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Color name
RGB 229 136 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 136 170 it is the complementary color RGB 26 119 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 136 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 136 170 shade: RGB 234 136 165, RGB 251 154 184, RGB 255 172 203, RGB 255 190 222 and RGB 255 208 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 136 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 136 170 shade: RGB 229 136 170, RGB 212 118 151, RGB 195 100 132, RGB 178 82 113 and RGB 161 64 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 136 170 shade: RGB 229 137 171, RGB 229 137 146 and RGB 229 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 136 170 shade: RGB 229 137 171, RGB 229 137 195, RGB 229 137 220, RGB 213 137 229 and RGB 188 137 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 136 170 shade matches the following richer shades: RGB 229 137 171, RGB 240 126 168 and RGB 252 114 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 136 170 shade: RGB 229 137 171, RGB 217 149 174, RGB 206 161 177, RGB 194 172 180 and RGB 183 184 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 136 170 shade: RGB 229 137 220, RGB 229 137 195, RGB 229 137 171, RGB 229 137 147 and RGB 229 153 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 136 170 shade: RGB 214 70 122, RGB 221 104 147, RGB 229 137 171, RGB 236 171 195 and RGB 244 205 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 136 170 shade: RGB 229 136 170, RGB 229 214 137 and RGB 137 207 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 136 170 shade: RGB 229 136 170, RGB 171 229 137 and RGB 137 171 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 136 170 shade: RGB 229 136 170, RGB 229 214 137, RGB 137 229 195 and RGB 137 153 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 136 170 shade: RGB 229 136 170, RGB 217 229 137, RGB 137 229 195 and RGB 150 137 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 26 / 10

HEX #E588AA

RGB 229 136 170

HSL 338.06, 0.64%, 0.72%

LAB 67.4, 39.7, -2.54

 

Complementary color

CMYK 78 / 0 / 29 / 53

HEX #1A7755

RGB 26 119 85

HSL 158.06, 0.64%, 0.28%

LAB 44.33, -35.04, 11.29

 

CMYK 0 / 42 / 29 / 8

HEX #EA88A5

RGB 234 136 165

HSL 342.24, 0.7%, 0.73%

LAB 67.89, 40.77, 1.05

 

CMYK 0 / 39 / 27 / 2

HEX #FB9AB8

RGB 251 154 184

HSL 341.44, 0.92%, 0.79%

LAB 74.24, 39.92, -0.01

 

CMYK 0 / 33 / 20 / 0

HEX #FFACCB

RGB 255 172 203

HSL 337.59, 1%, 0.84%

LAB 79.09, 34.63, -3.25

 

CMYK 0 / 25 / 13 / 0

HEX #FFBEDE

RGB 255 190 222

HSL 330.46, 1%, 0.87%

LAB 83.63, 28.11, -6.79

 

CMYK 0 / 18 / 5 / 0

HEX #FFD0F1

RGB 255 208 241

HSL 317.87, 1%, 0.91%

LAB 88.32, 21.81, -9.94

 

CMYK 0 / 41 / 26 / 10

HEX #E588AA

RGB 229 136 170

HSL 338.06, 0.64%, 0.72%

LAB 67.4, 39.7, -2.54

 

CMYK 0 / 44 / 29 / 17

HEX #D47697

RGB 212 118 151

HSL 338.94, 0.52%, 0.65%

LAB 60.95, 40.56, -1.46

 

CMYK 0 / 49 / 32 / 24

HEX #C36484

RGB 195 100 132

HSL 339.79, 0.44%, 0.58%

LAB 54.43, 41.44, -0.22

 

CMYK 0 / 54 / 37 / 30

HEX #B25271

RGB 178 82 113

HSL 340.63, 0.38%, 0.51%

LAB 47.87, 42.29, 1.25

 

CMYK 0 / 60 / 42 / 37

HEX #A1405E

RGB 161 64 94

HSL 341.44, 0.43%, 0.44%

LAB 41.3, 43.06, 3.07

 

