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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 181 222 it is the complementary color RGB 26 74 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 181 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 181 222 shade: RGB 234 181 217, RGB 251 199 236, RGB 255 217 255, RGB 255 235 255 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 181 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 181 222 shade: RGB 229 181 222, RGB 212 163 203, RGB 195 145 184, RGB 178 127 165 and RGB 161 109 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 181 222 shade: RGB 228 179 221, RGB 228 179 208, RGB 228 179 194, RGB 228 179 181 and RGB 228 179 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 181 222 shade: RGB 228 179 221, RGB 222 179 228, RGB 209 179 228, RGB 196 179 228 and RGB 182 179 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 181 222 shade matches the following richer shades: RGB 228 179 221, RGB 236 171 227, RGB 244 163 233 and RGB 253 154 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 181 222 shade: RGB 228 179 221, RGB 220 187 215, RGB 211 196 209, RGB 203 204 203 and RGB 195 212 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 181 222 shade: RGB 208 179 228, RGB 221 179 228, RGB 228 179 221, RGB 228 179 208 and RGB 228 179 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 181 222 shade: RGB 207 118 194, RGB 217 148 207, RGB 228 179 221, RGB 239 210 234 and RGB 249 240 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 181 222 shade: RGB 229 181 222, RGB 228 195 179 and RGB 179 228 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 181 222 shade: RGB 229 181 222, RGB 221 228 179 and RGB 179 221 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 181 222 shade: RGB 229 181 222, RGB 228 195 179, RGB 179 228 186 and RGB 179 212 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 181 222 shade: RGB 229 181 222, RGB 228 210 179, RGB 179 228 186 and RGB 179 197 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 3 / 10

HEX #E5B5DE

RGB 229 181 222

HSL 308.75, 0.48%, 0.8%

LAB 79.03, 24.07, -13.92

 

Complementary color

CMYK 65 / 0 / 55 / 71

HEX #1A4A21

RGB 26 74 33

HSL 128.75, 0.48%, 0.2%

LAB 27.37, -26.35, 19.64

 

CMYK 0 / 23 / 7 / 8

HEX #EAB5D9

RGB 234 181 217

HSL 319.25, 0.56%, 0.81%

LAB 79.36, 24.88, -10.68

 

CMYK 0 / 21 / 6 / 2

HEX #FBC7EC

RGB 251 199 236

HSL 317.31, 0.87%, 0.88%

LAB 85.71, 24.34, -11.21

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 21 / 3 / 10

HEX #E5B5DE

RGB 229 181 222

HSL 308.75, 0.48%, 0.8%

LAB 79.03, 24.07, -13.92

 

CMYK 0 / 23 / 4 / 17

HEX #D4A3CB

RGB 212 163 203

HSL 311.02, 0.36%, 0.74%

LAB 72.56, 24.64, -13.43

 

CMYK 0 / 26 / 6 / 24

HEX #C391B8

RGB 195 145 184

HSL 313.2, 0.29%, 0.67%

LAB 65.99, 25.24, -12.92

 

CMYK 0 / 29 / 7 / 30

HEX #B27FA5

RGB 178 127 165

HSL 315.29, 0.25%, 0.6%

LAB 59.31, 25.9, -12.38

 

CMYK 0 / 32 / 9 / 37

HEX #A16D92

RGB 161 109 146

HSL 317.31, 0.22%, 0.53%

LAB 52.5, 26.62, -11.8

 

CMYK 0 / 21 / 3 / 11

HEX #E4B3DD

RGB 228 179 221

HSL 308.57, 0.48%, 0.8%

LAB 78.44, 24.63, -14.28

 

CMYK 0 / 21 / 9 / 11

HEX #E4B3D0

RGB 228 179 208

HSL 324.49, 0.48%, 0.8%

LAB 78.04, 22.36, -7.82

 

CMYK 0 / 21 / 15 / 11

HEX #E4B3C2

RGB 228 179 194

HSL 341.63, 0.48%, 0.8%

LAB 77.66, 20.05, -0.79

 

