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Color name
RGB 229 164 163

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 164 163 it is the complementary color RGB 26 91 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 164 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 164 163 shade: RGB 234 164 158, RGB 251 182 177, RGB 255 200 196, RGB 255 218 215 and RGB 255 236 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 164 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 212 146 144, RGB 195 128 125, RGB 178 110 106 and RGB 161 92 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 164 163 shade: RGB 229 164 163 and RGB 229 163 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 229 182 163, RGB 229 199 163, RGB 229 217 163 and RGB 223 229 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 164 163 shade matches the following richer shades: RGB 229 164 163, RGB 238 155 154 and RGB 248 146 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 219 173 172, RGB 210 182 182, RGB 200 192 191 and RGB 191 201 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 164 163 shade: RGB 229 163 198, RGB 229 163 181, RGB 229 163 163, RGB 229 181 163 and RGB 229 198 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 164 163 shade: RGB 211 100 99, RGB 220 132 131, RGB 229 164 163, RGB 238 196 195 and RGB 247 228 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 216 229 163 and RGB 163 189 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 163 229 163 and RGB 163 163 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 216 229 163, RGB 163 229 229 and RGB 176 163 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 164 163 shade: RGB 229 164 163, RGB 196 229 163, RGB 163 229 229 and RGB 196 163 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

Complementary color

CMYK 72 / 1 / 0 / 64

HEX #1A5B5C

RGB 26 91 92

HSL 180.91, 0.56%, 0.23%

LAB 34.95, -19.45, -6.52

 

CMYK 0 / 30 / 32 / 8

HEX #EAA49E

RGB 234 164 158

HSL 4.74, 0.64%, 0.77%

LAB 73.88, 25.12, 13.52

 

CMYK 0 / 27 / 29 / 2

HEX #FBB6B1

RGB 251 182 177

HSL 4.05, 0.9%, 0.84%

LAB 80.26, 24.36, 12.46

 

CMYK 0 / 22 / 23 / 0

HEX #FFC8C4

RGB 255 200 196

HSL 4.07, 1%, 0.88%

LAB 85.28, 18.95, 9.49

 

CMYK 0 / 15 / 16 / 0

HEX #FFDAD7

RGB 255 218 215

HSL 4.5, 1%, 0.92%

LAB 90, 12.36, 6.23

 

CMYK 0 / 7 / 8 / 0

HEX #FFECEA

RGB 255 236 234

HSL 5.71, 1%, 0.96%

LAB 94.82, 6.1, 3.28

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 0 / 31 / 32 / 17

HEX #D49290

RGB 212 146 144

HSL 1.76, 0.44%, 0.7%

LAB 66.95, 24.68, 11.16

 

CMYK 0 / 34 / 36 / 24

HEX #C3807D

RGB 195 128 125

HSL 2.57, 0.37%, 0.63%

LAB 60.36, 25.56, 12.33

 

CMYK 0 / 38 / 40 / 30

HEX #B26E6A

RGB 178 110 106

HSL 3.33, 0.32%, 0.56%

LAB 53.66, 26.53, 13.66

 

CMYK 0 / 43 / 46 / 37

HEX #A15C57

RGB 161 92 87

HSL 4.05, 0.3%, 0.49%

LAB 46.87, 27.62, 15.18

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 0 / 29 / 29 / 10

HEX #E5A3A3

RGB 229 163 163

HSL 0, 0.56%, 0.77%

LAB 73.22, 24.43, 9.76

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 0 / 21 / 29 / 10

HEX #E5B6A3

RGB 229 182 163

HSL 17.27, 0.56%, 0.77%

LAB 77.73, 14.28, 16.13

 

CMYK 0 / 13 / 29 / 10

HEX #E5C7A3

RGB 229 199 163

HSL 32.73, 0.56%, 0.77%

LAB 81.92, 5.29, 21.94

 

CMYK 0 / 5 / 29 / 10

HEX #E5D9A3

RGB 229 217 163

HSL 49.09, 0.56%, 0.77%

LAB 86.47, -4.03, 28.14

 

CMYK 3 / 0 / 29 / 10

HEX #DFE5A3

RGB 223 229 163

HSL 65.45, 0.56%, 0.77%

LAB 89.1, -12.35, 31.59

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 0 / 35 / 35 / 7

HEX #EE9B9A

RGB 238 155 154

HSL 0.71, 0.71%, 0.77%

LAB 72.2, 30.9, 13.42

 