CMYK 0 / 40 / 25 / 10

HEX #E589AB

RGB 229 137 171

HSL 337.83, 0.64%, 0.72%

LAB 67.64, 39.32, -2.75

 

CMYK 0 / 40 / 36 / 10

HEX #E58992

RGB 229 137 146

HSL 354.13, 0.64%, 0.72%

LAB 66.99, 36.1, 10.38

 

CMYK 0 / 40 / 40 / 10

HEX #E58989

RGB 229 137 137

HSL 0, 0.64%, 0.72%

LAB 66.79, 35.06, 15.15

 

CMYK 0 / 40 / 25 / 10

HEX #E589AB

RGB 229 137 171

HSL 337.83, 0.64%, 0.72%

LAB 67.64, 39.32, -2.75

 

CMYK 0 / 40 / 15 / 10

HEX #E589C3

RGB 229 137 195

HSL 322.17, 0.64%, 0.72%

LAB 68.38, 42.88, -15.11

 

CMYK 0 / 40 / 4 / 10

HEX #E589DC

RGB 229 137 220

HSL 305.87, 0.64%, 0.72%

LAB 69.27, 47.04, -27.65

 

CMYK 7 / 40 / 0 / 10

HEX #D589E5

RGB 213 137 229

HSL 289.57, 0.64%, 0.72%

LAB 67.79, 43.86, -35.05

 

CMYK 18 / 40 / 0 / 10

HEX #BC89E5

RGB 188 137 229

HSL 273.26, 0.64%, 0.72%

LAB 65.15, 36.49, -39.36

 

CMYK 0 / 40 / 25 / 10

HEX #E589AB

RGB 229 137 171

HSL 337.83, 0.64%, 0.72%

LAB 67.64, 39.32, -2.75

 

CMYK 0 / 48 / 30 / 6

HEX #F07EA8

RGB 240 126 168

HSL 337.89, 0.79%, 0.72%

LAB 66.73, 48.28, -2.24

 

CMYK 0 / 55 / 35 / 1

HEX #FC72A5

RGB 252 114 165

HSL 337.83, 0.96%, 0.72%

LAB 66.09, 57.57, -1.28

 

CMYK 0 / 40 / 25 / 10

HEX #E589AB

RGB 229 137 171

HSL 337.83, 0.64%, 0.72%

LAB 67.64, 39.32, -2.75

 

CMYK 0 / 31 / 20 / 15

HEX #D995AE

RGB 217 149 174

HSL 337.94, 0.47%, 0.72%

LAB 68.97, 29.15, -2.64

 

CMYK 0 / 22 / 14 / 19

HEX #CEA1B1

RGB 206 161 177

HSL 338.67, 0.31%, 0.72%

LAB 70.72, 19.14, -1.87

 

CMYK 0 / 11 / 7 / 24

HEX #C2ACB4

RGB 194 172 180

HSL 338.18, 0.15%, 0.72%

LAB 72.41, 9.32, -1.19

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B7

RGB 183 184 183

HSL 120, 0.01%, 0.72%

LAB 74.68, -0.53, 0.38

 

CMYK 0 / 40 / 4 / 10

HEX #E589DC

RGB 229 137 220

HSL 305.87, 0.64%, 0.72%

LAB 69.27, 47.04, -27.65

 

CMYK 0 / 40 / 15 / 10

HEX #E589C3

RGB 229 137 195

HSL 322.17, 0.64%, 0.72%

LAB 68.38, 42.88, -15.11

 

CMYK 0 / 40 / 25 / 10

HEX #E589AB

RGB 229 137 171

HSL 337.83, 0.64%, 0.72%

LAB 67.64, 39.32, -2.75

 

CMYK 0 / 40 / 36 / 10

HEX #E58993

RGB 229 137 147

HSL 353.48, 0.64%, 0.72%

LAB 67.02, 36.22, 9.85

 

