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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 130 96 it is the complementary color RGB 26 125 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 130 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 130 96 shade: RGB 234 130 91, RGB 251 148 110, RGB 255 166 129, RGB 255 184 148 and RGB 255 202 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 130 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 130 96 shade: RGB 229 130 96, RGB 212 112 77, RGB 195 94 58, RGB 178 76 39 and RGB 161 58 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 130 96 shade: RGB 229 130 97 and RGB 229 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 130 96 shade: RGB 229 130 97, RGB 229 166 97, RGB 229 202 97, RGB 220 229 97 and RGB 185 229 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 130 96 shade matches the following richer shades: RGB 229 130 97 and RGB 244 123 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 130 96 shade: RGB 229 130 97, RGB 214 138 111, RGB 199 145 126, RGB 184 152 141 and RGB 169 159 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 130 96 shade: RGB 229 97 134, RGB 229 97 99, RGB 229 130 97, RGB 229 165 97 and RGB 229 200 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 130 96 shade: RGB 209 79 34, RGB 223 103 61, RGB 229 130 97, RGB 235 158 132 and RGB 240 186 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 130 96 shade: RGB 229 130 96, RGB 169 229 97 and RGB 97 116 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 130 96 shade: RGB 229 130 96, RGB 97 229 130 and RGB 130 97 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 130 96 shade: RGB 229 130 96, RGB 169 229 97, RGB 97 196 229 and RGB 156 97 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 130 96 shade: RGB 229 130 96, RGB 130 229 97, RGB 97 196 229 and RGB 196 97 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 58 / 10

HEX #E58260

RGB 229 130 96

HSL 15.34, 0.72%, 0.64%

LAB 64.54, 34.92, 34.9

 

Complementary color

CMYK 84 / 21 / 0 / 38

HEX #1A7D9F

RGB 26 125 159

HSL 195.34, 0.72%, 0.36%

LAB 48.75, -14.92, -25.91

 

CMYK 0 / 44 / 61 / 8

HEX #EA825B

RGB 234 130 91

HSL 16.36, 0.77%, 0.64%

LAB 65.13, 36.51, 38.48

 

CMYK 0 / 41 / 56 / 2

HEX #FB946E

RGB 251 148 110

HSL 16.17, 0.95%, 0.71%

LAB 71.43, 35.18, 36.65

 

CMYK 0 / 35 / 49 / 0

HEX #FFA681

RGB 255 166 129

HSL 17.62, 1%, 0.75%

LAB 76.14, 28.97, 32.69

 

CMYK 0 / 28 / 42 / 0

HEX #FFB894

RGB 255 184 148

HSL 20.19, 1%, 0.79%

LAB 80.56, 21.41, 28.45

 

CMYK 0 / 21 / 35 / 0

HEX #FFCAA7

RGB 255 202 167

HSL 23.86, 1%, 0.83%

LAB 85.14, 14.13, 24.64

 

CMYK 0 / 43 / 58 / 10

HEX #E58260

RGB 229 130 96

HSL 15.34, 0.72%, 0.64%

LAB 64.54, 34.92, 34.9

 

CMYK 0 / 47 / 64 / 17

HEX #D4704D

RGB 212 112 77

HSL 15.56, 0.61%, 0.57%

LAB 58.15, 36.31, 36.85

 

CMYK 0 / 52 / 70 / 24

HEX #C35E3A

RGB 195 94 58

HSL 15.77, 0.54%, 0.5%

LAB 51.74, 37.81, 38.99

 

CMYK 0 / 57 / 78 / 30

HEX #B24C27

RGB 178 76 39

HSL 15.97, 0.64%, 0.43%

LAB 45.33, 39.39, 41.26

 

CMYK 0 / 64 / 88 / 37

HEX #A13A14

RGB 161 58 20

HSL 16.17, 0.78%, 0.35%

LAB 38.99, 40.97, 43.33

 

CMYK 0 / 43 / 58 / 10

HEX #E58261

RGB 229 130 97

HSL 15, 0.72%, 0.64%

LAB 64.55, 34.99, 34.38

 

CMYK 0 / 58 / 58 / 10

HEX #E56161

RGB 229 97 97

HSL 0, 0.72%, 0.64%

LAB 58.1, 51.32, 26.11

 

CMYK 0 / 43 / 58 / 10

HEX #E58261

RGB 229 130 97

HSL 15, 0.72%, 0.64%

LAB 64.55, 34.99, 34.38

 

CMYK 0 / 28 / 58 / 10

HEX #E5A661

RGB 229 166 97

HSL 31.36, 0.72%, 0.64%

LAB 72.76, 15.9, 44.45

 

CMYK 0 / 12 / 58 / 10

HEX #E5CA61

RGB 229 202 97

HSL 47.73, 0.72%, 0.64%

LAB 81.71, -3.01, 54.94

 

CMYK 4 / 0 / 58 / 10

HEX #DCE561

RGB 220 229 97

HSL 64.09, 0.72%, 0.64%

LAB 88.03, -20.2, 61.85

 

CMYK 19 / 0 / 58 / 10

HEX #B9E561

RGB 185 229 97

HSL 80, 0.72%, 0.64%

LAB 85.61, -33.86, 58.48

 

CMYK 0 / 43 / 58 / 10

HEX #E58261

RGB 229 130 97

HSL 15, 0.72%, 0.64%

LAB 64.55, 34.99, 34.38

 

CMYK 0 / 50 / 66 / 4

HEX #F47B52

RGB 244 123 82

HSL 15.19, 0.88%, 0.64%

LAB 64.97, 43.31, 43.38

 