CMYK 0 / 41 / 42 / 3

HEX #F89290

RGB 248 146 144

HSL 1.15, 0.88%, 0.77%

LAB 71.23, 38.17, 17.78

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 0 / 21 / 21 / 14

HEX #DBADAC

RGB 219 173 172

HSL 1.28, 0.39%, 0.77%

LAB 74.78, 16.61, 6.92

 

CMYK 0 / 13 / 13 / 18

HEX #D2B6B6

RGB 210 182 182

HSL 0, 0.24%, 0.77%

LAB 76.4, 10.02, 3.7

 

CMYK 0 / 4 / 5 / 22

HEX #C8C0BF

RGB 200 192 191

HSL 6.67, 0.08%, 0.77%

LAB 78.31, 2.62, 1.49

 

CMYK 5 / 0 / 0 / 21

HEX #BFC9C9

RGB 191 201 201

HSL 180, 0.08%, 0.77%

LAB 80.22, -3.41, -1.19

 

CMYK 0 / 29 / 14 / 10

HEX #E5A3C6

RGB 229 163 198

HSL 328.18, 0.56%, 0.77%

LAB 74.14, 29.62, -8.14

 

CMYK 0 / 29 / 21 / 10

HEX #E5A3B5

RGB 229 163 181

HSL 343.64, 0.56%, 0.77%

LAB 73.67, 26.98, 0.51

 

CMYK 0 / 29 / 29 / 10

HEX #E5A3A3

RGB 229 163 163

HSL 0, 0.56%, 0.77%

LAB 73.22, 24.43, 9.76

 

CMYK 0 / 21 / 29 / 10

HEX #E5B5A3

RGB 229 181 163

HSL 16.36, 0.56%, 0.77%

LAB 77.49, 14.81, 15.79

 

CMYK 0 / 14 / 29 / 10

HEX #E5C6A3

RGB 229 198 163

HSL 31.82, 0.56%, 0.77%

LAB 81.67, 5.82, 21.6

 

CMYK 0 / 53 / 53 / 17

HEX #D36463

RGB 211 100 99

HSL 0.54, 0.56%, 0.61%

LAB 55.95, 43.66, 21.6

 

CMYK 0 / 40 / 40 / 14

HEX #DC8483

RGB 220 132 131

HSL 0.67, 0.56%, 0.69%

LAB 64.45, 33.66, 15.1

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 0 / 18 / 18 / 7

HEX #EEC4C3

RGB 238 196 195

HSL 1.4, 0.56%, 0.85%

LAB 82.7, 14.75, 6.11

 

CMYK 0 / 8 / 8 / 3

HEX #F7E4E3

RGB 247 228 227

HSL 3, 0.56%, 0.93%

LAB 92.05, 6.3, 2.82

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 6 / 0 / 29 / 10

HEX #D8E5A3

RGB 216 229 163

HSL 71.82, 0.56%, 0.77%

LAB 88.58, -14.95, 30.81

 

CMYK 29 / 17 / 0 / 10

HEX #A3BDE5

RGB 163 189 229

HSL 216.36, 0.56%, 0.77%

LAB 75.97, 0.21, -22.83

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 29 / 0 / 29 / 10

HEX #A3E5A3

RGB 163 229 163

HSL 120, 0.56%, 0.77%

LAB 85.24, -33.45, 25.72

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 6 / 0 / 29 / 10

HEX #D8E5A3

RGB 216 229 163

HSL 71.82, 0.56%, 0.77%

LAB 88.58, -14.95, 30.81

 

CMYK 29 / 0 / 0 / 10

HEX #A3E5E5

RGB 163 229 229

HSL 180, 0.56%, 0.77%

LAB 86.74, -20.55, -6.67

 

CMYK 23 / 29 / 0 / 10

HEX #B0A3E5

RGB 176 163 229

HSL 251.82, 0.56%, 0.77%

LAB 70.23, 18.42, -31.55

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 14 / 0 / 29 / 10

HEX #C4E5A3

RGB 196 229 163

HSL 90, 0.56%, 0.77%

LAB 87.2, -22.22, 28.72

 

CMYK 29 / 0 / 0 / 10

HEX #A3E5E5

RGB 163 229 229

HSL 180, 0.56%, 0.77%

LAB 86.74, -20.55, -6.67

 

CMYK 14 / 29 / 0 / 10

HEX #C4A3E5

RGB 196 163 229

HSL 270, 0.56%, 0.77%

LAB 71.95, 24.54, -28.76

 

Description

Color code: RGB 229 164 163 | qconv.com Color code: RGB 229 164 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 164 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 164 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 29 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 29% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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