CMYK 0 / 33 / 40 / 10

HEX #E59989

RGB 229 153 137

HSL 10.43, 0.64%, 0.72%

LAB 70.35, 26.59, 20.07

 

CMYK 0 / 67 / 43 / 16

HEX #D6467A

RGB 214 70 122

HSL 338.33, 0.64%, 0.56%

LAB 51.93, 60.16, 2.44

 

CMYK 0 / 53 / 33 / 13

HEX #DD6893

RGB 221 104 147

HSL 337.95, 0.63%, 0.64%

LAB 59.32, 50.13, -1.39

 

CMYK 0 / 40 / 25 / 10

HEX #E589AB

RGB 229 137 171

HSL 337.83, 0.64%, 0.72%

LAB 67.64, 39.32, -2.75

 

CMYK 0 / 28 / 17 / 7

HEX #ECABC3

RGB 236 171 195

HSL 337.85, 0.63%, 0.8%

LAB 76.62, 27.32, -2.76

 

CMYK 0 / 16 / 10 / 4

HEX #F4CDDB

RGB 244 205 219

HSL 338.46, 0.64%, 0.88%

LAB 86.01, 15.93, -1.8

 

CMYK 0 / 41 / 26 / 10

HEX #E588AA

RGB 229 136 170

HSL 338.06, 0.64%, 0.72%

LAB 67.4, 39.7, -2.54

 

CMYK 0 / 7 / 40 / 10

HEX #E5D689

RGB 229 214 137

HSL 50.22, 0.64%, 0.72%

LAB 85.28, -5.56, 39.86

 

CMYK 40 / 10 / 0 / 10

HEX #89CFE5

RGB 137 207 229

HSL 194.35, 0.64%, 0.72%

LAB 79.39, -16.4, -17.8

 

CMYK 0 / 41 / 26 / 10

HEX #E588AA

RGB 229 136 170

HSL 338.06, 0.64%, 0.72%

LAB 67.4, 39.7, -2.54

 

CMYK 25 / 0 / 40 / 10

HEX #ABE589

RGB 171 229 137

HSL 97.83, 0.64%, 0.72%

LAB 85.25, -34.62, 39.02

 

CMYK 40 / 25 / 0 / 10

HEX #89ABE5

RGB 137 171 229

HSL 217.83, 0.64%, 0.72%

LAB 69.54, 2.9, -32.84

 

CMYK 0 / 41 / 26 / 10

HEX #E588AA

RGB 229 136 170

HSL 338.06, 0.64%, 0.72%

LAB 67.4, 39.7, -2.54

 

CMYK 0 / 7 / 40 / 10

HEX #E5D689

RGB 229 214 137

HSL 50.22, 0.64%, 0.72%

LAB 85.28, -5.56, 39.86

 

CMYK 40 / 0 / 15 / 10

HEX #89E5C3

RGB 137 229 195

HSL 157.83, 0.64%, 0.72%

LAB 84.64, -35.09, 8.01

 

CMYK 40 / 33 / 0 / 10

HEX #8999E5

RGB 137 153 229

HSL 229.57, 0.64%, 0.72%

LAB 64.77, 13.12, -40.27

 

CMYK 0 / 41 / 26 / 10

HEX #E588AA

RGB 229 136 170

HSL 338.06, 0.64%, 0.72%

LAB 67.4, 39.7, -2.54

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 40 / 0 / 15 / 10

HEX #89E5C3

RGB 137 229 195

HSL 157.83, 0.64%, 0.72%

LAB 84.64, -35.09, 8.01

 

CMYK 34 / 40 / 0 / 10

HEX #9689E5

RGB 150 137 229

HSL 248.48, 0.64%, 0.72%

LAB 61.68, 25.8, -45.05

 

Description

Color code: RGB 229 136 170 | qconv.com Color code: RGB 229 136 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 136 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 136 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 26 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 26% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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