CMYK 0 / 43 / 58 / 10

HEX #E58261

RGB 229 130 97

HSL 15, 0.72%, 0.64%

LAB 64.55, 34.99, 34.38

 

CMYK 0 / 36 / 48 / 16

HEX #D68A6F

RGB 214 138 111

HSL 15.73, 0.56%, 0.64%

LAB 64.66, 26.05, 26.46

 

CMYK 0 / 27 / 37 / 22

HEX #C7917E

RGB 199 145 126

HSL 15.62, 0.39%, 0.64%

LAB 64.88, 17.91, 18.12

 

CMYK 0 / 17 / 23 / 28

HEX #B8988D

RGB 184 152 141

HSL 15.35, 0.23%, 0.64%

LAB 65.41, 10.19, 10.25

 

CMYK 0 / 6 / 8 / 34

HEX #A99F9C

RGB 169 159 156

HSL 13.85, 0.07%, 0.64%

LAB 66.24, 3.09, 2.86

 

CMYK 0 / 58 / 41 / 10

HEX #E56186

RGB 229 97 134

HSL 343.18, 0.72%, 0.64%

LAB 58.91, 54.58, 5.72

 

CMYK 0 / 58 / 57 / 10

HEX #E56163

RGB 229 97 99

HSL 359.09, 0.72%, 0.64%

LAB 58.14, 51.47, 25

 

CMYK 0 / 43 / 58 / 10

HEX #E58261

RGB 229 130 97

HSL 15, 0.72%, 0.64%

LAB 64.55, 34.99, 34.38

 

CMYK 0 / 28 / 58 / 10

HEX #E5A561

RGB 229 165 97

HSL 30.91, 0.72%, 0.64%

LAB 72.52, 16.43, 44.17

 

CMYK 0 / 13 / 58 / 10

HEX #E5C861

RGB 229 200 97

HSL 46.82, 0.72%, 0.64%

LAB 81.2, -1.98, 54.35

 

CMYK 0 / 62 / 84 / 18

HEX #D14F22

RGB 209 79 34

HSL 15.43, 0.72%, 0.48%

LAB 50.99, 49.3, 50.82

 

CMYK 0 / 54 / 73 / 13

HEX #DF673D

RGB 223 103 61

HSL 15.56, 0.72%, 0.56%

LAB 57.78, 44.18, 45.3

 

CMYK 0 / 43 / 58 / 10

HEX #E58261

RGB 229 130 97

HSL 15, 0.72%, 0.64%

LAB 64.55, 34.99, 34.38

 

CMYK 0 / 33 / 44 / 8

HEX #EB9E84

RGB 235 158 132

HSL 15.15, 0.72%, 0.72%

LAB 72.08, 25.71, 25.28

 

CMYK 0 / 23 / 30 / 6

HEX #F0BAA8

RGB 240 186 168

HSL 15, 0.71%, 0.8%

LAB 79.88, 16.97, 16.61

 

CMYK 0 / 43 / 58 / 10

HEX #E58260

RGB 229 130 96

HSL 15.34, 0.72%, 0.64%

LAB 64.54, 34.92, 34.9

 

CMYK 26 / 0 / 58 / 10

HEX #A9E561

RGB 169 229 97

HSL 87.27, 0.72%, 0.64%

LAB 84.66, -39.77, 57.14

 

CMYK 58 / 49 / 0 / 10

HEX #6174E5

RGB 97 116 229

HSL 231.36, 0.72%, 0.64%

LAB 52.61, 25.99, -59.73

 

CMYK 0 / 43 / 58 / 10

HEX #E58260

RGB 229 130 96

HSL 15.34, 0.72%, 0.64%

LAB 64.54, 34.92, 34.9

 

CMYK 58 / 0 / 43 / 10

HEX #61E582

RGB 97 229 130

HSL 135, 0.72%, 0.64%

LAB 81.94, -57.15, 37.59

 

CMYK 43 / 58 / 0 / 10

HEX #8261E5

RGB 130 97 229

HSL 255, 0.72%, 0.64%

LAB 50.63, 43.99, -62.79

 

CMYK 0 / 43 / 58 / 10

HEX #E58260

RGB 229 130 96

HSL 15.34, 0.72%, 0.64%

LAB 64.54, 34.92, 34.9

 

CMYK 26 / 0 / 58 / 10

HEX #A9E561

RGB 169 229 97

HSL 87.27, 0.72%, 0.64%

LAB 84.66, -39.77, 57.14

 

CMYK 58 / 14 / 0 / 10

HEX #61C4E5

RGB 97 196 229

HSL 195, 0.72%, 0.64%

LAB 74.62, -19.66, -25.19

 

CMYK 32 / 58 / 0 / 10

HEX #9C61E5

RGB 156 97 229

HSL 266.82, 0.72%, 0.64%

LAB 53.25, 49.81, -58.44

 

CMYK 0 / 43 / 58 / 10

HEX #E58260

RGB 229 130 96

HSL 15.34, 0.72%, 0.64%

LAB 64.54, 34.92, 34.9

 

CMYK 43 / 0 / 58 / 10

HEX #82E561

RGB 130 229 97

HSL 105, 0.72%, 0.64%

LAB 82.73, -52.78, 54.42

 

CMYK 58 / 14 / 0 / 10

HEX #61C4E5

RGB 97 196 229

HSL 195, 0.72%, 0.64%

LAB 74.62, -19.66, -25.19

 

CMYK 14 / 58 / 0 / 10

HEX #C461E5

RGB 196 97 229

HSL 285, 0.72%, 0.64%

LAB 57.98, 59.46, -50.6

 

Description

Color code: RGB 229 130 96 | qconv.com Color code: RGB 229 130 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 130 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 130 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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