CMYK 0 / 21 / 21 / 11

HEX #E4B3B5

RGB 228 179 181

HSL 357.55, 0.48%, 0.8%

LAB 77.32, 18.05, 5.79

 

CMYK 0 / 21 / 21 / 11

HEX #E4B3B3

RGB 228 179 179

HSL 0, 0.48%, 0.8%

LAB 77.27, 17.75, 6.81

 

CMYK 0 / 21 / 3 / 11

HEX #E4B3DD

RGB 228 179 221

HSL 308.57, 0.48%, 0.8%

LAB 78.44, 24.63, -14.28

 

CMYK 3 / 21 / 0 / 11

HEX #DEB3E4

RGB 222 179 228

HSL 292.65, 0.48%, 0.8%

LAB 78.09, 23.93, -18.63

 

CMYK 8 / 21 / 0 / 11

HEX #D1B3E4

RGB 209 179 228

HSL 276.73, 0.48%, 0.8%

LAB 76.92, 19.7, -20.53

 

CMYK 14 / 21 / 0 / 11

HEX #C4B3E4

RGB 196 179 228

HSL 260.82, 0.48%, 0.8%

LAB 75.81, 15.53, -22.31

 

CMYK 20 / 21 / 0 / 11

HEX #B6B3E4

RGB 182 179 228

HSL 243.67, 0.48%, 0.8%

LAB 74.69, 11.14, -24.12

 

CMYK 0 / 21 / 3 / 11

HEX #E4B3DD

RGB 228 179 221

HSL 308.57, 0.48%, 0.8%

LAB 78.44, 24.63, -14.28

 

CMYK 0 / 28 / 4 / 7

HEX #ECABE3

RGB 236 171 227

HSL 308.31, 0.63%, 0.8%

LAB 77.58, 32.63, -18.74

 

CMYK 0 / 33 / 5 / 4

HEX #F4A3E9

RGB 244 163 233

HSL 308.15, 0.79%, 0.8%

LAB 76.87, 40.48, -23

 

CMYK 0 / 39 / 6 / 1

HEX #FD9AEE

RGB 253 154 238

HSL 309.09, 0.96%, 0.8%

LAB 76.17, 48.79, -26.68

 

CMYK 0 / 21 / 3 / 11

HEX #E4B3DD

RGB 228 179 221

HSL 308.57, 0.48%, 0.8%

LAB 78.44, 24.63, -14.28

 

CMYK 0 / 15 / 2 / 14

HEX #DCBBD7

RGB 220 187 215

HSL 309.09, 0.32%, 0.8%

LAB 79.42, 16.55, -9.64

 

CMYK 0 / 7 / 1 / 17

HEX #D3C4D1

RGB 211 196 209

HSL 308, 0.15%, 0.8%

LAB 80.7, 7.56, -4.6

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCB

RGB 203 204 203

HSL 120, 0.01%, 0.8%

LAB 81.94, -0.52, 0.37

 

CMYK 8 / 0 / 7 / 17

HEX #C3D4C5

RGB 195 212 197

HSL 127.06, 0.17%, 0.8%

LAB 83.29, -8.51, 5.45

 

CMYK 9 / 21 / 0 / 11

HEX #D0B3E4

RGB 208 179 228

HSL 275.51, 0.48%, 0.8%

LAB 76.83, 19.37, -20.67

 

CMYK 3 / 21 / 0 / 11

HEX #DDB3E4

RGB 221 179 228

HSL 291.43, 0.48%, 0.8%

LAB 78, 23.6, -18.78

 

CMYK 0 / 21 / 3 / 11

HEX #E4B3DD

RGB 228 179 221

HSL 308.57, 0.48%, 0.8%

LAB 78.44, 24.63, -14.28

 

CMYK 0 / 21 / 9 / 11

HEX #E4B3D0

RGB 228 179 208

HSL 324.49, 0.48%, 0.8%

LAB 78.04, 22.36, -7.82

 

CMYK 0 / 21 / 14 / 11

HEX #E4B3C3

RGB 228 179 195

HSL 340.41, 0.48%, 0.8%

LAB 77.68, 20.21, -1.29

 

