, 0.18, 5.31

 

CMYK 0 / 54 / 60 / 11

HEX #E46A5C

RGB 228 106 92

HSL 6.18, 0.72%, 0.63%

LAB 59.5, 46.36, 30.72

 

CMYK 0 / 38 / 60 / 11

HEX #E48E5C

RGB 228 142 92

HSL 22.06, 0.72%, 0.63%

LAB 66.99, 27.92, 40.03

 

CMYK 0 / 22 / 60 / 11

HEX #E4B25C

RGB 228 178 92

HSL 37.94, 0.72%, 0.63%

LAB 75.52, 8.74, 50.14

 

CMYK 0 / 6 / 60 / 11

HEX #E4D65C

RGB 228 214 92

HSL 53.82, 0.72%, 0.63%

LAB 84.67, -9.88, 60.48

 

CMYK 10 / 0 / 60 / 11

HEX #CDE45C

RGB 205 228 92

HSL 70.15, 0.72%, 0.63%

LAB 86.62, -26.05, 62.12

 

CMYK 0 / 30 / 84 / 20

HEX #CD9021

RGB 205 144 33

HSL 38.72, 0.72%, 0.47%

LAB 64.19, 14.18, 62.37

 

CMYK 0 / 26 / 74 / 13

HEX #DEA439

RGB 222 164 57

HSL 38.91, 0.71%, 0.55%

LAB 71.13, 11.64, 60.83

 

CMYK 0 / 21 / 60 / 11

HEX #E4B45C

RGB 228 180 92

HSL 38.82, 0.72%, 0.63%

LAB 76.01, 7.68, 50.72

 

CMYK 0 / 16 / 45 / 8

HEX #EAC480

RGB 234 196 128

HSL 38.49, 0.72%, 0.71%

LAB 81.03, 4.8, 39.09

 

CMYK 0 / 11 / 32 / 6

HEX #F0D5A3

RGB 240 213 163

HSL 38.96, 0.72%, 0.79%

LAB 86.38, 2.21, 28.19

 

CMYK 0 / 21 / 59 / 10

HEX #E5B55D

RGB 229 181 93

HSL 38.82, 0.72%, 0.63%

LAB 76.37, 7.64, 50.68

 

CMYK 50 / 0 / 60 / 11

HEX #73E45C

RGB 115 228 92

HSL 109.85, 0.72%, 0.63%

LAB 81.79, -57.25, 55.38

 

CMYK 46 / 60 / 0 / 11

HEX #7C5CE4

RGB 124 92 228

HSL 254.12, 0.72%, 0.63%

LAB 48.93, 45.28, -64.99

 

CMYK 0 / 21 / 59 / 10

HEX #E5B55D

RGB 229 181 93

HSL 38.82, 0.72%, 0.63%

LAB 76.37, 7.64, 50.68

 

CMYK 60 / 0 / 22 / 11

HEX #5CE4B2

RGB 92 228 178

HSL 157.94, 0.72%, 0.63%

LAB 82.37, -48.7, 13.5

 

CMYK 22 / 60 / 0 / 11

HEX #B25CE4

RGB 178 92 228

HSL 277.94, 0.72%, 0.63%

LAB 54.78, 57.3, -55.27

 

CMYK 0 / 21 / 59 / 10

HEX #E5B55D

RGB 229 181 93

HSL 38.82, 0.72%, 0.63%

LAB 76.37, 7.64, 50.68

 

CMYK 50 / 0 / 60 / 11

HEX #73E45C

RGB 115 228 92

HSL 109.85, 0.72%, 0.63%

LAB 81.79, -57.25, 55.38

 

CMYK 60 / 38 / 0 / 11

HEX #5C8EE4

RGB 92 142 228

HSL 217.94, 0.72%, 0.63%

LAB 59.18, 9, -48.7

 

CMYK 10 / 60 / 0 / 11

HEX #CD5CE4

RGB 205 92 228

HSL 289.85, 0.72%, 0.63%

LAB 58.26, 63.78, -49.53

 

CMYK 0 / 21 / 59 / 10

HEX #E5B55D

RGB 229 181 93

HSL 38.82, 0.72%, 0.63%

LAB 76.37, 7.64, 50.68

 

CMYK 60 / 0 / 52 / 11

HEX #5CE46E

RGB 92 228 110

HSL 127.94, 0.72%, 0.63%

LAB 81.23, -60.81, 46.36

 

CMYK 60 / 38 / 0 / 11

HEX #5C8EE4

RGB 92 142 228

HSL 217.94, 0.72%, 0.63%

LAB 59.18, 9, -48.7

 

CMYK 0 / 60 / 8 / 11

HEX #E45CD2

RGB 228 92 210

HSL 307.94, 0.72%, 0.63%

LAB 60.61, 66.46, -35.48

 

Description

Color code: RGB 229 181 93 | qconv.com Color code: RGB 229 181 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 181 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 181 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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