CMYK 0 / 43 / 6 / 19

HEX #CF76C2

RGB 207 118 194

HSL 308.76, 0.48%, 0.64%

LAB 61.76, 45.53, -24.87

 

CMYK 0 / 32 / 5 / 15

HEX #D994CF

RGB 217 148 207

HSL 308.7, 0.48%, 0.72%

LAB 69.78, 35.14, -19.79

 

CMYK 0 / 21 / 3 / 11

HEX #E4B3DD

RGB 228 179 221

HSL 308.57, 0.48%, 0.8%

LAB 78.44, 24.63, -14.28

 

CMYK 0 / 12 / 2 / 6

HEX #EFD2EA

RGB 239 210 234

HSL 310.34, 0.48%, 0.88%

LAB 87.19, 14.16, -8.08

 

CMYK 0 / 4 / 0 / 2

HEX #F9F0F8

RGB 249 240 248

HSL 306.67, 0.43%, 0.96%

LAB 95.68, 4.41, -2.78

 

CMYK 0 / 21 / 3 / 10

HEX #E5B5DE

RGB 229 181 222

HSL 308.75, 0.48%, 0.8%

LAB 79.03, 24.07, -13.92

 

CMYK 0 / 14 / 21 / 11

HEX #E4C3B3

RGB 228 195 179

HSL 19.59, 0.48%, 0.8%

LAB 81.17, 9.24, 12.37

 

CMYK 21 / 0 / 6 / 11

HEX #B3E4D7

RGB 179 228 215

HSL 164.08, 0.48%, 0.8%

LAB 86.99, -18.35, 1.16

 

CMYK 0 / 21 / 3 / 10

HEX #E5B5DE

RGB 229 181 222

HSL 308.75, 0.48%, 0.8%

LAB 79.03, 24.07, -13.92

 

CMYK 3 / 0 / 21 / 11

HEX #DDE4B3

RGB 221 228 179

HSL 68.57, 0.48%, 0.8%

LAB 88.98, -10.39, 23.18

 

CMYK 21 / 3 / 0 / 11

HEX #B3DDE4

RGB 179 221 228

HSL 188.57, 0.48%, 0.8%

LAB 85.45, -12.1, -7.95

 

CMYK 0 / 21 / 3 / 10

HEX #E5B5DE

RGB 229 181 222

HSL 308.75, 0.48%, 0.8%

LAB 79.03, 24.07, -13.92

 

CMYK 0 / 14 / 21 / 11

HEX #E4C3B3

RGB 228 195 179

HSL 19.59, 0.48%, 0.8%

LAB 81.17, 9.24, 12.37

 

CMYK 21 / 0 / 18 / 11

HEX #B3E4BA

RGB 179 228 186

HSL 128.57, 0.48%, 0.8%

LAB 86.31, -23.85, 15.41

 

CMYK 21 / 7 / 0 / 11

HEX #B3D4E4

RGB 179 212 228

HSL 199.59, 0.48%, 0.8%

LAB 83.06, -7.46, -11.51

 

CMYK 0 / 21 / 3 / 10

HEX #E5B5DE

RGB 229 181 222

HSL 308.75, 0.48%, 0.8%

LAB 79.03, 24.07, -13.92

 

CMYK 0 / 8 / 21 / 11

HEX #E4D2B3

RGB 228 210 179

HSL 37.96, 0.48%, 0.8%

LAB 84.92, 1.38, 17.64

 

CMYK 21 / 0 / 18 / 11

HEX #B3E4BA

RGB 179 228 186

HSL 128.57, 0.48%, 0.8%

LAB 86.31, -23.85, 15.41

 

CMYK 21 / 14 / 0 / 11

HEX #B3C5E4

RGB 179 197 228

HSL 217.96, 0.48%, 0.8%

LAB 79.11, 0.45, -17.44

 

Description

Color code: RGB 229 181 222 | qconv.com Color code: RGB 229 181 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 181 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 181 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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